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A fascinating oral history of one of American indie rock's most enduring and influential actsSlow, deliberate and deceptively simple, the music of Boston-based band Galaxie 500 was wonderfully at odds with the prevailing underground sounds of the late 1980s and early 1990s. Formed in 1987, the band split up in 1991 after releasing three acclaimed albums--Today, On Fire and This Is Our Music--as well as a Peel Sessions recording.The primary contributors to this long-unavailable history of the band are the three band members--bassist/vocalist Naomi Yang, drummer Damon Krukowski and guitarist/vocalist Dean Wareham--but dozens of people were interviewed in all, including fellow musicians, record business folks, music critics and scenesters.Galaxie 500: Temperature's Rising provides a complex, sometimes contentious account of the band's rise to indie stardom and their acrimonious breakup. It also includes dozens of rare and never-before-seen photographs, as well as posters and other ephemera from the personal collection of Naomi Yang, who provides a running commentary to the images. This is the definitive book about Galaxie 500 and a crucial chapter in the story of indie rock.
Kurt Schwitters' stated goal was to "erase the boundaries between the arts." This collection, culled from the five-volume German edition of Schwitters' writings, introduces the total work of art that is Merz through Schwitters' words. Included is the complete text for the "Ursonate," Schwitters' legendary and lengthy epic of sound poetry, which, as poets, editors and translators Jerome Rothenberg and Pierre Joris comment, "is to sound poetry what Joyce's "Ulysses "is to the twentieth-century novel."
Introduced once as bright boy of British belles letters, there may be a dubious few to whom his emasculated exoticism, nasty naughtiness may appeal... Not us... This is a fictional sequel to his Maiden Voyage, with many of its elements in exaggerated form, as Denton Welch continues to cultivate the odd, the perverse, the physically distasteful, the emotionally insecure. Here is Orvil Pym, 15, anxious adolescent with a fastidious femininity, as he spends a summer with his father and virile elder brothers. His fetid fancies, fears, bad dreams, his pursuit of objects d'art, his explorations and awkwardnesses, - socially, sexually, and his impotence in a cruder world all combine to no story, but reveries expressed in unalluring metaphor... But no... (Kirkus Reviews)
One of the most revered and acclaimed products of Surrealism, de Chirico's sole novel provides a uniquely literary analogue to his painterly scenariosThe artist Giorgio de Chirico's novel, Hebdomeros is a dream-like book of situations and landscapes reminiscent of his paintings. In his introduction John Ashbery calls the book "the finest work of Surrealist fiction," noting that de Chirico "invented for the occasion a new style and a new kind of novel ... his long run-on sentences, stitched together with semi-colons, allow a cinematic freedom of narration ... his language, like his painting, is invisible: a transparent but dense medium containing objects that are more real than reality." Hebdomeros is accompanied by an appendix of previously untranslated or uncollected writings, including M. Dudron's Adventure, a second, fragmentary novel translated by John Ashbery.
This sequel to Stein's Autobiography of Alice B. Toklas has been long misunderstood and neglected. An account of her experiences resulting from writing a bestseller, Everybody's Autobiography is funny and engaging, but also a seering meditation on the meaning of identity, success, and America. Stein at her most accessible and her most serious. Rejacketed and reprinted.
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