Bøger udgivet af FAB Press

Italy''s Master of the Macabre Lucio Fulci is celebrated in this lavishly illustrated in-depth study of his extraordinary films. From horror masterpieces like The Beyond and Zombie Flesh-Eaters to erotic thrillers like One On Top of the Other and A Lizard in a Woman''s Skin; from his earliest days as director of manic Italian comedies to his notoriety as purveyor of extreme violence in the terrifying slasher epic The New York Ripper, his whole career is explored.

This guide to the films of Ruggero Deodato takes his masterpiece Cannibal Holocaust, the seminal ''found footage'' film and famously wrongly accused of being a ''snuff movie'', and studies it alongside his other movies. Using two career-spanning interviews, his filmography, reviews of every movie and a selection of stunning posters/film stills/behind the scenes photos selected from the director''s personal collection, this book is the definitive reference work on one of the most accomplished horror film directors.

Published on its 25th anniversary, this is the 8th and final volume of Cinema Sewer! This celebrated underground film zine has satisfied genre film fans for a quarter century... and following the success of the first seven books, volume eight is primed to excite and delight! A mind-melting compilation of gonzo writing, illustration and comics about the most insane, sexy, awkward, hilarious and exploitational movies in the history of film, Cinema Sewer joyously and shamelessly celebrates the sleazy aspects of bizarre cinematic history. Author and artist Robin Bougie again dives deep to the bottom of the cesspool of horror and sexploitation, doing so in a distinctive manner that has made him infamous amongst a loyal following of cult film fans. Issues 32, 33, and the final issue - number 34 - of Robin Bougie''s legendary magazine are revisited in this eighth wild FAB Press volume, along with an extra 70 pages of never-before-seen content by Bougie and a host of his talented friends from

For more than 30 years, Alan Jones was the principal reviewer for the British movie magazine Starburst. He pioneered a no-holds-barred critical stance with an authentic fanboy voice filtered through his punk attitude and a keen genre sensibility. Jones covered every UK fantasy release in his eagerly anticipated monthly column. Finally, Jones has collated his entire body of Starburst reviews into one extraordinary volume, without editing the original texts. Starburst: The Complete Alan Jones Film Reviews 1977-2008 is a record of many of the most influential fantasy and horror movies of all time. It also documents how the genre grew from lowly poor relation to box office powerhouse. From the rise and fall and rise again of stalk-and-slash, the heyday of practical gore effects, the animation revival and the found footage phenomenon to the science fiction tentpole, superhero blockbusters, and the CGI revolution, Jones commented on it all while divulging unique facts, film industry gossip, and vital contemporary details. ''Three decades of thrillingly incisive writing from a true pioneer of horror, science fiction and fantasy film journalism outspoken, opinionated and endlessly readable. Alan Jones led the way the rest of us followed.'' - Mark Kermode. Being a key genre commentator meant Jones played a gratifying role in firing the imaginations of many of today''s top film industry names. Here, directors Edgar Wright (Shaun of the Dead, Last Night in Soho), Neil Marshall (Dog Soldiers, The Descent), Andy Nyman (Ghost Stories, ''Derren Brown: Infamous'') and writer Jeremy Dyson (The League of Gentlemen, Killing Eve) share their defining memories of Starburst, and how Jones engendered their devotion to the horror fantasy genre. This mighty tome is not only a genre reference bible about the most significant movies ever made, but also a glorious time machine taking readers back to an unforgettable era, fuelling the early days of fantasy fandom. This is a month-by-month record of the development and progression of science fiction, fantasy and horror films, all told in the compelling words of someone who was there every step of the way. A lucid, controversial and entertaining read that will have fans adding copious numbers of movie titles to their ''Must-See'' lists!

Mad medics... sinister surgeons... psychopathic psychiatrists. We put our trust in them. They say they want to help, to cure, to relieve pain and soothe suffering. They claim those experiments they''ve been performing are for the greater good of mankind. But what if they actually want the opposite? What happens when doctors are dead set on researching the strange, the bizarre, the weird? What happens when all that scientific and medical knowledge only results in the creation of unimaginable horror? Ever since the dawn of cinema, filmmakers have been depicting on screen the potential outcomes of medical madness and science gone sick. Now join surgeon, author, film critic and not-at-all-mad Doctor (at least according to him) John Llewellyn Probert as he takes a detailed look at the history of one of the most enduring archetypes in cinema, with an introductory overview of the genre followed by reviews of over 200 key mad doctor movies. In addition to critical appraisal, the author''s own medical background allows him to provide a unique insight into just how well the filmmakers have done their homework. Thrill to monsters and mutations, creatures and creations, horror hospitals, isolated mansions and underground laboratories. Enter a world of research gone rogue, of frightening philosophies and dread disease. Featuring a foreword by the notorious director Tom Six, who shocked filmgoers across the globe with his 100% medically accurate Human Centipede, and its sequels. Welcome to the FrightFest Guide to Mad Doctor Movies. Be reassured that you will be guided by a man who knows all about this stuff in real life, and that you''ll be quite safe. Trust him. He''s a doctor.

HOUSE OF PSYCHOTIC WOMEN has attained canonical status, having ushered in a new way of writing about film. Kier-La Janisse's acclaimed book is an autobiographical exploration of female neurosis in horror and exploitation films that examines hundreds of films through a daringly personal lens. In this pioneering work, anecdotes and memories interweave with film history, criticism, trivia and confrontational imagery to create a reflective personal history and a consideration of female madness, both onscreen and off. Following the extraordinary success of its 10th anniversary expanded hardcover re-issue, which features new reviews of 100 more films - many of which were inspired in part by the book itself - and hundreds of new images, FAB Press have now published an affordable paperback edition. Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart - 'the eccentric' - the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play. This sharply-designed book, including a 48-page full-colour section, is packed with 680 rare stills, posters, pressbooks and artwork throughout, that combine with family photos and artifacts to form a titillating sensory overload, with a filmography that traverses the acclaimed and the obscure in equal measure. Films covered include The Entity, The Corruption of Chris Miller, Singapore Sling, 3 Women, Toys Are Not for Children, Repulsion, Let's Scare Jessica to Death, The Haunting of Julia, Secret Ceremony, Cutting Moments, Out of the Blue, Mademoiselle, The Piano Teacher, Possession, Antichrist and hundreds more!

Mad medics... sinister surgeons... psychopathic psychiatrists. We put our trust in them. They say they want to help, to cure, to relieve pain and soothe suffering. They claim those experiments they've been performing are for the greater good of mankind. But what if they actually want the opposite? What happens when doctors are dead set on researching the strange, the bizarre, the weird? What happens when all that scientific and medical knowledge only results in the creation of unimaginable horror? Ever since the dawn of cinema, filmmakers have been depicting on screen the potential outcomes of medical madness and science gone sick. Now join surgeon, author, film critic and not-at-all-mad Doctor (at least according to him) John Llewellyn Probert as he takes a detailed look at the history of one of the most enduring archetypes in cinema, with an introductory overview of the genre followed by reviews of over 200 key mad doctor movies. In addition to critical appraisal, the author's own medical background allows him to provide a unique insight into just how well the filmmakers have done their homework. Thrill to monsters and mutations, creatures and creations, horror hospitals, isolated mansions and underground laboratories. Enter a world of research gone rogue, of frightening philosophies and dread disease. Featuring a foreword by the notorious director Tom Six, who shocked filmgoers across the globe with his 100% medically accurate Human Centipede, and its sequels. Welcome to the FrightFest Guide to Mad Doctor Movies. Be reassured that you will be guided by a man who knows all about this stuff in real life, and that you'll be quite safe. Trust him. He's a doctor.

In this engaging candid memoir, horror legend Stuart Gordon gives a vivid account of his remarkable journey, from a student manning the barricades during the civil unrest of the 1960s, via an infamous stint as an experimental theater maverick, to ultimately becoming an iconic figure in cult cinema. While he'd started his professional career as a theater director, Gordon's first love was cinema, and in 1985 he shocked the world with his wickedly witty debut feature Re-Animator. The film established an unofficial Gordon repertory company, including the actors Jeffrey Combs and Barbara Crampton, producer Brian Yuzna, and writer Dennis Paoli. It also established Gordon as the pre-eminent cinematic interpreter of legendary horror author H.P. Lovecraft, a writer many had previously regarded as largely unfilmable. Gordon went on to undertake a succession of horror, science fiction, and thriller productions that saw him working across the globe, from Italy (Castle Freak), Hungary (Daughter of Darkness) and Australia (Fortress), to Ireland (Space Truckers) and Spain (Dagon). In these pages, Gordon recalls a wealth of anecdotes, revealing what it was like to direct acclaimed actors such as Anthony Perkins, Dennis Hopper, Oliver Reed, Edward J. Olmos, Lance Henriksen and William H. Macy. Gordon also spills the beans on working with Roy Disney and Jeffrey Katzenberg on the family comedy Honey, I Shrunk the Kids at Disney Studios. Stuart Gordon's memoir is authentically funny, disarmingly honest, and unexpectedly touching - a compelling glimpse into the life of a director happiest in Hollywood's hinterlands, pushing the limits of what the mainstream would accept. It's the story of a bona fide original, an uncompromising artist with the common touch, and of a loving family man who delighted in disturbing us all with his restless, brilliant imagination. Gordon's filmography ranges from the iconic Lovecraftian horror From Beyond (1986), to science fiction action flicks including Robot Jox (1990), gruelling period pieces such as The Pit and the Pendulum (1998), the noir thriller King of the Ants(2003), and his David Mamet adaptation Edmond (2005). Naked Theater & Uncensored Horror is Stuart Gordon's final completed work, presented here unexpurgated, and fully endorsed and approved by the Gordon family trust.

June. Ron. Tim. Together they were the Ormond Organization, a Nashville mother-father-son trio who cranked out a wild bunch of movies, from Lash LaRue westerns to the stripper-gore-musical outrage The Exotic Ones, then finally... Baptist extravaganzas. The Ormonds plunged into every area of showbiz, from vaudeville to drive-in movies to Christian filmmaking. They did it all on a shoestring - by themselves, with no studio to back them. Theirs was a glittery world like no other. Populated by inebriated cowboys ... spook-show mentalists ... non-acting country stars ... UFO testifiers ... men in gorilla suits ... egocentric magicians ... fire-breathing, mud-wrestling ex-strippers ... sweaty preachers ... rockabilly monsters ... pint-sized evangelists. Not to mention a con artist or ten. At the height of their frenzied career Ron and June experienced a spiritual awakening after their private plane crashed on the way to a premiere. The Ormonds turned their back on secular show business to make a series of shocking, surreal religious pictures, including an unbelievable trio of films for Baptist preacher Estus Pirkle - such as The Burning Hell, which made millions without ever being shown in an actual movie theater. The inside story on the three Ormond-Pirkle religious pictures has never been told - until now. Forensic biographer Jimmy McDonough interviewed June Ormond extensively and she revealed things she told no other soul. June was the guiding force of the family, a woman who held her own in the cutthroat male-dominated world of low-budget independent film. Her commentary is hilarious, brutally honest and at times heartbreaking. Presented by Nicolas Winding Refn, The Exotic Ones is a landmark work by Jimmy McDonough, and a beautifully designed feast for the eyes. Oversized format quarter-bound hardcover with gilt edged pages, presented in a stunning gold embossed, textured laminate slipcase with bellyband.

"Andy Milligan, perhaps the most compelling lone wolf in cinema history, gets his due in this definitive work. A dressmaker, actor and puppeteer, Milligan cranked out explosive titles like Bloodthirsty Butchers, The Body Beneath, and The Rats Are Coming! The Werewolves Are Here! on threadbare budgets."--

Bears the same ISBN and bibliographical details (except edition statement and dates) as the first edition, which was published in 2008.

From The Curse of Frankenstein to The Horror of Dracula, The Phantom of the Opera to The Mummy, and The Curse of the Werewolf to The Devil Rides Out, Terence Fisher was Hammer''s acclaimed Gothic specialist, and is celebrated across the globe for directing many of the greatest horror movies of all time. TERENCE FISHER: Master of Gothic Cinema is the result of five years of research and writing by renowned author Tony Dalton, a long-time friend of Terence Fisher and his family. This fully authorised biography includes an introduction written by Fisher''s daughter Micky Harding.

The celebrated underground smash that is Cinema Sewer the magazine has been transformed and mutated into Cinema Sewer: The Book - and following the outstanding popularity of the first five books, volume six has been unleashed onto a now slightly-less-unsuspecting world! A mind-melting compilation of gonzo writing, illustration and comics about the most insane, sexy, awkward, cheesy, hilarious, upsetting and jaw-dropping movies in the history of film, Cinema Sewer joyously and shamelessly celebrates the sleazy aspects of bizarre cinematic history.

The crimson eyes of the werewolf still glare at us from the midnight depths of our ancient roots deep in primordial forest. From the halls of Ancient Greek kings and from Roman horror stories, to medieval law courts and modern crime scenes, the lycanthrope has stalked us across the centuries. In the contemporary world of the concrete jungle we may feel masters of our bestial ancestry, but the werewolf reminds us that our teeth were evolved to tear living - perhaps even human - flesh, that our place atop the food chain remains precarious. We are now most familiar with the wolfman courtesy of Hollywood. Over the past century, a diverse pack of lycanthropes has manifest on the silver screen - in big-bucks blockbusters and zero-budget B-movies - each revealing a little more of the nature of the beast. Within these colorful pages we will encounter reluctant wolfmen and shapeshifting sadists, Nazi werewolves and werewolf nuns, big bad fairytale wolves and lycanthropic nymphomaniacs. Your guide is acclaimed author, broadcaster, occult historian - and lifelong werewolf obsessive - Gavin Baddeley. By finding fresh perspectives on established classics, uncovering neglected gems, and even examining a few howlers among the definitive selection of werewolf movies reviewed, Baddeley shows how the myth has adapted and transformed: whereby werewolves become analogies for alcoholism or adolescence, or ciphers for sexual awakening or serial murder. Providing our foreword is the award-winning director, writer and producer Neil Marshall, whose brilliant debut feature DOG SOLDIERS reinvigorated the werewolf movie for the 21st Century. So, the moon is full, the wolfsbane is in bloom... Time to brave the fogbound moors to find out who - or what - is responsible for that baleful howling... all is revealed in the FrightFest Guide to Werewolf Movies.

Described by Jonathan Ross as ''a comedy legend'' and Matthew Sweet as ''the Truffaut of smut'', David McGillivray has enjoyed a colourful career in many areas of lowbrow entertainment. But not even his closest associates, let alone fans of his horror films and comedy plays, could have predicted the extraordinary turn his career took during the final years of the 20th century. What is not so well known is that for several years, ''McG'' also supplied class A drugs to a select clientele, which included doctors, lawyers, actors, artists and writers, many of them household names.

Award-winning filmmaker Axelle Carolyn (Soulmate, Tales of Halloween) surveys the last 120 years of the ghost movie genre and reviews the 200 most memorable titles from across the globe. From timeless classics to recent blockbusters, quirky indies to international sensations, hidden gems to oddities, each of these movies has in some way contributed to the development of the ghost movie as we know it, in all its incarnations and cultural variants.

The celebrated underground smash that is Cinema Sewer the magazine has been transformed and mutated into Cinema Sewer: The Book - and following the outstanding popularity of the first five books, volume six has been unleashed onto a now slightly-less-unsuspecting world! A mind-melting compilation of gonzo writing, illustration and comics about the most insane, sexy, awkward, cheesy, hilarious, upsetting and jaw-dropping movies in the history of film, Cinema Sewer joyously and shamelessly celebrates the sleazy aspects of bizarre cinematic history.

In the 1980s, it seemed impossible to escape Satan''s supposed influence. This percolating cultural hysteria is now known as the Satanic Panic, a period in which a fascinating cultural legacy of Satan-battling media. This book is an in-depth exploration of how a controversial culture war played out during the decade and how widespread fear of a Satanic conspiracy was illuminated and propagated through almost every culture pathway, from heavy metal to Dungeons & Dragons role playing games, Christian comics, direct-to-CHS scare films and even home computers.

Cinema Sewer Volume Four is a mind-melting compilation of gonzo writing, illustration and comics about the most insane, sexy, awkward, cheesy, hilarious, upsetting and jaw-dropping movies in the history of film. Cinema Sewer joyously and shamelessly celebrates the sleazy aspects of bizarre cinematic history. Issues 21 to 23 of Robin Bougie''s celebrated magazine are revisited, along with 80 pages of never-before-seen interviews, rants, comics, classic movie advertising and graphic illustrations.

A mind-melting compilation of gonzo writing, illustration and comics about the most insane, sexy, awkward, cheesy, hilarious, upsetting and jaw-dropping movies in the history of film, Cinema Sewer joyously celebrates the sleaziest aspects of the movie-going experience, whilst delving deep into bizarre cinematic history.

An in-depth study of US exploitation independent films, ranging from cult favourites to stylish mind-benders and ultra-violent shockers. Includes exclusive interviews with 25 filmmakers, 175 film reviews with full credits, and extensive illustrations throughout.