Bøger udgivet af Farrar, Strauss & Giroux-3pl

"Elegant biography . . . a fast-moving, entertaining, and finely written story." --Simon Schama, The New YorkerGeorge Nathaniel Curzon's controversial life in public service stretched from the high noon of his country's empire to the traumatized years following World War I. As viceroy of India under Queen Victoria and foreign secretary under King George V, the obsessive Lord Curzon left his unmistakable mark on the era. David Gilmour's award-winning book is a brilliant assessment of Curzon's character and achievements, offering a richly dramatic account of the infamous long vendettas, the turbulent friendships, and the passionate, risky love affairs that complicated and enriched his life. Born into the ruling class of what was then the world's greatest power, Curzon was a fervent believer in British imperialism who spent his life proving he was fit for the task. Often seen as arrogant and tempestuous, he was loathed as much as he was adored, his work disparaged as much as it was admired. In Gilmour's well-rounded appraisal, Curzon is seen as a complex, tragic figure, a gifted leader who saw his imperial world overshadowed at the dawn of democracy.

With the allusive leaps and improvisational chops of a jazz soloist, Yusef Komunyakaa is our great poet of connectivity--the secret blood that links slave and master, explorer and native, stranger and brother. In Taboo he examines the role of blacks in Western history, and how these roles are portrayed in art and literature. In taut, meticulously crafted three-line stanzas, Rubens paints his wife looking longingly at a black servant; Aphra Behn writes Oroonoko "as if she'd rehearsed it/for years in her spleen"; and in Monticello, Thomas Jefferson is "still/at his neo-classical desk/musing, but we know his mind/is brushing aside abstractions/so his hands can touch flesh." Taboo is the powerful first book in a new trilogy by a Pulitzer Prize-winning poet whose work never ceases to challenge and delight his readers.

In Passage to Ararat, which received the National Book Award in 1976, Michael J. Arlen goes beyond the portrait of his father, the famous Anglo-Armenian novelist of the 1920s, that he created in Exiles to try to discover what his father had tried to forget: Armenia and what it meant to be an Armenian, a descendant of a proud people whom conquerors had for centuries tried to exterminate. But perhaps most affectingly, Arlen tells a story as large as a whole people yet as personal as the uneasy bond between a father and a son, offering a masterful account of the affirmation and pain of kinship.

Born in Dresden in 1962, Durs Grünbein is the most significant and successful poet to emerge from the former East Germany, a place where, he wrote, "the best refuge was a closed mouth." In unsettling, often funny, sometimes savage lines whose vivid images reflect his deep love for and connection with the visual arts, Grunbein is reinventing German poetry and taking on the most pressing moral concerns of his generation. Brilliantly edited and translated by the English poet Michael Hofmann, Ashes for Breakfast expertly introduces Germany's most highly acclaimed contemporary poet to American readers.

In more than thirty books, M.F.K. Fisher forever changed the way Americans understood not only the art of eating but the art of living. Whether considering the oyster or describing how to cook a wolf, she addressed the universal needs "for food and security and love." Readers were instantly drawn into her circle of husbands and lovers, artists and artisans; they felt they knew Fisher herself, whether they encountered her as a child with a fried-egg sandwich in her pocket, a young bride awakening to the glories of French food, or a seductress proffering the first peas of the season.Oldest child, wife, mother, mistress, self-made career woman, trailblazing writer-Fisher served up each role with panache. But like many other master stylists, she was also a master mythologizer. To retell her story as it really happened, Joan Reardon has made the most of her access to Fisher, her family and friends, and her private papers. This multifaceted portrayal of the woman John Updike christened our "poet of the appetites" is no less memorable than the personae Fisher crafted for herself.

"A book of elegance, depth, breadth, nuance and subtlety." --W. Richard West Jr. (Founding Director of the National Museum of the American Indian), The Washington PostA century ago, U.S. policy aimed to sever the tribal allegiances of Native Americans, limit their ancient liberties, and coercively prepare them for citizenship. At the same time, millions of new immigrants sought their freedom by means of that same citizenship. Alan Trachtenberg argues that the two developments were, inevitably, juxtaposed: Indians and immigrants together preoccupied the public imagination, and together changed the idea of what it meant to be American. In Shades of Hiawatha, Trachtenberg eloquently suggests that we must re-create America's tribal creation story in new ways if we are to reaffirm its beckoning promise of universal liberty.

Selected Poems includes over 200 works culled from Robert Lowell's books of verse-Lord Weary's Castle, The Mills of the Kavanaughs, Life Studies, For the Union Dead, Near the Ocean, History, For Lizzie and Harriet, and The Dolphin. Edited and with a foreword by the poet Frank Bidart, who also edited Collected Poems of Robert Lowell, this volume is a perfectly chosen representation of "the greatest American poet of the mid-century" (Richard Poirier, Book Week).

The poems of Richard Howard are noted for their unique dramatic force and for preserving, in their graceful, exquisitely wrought lines, human utterance at its most urbane. Inner Voices, the first volume to draw together material from Howard's twelve books of poems, leaves no doubt as to why he has been called "a powerful presence in American poetry for 40 years" (The New York Times Book Review).

Batman Begins, directed by the award-winning Christopher Nolan (Memento, Insomnia), unveils the untold origins of the Dark Knight's emergence as a force for good in Gotham City. In the wake of his parents' murder, disillusioned industrial heir Bruce Wayne travels the world seeking the means to fight injustice and turn fear against those who prey on the fearful. He returns to Gotham City and unveils his alter ego: Batman, a masked crusader who uses his strength, intellect, and an array of high-tech deceptions to fight the sinister forces that threaten the city.As Bruce Wayne/Batman, Christian Bale heads an all-star cast that also includes Michael Caine, Liam Neeson, Katie Holmes, Gary Oldman, Tom Wilkinson, Rutger Hauer and Morgan Freeman. Visionary director Christopher Nolan has delivered the Batman we've been waiting for - a dark legend brought to life in a way never before imagined on the big screen.This volume contains the complete screenplay of Batman Begins by Christopher Nolan and David S. Goyer, together with storyboards for the picture drawn by Martin Asbury and James Cornish, and an exclusive interview with Christopher Nolan in which he reveals his cinematic vision of The Dark Knight.

From one of the leading literary critics of his generation comes the first of Edmund Wilson's three novels, I thought of Daisy, published together with his short story "Galahad." Set in Greenwich Village in the 1920s, Edmund Wilson's I Thought of Daisy tells the coming of age story of a young man living a bohemian life in Greenwich Village in the 1920s, and of his heartfelt relationship with a chorus girl he meets at a party. Fictional sketches drawn from real-life literary figures are scattered throughout, including John Dos Passos and Wilson's lover, Edna St. Vincent Millay."What needs to be [said] is how good, if ungainly, Daisy is, how charmingly and intelligently she tells of the speakeasy days of a Greenwich Village as red and cozy as a valentine, of lamplit islands where love and ambition and drunkenness bloomed all at once. The fiction writer in Wilson was real, and his displacement is a real loss." - John Updike

"Riveting . . . An engrossing, street-level recounting and ambivalent ode to a great city."--Jamie Berger, San Francisco Chronicle On July 13, 1977, there was a blackout in New York City. With the dark came excitement, adventure, and fright in subway tunnels, office towers, busy intersections, high-rise stairwells, hotel lobbies, elevators, and hospitals. There was revelry in bars and restaurants, music and dancing in the streets. On block after block, men and women proved themselves heroes by helping neighbors and strangers make it through the night.Unfortunately, there was also widespread looting, vandalism, and arson. Even before police restored order, people began to ask and argue about why. Why did people do what they did when the lights went out? The argument raged for weeks but it was just like the night: lots of heat, little light-a shouting match between those who held fast to one explanation and those who held fast to another.James Goodman cuts between accidents, encounters, conversations, exchanges, and arguments to re-create that night and its aftermath in a dizzying accumulation of detail. Rejecting simple dichotomies and one-dimensional explanations for why people act as they do in moments of conflict and crisis, Goodman illuminates attitudes, ideas, and experiences that have been lost in facile generalizations and analyses. Journalistic re-creation at its most exciting, Blackout provides a whirlwind tour of 1970s New York and a challenge to conventional thinking.

In 1999 Tobias Jones immigrated to Italy, expecting to discover the pastoral bliss described by centuries of foreign visitors. Instead, he found a very different country: one besieged by unfathomable terrorism and deep-seated paranoia. The Dark Heart of Italy is Jones's account of his four-year voyage across the Italian peninsula.Jones writes not just about Italy's art, climate, and cuisine but also about the much livelier and stranger sides of the Bel Paese: the language, soccer, Catholicism, cinema, television, and terrorism. Why, he wonders, does the parliament need a "slaughter commission"? Why do bombs still explode every time politics start getting serious? Why does everyone urge him to go home as soon as possible, saying that Italy is a "brothel"? Most of all, why does one man, Silvio Berlusconi-in the words of a famous song-appear to own everything from Padre Nostro (Our Father) to Cosa Nostra (the Mafia)?The Italy that emerges from Jones's travels is a country scarred by civil wars and "illustrious corpses"; a country that is proudly visual rather than verbal, based on aesthetics rather than ethics; a country where crime is hardly ever followed by punishment; a place of incredible illusionism, where it is impossible to distinguish fantasy from reality and fact from fiction.

One April evening in 1779, Martha Ray, the pretty mistress of a famous aristocrat, was shot dead at point-blank range by a young clergyman who then attempted to take his own life. Instead he was arrested, tried and hanged. In this fascinating new book, John Brewer, a leading historian of eighteenth-century England, asks what this peculiar little story was all about. Then as now, crimes of passion were not uncommon, and the story had the hallmarks of a great scandal--yet fiction and fact mingled confusingly in all the accounts, and the case was hardly deemed appropriate material for real history. Was the crime about James Hackman's unrequited love for the virtuous mother of the Earl of Sandwich's illicit children? Or was Ray, too, deranged by passion, as a popular novel suggested? In Victorian times the romance became a morality tale about decadent Georgian aristocrats and the depravity of wanton women who consorted with them; by the 1920s Ray was considered a chaste mistress destroyed by male dominance and privilege. Brewer, in tracing Ray's fate through these protean changes in journalism, memoir, and melodrama, offers an unforgettable account of the relationships among the three protagonists and their different places in English society--and assesses the shifting balance between storytelling and fact, past and present that inheres in all history.

The Man Who Would Be King is the riveting story that inspired Kipling's classic tale and a John Huston movie In the year 1838, a young adventurer, surrounded by his native troops and mounted on an elephant, raised the American flag on the summit of the Hindu Kush in the mountainous wilds of Afghanistan. He declared himself Prince of Ghor, Lord of the Hazarahs, spiritual and military heir to Alexander the Great.The true story of Josiah Harlan, a Pennsylvania Quaker and the first American ever to enter Afghanistan, has never been told before, yet the life and writings of this extraordinary man echo down the centuries, as America finds itself embroiled once more in the land he first explored and described 180 years ago.Soldier, spy, doctor, naturalist, traveler, and writer, Josiah Harlan wanted to be a king, with all the imperialist hubris of his times. In an extraordinary twenty-year journey around Central Asia, he was variously employed as surgeon to the Maharaja of Punjab, revolutionary agent for the exiled Afghan king, and then commander in chief of the Afghan armies. In 1838, he set off in the footsteps of Alexander the Great across the Hindu Kush and forged his own kingdom, only to be ejected from Afghanistan a few months later by the invading British.Using a trove of newly discovered documents and Harlan's own unpublished journals, Ben Macintyre's The Man Who Would Be King tells the astonishing true story of the man who would be the first and last American king.

Brilliantly argued, with vivid portraits of Churchill, Montgomery, FDR, Rommel, and Mussolini, this original, accessible, and compelling account of a little-known theater emphasizes the importance of the Mediterranean in the ultimate Allied victory in Europe in World War II.The Mediterranean theater in World War II has long been overlooked by historians who believe it was little more than a string of small-scale battles--sideshows that were of minor importance in a war whose outcome was decided in the clashes of mammoth tank armies in northern Europe. But in this ground-breaking new book, one of our finest military historians argues that the Mediterranean was World War II's pivotal theater. Douglas Porch's The Path to Victory examines the Mediterranean as an integrated arena, one in which events in Syria and Suez influenced the survival of Gibraltar. Without a Mediterranean alternative, the Western Allies would probably have committed to a premature cross-Channel invasion in 1943 that might well have cost them the war.

One of Ireland's most important writers at his finest. Written over a period of twelve years, these stories seem to move nowehere with relentless, slow precision, yet each is as fulfilling and rich with suggestion as a full-scale novel.

The open ocean--that vast expanse of international waters--spreads across three-fourths of the globe. It is a place of storms and danger, both natural and manmade. And at a time when every last patch of land is claimed by one government or another, it is a place that remains radically free. With typically understated lyricism, William Langewiesche explores this ocean world and the enterprises--licit and illicit--that flourish in the privacy afforded by its horizons. But its efficiencies are accompanied by global problems--shipwrecks and pollution, the hard lives and deaths of the crews of the gargantuan ships, and the growth of two pathogens: a modern and sophisticated strain of piracy and its close cousin, the maritime form of the new stateless terrorism.This is the outlaw sea that Langewiesche brings startlingly into view. The ocean is our world, he reminds us, and it is wild.

Belinda and Cody Phipps appear a typical Midwestern couple: teenage sweethearts, children, luxurious home. Typical except that Cody is black--"rich, black, and different," in the words of Belinda, who finds herself attracted to a former (white) classmate. As the battle for her affections is waged, Belinda and Cody frankly doubt the foundation of their initial attraction, opening the door wide to a swath of bigotry and betrayal. Staged on continually shifting moral ground that challenges our received notions about gender, ethnicity, and even love itself, This Is How It Goes unblinkingly explores the myriad ways in which the wild card of race is played by both black and white in America.

The Conquest of Morocco tells the story of France's last great colonial adventure. At the turn of the twentieth century, Morocco was a nation yet to emerge from the Middle Ages, ruled by local warlords and riven by religious fanaticism. But in the mad scramble for African colonies, Morocco had one great attraction for the Europeans: it was available. In 1903, France undertook to conquer the exotic and backward country. By the time World War I broke out the conquest was virtually complete.Based on extensive original research, The Conquest of Morocco is a splendid work of popular history.

A reissue of Calvin Trillin's memoir of his relationship with a brilliant but tragic Yale classmate that is also a rumination on social change in the 1950s and 1960sRemembering Denny is perhaps Calvin Trillin's most inspired and powerful book: a memoir of a friendship, a work of investigative reporting, and an exploration of a country and a time that captures something essential about how America has changed since Trillin--and Denny Hansen--were graduated from Yale in 1957. Roger "Denny" Hansen had seemed then a college hero for the ages: a charmer with a dazzling smile, the subject of a feature in Life magazine, a member of Phi Beta Kappa, a varsity swimmer, a Rhodes scholar...perhaps a future president, as his friends only half-joked. But after early jobs in government and journalism, Hansen's life increasingly took a downward turn and he gradually lost touch with family and old friends before eventually committing suicide--an obscure, embittered, pain-racked professor--in 1991. In contemplating his friend's life, Calvin Trillin considers questions both large and small--what part does the pressure of high expectations place on even the most gifted, how difficult might it have been to be a closeted homosexual in the unyielding world of the 1960s Foreign Service, how much responsibility does the individual bear for all that happens in his life--in a book that is also a meditation on our country's evolving sense of itself.

In The Conquest of the Sahara, Douglas Porch tells the story of France's struggle to explore and dominate the great African desert at the turn of the century.Focusing on the conquest of the Ahaggar Tuareg, a Berber people living in a mountain area in central Sahara, he goes on to describe the bizarre exploits of the desert's explorers and conquerors and the incompetence of the French military establishment. Porch summons up a world of oases, desert forts and cafés where customers paid the dancer by licking a one-franc piece and sticking it on her forehead.The Conquest of the Sahara reveals the dark side of France's "civilizing mission" into this vast terrain, and at the same time, weaves a rich tale of extravagant hopes, genius and foolhardiness.

The Superlative Man soars overhead, coming to the rescue of people in danger. The tabloids splash his every exploit across the front pages. The entire metropolis is in awe of him - except for Harvey Gander, whose parents died in a freak automobile accident caused by the Superlative Man as he was dashing off to another adventure. Gander is a lonesome cub reporter for the Metropolitan Meteor, and when he is assigned a story about people saved by the Superlative Man, he stumbles on a conspiracy to expose the hero as a fake. The stakes are raised when two heavies threaten him just for interviewing Natasha Nyle, a footloose blonde from the Outer Borough. As the young reporter chases stories through the city's dark byways, moons over a slip of a girl named Violet Hayes, and falls under the spell of the wizened newshound Elmo Jade, he uncovers dark truths about the American superhero, while struggling to prove that he is, in his own way, a superlative man.

"A book that translates, and transcends, the eternal question of home, belonging, family, identity." -Star Tribune (Minneapolis)My name is Jeong Kyong-Ah. My ancestry includes landowners, scholars, and government officials. I have six siblings. I am a citizen of the Republic of Korea. I come from a land of pear fields and streams, where people laugh loudly and honor their dead. Halfway around the world, I am someone else.Jane Jeong Trenka and her sister Carol were adopted by Frederick and Margaret Brauer and raised in the small, homogeneous town of Harlow, Minnesota-a place "where the sky touches the earth in uninterrupted horizon . . . where stoicism is stamped into the bones of each generation." They were loved as American children without a past.With inventive and radiant prose that includes real and imagined letters, a fairy tale, a one-act play, crossword puzzles, and child-welfare manuals, Trenka recounts a childhood of insecurity, a battle with a stalker that escalates to a plot for her murder, and an extraordinary trip to Seoul to meet her birth mother and siblings. Lost between two cultures for the majority of her life, it is in Korea that she begins to understand her past and the power of the unspoken language of blood.

This volume represents the first appearance in paperback of one of America's most outstanding poets, John Berryman. It contains, besides the long title poem, Homage to Mistress Bradstreet, the major portion of Short Poems; a selection from The Dispossessed, which drew on two earlier collections; some poems from His Thought Made Pockets & The Plane Buckt; and one poem from Sonnets."It seems to me the most distinguished long poem by an American since The Waste Land." - Edmund Wilson

In Lawyerland, Lawrence Joseph brings an unerring ear for dialogue, a cunning artistry, and a prosecutor's radar for loaded testimony to a series of rangy, irreverent conversations with downtown lawyers, making his book a uniquely fresh and insightful accomplishment.