Bøger udgivet af Farrar, Strauss & Giroux-3pl

David Bendiner, a young writer and secularized Jew, has qualified to emigrate from Warsaw to Palestine, but he's broke, and in order to make the journey, he must enter into a fictitious marriage with a prosperous woman eager to get there. Grappling with romantic, political and philosophical turmoil, David must also confront his faith when his father, an Orthodox rabbi, shows up in Warsaw.

Meshugah, Singer's third posthumous novel, is an impressive work which the author published serially in 1981 - 83. It concerns Holocaust survivors in New York in the early 1950s. The story is narrated by Aaron Greidinger, who finds himself inextricably invloved with a group of refugees on the Upper West Side.

A memoir of spiritualism and self-discovery from the acclaimed, award-winning authorAt fifty, Alix Kates Shulman, author of the celebrated feminist novel, Memoirs of an Ex-Prom Queen, left a city life dense with political activism, family and literary community, and went to live alone on an island off the coast of Maine. On a windswept beach, in a cabin with no plumbing, power, or telephone, she found that she was learning to live all over again. In this luminous, spirited book, she charts her subsequent path as she learned not simply the joys of meditative solitude, but to integrate her new awareness into a busy, committed, even hectic mainland life."A ten-year voyage of discovery . . . Shulman's honesty and sense of inquiry carry us with her all the way--could even, if we were willing, change our lives." -San Francisco Sunday Examiner & Chronicle

Calabria is the toe of the boot that is Italy -- a rugged peninsula where grapevines and fig and olive trees cling to the mountainsides during scorching summers. Calabria is also a seedbed of Italian-American culture; in North America, more people of Italian heritage trace their roots to Calabria than to almost any other region in Italy.Mark Rotella's Stolen Figs -- named a Best Travel Book of 2003 by Condé Nast Traveler -- is a marvelous evocation of Calabria. A grandson of Calabrese immigrants, Rotella persuades his father to visit the region for the first time in thirty years; once there, he meets Giuseppe, a postcard photographer who becomes his guide. As they travel around the region, Giuseppe initiates Rotella -- and the reader -- into its secrets: how to make a soppressata and 'nduja, and, of course, how to steal a fig without committing a crime. Stolen Figs is a model travelogue -- at once charming and wise, and full of an earthy and unpretentious sense of life that now, as ever, characterizes Calabria and its people.

The rediscovery of Scotland's past and a wake-up call about its future, from a leading scholar-journalistScotland has a new Parliament and it has North Sea oil, but is it yet an independent, self-sustaining democracy? Is it a true nation? In Stone Voices, Neal Ascherson launches what he calls an imaginative invasion of his native land, searching for the relationships, themes, and fantasies that make up "Scotland."Beginning with a breathtaking portrait of the country's landscape, and of the way humanity has indelibly marked even its rockiest contours, Ascherson takes us on a journey through Scotland's past, interweaving his historical accounts with a rollicking report on a back-country bus expedition he joined during the 1997 referendum campaign that led to Scotland's first modern Parliament. He asked voters then what kind of country they hoped for, what they feared, and what they expected-questions that animate his book as well.In his search for a nation, Acherson explores many themes: the slow, hybrid formation of the Scottish people over centuries of successive immigrations; the way their most renowned intellectuals and writers came to hate the national church; the peculiar nature of their diaspora; the coexistence of their search for an "authentic" Scotland with the myths others create; and the Scots' proud sense of true independence. Stone Voices enlightens us about Scotland, about Europe, and about the conditions for freedom that we must all seek today."Greatly accessible compendium of scholarly passion." - Kirkus Reviews

A brilliant exploration of character and conscience from the author of COPENHAGEN, set amid the tensions of 1960s BerlinIn Democracy, Michael Frayn once again creates out of the known events of twentieth-century history a drama of extraordinary urgency and subtlety, reimagining the interactions and motivations of Willy Brandt as he became chancellor of West Germany in 1966 and those of his political circle, including Günter Guillaume, a functionary who became Brandt's personal assistant-and who was eventually exposed as an East German spy in a discovery that helped force Brandt from office. But what circumstances allowed Brandt to become the first left-wing chancellor in forty years? And why, given his progressive policies, did the East German secret police feel it necessary to plant a spy in his office and risk bringing down his government? Michael Frayn writes in his postscript to the play, "Complexity is what the play is about: the complexity of human arrangements and of human beings themselves, and the difficulties that this creates in both shaping and understanding our actions."

Recent plays from "one of the more daring young stylists working today" (David Cote, Time Out New York)Adam Rapp's plays have captivated audiences across the country with their unflinching explorations of the good, the bad, and the ugly in America's heartland and cities. Gathered here are three of his latest works: Faster, in which two young grifters try to strike a deal with the devil during the hottest summer on record; Finer Noble Gases, a lament for a band of arrested thirty-year-olds slouching toward adulthood amid East Village decay; and the Off-Broadway hit Stone Cold Dead Serious. An honest, strange, and humorous look at a blue-collar family struggling to survive in the face of disability and addiction, and the seemingly surreal lengths their teenage son will go to save them from themselves, the play prompted Bruce Weber to rave in The New York Times: "Rapp is very gifted, and, even rarer, he has something to say . . . Stone Cold Dead Serious [is] brave, compassionate, and . . . breathtakingly moving. It is the work of a playwright who is forging a real voice . . . Its rendering of the shared language of loved ones illustrates how families can remain intimate even when they are in shards. Its depiction of a working-class America that is unable to dream of anything beyond enduring is as sincerely sad a commentary on our culture as I've seen in recent memory. And its fear for young people is, unfortunately, deeply convincing."

Setting down her topaz saucer heaped with nectarine jelly,Emptying her blood-red mouth-set in her ice-white face-Teenaged Athena jumped up and shrieked:"Kill! Kill for me!Better to die than live without killing!"Who says prayer does no good?Christopher Logue's work in progress, his Iliad, has been called "the best translation of Homer since Pope's" (The New York Review of Books). Here in All Day Permanent Red is doomed Hector, the lion, "slam-scattering the herd" at the height of his powers. Here is the Greek army rising with a sound like a "sky-wide Venetian blind." Here is an arrow's tunnel, "the width of a lipstick," through a neck. Like Homer himself, Logue is quick to mix the ancient and the new, because his Troy exists outside time, and no translator has a more Homeric interest in the truth of battle, or in the absurdity and sublimity of war.

Since 1859, when the shy German mathematician Bernhard Riemann wrote an eight-page article giving a possible answer to a problem that had tormented mathematical minds for centuries, the world's greatest mathematicians have been fascinated, infuriated, and obsessed with proving the Riemann hypothesis. They speak of it in awed terms and consider it to be an even more difficult problem than Fermat's last theorem, which was finally proven by Andrew Wiles in 1995.In The Riemann Hypothesis, acclaimed author Karl Sabbagh interviews some of the world's finest mathematicians who have spent their lives working on the problem--and whose approaches to meeting the challenges thrown up by the hypothesis are as diverse as their personalities.Wryly humorous, lively, accessible and comprehensive, The Riemann Hypothesis is a compelling exploration of the people who do math and the ideas that motivate them to the brink of obsession--and a profound meditation on the ultimate meaning of mathematics.

This book of three novellas was first published in Paris in 1982, where it was hailed as the finest book of novellas since Flaubert's Trois Contes.

The experimental genius of American artists-interpreted by one of our most dependably brilliant critics.Richard Poirier suggests, in the title of his new book, that the United States has been uncommonly hospitable to literary and artistic experimentation, to innovation and daring. Just as the nation likes to imagine itself as always in a state of becoming and renewal, some of its greatest writers seem willing to accept a measure of neglect during their lifetimes while remaining confident of posthumous triumph. With analytical daring and shrewd literary delicacy, Poirier advances these themes in essays ranging from Emerson and Whitman to "those avowed imperialists of the novelistic imagination Herman Melville, Henry James, and Norman Mailer," along with kindred twentieth-century figures such as T. S. Eliot and Frank O'Hara, Gertrude Stein and Marianne Moore.Poirier's explorations of the American scene are not limited to poets and novelists. His moving account of the American ballets of George Balanchine, of Bette Midler in performance, of the reclusive Arthur Inman-whose immense diary offers incomparable glimpses into daily life during World War II-and his challenging refutations of some persistent myths of American "manhood" and of America itself, by outside observers like Jean Baudrillard or Martin Amis, will bring readers to a new appreciation of the most interesting (and difficult) features of American culture.

A warped dream, an overbearing father, and his sonA handsome, brilliant man, the author's father-irascible, strong-willed, a compulsive womanizer-stands at the center of this strangely compelling story.In the mid-1970s, after a life in government service, which was shadowy in its depths, Ted Wertime built a fortress-like house on a mountaintop in south-central Pennsylvania. He had forged for himself a secondary career as a highly respected historian of ancient science and technology, and was convinced that it was his fate to lead a sweeping revolution that would cleanse the United States of energy abuse, political corruption, and an odd assortment of social ills. His "citadel" would serve as his revolutionary headquarters. He, his wife, and Joan, the last and most troubled of his succession of mistresses, lived in the house together in a bizarre ménage à trois. His dream was to recruit his four sons to take part in his cause.The author, Richard Wertime, is the second-oldest son. Citadel on the Mountain is the story of his struggle to escape from a domineering and, at times, hypnotizing father who sought to control the sexual and professional lives of his offspring.

I Am My Own Wife is the winner of the 2004 Pulitzer Prize for Drama.From the Obie Award-winning author of Quills comes this acclaimed one-man show, which explores the astonishing true story of Charlotte von Mahlsdorf. A transvestite and celebrated antiques dealer who successfully navigated the two most oppressive regimes of the past century-the Nazis and the Communists--while openly gay and defiantly in drag, von Mahlsdorf was both hailed as a cultural hero and accused of colluding with the Stasi. In an attempt to discern the truth about Charlotte, Doug Wright has written "at once a vivid portrait of Germany in the second half of the twentieth century, a morally complex tale about what it can take to be a survivor, and an intriguing meditation on everything from the obsession with collecting to the passage of time" (Hedy Weiss, Chicago Sun-Times).

In this new play by the Tony Award-winning playwright of Take Me Out, a fledgling (and upper-class) World War I-era publisher is trying to decide which work to choose as his imprint's first title. He has two manuscripts but lacks the funds to publish both. His difficult decision--whether to publish his lover's memoir or the novel written by his best friend--is further complicated by the arrival of a mysterious machine that produces pages predicting the future of the play's protagonists, affecting their lives and relationships in haunting and unexpected ways. The Violet Hour opened on Broadway on November 6, 2003, starring Robert Sean Leonard."[A] wonderful new work...of serious writing, of glittering style and dark substance...[The Violet Hour]...balances heights of wit with depths of feeling."--The New York Times

A stunning psychological thriller about friship, drugs, and murder from the author of The Vanishing.Egon Wagter and Axel van de Graaf met when they were both fourteen and on vacation in Belgium. Axel is fascinating, filled with an amoral energy by which the more prudent, less adventurous Egon is both mesmerized and repelled. Even as a teen, Axel has a strange power over those around him. He defies authority, seduces women, breaks the law. Axel chooses Egon as a friend, a friendship that somehow ures over time and ends up determining Egon's fate.During his university studies, Egon frequents Axel's house in Amsterdam, where there is a party every night and women fill the rooms. Though Egon chooses geology over Axel's life of avarice and drug dealing, he remains intrigued by his friend's conviction that the only law that counts is the law he makes himself. Egon believes that Axel is a demonic figure who tempts others only because he knows they want to be tempted. By the time he is in his forties, Egon finds himself divorced and with few professional prospects. He turns for help to Axel, who sends him to Ratanakiri, a fictional country in Southeast Asia. Axel gives Egon a suitcase to deliver-and Egon never returns.Utterly compelling and resonant, The Cave is an unforgettable story of betrayal in the spirit of Tim Krabbé's remarkable first novel, The Vanishing.

"We were sure that we would win, that we should score the first great triumph in a mighty world-movement."--Theodore Roosevelt, 1904Americans like to think they have no imperial past. In fact, the United States became an imperial nation within five short years a century ago (1898-1903), exploding onto the international scene with the conquest of Cuba, Puerto Rico, the Philippines, Hawaii, Guam, Samoa, and (indirectly) Panama. How did the nation become a player in world politics so suddenly-and what inspired the move toward imperialism in the first place? The renowned diplomat and writer Warren Zimmermann seeks answers in the lives and relationships of five remarkable figures: the hyper-energetic Theodore Roosevelt, the ascetic naval strategist Alfred T. Mahan, the bigoted and wily Henry Cabot Lodge, the self-doubting moderate Secretary of State John Hay, and the hard-edged corporate lawyer turned colonial administrator Elihu Root. Faced with difficult choices, these extraordinary men, all close friends, instituted new political and diplomatic policies with intermittent audacity, arrogance, generosity, paternalism, and vision.Zimmermann's discerning account of these five men also examines the ways they exploited the readiness of the American people to support a surge of expansion overseas. He makes it clear why no discussion of America's international responsibilities today can be complete without understanding how the United States claimed its global powers a century ago.

A wise, absorbing, and surprising introduction to poetry written in English, from one of England's leading poetsJames Fenton is that rare scholar "not ashamed to admit that he mostly reads for pleasure" (Charles Simic, The New York Review of Books). In this eminently readable guide to his abiding passion, he has distilled the essense of a library's--and a lifetime's--worth of delight.The pleasures of his own verse can be found in abundance here: economy, a natural ease, and most of all, surprise. What is English poetry? Fenton argues that it includes any recited words in English that marshall rhythm for their meaning--among them prisoners's work songs, Broadway show tunes, and the cries of street vendors captured in verse. From these beginnings, Fenton describes the rudiments of--and, most important, the inspiration for--the musical verse we find in books, and concludes with an illuminating discussion of operas and songs. Fenton illustrates his comments with verse from all over the English-speaking world.Catholic in his taste, shrewd in his distinctions, and charmingly frank, Fenton is an ideal guide to everything to do with poetry, from the temperament of poets to their accomplishment, in all its variety. In all his writing, prose or verse, Fenton has always had the virtue of saying, in a way that seems effortless, precisely what lies at the heart of the matter. In this vein, An Introduction to English Poetry is one of his highest accomplishments.

A major new translation of one of Italy's greatest modern poetsGiuseppe Ungaretti (1888-1970) was a pioneer of the Modernist movement in Italian poetry and is widely regarded as one of the leading Italian poets of the twentieth century. His verse is renowned and loved for its powerful insight and emotion, and its exquisite music. Yet, unlike many of his peers, Ungaretti has never been adequately presented to English readers. This large bilingual selection, translated with great sensitivity and fidelity by Andrew Frisardi, captures Ungaretti in all of his phases: from his early poems, written in the trenches of northern Italy during World War I, to the finely crafted erotic and religious poetry of his second period, to the visceral, elegiac poetry of the years following the death of his son and the occupation of Rome during World War II, to the love poems of the poet's old age. Frisardi's in-depth introduction details the world in which Ungaretti's work took shape and exerted its influence. In addition to the poet's own annotations, an autobiographical afterword, "Ungaretti on Ungaretti," further illuminates the poet's life and art. Here is a compelling, rewarding, and comprehensive version of the work of one of the greatest modern European poets.

"Stories by Isaac Bashevis Singer"--Cover.

A fictional exploration of primitive history, Singer's novel portrays an age of superstition and violence in a country emerging from the darkness of savagery. Part parable of modern civilization, part fascinating historical novel, it reaffrims the author's reputation as a master storyteller.

Twenty stories from the Nobel Prizewinner, including "Disguised," a transvestite tale of the yeshiva student whose deserted wife finds him dressed as a woman and married to a man, and the title story, which portrays Methuselah at the age of 969 -- "and when you pass your nine hundredth birthday, you are not what you used to be."

This book of twenty stories is Isaac Bashevis Singer's fifth collection and contains such classics as "The Cafeteria" and "On the Way to the Poorhouse."

An authentic literary great, Singer was an author whose extraordinary talents won him a worldwide audience. And with this impressive novel, he proved that he was at the height of his creative power until his recent death at age 86. Scum evokes the teeming life of 1906 Warsaw's backstreets. Max Barabander, distraught over the recent death of his son, flees the life of wealth and respectability he has attained in Buenos Aires, to return to the poverty and shadows of his youth spent in Warsaw. He fears impotence which leads him to the pursuit of mindless sex with five different women who view him only as an escape from their drab lives. The author recalls the teeming life of 1906 Jewish Warsaw in this impressive novel of changing mores and values. . .

"Mr. Wilson handles the collage technique so beautifully that we leave convinced no other method would have served half so well. This reviewer liked Rimers for its fluidity, for its language, for its almost musical sense of pattern."--The New York TimesThe mystery is, who he is, who murdered him and what were the circumstances? And to solve it, Wilson looks at the outsides and insides of his tiny, Middle Western town. He looks at a middle-aging woman who falls in love with the young man who comes to work in her café. He looks at a coarse, nasty woman mistreating her senile mother, who is obsessed with visions of Eldritch being evil and headed for blood-spilling. He looks at a tender relationship between a young man a dreamy, crippled girl. But Wilson sees far more than this. He is grasping the very fabric of Bible Belt America, with its catchword morality ("virgin," "God-fearing") and its capability for the vicious. He senses the rhythm of its life and the cruelty it can impose. He understands the speech patterns of its loveless gossips, its sex-hungry boys, its compassionless preachers, its car-conscious blondes. In the end his portrait of Eldritch is full length, and the truth of its revelations will be pondered long after the stage lights have dimmed and the play has ended.