Bøger udgivet af Farrar, Strauss & Giroux-3pl

The ultimate guide to classical composers and their music-for both the novice and the experienced listener Music, according to Aaron Copland, can thrive only if there are "gifted listeners." But today's listeners must choose between classical and rock, opera and rap, and the choices can seem overwhelming at times. In The Essential Canon of Classical Music, David Dubal comes to the aid of the struggling listener and provides a cultural-literacy handbook for classical music. Dubal identifies the 240 composers whose works are most important to an understanding of classical music and offers a comprehensive, chronological guide to their lives and works. He has searched beyond the traditional canon to introduce readers to little-known works by some of the most revered names in classical music-Bach, Haydn, Mozart, Schubert-as well as to the major works of lesser-known composers. In a spirited and opinionated voice, Dubal seeks to rid us of the notion of "masterpieces" and instead to foster a new generation of master listeners. The result is an uncommon collection of the wonders classical music has to offer.

With this brilliantly innovative book, reissued for the 100th anniversary of the beginning of World War I, Stéphane Audoin-Rouzeau and Annette Becker have shown that the Great War was the matrix on which all subsequent disasters of the twentieth century were formed. Three elements of the conflict, all too often neglected or denied, are identified as those that must be grasped if we are to understand the war: First, what inspired its unprecedented physical brutality, and what were the effects of tolerating such violence? Second, how did citizens of the belligerent states come to be driven by vehement nationalistic and racist impulses? Third, how did the tens of millions bereaved by the war come to terms with the agonizing pain? With its strikingly original interpretative strength and its wealth of compelling documentary evidence drawn from all sides in the conflict, 14-18: Understanding the Great War has quickly established itself as a classic in the history of modern warfare.

At each step of this journey through American cultural history, Louis Menand has an original point to make: he explains the real significance of William James's nervous breakdown, and of the anti-Semitism in T. S. Eliot's writing. He reveals the reasons for the remarkable commercial successes of William Shawn's New Yorker and William Paley's CBS. He uncovers the connection between Larry Flynt's Hustler and Jerry Falwell's evangelism, between the atom bomb and the Scholastic Aptitude Test. He locates the importance of Richard Wright, Norman Mailer, Pauline Kael, Christopher Lasch, and Rolling Stone magazine. And he lends an ear to Al Gore in the White House as the Starr Report is finally presented to the public. Like his critically acclaimed bestseller, The Metaphysical Club, American Studies is intellectual and cultural history at its best: game and detached, with a strong curiosity about the political underpinnings of ideas and about the reasons successful ideas insinuate themselves into the culture at large. From one of our leading thinkers and critics, known both for his "sly wit and reportorial high-jinks [and] clarity and rigor" (The Nation), these essays are incisive, surprising, and impossible to put down.

Wind as a face gone red with blowing,oceans whose end is broken stitchery--swim of sea-dragon, dolphin,shimmer-and-coil, invitation. . . . You Knowthe kind of map I mean. Countries asdistant as they are believable . . .--from "Halo"Carl Phillips lyric explorations of longing and devotion, castigation and mercy, are unrivaled in contemporary poetry.In Rock Harbor, his sixth book, Phillips visits those spaces, both physical and psychological, where risk and safety coincide, and considers what it might mean to live at the nexus of the two. Sifting among the upturned evidence of crisis, from Roman Empire to westward expansion, from the turn of a lover's face to the harbor of the book's title--a place of calm fashioned of the very rock that can mean disaster--these poems negotiate and map out the impulse toward rescue and away from it. Phillips's pooling, cascading lines are the unsuppressed routes across his unique poetic landscape, daring and seductive in their readiness to drift and reverse as the terrain demands.

In the 1760s a group of amateur experimenters met and made friends in the English Midlands. Most came from humble families, all lived far from the center of things, but they were young and their optimism was boundless: together they would change the world. Among them were the ambitious toymaker Matthew Boulton and his partner James Watt, of steam-engine fame; the potter Josiah Wedgwood; the larger-than-life Erasmus Darwin, physician, poet, inventor, and theorist of evolution (a forerunner of his grandson Charles). Later came Joseph Priestley, discoverer of oxygen and fighting radical. With a small band of allies they formed the Lunar Society of Birmingham (so called because it met at each full moon) and kick-started the Industrial Revolution. Blending science, art, and commerce, the Lunar Men built canals; launched balloons; named plants, gases, and minerals; changed the face of England and the china in its drawing rooms; and plotted to revolutionize its soul. Uglow's vivid, exhilarating account uncovers the friendships, political passions, love affairs, and love of knowledge (and power) that drove these extraordinary men. It echoes to the thud of pistons and the wheeze and snort of engines and brings to life the tradesmen, artisans, and tycoons who shaped and fired the modern age.

"You Can't Like Seidel's Poems--They're Deliberately Virulent; You Can Only Gasp At Their Skill And Daring, Their Sickening Warp, Their Mercilessness."*Frederick Seidel's highly acclaimed Cosmos Trilogy is a triple thunderclap of darkness from the poet whom Richard Poirier has recently called "the true heir of Walt Whitman" and of whose first book Robert Lowell wrote "[I] suspect the possibilities of modern poetry have been changed. Here is power that strikes." Reversing the course of Dante's Divine Comedy, Seidel's trilogy begins in the heavens, with The Cosmos Poems, and descends, passing through the Purgatorio of Life on Earth to arrive in Manhattan in Area Code 212.

Paul Muldoon's ninth collection of poems, his first since Hay (1998), finds him working a rich vein that extends from the rivery, apple-heavy County Armagh of the 1950s, in which he was brought up, to suburban New Jersey, on the banks of a canal dug by Irish navvies, where he now lives. Grounded, glistening, as gritty as they are graceful, these poems seem capable of taking in almost anything, and anybody, be it a Tuareg glimpsed on the Irish border, Bessie Smith, Marilyn Monroe, Queen Elizabeth I, a hunted hare, William Tell, William Butler Yeats, Sitting Bull, Ted Hughes, an otter, a fox, Mr. and Mrs. Stanley Joscelyne, un unearthed pit pony, a loaf of bread, an outhouse, a killdeer, Oscar Wilde, or a flock of redknots. At the heart of the book is an elegy for a miscarried child, and that elegiac tone predominates, particularly in the elegant remaking of Yeats's "A Prayer for My Daughter" with which the book concludes, where a welter of traffic signs and slogans, along with the spirits of admen, hardware storekeepers, flimflammers, fixers, and other forebears, are borne along by a hurricane-swollen canal, and private grief coincides with some of the gravest matter of our age. Moy Sand and Gravel is the winner of the 2003 Pulitzer Prize for Poetry.

With a new introduction by Thomas MallonDubin's Lives (1979) is a compassionate and wry commedia, a book praised by Christopher Lehmann-Haupt in The New York Times as Malamud's "best novel since The Assistant. Possibly, it is the best he has written of all."Its protagonist is one of Malamud's finest characters; prize-winning biographer William Dubin, who learns from lives, or thinks he does: those he writes, those he shares, the life he lives. Now in his later middle age, he seeks his own secret self, and the obsession of biography is supplanted by the obsession of love--love for a woman half is age, who has sought an understanding of her life through his books. Dubin's Lives is a rich, subtle book, as well as a moving tale of love and marriage.

Hail, humble Helpstone ... Where dawning genius never met the day, Where useless ignorance slumbers life awayUnknown nor heeded, where low genius triesAbove the vulgar and the vain to rise.--from "Helpstone""I Am": The Selected Poetry of John Clare is the first anthology of the great "peasant poet"'s remarkable verse that makes available the full range of his accomplishments. Here are the different Clares that have beguiled readers for two centuries: the tender chronicler of nature and childhood; the champion of folkways in the face of oppression; the passionate, sweet-tongued love-poet; and the lonely visionary confined, in old age and senility, to asylums.

Mark Bibbins finds damaged glamour at the fringes of respectability in this exceptional debut collectionI was bornwith capable eyes,a moveable heartand time to spare.-from "Euphorium"In his restless and unpredictable debut, Mark Bibbins offers a virtuosic poetry. Lovers struggle to connect; groupies, hustlers, and corporate drones covet better-or at least different-lives; locations fluctuate, without forewarning, from bars to beaches to city streets. With beguiling tonal and formal variety, these poems question the ordinary and unwitting acceptance of the status quo as they hover where "error arranges itself." As indebted to Stereolab and Siouxsie Sioux as to any poetic lineage, Sky Lounge introduces an imagination committed to making irreverence, sensuality, and elegy into a provocative new music.

"A thoughtful examination of the machinery of extinction . . . By turns harrowing and elegiac, thrilling and informative." -Michiko Kakutani, The New York TimesThree or four times an hour, eighty or more times a day, a unique species of plant or animal vanishes forever. And yet, every so often one of these lost species resurfaces. "Having adventures most of us can only dream about" (The Times-Picayune), Scott Weidensaul pursues stories of loss and recovery, of endurance against the odds, and of surprising resurrections.

"Who Owns History? testifies to Eric Foner's lifelong personal commitment to writing histories that advance the struggle for racial equality and economic justice." -David Glassberg, The Sunday Star-LedgerHistory has become a matter of public controversy, as Americans clash over such things as museum presentations, the flying of the Confederate flag, and reparations for slavery. So whose history is being written? Who owns it?Eric Foner answers these and other questions about the historian's relationship to the world of the past and future in this provocative, even controversial, study of the reasons we care about history-or should.

Winner of the National Book Award"An astonishing work concerning personal honor and dishonor, shame and shamelessness. A book of stunning insights and suspense." -Studs TerkelHalf a century later, the investigation of Hollywood radicals by the House Committee on Un-American Activities still haunts the public conscience. Naming Names, reissued here with a new afterword by the author, is the definitive account of the hearings, a National Book Award winner widely hailed as a classic. Victor S. Navasky adroitly dissects the motivations for the investigation and offers a poignant analysis of its consequences. Focusing on the movie-studio workers who avoided blacklists only by naming names at the hearings, he explores the terrifying dilemmas of those who informed and the tragedies of those who were informed on. Drawing on interviews with more than 150 people called to testify-among them Elia Kazan, Ring Lardner Jr., and Arthur Miller-Naming Names presents a compelling portrait of how the blacklists operated with such chilling efficiency.

Three Libretti-Ranging In Setting From Ancient Jerusalem To Pre-Apocalyptic London-From An Acclaimed PoetThis volume of libretti marks new work-and new terrain-for James Fenton. Commissioned by companies in New York and England, these musical pieces make the most of the poet's poignant, witty, and characteristically lyrical verse. Whether evoking modern-day London on the edge of apocalypse in The Love Bomb, a timeless land beyond the moon in this version of Salman Rushdie's children's novel Haroun and the Sea of Stories, or ancient Jerusalem in his stirring oratorio The Fall of Jerusalem, which was composed to mark the millennium, Fenton's lucid storytelling and stylish wordplay bring these pieces vividly to life-with equal power in performance or on the page.Haroun and the Sea of Stories was commissioned by the New York City Opera and had its premiere at Lincoln Center in September 2003."[James Fenton] writes as no one else dares to--with clarity, wit, and the simplest of rhymes."--Voice Literary Supplement

"Readable and reliable . . . [Gilmour's] assessment of the political background of Kipling's writings is exemplary." -Earl L. Dachslager, Houston ChronicleDavid Gilmour's superbly nuanced biography of Rudyard Kipling, now available in paperback, is the first to show how the great writer's life and work mirrored the trajectory of the British Empire, from its zenith to its final decades. His great poem "Recessional" celebrated Queen Victoria's Diamond Jubilee in 1897 and his last poems warned of the dangers of Nazism, while Kipling himself, an icon of the empire, was transformed from an apostle of success to a prophet of national decline. As Gilmour makes clear, Kipling's mysterious and enduring works deeply influenced the way his readers saw both themselves and the British Empire, and they continue to challenge our own generation.

A selection of the best of three decades of writing about poetry, a celebration of the "tenacious curiosity" (Los Angeles Times) of the Nobel laureateWhether autobiographical, topical, or specifically literary, these writings circle the central preoccupying questions of Seamus Heaney's career: "How should a poet properly live and write? What is his relationship to his own voice, his own place, his literary heritage, and the contemporary world?"Along with a selection from Heaney's three previous collections of prose (Preoccupations, The Government of the Tongue, and The Redress of Poetry), the present volume includes a rich variety of pieces not previously collected in books, ranging from formal lectures to radio commentaries about the rural Ireland of his childhood to illuminating reviews of his contemporaries. In its soundings of a wide range of poets-Irish and British, American and Eastern European, predecessors, fellows, and successors-Finders Keepers becomes, as its title heralds, "an announcement of both excitement and possession."

I love to swim in the sea, which keepstalking to itselfin the monotone of a vagabondwho no longer recalls exactly how long he's been on the road. Swimming is like prayer:palms join and part,join and part,almost without end.--from "On Swimming"Without End draws from each of Adam Zagajewski's English-language collections, both in and out of print--Tremor, Canvas, and Mysticism for Beginners--and features new work that is among his most refreshing and rewarding. These poems, lucidly translated, share the vocation that allows us, in Zagajewski's words, "to experience astonishment and to stop still in that astonishment for a long moment or two."

Poetic and provocative, a challenge to women to create more spiritually rich and balanced lives.A successful writer and a committed feminist, Kathleen Hirsch, at age forty, finds herself searching for something more. How, she asks, can women's lives be more spiritually alive and whole? Can we reclaim in our most productive years what we sacrificed to earlier ideas of success? What is the place of silence and creativity in our busy lives?Unable to trek to Tibet or retreat to a cabin in the woods, she enters a season of reflection in the midst of her everyday life. A career crisis, the sudden death of a brother, and the birth of her son, all in a year's time, deepen her probing. Hirsch examines the role of women's friendships and the definition of worthwhile work. Her inner pilgrimage gradually moves her to seek out a range of remarkable women who are consciously trying to live in balance. They lead her to bold conclusions that will inspire many women who are seeking realistic ways to live more multidimensional lives.Beautifully written, A Sabbath Life will serve as A Gift from the Sea for the twenty-first century.

Brian Friel explores the most Chekhovian of themes in his three new works inspired by the great Russian dramatist: the absurd realm which lies between perpetual hope and a penchant for self-destruction. Whether exploring the loneliness of an unhappy marriage (in The Yalta Game, based on Chekhov's story The Lady with the Lapdog), or imagining the bittersweet meeting of Sonya (Uncle Vanya's niece) and Andrei (the brother of a certain three sisters) in a new work inspired by characters from two Chekhov plays, Friel shows his own masterful range.

Robert Anasi's The Gloves offers a gritty, spirited inside look at the world of amateur boxing today.The Golden Gloves tournament is center stage in amateur boxing-a single-elimination contest in which young hopefuls square off in steamy gyms with the boxing elite looking on.Anasi took up boxing in his twenties to keep in shape, attract women, and sharpen his knuckles for the odd bar fight. He thought of entering "the Gloves," but put it off. Finally, at age thirty-two-his last year of eligibility-he vowed to fight, although he was an old man in a sport of teenagers and a light man who had to be even lighter (125 pounds) to fight others his size.So begins Anasi's obsessive preparation for the Golden Gloves. He finds Milton, a wily and abusive trainer, and joins Milton's "Supreme Team": a black teenager who used to deal guns in Harlem, a bus driver with five kids, a hard-hitting woman champion who becomes his sparring partner. Meanwhile, he observes the changing world of amateur boxing, in which investment bankers spar with ex-convicts and everyone dreads a fatal blow to the head. With the Supreme Team, he goes to the tournament, whose outcome, it seems, is rigged, like so much in boxing life today.Robert Anasi tells his story not as a journalist on assignment but as a man in the midst of one of the great adventures of his life. The Gloves, his first book, has the feel of a contemporary classic.

Poems from every phase of the career of a great poetThis selection of Ted Hughes's poetry, made by the author himself in 1995, includes poems from every phase of his four-decade career. Here are poems from Hughes's first book, The Hawk in the Rain, and its successor, Lupercal, which introduced him as a major poet; from Wodwo, Crow and Gaudete, book-length poetic sequences in which the natural world is made into a thrilling and terror-filled analogue to our human one; and from six volumes of his maturity, here arranged thematically, in which the poet is at once rural chronicler and form-breaking modern artist. The volume also includes previously uncollected poems and eight poems later incorporated into Birthday Letters, Hughes's meditation in verse on his marriage to Sylvia Plath, which became an international bestseller the year after his death.

My aim is to take familiar things and makePoetry of them, and do it in such a wayThat it looks as if it was as easy as could beFor anybody to do it . . . the power of makingA perfectly wonderful thing out of nothing much.--from "The Art of Poetry" When David Ferry's translation of The Odes of Horace appeared in 1997, Bernard Knox, writing in The New York Review of Books, called it "a Horace for our times." Now Ferry has translated Horace's two books of Epistles, in which Horace perfected the conversational verse medium that gives his voice such dazzling immediacy, speaking in these letters with such directness, wit, and urgency to young writers, to friends, to his patron Maecenas, to Emperor Augustus himself. It is the voice of a free man, talking about how to get along in a Roman world full of temptations, opportunities, and contingencies, and how to do so with one's integrity intact. Horace's world, so unlike our own and yet so like it, comes to life in these poems. And there are also the poems -- the famous "Art of Poetry" and others -- about the tasks and responsibilities of the writer: truth to the demands of one's medium, fearless clear-sighted self-knowledge, and unillusioned, uncynical realism, joyfully recognizing the world for what it is.

From thriving black market to big business, the commercialization of birth control in the United StatesIn Devices and Desires, Andrea Tone breaks new ground by showing what it was really like to buy, produce, and use contraceptives during a century of profound social and technological change. A down-and-out sausage-casing worker by day who turned surplus animal intestines into a million-dollar condom enterprise at night; inventors who fashioned cervical caps out of watch springs; and a mother of six who kissed photographs of the inventor of the Pill -- these are just a few of the individuals who make up this riveting story.

In My Mother's House and Sido, Colette plays fictional variations on the themes of childhood, family, and, above all, her mother. Vividly alive, fond of cities, music, theater, and books, Sido devoted herself to her village, Saint-Saveur; to her garden, with its inhabitants and its animals; and, especially, to her children, particularly her youngest, whom she called Minet-Chéri. Unlike Gigi and Chéri, which focus largely on sexual love and its repercussions, My Mother's House and Sido center on the compelling figure of a powerful, nurturing woman in late-nineteenth-century rural France, conveying the impact she had on her community and on her daughter-who grew up to be a great writer.

An outrageous tale of fast cash, pretty women, dirty politics and extravagant greed in the Bayou StateLouisiana is our most exotic state. It is religious and roguish, a place populated by Cajuns, Creoles, Rednecks, and Bible-thumpers. It is a state that loves good food, good music, and good times. Laissez les bons temps rouler -- let the good times roll -- is the unofficial motto. Louisiana is also excessively corrupt.In the 1990s, it plunged headlong into legalized gambling, authorizing more games of chance than any other state. Leading the charge was Governor Edwin Edwards, who for years had flaunted his fondness for cold cash and high-stakes gambling, and who had used his razor-sharp mind and catlike reflexes to stay one step ahead of the law. Gambling, Edwin Edwards, and Louisiana's political culture would prove to be a combustible mix.Bad Bet on the Bayou tells the story of what happened when the most corrupt industry came to our most corrupt state. It is a sweeping morality tale about commerce, politics, and what happens when the law catches up to our most basic human desires and frailties.

Colette began writing Break of Day in her early fifties, at Saint-Tropez on the Côte d'Azur, where she had bought a small house after the breakup of her second marriage. The novel's theme-the renunciation of love and the return to an independent existence supported and enriched by the beauty and peace of nature-grows out of Colette's own period of self-assessment in the middle of her life. A collection of subtle reflections about love and life, it is among her most thoughtful and stylistically bold works.