Bøger udgivet af Farrar, Strauss & Giroux-3pl

An acclaimed journalist and novelist explores the legacy and future of American liberalism through the history of his family's politically active historyGeorge Packer's maternal grandfather, George Huddleston, was a populist congressman from Alabama in the early part of the century-an agrarian liberal in the Jacksonian mold who opposed the New Deal. Packer's father was a Kennedy-era liberal, a law professor and dean at Stanford whose convictions were sorely-and ultimately fatally-tested in the campus upheavals of the 1960s. The inheritor of two sometimes conflicting strains of the great American liberal tradition, Packer discusses the testing of ideals in the lives of his father and grandfather and his own struggle to understand the place of the progressive tradition in our currently polarized political climate. Searching, engrossing, and persuasive, Blood of the Liberals is an original, intimate examination of the meaning of politics in American lives.

Thirty-three years-old and recently divorced, Renée Néré has begun a new life on her own, supporting herself as a music-hall artist. Maxime, a rich and idle bachelor, intrudes on her independent existence and offers his love and the comforts of marriage. A provincial tour puts distance between them and enables Renée, in a moving series of leters and meditations, to resolve alone the struggle between her need to be loved and her need to have a life and work of her own.

A magnum opus from our finest interpreter of The BardThe true biography of Shakespeare--and the only one we need to care about--is in his plays. Frank Kermode, Britain's most distinguished scholar of sixteenth-century and seventeenth-century literature, has been thinking about Shakespeare's plays all his life. This book is a distillation of that lifetime of thinking.The finest tragedies written in English were all composed in the first decade of the seventeenth century, and it is generally accepted that the best ones were Shakespeare's. Their language is often difficult, and it must have been hard even for contemporaries to understand. How did this language develop? How did it happen that Shakespeare's audience could appreciate Hamlet at the beginning of the decade and Coriolanus near the end of it?In this long-awaited work, Kermode argues that something extraordinary started to happen to Shakespeare's language at a date close to 1600, and he sets out to explore the nature and consequences of the dynamic transformation that followed. For it is in the magnificent, suggestive power of the poetic language itself that audiences have always found meaning and value. The originality of Kermode's argument, the elegance and humor of his prose, and the intelligence of his discussion make this a landmark in Shakespearean studies.

How a new American identity was forged by immigration and expansion a century ago.In Barbarian Virtues, Matthew Frye Jacobson offers a keenly argued and persuasive history of the close relationship between immigration and America's newly expansionist ambitions at the turn of the twentieth century. Jacobson draws upon political documents, novels, travelogues, academic treatises, and art as he recasts American political life. In so doing, he shows how today's attitudes about "Americanism" -- from Border Watch to the Gulf War -- were set in this crucial period, when the dynamics of industrialization rapidly accelerated the rate at which Americans were coming in contact with foreign peoples.

A great poet's freshest, most provocative book.He dreams at the center of a closed system,Like the prison system, or a system of love,Where folktale, recipe, and household customRefer back to the maze that they are of.--from "A System: PCP, or Angel Dust" Taste and appetite are contraposed in Boss Cupid, the twelfth book of poems by the quintessential San Francisco poet, who is also the quintessential craftsman and quintessentially a love poet, though not of quintessential love.Variations on how we are ruled by our desires, these poems make a startling and eloquent gloss on wanton want, moving freely from the story of King David and Bathsheba to Arthur Rimbaud's diet to the tastes of Jeffrey Dahmer. As warm and intelligent as it is ribald and cunning, this collection of Thom Gunn's is his richest yet.

When friends die, one's own credentials change: one becomes a survivor. Graham Greene has already had biographers, one of whom has served him mightily. Yet I hope that there is room for the remembrance of a friend who knew him-not wisely, perhaps, but fairly well-on an island that was "not his kind of place," but where he came season after season, year after year; and where he, too, will be subsumed into the capacious story.For millennia the cliffs of Capri have sheltered pleasure-seekers and refugees alike, among them the emperors Augustus and Tiberius, Henry James, Rilke, and Lenin, and hosts of artists, eccentrics, and outcasts. Here in the 1960s Graham Greene became friends with Shirley Hazzard and her husband, the writer Francis Steegmuller; their friendship lasted until Greene's death in 1991. In Greene on Capri, Hazzard uses their ever volatile intimacy as a prism through which to illuminate Greene's mercurial character, his work and talk, and the extraordinary literary culture that long thrived on this ravishing, enchanted island.

One long poem and an eclectic mix of short poems from the Nobel Prize-winning Nigerian playwright, novelist, poet, and polemical essayist Wole Soyinka.Wole Soyinka is one of Africa's outstanding writers. He is already well known in the United States as a playwright; two of his plays, The Trials of Brother Jero and Kongi's Harvest, were produced off-Broadway in New York. A number of his plays and a novel have been published but so far only a handful of his poems have appeared in anthologies and journals. This collection consists of a long poem and a number of shorter ones. Idanre, the long one, was written especially for the Commonwealth (British) Arts Festival (1965) and is a creation myth of Ogun, the Yoruba God of Iron. The other poems range from a meditation on the news of the October Massacres in Northern Nigeria (1966) to a wry lament "To My First White Hairs" and the love poem "Psalm."

A darkly comic look at love and addiction by the author of Amy's ViewWhen struggling poet, reformed alcoholic, and devout Alcoholics Anonymous adherent Paul Peplow interviews the wildly successful, reclusive, and notoriously prickly entrepreneur Victor Quinn, he is in no way prepared for what is to follow. Victor is not only familiar with Paul's obscurely published work but can quote from it liberally; he is also somehow aware of Paul's battle with alcoholism and, without solicitation, Victor challenges Paul with his own confrontational thoughts on addiction, the true meaning of recovery, and what he sees as AA's hidden aga. Victor then concludes their bizarre encounter by offering Paul a job decorating the legend of his fast-growing Internet business. Yet as surreal as all this is, Paul is even less prepared to deal with Victor's seductive wife, Elsa, also a former alcoholic, but one who continues to drink and tempts Paul in ways that rattle him to his very core. Bound to incite discussion and controversy, My Zinc Bed is among David Hare's finest and most insightful plays -- a compelling work which boldly explores the extent to which one person can control the lives of those around him.

Little Lava is a farm on the west coast of Iceland. No roads lead to it; the way lies across a lagoon flooded twice a day by the tide. A lava field borders the farm. From the house, views give onto mountains, volcanoes, rugged coast, and the pure Icelandic sky. In Summer at Little Lava, Charles Fergus tells how he fixed up an abandoned house on the farm and spent a summer there with his wife and their young son-living day to day in great simplicity, without heat, electricity, running water, or other conveniences. Inspired by Henry Beston's classic book, The Outermost House-about a year Beston spent living in a cottage on Cape Cod-Fergus sought a place at the outer limits of civilization, and on the coast of Iceland he found it. As it happened, there was a sudden death in his family-the cruel, pointless murder of his mother at her home in Pennsylvania; and so, in the twilit open spaces of Iceland, Fergus confronted his grief, in the midst of the country's abundant wildlife and distinctive geology, its history and mythology. The little house on the coast became a refuge as he sought to recover himself and the meaning of his life. "Little Lava was a place where I could pass the days in peace," he tells us, "where I could take the first steps into a future that, I hoped, would not be so dimmed with grief and pain." Summer at Little Lava is a wise and vigilant book. It touches on Iceland and Icelanders, birds and nature, tragedy and personal loss; in strong, resonant prose, it evokes the strange and compelling landscape of Iceland.

Winner of the PEN/Martha Albrand Award for the Art of the Memoir Jeffery Smith was living in Missoula, Montana, working as a psychiatric case manager when his own clinical depression began. Eventually, all his prescribed antidepressant medications proved ineffective. Unlike so many personal accounts, Where the Roots Reach for Water tells the story of what happened to Smith after he decided to give them up. Trying to learn how to make a life with his illness, Smith sets out to get at the essence of--using the old term for depression--melancholia. Deftly woven into his "personal history" is a "natural history" of this ancient illness. Drawing on centuries of art, writing and medical treatises, Smith finds ancient links between melancholia and spirituality, love and sex, music and philosophy, gardening, and, importantly, our relationship with landscapes.

In this collection of essays, John Thorne sets our to explore the origins of his identity as a cook, going "here" (the Maine coast, where he'd summered as a child and returned as an adult for a decade's sojourn), "there" (southern Louisiana, where he was captivated by Creole and Cajun cooking), and "everywhere" (where he provides a sympathetic reading of such national culinary icons as the hamburger, white bread, and American cheese, and sits down to a big bowl of Texas red). These intelligent, searching essays are a passionate meditation on food, character, and place.

What the two great modern revolutions can teach us about democracy todayThe American and French revolutions presented the world with two very different visions of democracy. Although both professed similar Enlightenment ideals of freedom, equality, and justice and set similar political agendas, there were also fundamental differences. The French sought a complete break with a thousand years of history; the Americans were content to preserve many aspects of their English heritage. Why did the two revolutions follow such different trajectories? And what lessons do they offer us about democracy today? In lucid narrative style, Dunn captures the personalities and lives of the great figures of both revolutions, and shows how their stories added up to make two very different events.

Milan, a cynical ex-professor of psychology, escaped from the bleak Czechoslovakia of the 1960's to become a Hollywood psychiatrist to the stars. The Prague he knew fades into memory, and with the end of the Cold War seems to disappear altogether. But when he returns years later to film an Arthurian legend, the past is waiting. Stasi agents, abandoned castles, and ugly visions of a fascist Europe plague Milan, and he finds himself imprisoned for a grisly murder he didn't commit. Jailed once again in the land of his birth, Milan turns to a pig, his prison companion, to tell his story. Savage and humorous, In a Pig's Ear is a harrowing inquiry into the mystery of identity.

At the heart of Michael Ignatieff's riveting novel about a woman's descent into Alzheimer's are the tangled threads of a Midwestern family, frayed by time and tragedy yet still connected - as much by pride, embarrassed love, and sibling rivalry as by the painful ties of family loyalty. More than a tale of isolated tragedy, Scar Tissue explores the bonds of memory, their configuartion in self-identity, and their relationship to love, loyalty, and death.

The poet Gjertrud Schnackenberg, whom William Logan once called "the most talented American poet under the age of forty," published her first book of poems in 1982. She has since become one of our most respected authors of verse.Schnackenberg's first three books, collected in Supernatural Love, show the thrilling evolution of a unique voice in today's letters. From an early mastery in which precision and heartbreak are inseparable, her poetry accelerates book by book through the searching, dense, and metaphysical imagery--as well as the cascading syntax--which have become her signature. Whether we are witnessing her classic portrait of Darwin in his last year or discovering the vertiginous brillance of her elegy for the Byzantine monuments of Ravenna, we find in Schnackenberg gemlike poems offered as visionary documents, unmistakable in their glittering range and passion--and never the same twice.

Provocative and hilarious, Heroes Like Us was the first novel to comment on the downfall of East Germany by an author who had grown up with the Berlin Wall. Klaus Uhltzscht, born in 1968 in East Germany, grows up across the street from the Ministry of State Security, and he is inspired early on to do his share to win the Cold War. Naturally he joins the Secret Police, but his glorious career as an international agent never materializes. Instead, he spends countless hours keeping his fellow citizens under close surveillance -- never quite sure what he is looking for. Frustrated on all counts, Klaus's life is changed only when a strange accident in the fall of 1989 dramatically alters the size of his penis.

The collected essays of the late Irish writer, who has belatedly been acclaimed as a rare European master. In these literary, personal and political pieces, most of which were originally published in small Irish newspapers, Butler treats topics from anti-fascism to the tone of Irish country life with uncommon elegance, power and range.

Internationally celebrated for her novels, Nadine Gordimer has devoted much of her life and fiction to the political struggles of the Third World, the New World, and her native South Africa. Living in Hope and History is an on-the-spot record of her years as a public figure--an observer of apartheid and its aftermath, a member of the ANC, and the champion of dissident writers everywhere.In a letter to fellow Nobel laureate Kenzaburo Oe, Nadine Gordimer describes Living in Hope and History as a "modest book of some of the nonfiction pieces I've written, a reflection of how I've looked at this century I've lived in." It is, in fact, an extraordinary collection of essays, articles, and addresses delivered over four decades, including her Nobel Prize Lecture of 1991.

A bighearted selection from the inimitable Australian poet's diverse ten-book body of work Les Murray is one of the great poets of the English language, past, present, and future. Learning Human contains the poems he considers his best: 137 poems written since 1965, presented here in roughly chronological order, and including a dozen poems published for the first time in this book. Murray has distinguished between what he calls the "Narrowspeak" of ordinary affairs, of money and social position, of interest and calculation, and the "Wholespeak" of life in its fullness, of real religion, and of poetry. Poetry, he proposes, is the most human of activities, partaking of reason, the dream, and the dance all at once -- "the whole simultaneous gamut of reasoning, envisioning, feeling, and vibrating we go through when we are really taken up with some matter, and out of which we may act on it. We are not just thinking about whatever it may be, but savouring it and experiencing it and wrestling with it in the ghostly sympathy of our muscles. We are alive at full stretch towards it." He explains: "Poetry models the fullness of life, and also gives its objects presence. Like prayer, it pulls all the motions of our life and being into a concentrated true attentiveness to which God might speak." The poems gathered here give us a poet who is altogether alive and at full stretch toward experience. Learning Human, an ideal introduction to Les Murray's poetry, suggests the variety, the intensity, and the generosity of this great poet's work so far.

A longtime teacher, activist, feminist, and masterful writer of short fiction and essays, Paley is also an accomplished poet. Combining her two previous collections with unpublished work, Begin Again traces the career of a direct, attentive, and always unpredictable poet. Whether describing the vicissitudes of life in New York City or the hard beauty of rural Vermont, whether celebrating the blessings of friendship or protesting against social injustice, her poems brim with compassion and tough good humor.

In the years before his death at age sixty-eight in 1998, Hughes translated several classical works with great energy and ingenuity. His Tales from Ovid was called "one of the great works of our century" (Michael Hofmann, The Times, London), his Oresteia of Aeschylus is considered the difinitive version, and his Phèdrewas acclaimed on stage in New York as well as London. Hughes's version of Euripides's Alcestis, the last of his translations, has the great brio of those works, and it is a powerful and moving conclusion to the great final phase of Hughes's career. Euripides was, with Aeschylus and Sophocles, one of the greatest of Greek dramatists. Alcestis tells the story of a king's grief for his wife, Alcestis, who has given her young life so that he may live. As translated by Hughes, the story has a distinctly modern sensibility while retaining the spirit of antiquity. It is a profound meditation on human mortality. Ted Hughes's last book of poems, Birthday Letters, won the Whitbread Book of the Year Prize. He was Poet Laureate to Queen Elizabeth II and lived in Devon, England until he died in 1998.

A hilarious monologue about fatherhood by a unique comic voiceIn Morning, Noon and Night that master of the confessional, Spalding Gray, tells the event-filled, emotionally charged, and outrageously funny story of one day of his life in October 1997, after the birth of his son Theo. Horrified by the prospect of having another son, considering what he and his two brothers did to their father, and ambivalent about the idea of living in a small, quaint town on eastern Long Island that seems an odd detour for a man destined for California, Gray comes to feel, of course, a profound affinity for his baby boy, born with the looks of a "wet, blue beaver." But this is not merely a father's account of an infant son; it's the story of his new life with his girlfriend Kathie; his regally precocious eleven-year-old stepdaughter, Marissa ("Please don't let me die a virgin!"); and his older son, Forrest, who stymies Gray time and again with his metaphysical inquisitiveness-"Daddy, what's behind the stars?" "How do flies celebrate?"A richly comic work about parenthood, about adults who don't grow up and children who do, Morning, Noon and Night stands as Gray's most mature work to date.

What do you get when a down-on-his-heels puppeteer working as a file clerk on the seventh-and-a-half floor of a Manhattan office building discovers a secret portal into the brain of John Malkovich? Hilarity, drama, and perhaps the most unique film of the 90s. Being John Malkovich, which stars John Cusack, Cameron Diaz and, of course, John Malkovich as himself, is Charlie Kaufman's screenwriting debut. The movie premiered to universal acclaim and is guaranteed to become a classic of modern cinema.

From the first crises in America's farming regions in the 1870s through the fracture and demise of grass-roots protest organizations at the end of the century. American Populism chronicles the Populists' battles with the dominant institutions of an industrializing nation. In this readable and balanced account, Robert McMath examines Populism's relation to the social and economic networks of rural communities and to churches, schools, fraternal organizations, and trade unions, showing how it became a natural response to dramatically changing times.

A chilling account of the fate of intellectuals and artists in contemporary Cuba, Herberto Padilla's frankly autobioghraphical novel is the story of a writer who refuses to give over to the revolutionary state othe power of his art. In the process, Heroes Are Grazing In my Garden paints an astonishingly realistic portrait of an idealist movement gone sour, and the lives of the men and womern lost in the somber turn of the tide.