Bøger udgivet af Farrar, Strauss & Giroux-3pl

If the U.S. Supreme Court teaches us anything, it is that almost everything is open to interpretation. Almost. But what's inarguable is that, while the Court has witnessed a succession of larger-than-life jurists in its two-hundred-plus-year history, it has never seen the likes of Supreme Court Justice Antonin Scalia.Combative yet captivating, infuriating yet charming, the outspoken jurist remains a source of curiosity to observers across the political spectrum and on both sides of the ideological divide. But for all his public grandstanding, Scalia has managed to elude biographers-until now. In American Original: The Life and Constitution of Supreme Court Justice Antonin Scalia, the veteran Washington journalist Joan Biskupic presents for the first time a detailed portrait of this complicated figure and provides a comprehensive narrative that will engage Scalia's adherents and critics alike. Drawing on her long tenure covering the Court and on unprecedented access to the justice, Biskupic delves into the circumstances of his rise and the formation of his rigorous approach on the bench. This book shows us the man in power: his world, his journey, and the far-reaching consequences of a transformed legal landscape.

In recent years, the justices of the Supreme Court have ruled definitively on such issues as abortion, school prayer, and military tribunals in the war on terror. They decided one of American history's most contested presidential elections. Yet for all their power, the justices never face election, and hold their offices for life. This combination of influence and apparent unaccountability has led many to complain that there is something illegitimate-even undemocratic-about judicial authority.In The Will of the People, Barry Friedman challenges that claim by showing that the Court has always been subject to a higher power: the American public. Judicial positions have been abolished, the justices' jurisdiction has been stripped, the Court has been packed, and unpopular decisions have been defied. For at least the past sixty years, the justices have made sure that their decisions do not stray too far from public opinion.Friedman's pathbreaking account of the relationship between popular opinion and the Supreme Court-from the Declaration of Independence to the end of the Rehnquist Court in 2005-details how the American people came to accept their most controversial institution and, in so doing, shaped the meaning of the Constitution.

Elizabeth Cady Stanton was a brilliant activist-intellectual. That nearly all of her ideas-that women are entitled to seek an education, to own property, to get a divorce, and to vote-are now commonplace is in large part because she worked tirelessly to extend the nation's promise of radical individualism to women.In this subtly crafted biography, the historian Lori D. Ginzberg narrates the life of a woman of great charm, enormous appetite, and extraordinary intellectual gifts who turned the limitations placed on women like herself into a universal philosophy of equal rights. Few could match Stanton's self-confidence; loving an argument, she rarely wavered in her assumption that she had won. But she was no secular saint, and her positions were not always on the side of the broadest possible conception of justice and social change. Elitism runs through Stanton's life and thought, defined most often by class, frequently by race, and always by intellect. Even her closest friends found her absolutism both thrilling and exasperating, for Stanton could be an excellent ally and a bothersome menace, sometimes simultaneously. At once critical and admiring, Ginzberg captures Stanton's ambiguous place in the world of reformers and intellectuals, describes how she changed the world, and suggests that Stanton left a mixed legacy that continues to haunt American feminism.

A woman in a township in Zimbabwe is surrounded by throngs of dusty children but longs for a baby of her own; an old man finds that his new job making coffins at No Matter Funeral Parlor brings unexpected riches; a politician's widow stands quietly by at her husband's funeral, watching his colleagues bury an empty casket. Petina Gappah's characters may have ordinary hopes and dreams, but they are living in a world where a loaf of bread costs half a million dollars, where wives can't trust even their husbands for fear of AIDS, and where people know exactly what will be printed in the one and only daily newspaper because the news is always, always good.In her spirited debut collection, the Zimbabwean writer Petina Gappah brings us the resilience and inventiveness of the people who struggle to live under Robert Mugabe's regime. She takes us across the city of Harare, from the townships beset by power cuts to the manicured lawns of privilege and corruption, where wealthy husbands keep their first wives in the "big houses" while their unofficial second wives wait in the "small houses," hoping for a promotion.Despite their circumstances, the characters in An Elegy for Easterly are more than victims-they are all too human, with as much capacity to inflict pain as to endure it. They struggle with the larger issues common to all people everywhere: failed promises, unfulfilled dreams, and the yearning for something to anchor them to life.

Leonard Michaels was a writer of unfailing emotional honesty. His memoirs, originally scattered through his story collections, are among the most thrilling evocations of growing up in the New York of the 1950s and '60s-and of continuing to grow up, in the cultural turmoil of the '70s and '80s, as a writer, teacher, lover, and reader. The same honesty and excitement shine in Michaels's highly personal commentaries on culture and art. Whether he's asking what makes a story, reviewing the history of the word "relationship," or reflecting on sex in the movies, he is funny, penetrating, surprising, always alive on the page.The Essays of Leonard Michaels is the definitive collection of his nonfiction and shows, yet again, why Michaels was singled out for praise by fellow writers as diverse as Susan Sontag, Larry McMurtry, William Styron, and Charles Baxter. Beyond autobiography or criticism, it is the record of a sensibility and of a style that is unmatched in American letters.

With five critically acclaimed collections-Nights in the Iron Hotel (1983), Acrimony (1986), K.S. in Lakeland: New and Selected Poems (1990), Corona, Corona (1993), and Approximately Nowhere (1999)-Michael Hofmann has established himself as one of the truly original poetic voices of our time. His poetry, both public and personal, expansive and intimate, looks in three directions-toward the Germany of his birth and toward his adopted homelands, England and America-and his perspective on all three is surprising, alarmed, and alarming. Influenced by Robert Lowell and John Berryman (both of whom he has edited), Hofmann nevertheless cannot be pigeonholed in any given style or movement. Hofmann may be better known, especially in America, for his acclaimed translations than for his own poetry, but this volume promises to introduce a broad new readership to a keenly intelligent, formally rigorous, emotionally unsparing poetry that feels entirely fresh.

Suzanne believes she knows who she is: a former wild child, neither virgin nor virginal as a teen; someone who pulls for the wayward girls and troubled boys she now teaches in Minnesota. She has learned to survive good love and bad love and people who don't care at all. At her rented cabin, she gathers strength, like a storm forming over the lake.While looking for a spark in her life, a random coincidence leads Suzanne to try to unlock a harrowing event from her past. She is drawn into an unusual relationship with Alpha Breville, a convicted criminal with a disturbing history; simultaneously, she begins seeing an unpredictable, dark-haired drifter-a cowboy who's part angel, part howling dog. Though the cowboy matches Suzanne in intensity and desire, he's less faithful than the captive Breville.Which man can offer Suzanne the knowledge she seeks? Which man can truly touch her? How can she find her unique peace?In writing that has been likened to Kate Chopin's, Maureen Gibbon constructs a taut story of desire at the other end of the Mississippi, in the north woods of Minnesota. Against deep lakes, casinos, and a bar named the Royal, Gibbon's unconventional characters show us how to play the hands we're dealt and own the choices we make, in a tough and tender book about hard-won redemption from one of America's most original writers.

Joey and Denny have been best friends since kindergarten, and after working together for several years as policemen in Chicago, they are practically family: Joey helps out with Denny's wife and kids; Denny keeps Joey away from the bottle. But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.

Winner of the 2008 Katharine Bakeless Nason Prize for Poetry, Nick Lantz's poems introduce a startling new voice.Taking its title from a dodging statement from former secretary of defense Donald Rumsfeld, We Don't Know We Don't Know assesses what it means to claim new knowledge within a culture that professes to know everything already. The result is a poetry that upends the deeply and dangerously assumed concepts of such a culture-that new knowledge is always better knowledge, that history is a steady progress, that humans are in control of the natural order. Nick Lantz's poems hurtle through time from ancient theories of physics to the CIA training manual for the practice of torture, from the history of the question mark to the would-be masterpieces left incomplete by the deaths of Leonardo da Vinci, Nikolai Gogol, Bruce Lee, and Jimi Hendrix. Selected by Linda Gregerson for the esteemed Bakeless Prize for Poetry, We Don't Know We Don't

When video killed the radio star, Sharon Oreck was calling the shots. Video Slut takes an irreverent look behind the scenes of the music-video industry during its eighties heyday. Oreck, one of the top producers of all time, bluffed her way into the business with no experience whatsoever and went on to produce more than six hundred video shoots with Madonna, Sting, Mick Jagger, Prince, and several members of the increasingly unstable Jackson family-not to mention a cadre of delinquent caterers, deranged interns, self-absorbed record executives, and malfeasant animal trainers. Oreck also shares the at turns hilarious, biting, and poignant story of her origins as a single teen mother, disowned by her middle-class parents, and of her journey from welfare to kung fu movie sets to film school. She approaches her own delinquency and that of the superstars she encountered with humor and candor. The result is an acerbic but sympathetic account of the outrageous effects of fame, power, and money on people in the entertainment business. No one is spared, especially herself.

How language evolved has been called "the hardest problem in science." In Adam's Tongue, Derek Bickerton-long a leading authority in this field-shows how and why previous attempts to solve that problem have fallen short. Taking cues from topics as diverse as the foraging strategies of ants, the distribution of large prehistoric herbivores, and the construction of ecological niches, Bickerton produces a dazzling new alternative to the conventional wisdom.Language is unique to humans, but it isn't the only thing that sets us apart from other species-our cognitive powers are qualitatively different. So could there be two separate discontinuities between humans and the rest of nature? No, says Bickerton; he shows how the mere possession of symbolic units-words-automatically opened a new and different cognitive universe, one that yielded novel innovations ranging from barbed arrowheads to the Apollo spacecraft.Written in Bickerton's lucid and irreverent style, this book is the first to thoroughly integrate the story of how language evolved with the story of how humans evolved. Sure to be controversial, it will make indispensable reading both for experts in the field and for every reader who has ever wondered how a species as remarkable as ours could have come into existence.'

Assorted Poems is a generous selection from the first four books by one of the most distinctive voices in contemporary poetry. In Bag o' Diamonds (1993), Smokes (1998), Source Codes (2001), and Ledger (2005), Susan Wheeler has established herself as a poet of rare gifts. Her work is allusive and searching, sweeping over time and place, from the art of the northern Renaissance to corporate logos, observing and exploring everything with characteristic precision and intelligence. The poems are both rigorous and free, taking on our culture, its beauties and cruelties, its relationship to the past and its uncertain future. Assorted Poems is a vibrantly thoughtful and entertaining book, a mustread from a poet whom Harold Bloom has called "an exuberant, subtle, endlessly inventive original."

Sestets is the nineteenth book from one of the country's most acclaimed poets, a masterpiece of formal rigor and a profound meditation on nature and mortality. It is yet another virtuosic showcase for Charles Wright's acclaimed descriptive powers, and also an inquiry into the nature of description itself, both seductive and dangerous: "a virtual world/ Unfit for the virtuous." Like his previous books, Sestets is seeded with the lyrics of old love songs and spirituals, and "there is always room to connect his highly polished poems to the world where most of us lead mundane lives" (Miami Herald). Soaring and earthy, lyrical and direct, Charles Wright is an American treasure, and his search for a truth that transcends change and death settles finally on the beauties of nature and language: "Time is a graceless enemy, but purls as it comes and goes."

It is 1967 and Larry Gopnik, a physics professor at a quiet Midwestern university, has just been informed by his wife Judith that she is leaving him since she has fallen in love with one of his more pompous colleagues. His domestic woes accumulate: his unemployable brother Larry is sleeping on the couch, his son Danny is playing hooky from Hebrew school, and his daughter is sneaking money from his wallet in order to save up for a nose job. Also, a graduate student seems to be trying to bribe him for a passing grade while at the same time threatening to sue him for defamation, thus putting in jeopardy Larry's chances for tenure at the university. As if all this wasn't enough, he is tormented by the sight of his beautiful next door neighbor sunbathing nude.Larry's search for some kind of equilibrium is conveyed with the kind of humor, imagination, and verbal wit that have made the work of Ethan and Joel Coen so distinctive.

In small-town America, a young adult novel about teen pregnancy is banned by the local school board, igniting a fierce and violent debate over abortion, religious beliefs, and modern feminism. Its directionless New York City author arrives in town to defend the book and finds that it has inspired a group of local teens to rebel in strange and unexpected ways. A timely and unforgettable drama about the failure of urban and heartland America to understand each other, The Metal Children explores what happens when fiction becomes a matter of life and death.

In the early nineties, riot grrrl exploded onto the underground music scene, inspiring girls to pick up an instrument, create fanzines, and become politically active. Rejecting both traditional gender roles and their parents' brand of feminism, riot grrrls celebrated and deconstructed femininity. The media went into a titillated frenzy covering followers who wrote "slut" on their bodies, wore frilly dresses with combat boots, and talked openly about sexual politics. The movement's message of "revolution girl-style now" soon filtered into the mainstream as "girl power," popularized by the Spice Girls and transformed into merchandising gold as shrunken T-shirts, lip glosses, and posable dolls. Though many criticized girl power as at best frivolous and at worst soulless and hypersexualized, Marisa Meltzer argues that it paved the way for today's generation of confident girls who are playing instruments and joining bands in record numbers. Girl Power examines the role of women in rock since the riot grrrl revolution, weaving Meltzer's personal anecdotes with interviews with key players such as Tobi Vail from Bikini Kill and Amy Ray of the Indigo Girls. Chronicling the legacy of artists such as Bratmobile, Sleater-Kinney, Alanis Morissette, Britney Spears, and, yes, the Spice Girls, Girl Power points the way for the future of women in rock.

Clash of Extremes takes on the reigning orthodoxy that the American Civil War was waged over high moral principles. Marc Egnal contends that economics, more than any other factor, moved the country to war in 1861.Drawing on a wealth of primary and secondary sources, Egnal shows that between 1820 and 1850, patterns of trade and production drew the North and South together and allowed sectional leaders to broker a series of compromises. After midcentury, however, all that changed as the rise of the Great Lakes economy reoriented Northern trade along east-west lines. Meanwhile, in the South, soil exhaustion, concerns about the country's westward expansion, and growing ties between the Upper South and the free states led many cotton planters to contemplate secession. The war that ensued was truly a "clash of extremes."Sweeping from the 1820s through Reconstruction and filled with colorful portraits of leading individuals, Clash of Extremes emphasizes economics while giving careful consideration to social conflicts, ideology, and the rise of the antislavery movement. The result is a bold reinterpretation that will challenge the way we think about the Civil War.

D.J. Taylor's Bright Young People offers a scintillating portrait of 1920s London and the birth of the cult of celebrity.Before the media circus of Britney, Paris, and our modern obsession with celebrity, there were the Bright Young People, a voraciously pleasure-seeking band of bohemian party-givers and blue-blooded socialites who romped through the gossip columns of 1920s London. Evelyn Waugh immortalized their slang, their pranks, and their tragedies in his novels, and over the next half century, many-from Cecil Beaton to Nancy Mitford and John Betjeman-would become household names.But beneath the veneer of hedonism and practical jokes was a tormented generation, brought up in the shadow of war. Sparkling talent was too often brought low by alcoholism and addiction. Drawing on the virtuosic and often wrenching writings of the Bright Young People themselves, the biographer and novelist D. J. Taylor has produced an enthralling account of an age of fleeting brilliance.

Heal Thyself is the paperback edition of The End of My Addiction-a memoir of Ameisen's struggle and a call to action."[This book is] the story of the dazzling discovery of a cure that could soon be within reach of all . . . you must read this book." -David Servan-Schreiber, MD, PHD, author of Healing Without Freud or Prozac and AnticancerWhen Olivier Ameisen's book was first published, Barbara Fisher noted in The Boston Globe that "this is not your usual memoir of addiction, degradation, and redemption." His story is indeed unusual-not because he was a brilliant cardiologist who developed a profound addiction to alcohol, or because he tried numerous treatment options and none helped. His story was the story of millions of alcoholics-until he decided to take his treatment into his own hands.Searching for a cure for his deadly disease, he happened upon baclofen, a safe muscle relaxant that had recently shown promising results in studies with laboratory animals addicted to a wide variety of substances. Ameisen experimented with increasingly higher dosages until he reached a level that left him free of any craving for alcohol. That was more than six years ago.In the past year, a growing number of researchers and doctors have been inspired by Ameisen and begun prescribing baclofen and lobbying for wide-scale studies into how the drug works. Last spring, no less an authority than the leading medical journal Alcohol and Alcoholism endorsed the book. Hailing Dr. Ameisen as "a remarkable medical researcher," it summed up its assessment strongly and directly: "This book is to be recommended."

A spellbinding narrative account of America in the Middle East that "reads almost like a thriller" (The Economist)The Middle East is the beginning and the end of U.S. foreign policy: events there influence our alliances, make or break presidencies, govern the price of oil, and draw us into war. But it was not always so-and as Patrick Tyler shows in A World of Trouble, a thrilling chronicle of American misadventures in the region. The story of American presidents' dealings there is one of mixed motives, skulduggery, deceit, and outright foolishness, as well as of policymaking and diplomacy. Tyler draws on newly opened presidential archives to dramatize the approach to the Middle East across U.S. presidencies from Eisenhower to George W. Bush. He takes us into the Oval Office and shows how our leaders made momentous decisions; at the same time, the sweep of this narrative-from the Suez crisis to the Iran hostage crisis to George W. Bush's catastrophe in Iraq-lets us see the big picture as never before. Tyler tells a story of presidents being drawn into the affairs of the region against their will, being kept in the dark by local potentates, being led astray by grasping subordinates, and making decisions about the internal affairs of countries they hardly understand. Above all, he shows how each president has managed to undo the policies of his predecessor, often fomenting both anger against America on the streets of the region and confusion at home. A World of Trouble is the Middle East book we need now: compulsively readable, free of cant and ideology, and rich in insight about the very human challenges a new president will face as he or she tries to restore America's standing in the region.

Eileen Hughes, twenty years old and never before out of Northern Ireland, has arrived in London for a week's holiday with Bernard and Mona McAuley, who are not only her employers but also, she believes, her friends. In Brian Moore's masterful handling, this seemingly simple story darkens and expands, exploring the nature of obsession-both spiritual and erotic-with an elegance, anarchic playfulness, and imagination that recall Henry Green or Muriel Spark.

Warhorses is the haunting, electric work of a Pulitzer Prize-winning poet who never ceases to challenge and delight his readers.This powerful collection of Yusef Komunyakaa's poetry delves, with his characteristic allusiveness, intelligence, and intensity, into an age of war and conflict, both global and internal, racial and sexual. "Sweetheart, was I talking war in my sleep / again?" he asks, and the question is hardly moot: "Sometimes I hold you like Achilles' / shield," and indeed all relationships, in this telling, are sites of violence and battle. His line is longer and looser than in Taboo or Talking Dirty to the Gods, and in long poems like "Autobiography of My Alter Ego" he sounds almost breathless, an exhausted but desperate prophet. With the leaps and improvisational flourishes of a jazz soloist, Komunyakaa imagines "the old masters of Shock & Awe" daydreaming of "lovely Penelope / like a trophy."

One day it happens: the dreaded event that will change your life forever. For Alix Kates Shulman, it happened in a remote seaside cabin on a coastal Maine island-where the very isolation that makes for a perfect artist's retreat can also put life at risk. Shulman woke to find that her beloved husband had fallen the nine feet from their sleeping loft and was lying on the floor below, deathly still. Though Scott would survive, he suffered an injury that left him seriously brain impaired. He was the same-but not the same.In this elegant memoir, Shulman describes the ongoing anxieties and risks-and surprising rewards-she experiences as she reorganizes her world to care for her husband and discovers that what might have seemed a life sentence to some has evolved into something unexpectedly rich.

The Hundred Days, Franklin Roosevelt's first fifteen weeks in office, have become the stuff of legend, a mythic yardstick against which every subsequent American president has felt obliged to measure himself. The renowned historian Anthony J. Badger cuts through decades of politicized history to provide a succinct, balanced, and timely reminder that Roosevelt's accomplishment was above all else an exercise in exceptional political craftsmanship.Roosevelt entered the White House in 1933 confronting 25 percent unemployment, bank closings, and a nationwide crisis in confidence. From March 9 to June 16, FDR secured sixteen major bills, many of which gave extraordinary discretionary power to the president. From legalizing the sale of beer to providing mortgage relief to millions of Americans, Roosevelt launched the New Deal that conservatives have been working to roll back ever since. Reintroducing the contingency that marked those fateful days, Badger humanizes Roosevelt and suggests a far more useful yardstick for future presidents: the politics of the possible under the guidance of principle.