Bøger udgivet af Fondazione Prada

A stunning showcase of elegant folding screens from the 17th to 21st centuriesThis volume gathers an exceptional selection of decorative folding screens, exploring the history and semantics of the form by tracing trajectories of cross-pollination between East and West. At their core, folding screens embody liminality and the idea of sitting at the threshold of two conditions, both literally and metaphorically. They cross barriers between different spaces, disciplines, cultures and worlds. Taking that notion as a starting place, this volume follows processes of hybridization between different art forms and functions, collaborative relationships between designers and artists, and the emergence of newly created works.This gorgeous catalog features more than 70 examples of folding screens, including valuable historical objects and more recent works from international museums and private collections, plus a selection of new creations commissioned from more than 15 international artists specifically for this project.

The small-talk topic as viewed by artists and scientists, revealing a cultural fascination with the climate This volume accompanies a group exhibition exploring the semantics of "weather" in visual art, taking atmospheric conditions as a point of departure to investigate the climate emergency. More than 50 works by contemporary artists and a complementary selection of historical artworks trace the various ways in which climate and weather have shaped our histories and how humanity has dealt with our everyday exposure to meteorological events. The exhibition reveals artists' long-standing interest in "talking about the weather," from allegorical and en plein air paintings to recent multimedia installations and transnational activism.The book includes 18 richly illustrated essays by curators, art historians, architects, activists, linguists, meteorologists and scientists. The book also contains a fundamental bibliography of climate dynamics comprising nearly 500 texts accompanied by maps, diagrams and other graphic representations.

Spanning the last 20 years, this retrospective catalogue accompanies Andreas Slominski's recent exhibition at the Museum of Modern Art in Frankfurt, Germany. Works range from early sculptural objects to room-filling installations to recent works that directly engage with Frankfurt's cultural history, as well as Slominski's hotly debated Styrofoam paintings.

An image-text dialogue between David Cronenberg's vision of the human body and wax models from a legendary Italian science museumThis book was published for an exhibition at Fondazione Prada, where the models of La Specola Museum (part of the Museum of Natural History in Florence) were exhibited alongside a newly conceived short film by Canadian film director David Cronenberg. It includes interviews with the director and an anthology of previously published texts on La Specola's collection and Cronenberg's filmography by Maria Luisa Azzaroli, Fausto Barbagli, Mario Bucci, Gianni Canova, Simone Contardi, Eleanor Crook, Francesco Paolo de Ceglia, Georges Didi-Huberman, Joanna Ebenstein, Giovanni Festa, Marcie Frank, Mauro Giori, John Hatch, Zoltan Kádár, Peter K. Knoefel, Chloe Anna Milligan, Marta Poggesi, Mario Praz, Dylan Trigg and Marcos Uzal, among others. The contributions examine the remarkable heritage and the current resonance of the wax models from historical, academic and artistic perspectives, and investigate David Cronenberg's vision of the body, to underline the relevance of scientific research and its connection to creative practice.

Published in conjunction with the first major retrospective following the death of Greek Arte Povera artist Kounellis, this biographical survey constructs a full exhibition history, highlighting key moments in Kounellis' influential 50-year career.

The latest large-scale multimedia installation by American artists Fitch and Trecartin investigates borders, back-to-the-land ideology, and the perpetual promise of "new" terrain. This volume documents this project in the countryside of Ohio..

This catalog accompanies an exhibition curated by Luc Tuymans (born 1958) at the Fondazione Prada in Milan. Sanguine reinterprets the baroque throughout art history, featuring works by Caravaggio, Reubens, Isa Genzken, Takashi Murakami, and others.

At the heart of Machines à penser lies an artistic encounter with three titans of 20th-century philosophy, each of whom experienced a place of retreat or exile as decisive for their work: Ludwig Wittgenstein, who built himself a hermitage in Norway; Martin Heidegger, who regularly retreated to a custom-built hut in the Black Forest; and Theodor Adorno, who was forced into exile in Los Angeles in the late 1930s. The titular "machines for thinking" are the modest dwellings with which these philosophers have become associated: a nondescript bungalow, a mountain hut and a peasant's cabin. Here, works by Alec Finlay, Susan Philipsz, Mark Riley, Anselm Kiefer, Alexander Kluge, Goshka Macuga, Mark Manders, Ian Hamilton Finlay, Iñigo Manglano-Ovalle, Gerhard Richter and others are placed in dialogue with documentation and models of Wittgenstein, Heidegger and Adorno's respective dwellings.

TV 70 is a project by artist Francesco Vezzoli (born 1971) developed in collaboration with Rai, Italy's national broadcasting company. With archival material and testimonials, it explores 1970s TV production.

L'image volée, published for an exhibition curated by Thomas Demand, explores the way we all rely on preexisting models, and how artists have always referred to existing imagery to make their own. Questioning the boundaries between originality, conceptual inventiveness and the culture of the copy, the project focuses on theft, authorship, annexation and the creative potential of such pursuits. The volume presents three possible investigations: the physical appropriation of the object; theft as related to the image per se rather than the concrete object itself; and the act of stealing through the making of an image. Artists include Maurizio Cattelan, Richard Artschwager, Martin Kippenberger, Elaine Sturtevant, Asger Jorn, Wangechi Mutu, Thomas Ruff, Elad Lassry, John Baldessari, Sophie Calle, and Christopher Williams. L'image volée includes newly commissioned short stories by Ian McEwan and Ali Smith, and essays by Russell Ferguson, Christy Lange, Jonathan Griffin, Rainer Erlinger and Daniel McClean.

The art of Gianni Piacentino (born 1945) represents a universe of perfection, calculation and concentration, one of geometrical and primary forms. Combining this sensibility with an appreciation of pop culture, Piacentino turned to the world of velocity and transportation including cars, motorcycles and planes, creating industrial-inspired sculptures that straddle the line between design and art. This three-volume publication comprises more than 90 works, retracing the artist's output in reverse chronological order, starting with his most recent works from 2015 and working backwards to those from 1965, when Piacentino veered between Pop art and minimalism but ultimately developed a practice that fit neither category. Featuring images of sketches and art works, text by Germano Celant, a conversation with the artist and a chronology of his exhibition history, this is a handsome introduction to the artist's work.

Polish-born, London-based Goshka Macuga (born 1967) adopts the roles of an artist, curator, collector, researcher and exhibition designer, working across a variety of media to explore how and why we remember both cultural and personal events. She particularly focuses on how we build our own classificatory systems for creating and remembering knowledge in times of rapidly advancing technology and information saturation. This book, published for the exhibition To the Son of Man Who Ate the Scroll, is organized as an atlas and retraces for the first time Macuga's career from 1993 to the present day. The volume is edited by Mario Mainetti and includes original essays along with an anthology of texts by the artist published for former projects.

Art or Sound examines the rich overlap and areas of ambiguity between musical instruments and works of art. Looking at examples spanning the seventeenth century to the present, this gorgeously produced book, with its thick vinyl cover, offers a fascinating reinterpretation of the musical instrument and the ways in which it can become a sculptural-visual entity (and vice versa). It opens with instruments made from precious materials in the seventeenth century, eighteenth-century musical automata by Pierre Jaquet-Droz and various customized instruments from the Victorian and early modern eras. Research in the field of synesthesia is presented along with works from the historical avant-gardes, such as Luigi Russolo's celebrated Intonarumori (1913). Also included are scores by John Cage, works by Robert Morris and Nam June Paik, sound installations such as Robert Rauschenberg's Oracle (1962-65) and Laurie Anderson's Handphone Table (1978). Examples of artistic appropriations of musical instruments (by the likes of Arman, Richard Artschwager and Joseph Beuys) and hybrid instruments by Ken Butler and William T. Wiley are considered alongside the more recent research of artists such as Christian Marclay, Janet Cardiff, Martin Creed and Doug Aitken, and a younger generation, represented by Anri Sala, Athanasios Argianas, Haroon Mirza, Ruth Ewan and Maywa Denki, among others. Esteemed writers, musicians and scholars such as Christoph Cox, Douglas Kahn, Alan Licht, David Toop and Rob Young contribute contextualizing essays.

Slipcased in a giant "K," this beautiful book looks at three treatments of Kafka by Martin Kippenberger, Orson Welles and Tangerine DreamGathering three works by Martin Kippenberger, Orson Welles and Tangerine Dream inspired by Kafka's uncompleted novels Amerika, The Trial and The Castle, K is also a tribute to the publishers and translators of Kafka, and their republication of texts or first translations into English or Italian. The preferred editions of the three novels in English and Italian republished in K are those translated from the restored versions of the German texts. The structure of the book is led by archival documents with cross-references shown next to the texts representing correspondences with Kafka's thinking.

Uneasy Dancer brings together over 80 works including installations, assemblages, collages and sculptures by the pioneering Los Angeles artist Betye Saar (born 1926) produced between 1966 and 2016. This handsomely designed volume presents Saar's work as a copiously illustrated timeline, with numerous documentary images and exhibition details. "Uneasy Dancer" is an expression Saar has used to define both herself and her artistic practice: "my work moves in a creative spiral with the concepts of passage, crossroads, death and rebirth, along with the underlying elements of race and gender." Through her use of found objects, personal memorabilia and derogatory images that evoke denied or distorted narratives, Saar developed a powerful social critique that challenges racial and sexist stereotypes deeply rooted in American culture.

Exploring the changing role of the physical body in the digital ageThis volume accompanies the latest exhibition from Berlin-based artist duo Elmgreen & Dragset, which explores how bodies lose their centrality to everyday experience in our postindustrial age.