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Jaime Gil de Biedma is the most original and influential among the poets known as the '50's Generation in Spain, and is considered the greatest Spanish poet to emerge in the second half of the 20th century. His life and literary career were bracketed almost entirely by the rise and fall of Generalissimo Francisco Franco, notorious for the suppression of literature. Born in 1929, he was six years old when García Lorca was murdered in Granada at the outbreak if the Civil War, and his collected poems, Las personas del verbo, first appeared in 1975, the year Franco died. What is surprising is that Gil de Biedma was a leftist, homosexual poet from the Catalan capitol, Barcelona - all of Franco's favorite things - who not only published books of autobiographical poetry in Spain but was known as a poet of social conscience as well as erotic lyricism. Like other Spanish poets of his time, he chose his words carefully.

A fiery new prose chapbook from Callum Angus, the celebrated author of A Natural History of Transition.CATARACT begins in the desert, climaxes in fleeing wildfires, and ends in an OSHA conference call. From winery workers dying in the fields to endangered desert tortoises unable to outrun the flames, CATARACT is a venting of ecological rage, a communal cry in many voices against the few who keep us in this situation by using power to perpetuate inaction."Callum Angus is one of the younger writers I'm most excited by, with a mind full of marvels and an ear to match. Every story surprises; every sentence strives gorgeously toward music. This is writing as transition, as entrancement, as transcendence."--Garth Greenwell"Down with the medicalized so-called histories of our selves! Cal Angus has written our history as something much lusher, more fantastical, and for that reason, more true." --Jordy RosenbergLiterary Nonfiction. Essay. Nature. LGBTQ+ Studies.

The debut English language poetry collection by noted Mexican author Isabel Zapata, A Whale is a Country explores humanity's relationship to the natural world through a multitude of poignant angles.

In A TEN PESO BURIAL FOR WHICH TRUTH I SIGN, debut poet Gabriel Palacios slipstreams through a hauntological, historicized Southwest, to make sense out of the life inherited. Episodes of modern decay, violence and indignity co-mingle with the colonial horrors sometimes visited upon, and often committed by the ancestors of the author, who traveled from Basque Spain to the Southwestern border region in the Eighteenth-century. These are poems that reckon with complicity: historic and on the streets of South Tucson, Arizona in the present. This collection represents a prism through which we assess time, place, and the specters of one's own conduct and circumstances.

Poetry. Literary Nonfiction. Asian &; Asian American Studies. Art. PROOF AT STAKE is a multivalent meditation on loss, grief, and social constructs. Grounded in the death of the poet's daughter, Vivian, this long elegy ruminates on a wide range of subjects, from the effects and winding paths of disruptive technologies, such as paper and cryptocurrency, to critiques and observations of art movements, diasporas, social unrest, and the history of the Philippines.

Winner of the 2019 Fonograf Editions Open Genre Book Prize, as chosen by Rae Armantrout.Chosen by Rae Armantrout as the winner of the 2019 Fonograf Editions Open Genre Book Prize, SYSTEMS THINKING WITH FLOWERS is a poetry collection about conspiring to do right within the constraints of inherited structures. Languell's text critiques unearned authority in its many guises. In two sections, the book chronicles the complex emotional gymnastics required for existence in male-dominated and colonialist environments, such as professional sports, museums, and other institutions. Foreword by Rae Armantrout.Poetry.

The debut novel by renowned poet and editor Joshua Marie Wilkinson, TROUBLE FINDS YOU is a taut work of narrative fiction that deftly balances comedy and drama, mystery and tenderness. A revelatory work by a writer moving into completely new ground for himself.To say Harry Stables's life has hit a bit of a low patch lately is an understatement. In his mid-20s, he's been kicked out of his MFA program for fighting, his ex-girlfriend turned down his spur-of-the-moment marriage proposal, and he's spent the last ten days in his dad's falling-down Montana fishing cabin with his dog Greta trying to find out how his mother really died when he was a baby, something his father ñ now dying himself of cancer ñ has refused to tell either him or his sister their whole lives. On top of all this, he's just been to a party outside Missoula where he received a nasty dog bite and where he may have been an accessory to a fatal shooting. Ignoring the advice of both his sister and Calvin Hogan ñ fishing guide, old friend of his father's, and companion to the lovable mutt Herkimer ñ Harry first tries to untangle the details of the shooting himself and eventually winds up on the lam, pursued by persecutors both real and imagined. As the cops and the accumulated psychic weight of his actions bears down on him, Harry must ultimately reckon with what sort of man he will be.According to George Saunders, "literature is a form of fondness-for-life. It is love for life taking verbal form" and so it is with TROUBLE FINDS YOU, a modern-day Portis-like quixotic road trip replete with stumbling beauty and searing folly. Set against the beauty of the American West, this is a novel of many colors: a thriller, a mystery, a coming-of-age story, and a family drama. It is populated with characters ñ these men and their excellent dogs--who are sometimes frustrating, frequently stupid, often funny, but always full of life. Harry Stables bears more than a passing resemblance to the Coen brothers' Llewyn Davis, a lovable curmudgeon committed to a quest of his own design."Sometimes you look left or right and the world just plows into you, takes you down. TROUBLE FINDS YOU does the same--and doesn't let up."--James SallisFiction. Family & Relationships.

"Composed of six interrelated full-length collections, The Speak Angel Series is a work of stunning accomplishment and ambition by Alice Notley, winner of the Ruth Lilly Poetry Prize from the Poetry Foundation, among many other honors. The Speak Angel Series is composed of six full-length books in various forms but towards the achievement of a unifying epic narrative in which the poet, as character, leads all the souls of all the living and dead to a point zero where the remaking of the cosmos can be performed. As this is being done, the official public world takes place in Paris, France and the United States, and new "characters" are incorporated from the news and from the poet's life. The forms include a long-line narrative broken by lyric stand-alones, an operatic form designed to make the reader of it chant if reading aloud, a spiritual sequel to the author's book The Descent of Alette, written in the same stanzaic form, a book that is simply a collection of different kinds of poems, a book formed by collaging, and a final, long book that is the volume's ultimate culmination. The Speak Angel Series took years to accomplish but is finally ready; it is meant to be read for plot, pleasure, musical experience, wisdom and truth. Why not? The books present something like a cosmology in the philosophical sense, a reading of existence and of death. The dead are very close-by and available in the series, which is a work of stunning ambition."--Amazon.com.

These twenty-seven poems of Dead Winter continue the poet's ongoing "From a Winter Notebook" cycle which plays on traditional winter themes of stasis, ruin, aging, lost love, belatedness, dormancy, and decline. Aggressively personal, by turns ironic and sentimental, mixing colloquial and archly artificial diction, rife with quotations and reference to a wide variety of lyric traditions, these poems stage a polyphonic and ambivalent internal dialog that vacillates between the often-contradictory desires of social justice and personal freedom. Straining to resist impending erosion in the political tide, the singular voice seeks to hold these contradictions up to the light and to contemplate their prismatic refractions without resolution. Caught between complicity and antagonism, between the impending obsolescence of inherited poetic traditions and a desire to commune with the contemporary, the voice churns on--miming winter's monotony--to carve out a space for melancholic complaint and anxious meditation on the end-times endeavor of the lyric mode itself. Through representations of desire and melancholy in a technologically invasive era, these poems also ask about the effect of technological and political shifts on the bounds of the personal, and of the way a techno-oriented sociality impinges on interpersonal relationships, the interior dialogs of the self, and the writing of poetry.

Sonic and typographic experimentation collide in this book-length poem in seven sections. MOTHER IS A BODY is a visceral and immediate exploration of the female body, and that which is continually forced upon it, as Herrera considers what it means to be mothered, and to mother in return. Through a cyclical process of imagining, conceiving, assigning, emptying, MOTHER IS A BODY at once renounces and reveres the notion of the sacred feminine, to illustrate "mother" in her many actualities -- a complex figure, at times unsightly, that both is and isn't what we most often ascribe to her as an archetype of the divine. Overseen by Gilles Deleuze and Félix Guattari, Clarice Lispector, Miriam Medrez, and Yoko Ono, Herrera pieces together material excavated from within Instagram's endless scroll, Wikipedia's citations, and even the U.S. Department of Agriculture's archives to create a layered inscription -- musically, emotionally, philosophically -- to the idea of motherhood, and the children she never had.