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The Goetia is the most famous grimoire after the Key of Solomon. This volume contains a transcription of a hitherto unpublished manuscript of the Lemegeton which includes four whole grimoires: Liber Malorum Spituum seu Goetia; Theurgia-Goetia; Ars Paulina (Books 1 & 2); Ars Almadel. This was owned by Dr Thomas Rudd, a practising scholar-magician of the early seventeenth century. There are many editions of the Goetia, of which the most definitive is that of Joseph Peterson, but here we are interested in how the Goetia was actually used by practising magicians in the 16th and 17th century, before the knowledge of practical magic faded into obscurity. To evoke the 72 demons listed here without the ability to bind them would be foolhardy indeed. It was well known in times past that invocatio and ligatio, or binding, was a key part of evocation, but in the modern editions of the Goetia this key technique is expressed in just one word ''Shemhamaphorash'', and its use is not explained. This volume explains how the 72 angels of the Shem ha-Mephorash are used to bind the spirits, and the correct procedure for safely invoking them using special seals incorporating the necessary controlling angel, whose name is also engraved on the breastplate and Brass Vessel.

Self-initiation into practical magic with clear instructions on how to perform invocation and evocations, achieve astral projection, make effective talismans, or practice divination using either geomancy, tarot or I Ching. Useful for a complete beginner or those further along the path.

Contains the most complete set of tabular correspondences covering magic, astrology, divination, alchemy, tarot, I-Ching, kabbalah, gematria, grimoires, angels, demons, pagan pantheons, plants, perfumes, incenses, religious and mystical correspondences currently in print. They are more than four times more tables than in Crowley's Liber 777. The source of the data in these tables ranges from unpublished manuscript mediaeval grimoires and Kabbalistic works, Peter de Abano, Abbott Trithemius, Albertus Magnus, Henry Cornelius Agrippa, Dr John Dee, Dr Thomas Rudd, Tycho Brahe, MacGregor Mathers (and the editors of Mathers' work, Aleister Crowley and Israel Regardie), to the most modern theories of prime numbers and atomic weights. The sources include many key grimoires such the Sworn Book, Liber Juratus, the Lemegeton (Goetia, Theurgia-Goetia, Almadel, Pauline Art), Abramelin, and in the 20th century the grimoire of Franz Bardon. All this material has been grouped and presented in a consistent and logical way covering the whole Western Mystery tradition and some relevant parts of the Eastern tradition. Some of the Tables included in this work: Alchemy and Alchemists; Angels: Biblical and Gnostic; Astrology: Zodiac, Planets, Decans, Mansions of the Moon, Fixed Stars and Constellations; Buddhist Meditation; Christianity; Colour Scales; Demons; Dr John Dee's Angels; Emblems; Feng Shui and Taoist Magic; Gematria; Geomancy; Grimoires; Herbs; Islamic and Arab Magic; Isopsephy; Judaism; Kabbalah; Letters, Alphabets & Numbers; Magic and Sorcery; Mind, Body and Spirit; Natural Magic: Plants, Stones; Orders, Grades and Officers; Pagan Pantheons; Perfumes & Incenses; Planetary & Olympic Spirits; Questing and Chivalry; Sacred Geometry; Tarot; Timeline: Magicians, Kabbalists, Alchemists, Astrologers; Knights Templar; Vedic and Hindu Meditation and Magic; Wheel of the Year: Hours, Months, Seasons, Festivals; Yi Jing / I Ching.

An exploration of the connections between magic, the qabalah, psychedelic experiences, the world of Austin Osman Spare, astral projection, surreal fantasy art and the gnostic meaning of the god Abraxas

"The Key of Solomon" is one of the most famous and infamous of the Grimoires ever produced. This title offers a translation of three completely different 1796 French manuscripts of "The Key of Solomon".

Michael Constantine Psellus (1018-1178 C.E) was one of the most notable writers and philosophers of the Byzantine era. The Byzantine domain was effectively the eastern Greek speaking part of the Roman Empire centred on Byzantium (Constantinople, modern Istanbul) which split off from the Latin West in 364 C.E. Its intellectual legacies helped lay the foundations for the Italian Renaissance. It was the fall of Constantinople in 1453 that released a tide of Greek reading scholars into Western Europe, particularly Venice. With them came much of the magical and Hermetic knowledge which the Greeks in their turn had inherited from the Egyptians. The Key of Solomon was one such text. It is therefore essential to the understanding of such magical texts that one understands exactly how the Byzantines understood the nature of daemons. Psellus forms the bridge between the ancient world, Byzantine Greek, and the grimoire conception of the nature of daemons. Hailing from Constantinople, Psellus' career was an illustrious and practical one, serving as a political advisor to a succession of emperors, playing a decisive role in the transition of power between various monarchs. He became the leading professor at the newly founded University of Constantinople, bearing the honorary title, 'Consul of the Philosophers'. He was the driving force behind the university curriculum reform designed to emphasise the Greek classics, especially Homeric literature. Psellus is credited with the shift from Aristotelian thought to the Platonist tradition, and was adept in politics, astronomy, medicine, music, theology, jurisprudence, physics, grammar and history.

There have been many grimoires attributed to St Cyprian of Antioch due to his reputation as a consummate magician before his conversion to Christianity, but perhaps none so intriguing as the present manuscript. This unique manuscript (unlike the more rustic examples attributed to St Cyprian called the Black Books of Wittenburg, as found in Scandinavia, or the texts disseminated under his name in Spain and Portugal) is directly in line with the Solomonic tradition, and therefore relevant to our present series of Sourceworks of Ceremonial Magic. It is unique in that instead of being weighed down with many prayers and conjurations it addresses the summoning and use of both the four Archangels, Michael, Raphael, Gabriel and Uriel as well as their opposite numbers, the four Demon Kings, Paymon, Maimon, Egyn and Oriens. The later are shown in their animal and human forms along with their sigils, a resource unique amongst grimoires. The text is in a mixture of three magical scripts, Greek, Hebrew, cipher, Latin, (and reversed Latin) with many contractions and short forms, but expanded and made plain by the editors. The title literally means 'The Key of Hell with white and black magic as proven by Metatron'.

This work includes the complete unabridged version with variants of The Nine Great Keys, a vital early 17th century manuscript detailing the invocation of the Archangels and nine Orders of Angels. The full practical techniques of summoning the Archangels, details of the hierarchies of spiritual beings, and how the full Enochian system fits in with the Angelic and Demonic hierarchies are all covered, as well as the theology and philosophy associated with Angelic magic, giving the context that these magical practitioners were working with. It includes the evocation of the Four Demon Princes and their role within the traditional system of magic. The book deals clearly with the full continuum of spiritual creatures from Archangels through Angels to Demon Princes (Fallen Angels), to Olympic Spirits and Elementals. This is presented in practical detail, with much rare manuscript material being made available in print for the first time.