Bøger udgivet af Graywolf Press,U.S.

An uncanny literary thriller addressing the painful legacy of lynching in the US, by the author of TelephonePercival Everett's The Trees is a page-turner that opens with a series of brutal murders in the rural town of Money, Mississippi. When a pair of detectives from the Mississippi Bureau of Investigation arrive, they meet expected resistance from the local sheriff, his deputy, the coroner, and a string of racist White townsfolk. The murders present a puzzle, for at each crime scene there is a second dead body: that of a man who resembles Emmett Till.The detectives suspect that these are killings of retribution, but soon discover that eerily similar murders are taking place all over the country. Something truly strange is afoot. As the bodies pile up, the MBI detectives seek answers from a local root doctor who has been documenting every lynching in the country for years, uncovering a history that refuses to be buried. In this bold, provocative book, Everett takes direct aim at racism and police violence, and does so in a fast-paced style that ensures the reader can't look away. The Trees is an enormously powerful novel of lasting importance from an author with his finger on America's pulse.

Powerful, affecting essays on mental illness, winner of the Graywolf Press Nonfiction Prize and a Whiting Award.

A transnational feminist novel about human trafficking and motherhood from an award-winning author.Saddled with student loans, medical debt, and the sudden news of her infertility after a major car accident, Shannon, an African American woman, follows her boyfriend to Morocco in search of relief. There, in the cobblestoned medina of Marrakech, she finds a toddler in a pink jacket whose face mirrors her own. With the help of her boyfriend and a bribed official, Shannon makes the fateful decision to adopt and raise the girl in Louisville, Kentucky. But the girl already has a mother: Souria, an undocumented Mauritanian woman who was trafficked as a teen, and who managed to escape to Morocco to build another life.In rendering Souria's separation from her family across vast stretches of desert and Shannon's alienation from her mother under the same roof, Jacinda Townsend brilliantly stages cycles of intergenerational trauma and healing. Linked by the girl who has been a daughter to them both, these unforgettable protagonists move toward their inevitable reckoning. Mother Country is a bone-deep and unsparing portrayal of the ethical and emotional claims we make upon one another in the name of survival, in the name of love.

The first Graywolf Press African Fiction Prize winner, a story of a girl's fantastical sea voyage to rescue her fatherThe House of Rust is an enchanting novel about a Hadhrami girl in Mombasa. When her fisherman father goes missing, Aisha takes to the sea on a magical boat made of a skeleton to rescue him. She is guided by a talking scholar's cat (and soon crows, goats, and other animals all have their say, too). On this journey Aisha meets three terrifying sea monsters. After she survives a final confrontation with Baba wa Papa, the father of all sharks, she rescues her own father, and hopes that life will return to normal. But at home, things only grow stranger.Khadija Abdalla Bajaber's debut is a magical realist coming-of-age tale told through the lens of the Swahili and diasporic Hadhrami culture in Mombasa, Kenya. Richly descriptive and written with an imaginative hand and sharp eye for unusual detail, The House of Rust is a memorable novel by a thrilling new voice.

Winner of the Graywolf Press Nonfiction Prize, a lyrical meditation on family, place, and inheritanceNames for Light traverses time and memory to weigh three generations of a family's history against a painful inheritance of postcolonial violence and racism. In spare, lyric paragraphs framed by white space, Thirii Myo Kyaw Myint explores home, belonging, and identity by revisiting the cities in which her parents and grandparents lived. As she makes inquiries into their stories, she intertwines oral narratives with the official and mythic histories of Myanmar. But while her family's stories move into the present, her own story-that of a writer seeking to understand who she is-moves into the past, until both converge at the end of the book.Born in Myanmar and raised in Bangkok and San Jose, Myint finds that she does not have typical memories of arriving in the United States; instead, she is haunted by what she cannot remember. By the silences lingering around what is spoken. By a chain of deaths in her family line, especially that of her older brother as a child. For Myint, absence is felt as strongly as presence. And, as she comes to understand, naming those absences, finding words for the unsaid, means discovering how those who have come before have shaped her life. Names for Light is a moving chronicle of the passage of time, of the long shadow of colonialism, and of a writer coming into her own as she reckons with her family's legacy.

Farah's landmark Variations on the Theme of an African Dictatorship trilogy is comprised by the novels Sweet and Sour Milk, Sardines, and Close Sesame. In this volume, the third and final book in the series, the characters are deeply entwined in the waking nightmare of a police state. An old man finds himself poised in mortal combat with an elusive and cunning enemy in an atmosphere where the distinction between public and private justice is always obscured.Close Sesame is a novel that offers "an eloquent indictment of the tyrannies committed both under Islamic law and in the name of Socialism" (The Observer).

Zach Wells is a perpetually dissatisfied geologist-slash-paleobiologist. Expert in a very narrow area - the geological history of a cave forty-four meters above the Colorado River in the Grand Canyon - he is a laconic man who plays chess with his daughter, trades puns with his wife while she does yoga, and dodges committee work at the college where he teaches.

This original, illuminating, and sometimes quite funny poetry anthology is primarily concerned with a fundamental and familiar question: How can we tell good poetry from bad? To illustrate precisely why these 101 poems, many of them well-loved classics, are so accomplished and remarkable, the prize-winning poet, author, critic, and veteran teacher Snodgrass herein rewrites them-wrongly. De/Compositions tellingly presents these rewrites next to the originals-by poets ranging from William Shakespeare to William Stafford-and thus we can more fully appreciate the artistry of these astonishing poems word by word, line by line, stanza by stanza. This book will appeal to anyone studying the craft and/or creativity that good poems demand.

How do you survive when the desperate action of a loved one has shattered your family? In And Give You Peace, a young woman, Anastasia Dolarn, courageously examines her seemingly normal childhood to uncover the motivations behind an unspeakable tragedy. Jessica Treadway flawlessly portrays the complexity of human experience in the face of incomprehensible loss, revealing yet again why the New York Times Book Review has called her "a writer with an unsparing bent for the truth."

This story revolves around three main characters who become entangled in each other's lives: Joe, who arrives in Boston and is mistaken for an African, rather than an African-American; Paula, a social worker; and Eric, a writer who struggles in a world that ignores his work.

For this provocative launch of the Graywolf Forum series, Sven Birkerts asked a number of literary writers how they were reacting to the technological innovations of our day. These higly individual and often passionate essays highlight the vital issues raised when the muse confronts technology.

Tess Gallagher, one of America's most accomplished poets, presents Moon Crossing Bridge, her sixth book, a descent into the world of the dead, a remembrance of her recently deceased beloved, whose presence and absence are recalled in sombre lyrical rhythms and with a extraordinary range of expressions of love and sadness.Devoid of self-pity or illusion, yet full of dream and vision and wisdom, these beautifully intense and powerful poems bestow the gift of words to the widow's silence, to the silence of all who are muted by grief and loss. With this unusual volume, arranged in six carefully paced movements to suggest the journey from death to recovery, Gallagher charges language with its utmost responsibilities: here poetry aspires deeply and urgently beyond its cultural marginality to embrace the paradox of sharing unshareable pain and to assume again an Orphic voice and a communal necessity.

Somber poems deal with the end of summer, winter dawn, travel, mortality, childhood, education, nature and the spiritual aspects of life.

Winner of the 1980 English-Speaking Union Literary AwardThe first novel in Farah's universally acclaimed Variations on the Theme of an African Dictatorship trilogy, Sweet and Sour Milk chronicles one man's search for the reasons behind his twin brother's violent death during the 1970s. The atmosphere of political tyranny and repression reduces our hero's quest to a passive and fatalistic level; his search for reasons and answers ultimately becomes a search for meaning. The often detective-story-like narrative of this novel thus moves on a primarily interior plane as "Farah takes us deep into territory he has charted and mapped and made uniquely his own" (Chinua Achebe).

All of the passages of Jeremy Zorn's life are marked in some way by his stutter and his strange attempts at a cure. It is only when he enters college and learns his mother is dying that he realizes all languages, when used as hiding places for the heart, are dead ones.

Carmen Gimenez Smith dares to demand renewal for a world made unrecognisable.

A brilliant second collection by Sally Wen Mao on the violence of the spectacle.

"Barter exchanges history for myth, direct speech for epistles, activity for observation . . . breathtaking." -Claudia RankineFelix the Rat's hind feetcould be Barbie hands- same pink, same injection-molded seaming.-from "Electronica"The poems in Barter, Monica Youn's exciting first collection, negotiate transactions between scarcity and excess, pornography and abstraction, the thing and the thing seen. Rendered with a dazzling array of structures and allusions, these poems describe-and become-a strange gallery of paintings and portraits. She offers a Polaroid left on a windshield, step-by-step instructions for "Drawing for Absolute Beginners," a stereoscope with a box of slides. Both an homage to and a warning against nonexistent things, Barter introduces a vibrant new voice and a new way of seeing.