Bøger udgivet af Hamburg Group, Inc

If photos are messages, then Hans Fahrmeyer is one of the most prolificmessengers of today and of classic times. From his apprentice days oflearning his photography craft in the lost art of darkroom developing, youknow this man wrestle more out of an image than most emerging and longtime photographers. It's his use of lens, light, experience and passionwhich massages his images to an unexpected portrayal.But Mr. Fahrmeyer is also part sociologist , psychologist, comedian and lifecoach. Watching him in the studio or on location, he can either be the flyon the wall when he has to be, or the sorcerer, pulling out the best of thetalent in front of his lens.His latest book, Water Moves, is an illuminating dance of beautiful maleimages married with mirrors, water, sensuality and balance. There's ablend of powerful images with technical insight. The images becomeforceful yet arresting. He has produced a collection that mixes thecasualness of the snapshot with the artistry of classical photographer.His subjects capture the eye for their immediacy, beauty, and movement.His three previous books (Colors of Men, Between Men and Women, andBetween Men) reflect his stylization. But the new images in Water Movesare even more lively and stronger then the earlier ones. The photos are atimeless provocation as Hans demonstrates the gravity of his models intoan art form. Fahrmeyer's use of beautiful muscled men weaves with thereflective properties of water to create memorable masterpieces.Water Moves makes one yearn for an encore. In cinema, we know by thelast scene, there's a sequel planned. By the time you get to the last page,you're hoping for the release of more from Hans Fahrmeyer. Well done.

The photos are multifaceted because they often show the subject from various angles in the same image. We feel a connection to those who look back at us. Hans is very inventive when it comes to creating the images he wants. He is a technical wizard who can create the picture he imagines in the studio and a lighting wizard who can provide a sense of composition which is powerful and seductive. The subjects are intriguing and the photos are beautiful and complicated. He tests the viewers' imagination. Sometimes he plays with the images, adding subjects, viewing them from different sides, and creating arresting shapes and images. So each photograph is carefully constructed and creates a stunning image when completed. Hans models are alluring and suggestive. They seem to be challenging you to look at them. Hans included this time again, provocative female models to interact with stunning male subjects. Some images are like colorful paintings, almost abstract. The photographs have so much variety one could spend hours with them and not get bored. This seventh volume continues the riveting body of work that Hans Fahrmeyer has created. Perhaps it is his most adventurous. Again, you will be surprised by his imaginative display of presenting art in a bold new way.

Hans Fahrmeyer's images are bold, colorful and unabashedly sensual in his latest photographic experiment, The Cover-Up. The intent is to evoke desire, and it's evident in the eyes of the models on each page. The energy is palpable through his use of vibrant colors, unique body poses and positions, as well as his creative editing. Hans channels the energy into images drenched in both intensity and urgency. Born in Germany, Hans worked throughout Europe prior to immigrating to the United States in 1979. Although his European influences are evident within his vision, the glamour and energy embedded in his images are erotically rooted in his passion for his home in New York City's West Village. And like Hans, so many of the men who journey to his studio are foreign born as well. Yet through his skill and creativity, in front of Hans' lens, they embody and channel the electricity and creativity of the both the artist, and the city. In in his last book, The Naked Truth, Hans unveiled an extensive collection of breathtaking images of a multitude of men that Hans has photographed throughout his career. Each image, and each page, revealed models completely bare, with nothing to hide behind, nothing to mask or conceal their own raw truths. Why then, would Hans follow-up The Naked Truth with The Cover-Up? Why physically expose his models only to then cover them up? The art of reveal is one of Hans greatest skills as an artist. Although many of the models in The Cover-Up are partially covered, the bits of fashion are used to highlight and accentuate the body and specific body parts. Viewers will enjoy the voyeuristic tease Hans creates with the creative uncovering of models. with a variation of textile and transparent materials. But the viewer is rewarded with what is revealed and then, what is left to the imagination. Underwear, jock-straps and jeans are worn to cover and protect, they cling directly to our bodies like a second layer of skin. The uncovering of garments highlights and illuminates the male form exposing it in exciting and unique ways. Like the frame of a painting, Hans uses The Cover-Up to focus our eye and to spotlight a piece of the painting, or a part of the body, creating an erotic transparency that would not be possible if the model was completely nude.