Bøger udgivet af Hatje Cantz

This volume accompanies the first major survey of the work of Lynette Yiadom-Boakye, a London-born painter and author with roots in Ghana. Around eighty paintings, drawings, and prints from private and public collections in Europe and the United States are assembled here, joining new, previously unseen works. Yiadom-Boakye's main theme is the human being; the women and men, painted with oil or charcoal and pastels, appear to be portraits, but are actually fictions. They are always people of Color-whereby the painter highlights the fact of their absence in European art history. Along with her paintings, the catalogue also features the artist's texts and poems. Accompanying essays by Andrea Schlieker, Isabella Maidment, and American poet Elizabeth Alexander explain Yiadom-Boakye's impressive body of work over the past twenty years. LYNETTE YIADOM-BOAKYE (*1977, London) is a British artist and author known worldwide for her expressive portraits of fictional characters. She was nominated for the Turner Prize in 2013 and her work has been seen in many international exhibitions.

One feature of seventeenth-century Dutch genre painting is its focus on daily life. It was not uncommon for artistic beauty to find itself challenged by the claim to aesthetic truths. What was once a novelty in Netherlandish art, however, has lost none of its charisma for today's viewers. This illustrated volume offers evidence of this in a fascinating dialogue between the historic masters of genre painting and the shooting stars of contemporary art. Works by Johannes Vermeers, Pieter de Hoochs, and other painters meet Stefan Marx's contemporary typefaces and Lars Eidinger's photographs. This unique synopsis not only reveals historic distinctions but the surprising similarities in themes and pictorial inventiveness are captivating.LARS EIDINGER (*1976) is a versatile artist. He can be seen in numerous TV and film productions, as a ensemble member of the Berlin Schaubühne and as the DJ. With his precise eye for the contradictions and poetry of everyday life, he is also a sought-after photo and video artist. STEFAN MARX (*1979) is an artist. He processes his precise observations of his environment in apt, mostly humorous, poetic, but also thought-provoking typefaces and figurative works. He has had numerous international exhibitions, including in Paris, New York and Tokyo. He self-publishes artist books and makes record covers for various labels. Marx founded the T-shirt label Lousy Livin in 1995. Since 2017 he has had a cooperation with KPM Berlin; in August 2019 he drew a daily column in The New York Times.SANDRA PISOT (*1974) studied art history, classical archeology, as well as modern and contemporary history at the universities of Augsburg, Parma, and Stuttgart; after holding positions at the Bavarian Staatsgemäldesammlungen Munich and the Staatliche Kunstsammlungen Dresden, she has been head of the Old Masters collection at the Hamburger Kunsthalle since 2014.

Employing the concept of an anarchic organization of cinematic spaces, the author embarks in this volume on a journey toward an imaginary political trope for the cinema of the present - a working principle that aims to form a new way of thinking by destabilizing outdated structures of cinema. ROSA BARBA (*1972, Agrigento, Italy) is an acclaimed artist who works with film. She is the recipient of numerous awards, including the renowned Calder Prize. Her work has been exhibited at the Museo Nacional Centro de Arte Reina Sofía, Madrid, the Schirn Kunsthalle, Frankfurt, and the MIT List Visual Arts Center, Cambridge, MA, among others.

Not only were they two of the outstanding artists of the Bauhaus, but also a well-known couple. Their many famous works and the artists they influenced as teachers and role models bear witness to their life and work. But that is not all, as another ingenious couple literally shows us. The photographer duo Lake Verea has joined forces with the Josef and Anni Albers Foundation to trace the material and intellectual traces of their artistic creativity in their estate. Correspondence with Bauhaus colleagues, tubes of paint and fabric fibers are captured with an extraordinary feel and vividness. Seeing the objects gives wings to the imagination. For inevitably, one sees the hands of the artists at work, who formed their very own contribution to 20th century art history from these objects, conversations and trains of thought.ANNI ALBERS (1899-1994) and JOSEF ALBERS (1888-1976) were both Bauhaus artists in Dessau and Berlin. Together they emigrated to the USA in 1933, where their path led them to Black Mountain College and finally to Bethany. With their textile art and his painting and theory, both left behind an oeuvre that was both independent and influential for later generations. FRANCISCA RIVERO-LAKE CORTINA (*1973) and CARLA VEREA HERNÁNDEZ (*1978) always appear together as photographers. This, together with their extraordinary eye, makes them one of the most extraordinary and versatile phenomena in contemporary photography. Their works are accordingly represented in the most renowned exhibitions and collections.

For half a century, Angelika Platen has been photographing mainly black and white portraits of artists, including Georg Baselitz, Josef Beuys, Hanne Darboven, Bridget Riley, Marina Abramovic, Katharina Grosse, and Andy Warhol. Platen's third monograph, Meine Frauen (My Women), is the first to gather together the female art scene (in an art world still dominated by men). With her unmistakable character studies as part of her photo series, Platen Artists-taken in studios and galleries-and in a congruence of image and work, the artist devotes herself this time exclusively to female visual artists. Here, she shows an exciting, varied, photographic panorama of over one hundred female artists. With portraits of:Marina Abramovic, Monica Bonvicini, Sophie Calle, Hanne Darboven, Cecilia Edefalk, Isa Genzken, Asta Gröting, Candida Höfer, Roni Horn, Leiko Ikemura, Joan Jonas, Herlinde Koelbl, Marlena Kudlicka, Annie Leibovitz, Julie Mehretu, Anette Messager, Marzia Migliora, Katharina and Pola Sieverding, Rosemarie Trockel, Jorinde Voigt, and others.ANGELIKA PLATEN (*1942, Heidelberg) became the director of the Gunter Sachs Gallery after studying photography in Hamburg. She began working on her evocative, black-and-white portraits in the late 1960s. Today, she has gathered more than a thousand "Platen Artists" to form a fascinating gallery of personalities from half-a-century of living art history.

Encounters with Balkans

The future is now

Zoe Leonard is among the most influential artists of her generation. Her work merges photography, sculpture, and installation, balancing rigorous conceptualism with a distinctly personal vision. Al río / To the River, initiated in 2016, is a photographic project of epic scale addressing the more than one-thousand miles of river boundary shared by the United States and Mexico. Leonard approaches the river, known as Río Bravo in Mexico and Rio Grande in the United States, as a multifaceted leitmotif in which cultural, ecological, historical, social, political and economic concerns intersect. Published in two volumes, the first will feature Leonard's photographs, while the second, edited by Tim Johnson, brings together written contributions from a remarkable group of international artists, journalists, poets and scholars. Conceived as an alternate form of circulation for the work, the publication also provides an interdisciplinary reference for people interested in the river, environmental issues, borderlands culture and contemporary border issues.ZOE LEONARD (*1961, Liberty, New York) works in photography, sculpture and installation. Her participation in Documenta IX brought her work to international attention. She has been the subject of solo shows at MOCA-Museum of Contemporary Art, Los Angeles (2018), Whitney Museum of American Art, New York (2018), and MoMA, New York (2015). She lives and works in New York City and Marfa, Texas.

In thirteen chapters, the exhibition and the accompanying catalogue offer profound insight into the cosmopolitan thinking of Joseph Beuys, as manifested in his actions, which are presented in the form of video projections and photographs. For it is in this capacity-as an acting, speaking, and moving figure-that Beuys examined the central, radical idea of his expanded concept of art: "Every human being is an artist." The goal of his universalist approach was to renew society from the ground up. To this day, his influence can be felt in artistic and political discourses. In this exhibition, contemporary artists and representatives from various areas of society enter into a multilayered, transcultural dialogue with Beuys. From today's perspective, they confirm, question, and expand upon his theses about the possibilities of a future conceived via art. With B-Town Warriors, Phyllida Barlow, Nelly Ben Hayoun-Stépanian, Fatou Bensouda, Huma Bhabha, Dineo Seshee Bopape, Angela Davis, Dusadee Huntrakul, Charles Foster, Núria Güell, Donna Haraway, Raphael Hillebrand, Jenny Holzer, Michel Houellebecq, Mierle Laderman Ukeles, Zoe Leonard, Goshka Macuga, Tuan Andrew Nguyen, Milk Tea Alliance, William Pope.L, Tejal Shah, Vandana Shiva, Santiago Sierra, Patti Smith, Edward Snowdon, Christopher D. Stone, Suzanne Lacy, The Otolith Group, Thich Nhat Hanh, Greta Thunberg, Malala YousafzaiJOSEPH BEUYS (1921-1986) fundamentally changed the twentieth- century as a draftsman, sculptor, teacher, politician, activist, action, and installation artist. His 100th birthday in 2021 is an occasion to rediscover, appreciate, and critically question his complex body of work and his international influence.

For all their simplicity, the most important goal in Jörg Schellmann's furniture designs is to "avoid banality and reveal subtle beauty." This kind of simplicity-skillfully reducing everything to the essentials-is anything but easy to achieve. It requires the special knowledge of aesthetics and the sort of artistic experience Schellmann has. As an art dealer and publisher, he has been working with the most important artists for over forty years. His furniture designs articulate his in-depth examination of Minimal and Conceptual Art. At the same time, they reflect an aesthetic that is equally inspired by industry and workshop. This work, as fascinating as it is clear, is presented in this illustrated book and accompanied by texts from Mateo Kries, Donald Judd, and Liam Gillick, among others. JÖRG SCHELLMANN (*1944, Kassel) became internationally known through his work as a gallery owner and publisher of art editions. After producing furniture based on other artists' designs, he created his own line, which is distinguished by skillful minimalism and functionalism.

Although it is still a relatively young art form, photography is characterized by a changeability and richness of facets that is unparalleled. Initially, as the "pencil of nature," it amazed its viewers because it was able to capture reality itself on glass and paper. But soon it shone through its possibilities for artistic mise en scène. Digital photography and its possibilities of manipulation multiply the expressive dimensions of the photographs to infinity. Ian Jeffrey takes us on a journey into the history of photography, where the great masters of this extraordinary medium pay their respects. As with a photograph itself, the most important stages in the development of this extraordinary medium are illuminated in order to finally arrive at a comprehensive picture of an inexhaustible wealth of creativity. IAN JEFFREY (*1942) is a writer and art historian who has intensively studied the history of photography. He was a tutor and professor at Goldsmiths, University of London and is the recipient of the J. Dudley Johnston Award of the Royal Photographic Society, Bath.

Invincible Mastery

Art as a collaborative process

Social inequality, population growth, climate change. The artist Dawn DeDeaux does not shy away from difficult topics. Since the 1970s, she has been probing humanity's present and future in videos, performances, and installations. This catalogue, published to coincide with her first comprehensive museum exhibition at the New Orleans Museum of Modern Art, presents DeDeaux's work spanning five decades: from early multimedia works using radio and satellite to recent works from her MotherShip series, in which she imagines humanity's escape from a destroyed Earth. In her work, art is always closely intertwined with philosophy, science, and new technologies. Consequently, the text contributions go beyond art to contextualize her work. DAWN DeDEAUX (*1952) is a pioneer in the field of art and new technology. Based in New Orleans, she has had participated in exhibitions at the Whitney Museum of American Art, Mass MoCa, and the Transart Foundation for Art and Anthropology, among others.

Artist Sean Scully and Art Critic David Carrier in Conversation

Garden art in its most beautiful splendour

A person's mien reveals the landscape of a life. In their expressive presence, not only do the eyes speak, but every detail of the face's features and folds tell of a life that has been lived. Therefore, it may not be entirely surprising that Giovanni Segantini, celebrated during his lifetime as a landscape painter and an innovator in Alpine paintings, saw the portrait as the noblest genre of art. It is all the more astonishing that this theme has received very little attention until now. The Segantini Museum in St. Moritz is now closing this gap with an exhibition and this companion catalogue. Assembled from private and public collections, this is the first exhibit to present Segantini's impressive portraits. An enchanting series of pictures, whose views of the models' lives also provides insight into the artist's life as well.GIOVANNI SEGANTINI (1858-1899) began his career at the Brera Art Academy in Milan. He became famous for his pointillist depictions of the Alps, as well as being a pioneer in Symbolism. His portraits are no less superior and open up new facets in the master's oeuvre.

Alfred Seiland's new study Between the Times shows Iran as an historically important cultural landscape on the edge of transformation into modern times. The country once known as Persia continues to be one of the most mysterious countries on Earth, this territory of enchantment and glamorous myths has constantly been the habitat of ancient civilizations. The origin of this most recent body of work is based on the work of his project Imperium Romanum (2013), where he documented ancient sites of the Roman Empire in their present situation. Seiland's Iran photographs also present compositions showing landscapes, architecture, and people as they present themselves today and render the juxtaposition of historical remains and the present without embellishment. In a time when Europe seems to be in doubt about its most recent unification processes and is also challenged by a stream of migrants from the Middle East, Seiland's work reminds us that some of our most evident and current political, cultural, and religious problems with that region have not been solved. This series documents the extent to which the reminiscence of historical civilizations is reflected in today's world and shows the viewer the great political, cultural, and religious civilizations in the Middle East with impressive images.ALFRED SEILAND (*1952) started his career as a photographic autodidact. He held a professorship for photography at the Staatliche Akademie der Bildenden Künste, Stuttgart, until 2019. Excerpts from his important study Imperium Romanum were published by Hatje Cantz in 2013.