Bøger udgivet af Homebound Publications

After enduring a complicated recovery from eating disorders, Winona Heeley is struggling to return to normal life. Her mother recommends a change in scenery and arranges for Winona to stay with friends in rural Japan, at Michikusa House. The centuries' old farmhouse hosts residents who want to learn about growing their own food and cooking with the seasons. Jun Nakashima, an aspiring kaiseki chef, is one such resident. Like Winona, Jun is a recovering addict and college dropout. While the two bond over culinary rituals, they change each other's lives by reconstructing long-held beliefs about shame, identity, and renewal. But after Winona returns to her Midwest hometown, and despite her best efforts to keep in touch, Jun vanishes. Two years pass, and Win is about to drop out of university for a second time, a decision that irreparably fractures her relationship with her partner of nearly a decade. Refusing to accept permanent failure and disappointment, Winona once again seeks revival through gardening. Much to the chagrin of her parents, she accepts a job as a groundskeeper at a local cemetery and begins searching for Jun Nakashima once more.

Letters to Michelangelo from Wyoming is a collection of epistolary or letter poems to the Masters of the Italian Renaissance: Michelangelo, Caravaggio, Leonardo DaVinci and others. These letter poems were inspired from the poet Burt Bradley's journey to Italy with the celebrated Wyoming painter John Giarrizzo. They collaborated on drawings and poems as they visited Rome, Florence, and Milan. Not as tourists, but to see Italy through the eyes of their respective art. Their visit was a pilgrimage, particularly to "meet" the Old Masters "up close and personal" through their paintings and sculpture.Returning to Wyoming, Bradley found himself not ready to sever the rich connection with the Masters and began to see Wyoming's beauty through their eyes. The poet drew inspiration from the letter poems of Richard Hugo, David Citino, and Jim Harrison's Letters to Yesenin, as well as Mark Twain's Diaries of Adam and Eve and Letters from the Earth.Accompanying the poetic letters are Bradley's Italian poems that, along with Giarrizzo's drawings, reflect upon the masterpieces of sculpture and painting: Michelangelo's David, Bernini's Fountain of the Four Rivers, and Caravaggio's The Calling of St. Mathew, among others. The rich descriptions of these poems complement the "Letters" that narrate Bradley's own art of living in the rough-hewn beauty and weather-challenged landscape of Wyoming.

"The Mystery Still Drives Us is a prismatic, mysterious read that will thoroughly envelop you and usher you along on a poetic journey that will leave an undeniable, indelible mark. These billowing, prayerful reflections of longing will open you to the mystery."-Frank LaRue Owen, author of award-winning The School of Soft-Attention"One part beautifully illuminated love story, one part elongated human heartbreak, and a third part warning signs for a broken and beautiful world. McDowell photographs the curves of the earth and the sharpness of desire with the deep clarity only a poet can reveal, while somehow offering up a balm for all of us, poet and pedestrian alike."-Thomas Qualls, author of the award-winning novel The Painted Oxen"This is poetry for the soul and for the body, sensuous and textured-alive. Its rhythms and themes are familiar, but still fresh, at once quotidian and accessible, but still mysterious. You'll want to sit with The Mystery Still Drives Us under a tree, carry it around with you and read and re-read; for it offers, in some small way, in its subtle and slow depth, an antidote to the superficiality and busy-ness of our world."-Theodore Richards, award-winning author of Cosmosophia

Some Bodies in the Grief Bed is Rick Benjamin''s latest attempt to find the intersection of the human and the non-human in the context of this earth''s ecology. A poem about migrations butterflies and others make might be followed by another appearing in the life of a family; and this poet is always trying to face down the distinction between them. At the same time, he is deeply interested in every detail of either: giraffe''s eating an Acacia''s topmost leaves and pods; the way the sound of percussive roofs in rain bring up memories a boy might have thought he''d buried. These are offered as equal parts of one book, planets orbiting around the same sun. As the title suggests, Some Bodies in the Grief Bed evolves around loss, but also those moments of ecstasy and joy that are attached to them. As Martín suggests, such grief is also and always just another opportunity to praise everything and everyone we''ve been lucky enough to hold and have in this world without keeping. This book reminds us both to hold each moment and to be more mindful of what it''s made (out) of- the organic, impermanent nature of our "passing love" (Langston Hughes) on this planet.

In the not-so-distant future, two sisters must navigate a world that is unraveling due to climate change. Wildfires blot out the sky, coastlines are being washed away by rising seas, and the Great Pacific Garbage Patch has been geo-engineered into an actual island called Blue Mar. When Laurel and Paloma visit their Great-Aunt in El Salvador, they find that things are far worse than in the U.S., so bad that many people are moving to Blue Mar to start a new life. As they search for their identity and their place in the world, Laurel and Paloma must decide whether to go to Blue Mar themselves, or whether to stay, reconnect with their culture, and fight to save the land of their ancestors.