Bøger udgivet af Indiana University Press

Documents the history, repertoire, and the discography of the euphonium. This title is suitable for music educators, composers/arrangers, instrument historians, performers on other instruments, and students of the euphonium (baritone horn and tenor tuba).

';An Earth-man's journey to the planet Mars, where he is treated to a wondrous vision of a communist future, complete with flying cars and 3D color movies.' Wonders & Marvels A communist society on Mars, the Russian revolution, and class struggle on two planets is the subject of this arresting science fiction novel by Alexander Bogdanov (18731928), one of the early organizers and prophets of the Russian Bolshevik party. The red star is Mars, but it is also the dream set to paper of the society that could emerge on earth after the dual victory of the socialist and scientific-technical revolutions. While portraying a harmonious and rational socialist society, Bogdanov sketches out the problems that will face industrialized nations, whether socialist or capitalist. ';[A] surprisingly moving story.' The New Yorker ';The contemporary reader will marvel at [Bogdanov's] foresight: nuclear fusion and propulsion, atomic weaponry and fallout, computers, blood transfusions, and (almost) unisexuality.' Choice ';Bogdanov's novels reveal a great deal about their fascinating author, about his time and, ironically, ours, and about the genre of utopia as well as his contribution to it.' Slavic Review

-Teaching PhilosophyCamera Politica is a comprehensive study of Hollywood film during a period of tremendous change in American history, a period that witnessed the end of the American empire, crises in the economy, a failure of political leadership, loss at war, and the rise of the Right.

Reconstructs Martin Heidegger's lecture course at the University of Marburg in the winter semester of 1924-25, which was devoted to an interpretation of Plato and Aristotle. This volume approaches Plato through Aristotle.

A new translation of Heidegger's monumental work

An indispensable and captivating document, now back in print!

Presents a study of American film musical. This book combines genre theory with film criticism and history. It is suitable for film enthusiasts and scholars of film, theater, popular culture and communications.

As the twentieth century began, Indianapolis found itself at the center of a booming commercial and industrial network with new office buildings, department stores, theaters, hotels, factories, places or worship, and the largest electric interurban train network in the nation. The population was growing, as well, with many new residential additions to the city planned, from ornate mansions on the north side of the city to working-class bungalows and apartments.In Architecture in Indianapolis: 1900-1920, preservationist and architectural historian Dr. James A. Glass describes the varied architectural currents that shaped buildings in Indianapolis during the first two decades of the twentieth century, a period when the Commercial Club of Indianapolis called the state capital "the largest inland city." With over 300 photographs and drawings, as well as 31 maps, Glass continues the exploration begun in Volume 1 of the variety of architectural styles that the city's builders drew on, including Italian Renaissance, Gothic, Arts and Crafts, Modern, Tudor palace and Tudor vernacular, Prairie Style, and many more. And, like Volume 1, Volume 2 documents the loss of distinctive architecture that has occurred throughout Indianapolis and explains why certain structures were razed. Both volumes together provide the first history of architecture in the city during its first century and will serve as an indispensable reference for decades to come.Along with its companion 1820-1900, Architecture in Indianapolis: 1900-1920 describes the varied architecture that architects and builders in the city designed and constructed during the first two decades of the twentieth century and profusely illustrates buildings of that period, providing an indispensable reference for decades to come.

For most of human history, all pottery was what we would now consider traditional folk pottery. Not all artifacts go beyond the basic requirements of utility in pursuit of beauty, but Beautiful Clay considers those that do.In Beautiful Clay, noted scholar of traditional ceramics John A. Burrison writes about how a potter applies aesthetics to utilitarian objects to transform raw clay into something beautiful. Though what is considered beautiful in art changes from culture to culture and person to person, there are universal techniques such as manipulating form, color, texture, and more that tap into clay's potential for beauty. Burrison uses an approach from a perspective of international artistry rather than an approach bound by history or geography. After beginning with more than 40,000 images that the author curated as a study resource, Beautiful Clay narrows it down to around 230 images that capture the artistry within traditional ceramics worldwide.Beautiful Clay examines the aesthetic dimensions of what is essentially a traditional utilitarian craft, the ancient clay-based craft of pottery, from earliest times to the present.

From the end of the Second World War to the early 1970s, new paradigms began to form in academic, scientific, and professional knowledge in various disciplines and fields--not only in the United States, but also in East Asia.Drawing on a wealth of archival documents from East Asia, Knowledge Production in Cold War Asia focuses on the building and rebuilding of these different forms of knowledge in or about East Asia during the first half of the Cold War. It explores how this newly constructed knowledge came to assume certain "norms" professionals and bureaucrats of these countries tried to comply with and sometimes wrestled with. The essays within this collection explore a wide variety of this knowledge production: state-centered promotions of construction and normalization of knowledge; the ways in which non-state actors were involved in the construction and normalization of knowledge; and how individuals and groups who resisted or protested the hegemonic knowledge were constructed by state or non-state actors.A distinctive look at the Cold War through the research and perspectives of scholars from East Asia, Knowledge Production in Cold War Asia insightfully highlights the role of knowledge production, normalization, and resistance in the Cold War era, contributing to a fuller understanding of international relations.

In the Anthropocene era, every inch of the Earth has been permanently impacted by human forces. As human civilization fundamentally distorts deep ecology, the vastness of the changes becomes difficult for us to visualize and comprehend. What if we could compress it into a defined space to better visualize it and perceive it globally and locally?Indiana Transformations presents the Hoosier state as a microcosm of the Anthropocene and our interactions with it. It captures key features of this worldwide phenomenon within a regional, bounded space, collapsing the global into the local. Drone photography from more than 45 locations across Indiana provides readers with a new visualization of the environment in which we live. By documenting the current epoch within a narrow scope, author Zach Schrank and photographer Aaron Yoder convey how the Anthropocene is not an exotic feature of a landscape on the other side of the world but is present in a space as unassuming as Indiana.Showcasing stunning imagery of humans' profound environmental impact, Indiana Transformations helps readers appreciate the scale of change around us.

Vegetal, Animal, Marginal explores the oft-forgotten yet provocative German genre of die Groteske, or the literary grotesque. This short prose form challenges the norms of being human and being accepted as such by society in exaggerated and satirical ways. Between the Kaiser's and Hitler's Reichs, the genre's irreverent comedy and criticism sold out cabarets, drew droves of radio listeners, and created bestsellers.Yet, because its authors were ruthlessly censored and persecuted, die Groteske is virtually unknown today and neglected by scholarship.Joela Jacobs examines the development and influence of the genre on some of its leading exponents, including Oskar Panizza, Hanns Heinz Ewers, Salomo Friedlaender, and Franz Kafka.Vegetal, Animal, Marginal is the first full-length study of the genre and shows how its portrayals of marginalized and nonhuman perspectives mounted resistance against the rise of the biopolitical structures underpinning nationalism, racism, and antisemitism.

From Norman Bates dressed as "Mother" in Psycho to the rouged cheeks of Leatherface in The Texas Chainsaw Massacre, many slasher icons have borne traces of queer and gender nonconforming behavior since the genre's very beginning.Queer Slashers presents the first book-length study of how and why the slasher subgenre of horror films appeals to queer audiences. In it, Peter Marra constructs a reparative history of the slasher that affirms its queer lineage extending back as early as the 1920s. It also articulates the queer aspects of the slasher formula that forge an unlikely kinship between queer audiences and these retrograde depictions of queer killers. Marra establishes a queer history and function for the slasher, analyzing several key contemporary "queer slashers"-that is, slashers that are made by queer filmmakers-to better understand how queer artists take up the slasher iconography and put it toward modern queer aims.Featuring analysis of films such as John Waters's Serial Mom, Peaches Christ's All About Evil, and Stranger by the Lake, Queer Slashers illuminates the queer meanings of slashers, their foundations, and their future possibilities.

Throughout his career, Martin Heidegger read and reinterpreted his own writings. This was part of the entirely self-critical orientation of the journey in the landscape of thought.On My Own Publications is the first English-language translation of volume 82 of Heidegger's Complete Works. Started a decade after Being and Time (1927), much of this volume presents running commentary, interpretations, and insights of many of Heidegger's fundamental works, illuminating the philosopher's notes and personal thoughts on his own works and offering a rare look inside the mind of an influential thinker.Focusing on several works including What Is Metaphysics? (1929), The Origin of the Work of Art (1935-36), and The Letter on Humanism (1946), On My Own Publications presents Heidegger reading, interpreting, and confronting some of his own most important and influential publications.

Descended from Mughal nobility, Akhtar al-Nisa Begum Nawab Sarbuland Jung grew up in Hyderabad in southern India, where she lived a quiet, private, and privileged life at the heart of the state's royal court. In 1896, at the age of 20, she married Nawab Muhammad Hamidullah Khan Sarbuland Jung, a prominent lawyer and the scion of a leading Muslim reformist movement. In 1909, the wealthy couple embarked on a four-month journey through the Middle East and Europe, performing the hajj in Mecca and sitting for tea with the future king and queen of England. A Journey to Mecca and London provides the first full English translation of Begum Sarbuland's travel diary from this journey, of which only two extant copies in their original publication remain. Originally intended for circulation among friends and family and later published in Urdu, her informal entries not only reveal the everyday practices of an Indian woman of her time, but also detail her impressions and reactions as she explored the world alongside her husband. As Begum Sarbuland encountered other women and Muslims during her travels, those encounters in turn shaped her reassessment of her own identity as a Muslim woman, and her observations hold continued significance for those who confront critical questions about gender, Islam, and identity. Daniel Majchrowicz has thoroughly annotated his translation and paired it with rich appendices, including a biographical sketch of Begum Sarbuland and excerpts from Hamidullah Khan's concurrent travel accounts.Engagingly written and substantiated with years of original research and archival work, A Journey to Mecca and London restores the nearly forgotten narrative of one of India's first Muslim women travel writers to its rightful place in Indian and Islamic history.

Descended from Mughal nobility, Akhtar al-Nisa Begum Nawab Sarbuland Jung grew up in Hyderabad in southern India, where she lived a quiet, private, and privileged life at the heart of the state's royal court. In 1896, at the age of 20, she married Nawab Muhammad Hamidullah Khan Sarbuland Jung, a prominent lawyer and the scion of a leading Muslim reformist movement. In 1909, the wealthy couple embarked on a four-month journey through the Middle East and Europe, performing the hajj in Mecca and sitting for tea with the future king and queen of England. A Journey to Mecca and London provides the first full English translation of Begum Sarbuland's travel diary from this journey, of which only two extant copies in their original publication remain. Originally intended for circulation among friends and family and later published in Urdu, her informal entries not only reveal the everyday practices of an Indian woman of her time, but also detail her impressions and reactions as she explored the world alongside her husband. As Begum Sarbuland encountered other women and Muslims during her travels, those encounters in turn shaped her reassessment of her own identity as a Muslim woman, and her observations hold continued significance for those who confront critical questions about gender, Islam, and identity. Daniel Majchrowicz has thoroughly annotated his translation and paired it with rich appendices, including a biographical sketch of Begum Sarbuland and excerpts from Hamidullah Khan's concurrent travel accounts.Engagingly written and substantiated with years of original research and archival work, A Journey to Mecca and London restores the nearly forgotten narrative of one of India's first Muslim women travel writers to its rightful place in Indian and Islamic history.