Bøger udgivet af INTELLECT

Recent decades have seen a new appreciation develop for applied theatre and the role of arts-based activities in health care. This book looks specifically at the place of theatre for children who are hospitalized, showing how powerfully it can enhance their social and mental well-being. Child-led performances, for example, can be used as a technique to distract young patients from hospitalization, prepare them for painful procedures, and teach them calming techniques to control their own pre- or post-operative stress. Persephone Sextou details the key theoretical contexts and practical features of theatre for children, in the process offering motivation, guidance and inspiration for practitioners who want to incorporate performance into their treatment regimen.

This book brings together scholars from architectural studies, design, art history and other fields to challenge and expand concepts of Islamic architecture. Ranging from eighteenth-century Ottoman tents to Islamic motifs in 1960s Hawaii, this volume raises key questions about Islamic architecture and material, artistic and cultural mobility.

Taking the concept of 'seamlessness' as her starting point, Yeseung Lee offers an innovative practice-based investigation into the meaning of the handmade in the age of technological revolution and globalized production and consumption. Combining firsthand experience of making seamless garments with references from psychoanalysis, anthropology and cultural studies, Lee reveals the ways that a garment can reach to our deeply superficial sense of being, and how her seamless garments can represent the ambiguity of a modern subject in a perpetual process of becoming. Richly illustrated and firmly rooted in the actual work of creation, this daringly innovative book breaks new ground for fashion research.

Film festivals are an ever-growing part of the film industry, but most considerations of them focus almost entirely on their role in the business of filmmaking. This book breaks new ground by bringing scholars from a range of disciplines together with industry professionals to explore the concept of festivals as spaces through an activist lens, as spaces where the sociopolitical identities of communities and individuals are confronted and shaped. Tracing the growth of activist and human rights-focused films from the 1970s to the present, and using case studies from San Francisco, Brazil, Bristol, and elsewhere, the book addresses such contentious topics as whether activist films can achieve humanitarian aims or simply offer 'cinema of suffering'. Ultimately, the contributors attack the question of just how effective festivals are at producing politically engaged spectators?

Memory, Space and Sound presents a collection of essays from scholars in a range of disciplines that together explore the social, spatial and temporal contexts that shape different forms of music and sonic practice. The contributors deploy different theoretical perspectives and methodological approaches from musicology, ethnomusicology, popular music studies, cultural history, media studies and cultural studies as they analyse an array of examples, including live performances, music festivals, audiovisual material and much more.

English pop music served a key role in defining, constructing and challenging various ideas about Englishness after World War II. Kallioniemi covers a range of styles of pop as he explores the question of how various artists, genres and pieces of music contributed to the developing understanding of who and what was English in the postwar years.

Cinema has long played a major role in the formation of community among marginalised groups, and this book details that process for gay men in Sydney, Australia from the 1950s to the present. Scott McKinnon builds the book from a variety of sources, including film reviews, media reports, personal memoirs, oral histories and a striking range of films, all deployed to answer the question of understanding cinema-going as a moment of connection to community and identity - how the experience of seeing these films and being part of an audience helped to build a community among the gay men of Sydney in the period.

In On Stage, Mathilde Roman explores the resonances that fields of theatre - stage, decor, space, gaze and more - have in the practice of video arts. Using these notions as points of reference and as a prism through which video installation can be approached, Roman concentrates on questions often overlooked and offers different points of view.

Life at the End of Life explores how art can provide a means for rendering otherwise abstract, personal and spiritual experiences vividly concrete and communicable, even as they remain open-ended and transcendent. Brennan shows how artistic expression can offer valuable aesthetic and metaphysical avenues for understanding and for making meaning.

This book explores the importance of cotton as a major resource for US fashion businesses. It is rooted in an investigative research project that deployed undergraduate and graduate students and faculty researchers to US fashion businesses that rely on cotton to understand how the resource is sourced, priced, transported, manipulated and sold.

This book uses the case study of public television in post-communist Latvia to explore how audiences respond to TV offerings and how their choices can be seen as an act of agency. Juzefovics builds his book around Albert Hirschman's ideas and uses tools from social constructionism to assess how the public responds to the role of public television.

This book looks closely at Swedish pornography in the 1970s. Mariah Larsson combines contemporary case studies with comprehensive analyses of advertisements, critical responses and censorship records to ask how the small city of Malmoe's embrace of the era's sexual liberation was both representative and unique in relation to the rest of Sweden.

In the early days of the digital revolution in graphic design, many designers and teachers of design were convinced that the era of drawing on paper was over - that there would soon no longer be a place for craft-based drawing at any stage of the design process. It soon became apparent, however, that technological progress had not obviated the inherent value of drawing, and that, in fact, it opened up new avenues for convergent and hybrid drawing practices. This book traces the evolution of design-based drawing through analysis of a series of research projects from the 1980s to recent years that have sought to characterize the changing practices of design within various industries. Built on more than three hundred interviews with designers, academics and design students, and an exhaustive analysis of thousands of drawings, it aims to generate discussion around historical and contemporary models of the design process.

Research-based Theatre aims to construct a theoretical analysis of the field and offer critical reflections on how the methodology can now be applied. The book shares twelve examples of contemporary research-based theatre scripts and commentaries, selected to represent different approaches that come from a variety of disciplinary areas.

Driven by a powerful belief in the value of free expression, Sheryl Oring has for more than a decade been helping people across the United States voice concerns about public affairs through her 'I Wish to Say' project. This book uses that project as the starting point for an exploration of a series of issues of public interest being addressed by artists today.

Improvisation is crucial to a wide range of artistic activities - most prominently, perhaps, in music, but extending to other fields of experience such as literature and pedagogy. Yet it gets short shrift in both appreciation and analysis of art within education. This is in no small part due to our tendency to view the world in fixed categories and structures that belie our ability to generate creative, groundbreaking responses within and between those structures.The Lived Experience of Improvisationdraws on an analysis of interviews with highly regarded improvisers, including Roscoe Mitchell, Pauline Oliveros and George Lewis. Simon Rose also exploits his own experience as a musician and teacher, making a compelling case for bringing back improvisation from the margins. He argues that improvisation is a pervasive aspect of being human and that it should be at the heart of our teaching and understanding of the world.

Filming the City: Urban Documents, Design Practices & Social Criticism Through the Lens brings together the work of filmmakers, architects, designers, media specialists and video artists. It offers three prisms through which to examine and use the medium of film in the context of the city. It gives commentaries of particular films and their social and urban relevance; it offers historical and contemporary criticisms of both film and urbanism from conflicting perspectives; and it documents examples of how to actively use the medium of film in the design of our cities, spaces and buildings. Giving a sense of the diversity of interactions between the medium of architectural-urban design and the medium of film, Filming the City is ideal for readers from both fields. For those coming from a spatial design background the tropes and possibilities of film as a tool and a documentary medium will be explored. For those coming from a film-media background the multiple possibilities of film as a visual backdrop, narrative theme or conceptual tool will be examined.

We live in a society that defines us by what we consume and how. Every day we make purchasing decisions that express our sense of belonging, our commitments to the environment and our systems of belief. We often choose to buy things, not necessarily because we need them, but because we believe that these things will help us express who we are - ...

The private investigator is one of the most enduring characters within crime fiction. From Dashiell Hammett's Sam Spade - the hard-boiled loner trawling the mean streets - to Agatha Christie's Captain Hastings - the genteel companion in greener surrounds - the P. I. has taken on any number of guises. In Crime Uncovered: Private Investigator, edi.

For three decades, Cape Town's Magnet Theatre has served as a crucial space for theatre, education, performance and community throughout a turbulent period in South African history. Offering a dialogue between internal and external perspectives, this book analyses Magnet's many productions and presents a rich compendium of their work.

Theatre for Youth Third Space is a practical yet philosophically grounded handbook for people working in theatre and performance with children and youth in community or educational settings. Presenting asset development approaches, deliberative dialogue techniques and frames for building strong community relationships, Stephani Etheridge Woodson...

This book offers a series of compelling responses to the Jasmin Vardimon Company's production of Justitia, a multilayered, multimedia dance theatre piece. Through an innovative, visually annotated text, which includes the original script by Rebecca Lenkiewicz, the book attempts to record the experience of the performance. Also included are nine critical responses from scholars and theatrical practitioners who consider the performance through lenses relating to time, collaboration, writing, confession and the law.

Arts Integration in Education is an insightful, even inspiring investigation into the enormous possibilities for change that are offered by the application of arts integration in education. Presenting research from a range of settings, from preschool to university, and featuring contributions from scholars and theorists, educational psychologist...

This book is an examination and celebration of iconic police detectives in the long and bloody history of crime fiction, film and television, identifying the individual characteristics that define these much-loved figures and discussing how they relate to their surroundings, country and class and the criminals they relentlessly pursue.

There are few figures as captivating as the antihero: the character we can't help but root for, even as we turn away in revulsion from many of the things they do. What is it that draws us to characters like Breaking Bad's Walter White, Patricia Highsmith's Tom Ripley, and Stieg Larsson's Lisbeth Salander even as we decry the trail of destruction they leave in their wake?

The mere hint recently that British actor Idris Elba might take up the mantle of James Bond in future installments of the film franchise was a major international news story-a testament to the enduring interest and appeal of Bond, a figure who has become a true global icon. Fan Phenomena: James Bond explores the devoted fanbase that has hel...

This is the first major collection to reimagine and analyze the role of the creative arts in building resilient and inclusive regional communities. Bringing together Australia's leading theorists in the creative industries, as well as case studies from practitioners working in the creative and performing arts and new material from targeted resea...