Bøger udgivet af INTELLECT

Collecting essays and articles about Washington film history and locations, this book features the explorations of carefully chosen film scenes and historical periods. It examines themes, directors, and depictions and is illustrated with evocative movie stills, city maps, and location photographs.

A range of social, technological, and political issues converge in the rising anxieties and affect the practice, circulation, and consumption of public photography today. The Culture of Photography in Public Space collects essays and photographs that offer a new response to these restrictions, the events, and the anxieties that give rise to them.

Released in 1975, it initially received an indifferent reception in movie theaters, but it began to gain notoriety after it was embraced by audiences at midnight screenings in New York City. This movie tells about Brad and Janet, engaged, whose car breaks down in a rainstorm, forcing them to seek refuge in the castle of the bizarre and more.

A photo-collage of past and present street visuals in Asia, Aestheticizing Public Space explores the domestic, regional, and global nexus of East Asian cities through their graffiti, street art, and other visual forms in public space.

Austen's novels are inextricable from the culture, media and fans they have created. Essential reading for Austen's legions of admirers, Fan Phenomena: Jane Austen collects essays from writers and critics that consider the culture surrounding Austen's novels.

Taking a comprehensive critical and theoretical approach to the role of Shakespeare in educational policy and pedagogy from 1989 to the present, Shakespeare Valued explores the esteem afforded Shakespeare in the British educational system and its evolution throughout the twentieth and twenty-first centuries.

Film on the Faultline explores the fractious relationship between cinema and seismic experience and addresses the important role that cinema can play in the wake of such events.

Downtown Film and TV Culture, 1975-2001 brings together essays by filmmakers, exhibitors, cultural critics and scholars from multiple generations of the New York Downtown scene to illuminate individual films and filmmakers and explore the impact of the historic downtown scene on contemporary culture.

Denmark, like its Scandinavian neighbors, is known for its progressive culture, which is also reflected in its national cinema. The author argues that Denmark has demonstrated that film can reinforce cultural ethics and political values while also navigating the ongoing and mounting forces of digital communication and globalization.

A Journey of Art and Conflict is a deeply personal exploration of David Oddie's attempts to uncover the potential of the arts as a resource for reconciliation in the wake of conflict and for the creative transformation of conflict itself.

In this book, Marc James Leger presents Zizek-influenced studies of films made by the most influential filmmakers of our time, including Jean-Luc Godard, Pier Paolo Pasolini, Werner Herzog, Alexander Kluge, William Klein, Jim Jarmusch, Hal Hartley, Harmony Korine and more.

This collection continues the successful Design for Business series, gathering work by scholars, researchers and professionals that aim to raise awareness of design as a strategic business resource by consolidating it with other divergent, yet highly influential fields. Volume 3 covers such topics as the branding of a nation, care for the ageing...

This book, the first devoted to the history and contemporary forms of Irish performance art in the north and south of Ireland, brings together contributions by prominent Irish artists and major academics. Co-published with Live Art Development Agency.

This book examines a variety of films from the early 1990s that depict and address the lives and identities of both first-generation immigrants and children of the diaspora in Europe. It also theorizes immigration cinema in relation to notions such as gender, hybridity, transculturation, border crossing, transnationalism and translation.

An analysis of reality and 'the real' as presented in contemporary artistic creation, Practising the Real on the Contemporary Stage examines the responses given by performing arts to the importance placed on reality beyond representation. This book proposes four historic itineraries defined by the ways in which the issue of the real is addressed: the representation of the visible reality and its paradoxes, the place of the real on the lived body, the limits placed on representation by experiences of pain and death,and those practices that denounce the real. Practising the Real on the Contemporary Stage will be warmly welcomed by scholars of aesthetics and contemporary artistic practice.

This volume is a reassessment of contemporary Spanish cinema from 1992 to 2012, bringing leading academics from a broad range of disciplinary and geographical backgrounds into dialogue with critically and commercially successful practitioners to suggest the need to redefine the parameters of one of the world's most creative national cinemas.

Explores the ways the concepts of money and capital are understood and talked about by a range of people, from traders to ordinary investors, and how these accounts are framed and represented across a range of media.

A volume that takes as its subject not the genres or movements that constitute the cinema of the Land of the Rising Sun but the filmmakers themselves. Focusing entirely on directors, it offers over forty essays on key Japanese auteurs, ranging from the Golden Age to the New Wave to the present day.

The first volume of the Directory of World Cinema: Britain provided an overview of British cinema from its earliest days to the present. In this, the second volume, the contributors focus on specific periods and trace the evolutions of individual genres and directors.

Since the publication of the first volume of Directory of World Cinema: China, the Chinese film industry has intensified its efforts to make inroads into the American market. This book examines China's desire for success and fulfilment in the US, as well as the history of representing China - and the Chinese in America - on US movie screens.

Directory of World Cinema: Scotland provides an introduction to many of Scottish cinema's most important and influential themes and issues, films and filmmakers, adding to the ongoing discussion concerning how to make sense of Scotland's cinematic traditions and contributions. Chapters discuss filmmakers, production, finance, documentary and more.

Eschewing the postcolonial hubris that suggests Africa could only define itself in relation to its colonizers, a problem plaguing many studies published in the West on African cinema, this entry in the Directory of World Cinema series instead looks at African film as representing Africa for its own sake, values, and artistic choices.

This book explores film exhibition and consumption in rural parts of the UK and Australia, examining how film theaters in areas of social and economic decline are sustained by resourceful individuals and sub-commercial operating structures. The systematic analysis of cinemas in these locations yields an original five-tiered clustering model.

Outi Hakola investigates the ways in which American living-dead films have addressed death through different narrative and rhetorical solutions during the twentieth century. The book frames the tradition of living dead films, discusses the cinematic processes of addressing the viewers, and analyses the films' socio-cultural negotiation with death.

The Roots of Modern Hollywood studies the cultural and intellectual heritage of American films since 1969, drawing on Hollywood's trends and themes. Smedley explores capitalism, liberalism, pacifism and the treatment of women in Hollywood films. The book also includes interviews with directors Michael Mann, Peter Weir, Tony Gilroy and Paul Haggis.

Narrative and spectacle describe two extremes of film content, but the oeuvres of John Cassavetes and David Cronenberg resist such categorization. This book sets out to articulate alternative ways of appreciating film aesthetics outside the narrative/spectacle continuum.

A collection that takes readers on a virtual tour of Sydney, from Kings Cross, the city's red light district and frequent film location, to the famous beaches to explore how representations in movies have both played into and influenced how we think of these spaces and those that frequent them.

Covering the myths that surround Singaporean film and exploring the realities of the movies that come from this exciting city, World Film Locations: Singapore introduces armchair travellers to a rich, but less known, national cinema.

World Film Locations: Florence explores Florence as it is manifested in the minds of filmmakers and filmgoers. Contributors consider a wide range of topics and provide scene reviews of films to delve deeper into the makeup of the city, looking at both familiar and unfamiliar locations through the lens of filmmakers such as Roberto Rossellini.

Looks at Buenos Aires (the second-largest in South America) as a stage for sociopolitical transformations and a key location in the international imagination as a site of cultural export. This book uncovers the many reasons why Buenos Aires attracts not only tourists but also artists and filmmakers who explore the city and its iconography.