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How often do we hear, “I don’t treat children—it’s too hard to work with their parents”? Parent work undoubtedly brings many challenges. This casebook brings together the voices of 40 psychoanalysts from around the world to illustrate contemporary views about whether and how to work with parents.  The ideas proposed in the model of  dynamic concurrent parent work are illustrated and explored here through clinical vignettes, commentaries from experienced child and adolescent analysts, and reflections by the volume’s editors. The value of parent work is affirmed as a substantive contribution to pragmatic, effective, and life-changing child and adolescent psychoanalysis.

The Plumsock Papers are written by candidates and new graduates of the Institute of the Contemporary Freudian Society (CFS) of New York. In publishing these creative papers, the CFS is passing the torch to the younger generation, ensuring the society’s own longevity as an institution, and contributing to the vitality of psychoanalysis itself. In this rich collection of Plumsock Papers we read the creative contributions of young analysts attending to contemporary issues such as the co-construction of analysis, on-line treatment, analytic work with Asperger’s Syndrome patients, the integration of different psychoanalytic theories, analytic work with older patients, and so much more. Many of Sigmund Freud’s early students began their psychoanalytic training when they were in their 20s or early 30s. They were given a voice as young analysts and, not surprisingly, were extraordinarily creative and successful. The CFS has demonstrated great wisdom in creating a forum for giving new analysts a voice. The Plumsock Papers offer the reader an exciting preview into the creative spirit of the next generation of psychoanalysis. Daniel S. Benveniste, PhD – author of The Interwoven Lives of Sigmund, Anna and W. Ernest Freud: Three Generations of Psychoanalysis.                “This collection of essays by Plumsock Prize winning psychoanalysts is a must  read for psychoanalysts, analytic patients and others interested in psychoanalysis.  Talented analysts invite the reader into their consulting rooms where they confront the challenges inherent in patients who are beset with remnants of  anxieties from childhood, manifestations of overpowering drives, object relations disruptions,  traumatic life situations, fragile defenses, less than good enough interpersonal relationships and poor compromise formations. Rich clinical examples let the reader form his/her own impressions of what the analysts think and say and reflect upon  patient responses.The editors and contributors to this anthology, along with Ed Fancher for  initiating the Plumsock Prize, deserve our appreciation for their role in keeping psychoanalysis alive.”                Lucille Spira, Ph.D./LCSW, Member of NYSPP, Co-Chair APsaA Discussion Group: Towards an Understanding of Loneliness and Aloneness; Gradiva Award Winner with Arlene Kramer Richards and Arthur A. Lynch. Recent Publication: Co-editor with Arlene Kramer Richards and Merle Molofsky: Pedro Almodóvar : A Cinema of Desire Passion and Compulsion, (IPBooks).

Some background. I am a psychologist and psychoanalyst. For the past thirty years, I have been in private practice, treating children, adolescents and adults in Ridgewood, New Jersey, a suburban town not too far from New York City.I have had experiences which figure in some of these stories. Before becoming a psychoanalyst, I was an attorney who lived and worked on the Navajo and Hopi reservations in Arizona and New Mexico. I also represented Native Americans in Denver, Colorado.In addition,. I was a civil rights worker in 1965 for the Southern Christian Leadership Council, Martin Luther King’s organization, primarily working out of Atlanta and also in Fort Valley, Georgia, a small town south of Atlanta. For that matter, I have always enjoyed diverse culture, and have often tried on vacations to explore other cultures than my own, which also figures in some of these stories.Last, I have an abiding interest in parapsychology or the study of psychic phenomena. I have written academically on the subject and taught it and advocated that psychoanalysts and mental health professionals in general be more aware of these phenomena. Psychic phenomena plays a role in a few of the stories contained here.The short stories and poems were written after a work day of seeing patients or on weekends. In ways that are not at all obvious, my patients over the years have inspired some of them, In psychoanalysis, in writing short stories, in crafting poetry, my hope has always been to approach the intimate heart of our lives and of living, with both its terror and beauty; and to question our Western society assumptions of how our world (and our being in it) is constructed. Psychoanalysis, parapsychology, anthropology, and short stories and poems — at their best — lead to us wonder about the world. Hopefully, this collection will inspire the reader to wonder too.

In the last years of her life, I noticed two significant alterations in my mother: her increased preoccupation with her Holocaust past and changes in her memory. It took me years to accept the change that took place in her memory because I had always been in awe of her astounding capacity for recall. When I was two-years old she recited endless Russian poetry and nursery rhymes, and when I was an adult she would recite these same poems and ask if I remembered them. She helped me with my algebra when I was in high school, performing complicated mathematical calculations in her head.  The decline of her sharp memory, at first barely perceptible, slowly picked up speed and ultimately became the progression of Alzheimer’s.Unlike her stock of retained knowledge, when it came to answering questions about our life during and after the war, she offered a confused narrative. Only when she was much older but prior to her loss of memory did she change her attitude about the past and develop a growing interest in learning more about the Holocaust. She would speak to me about books and articles she read, films she watched and stories she heard. When this kind of remembrance began to occur, I experienced an uneasy feeling, as if my mother were illegitimately identifying herself as a Holocaust survivor. I say illegitimately because as I was growing up she had set herself apart from my father and his extended family. My father’s family felt connected to their past and spoke of family and friends lost in the Holocaust. Gradually, I came to understand that she was identifying and recognizing her own story in what others had  remembered,  experienced and written about the war years, specifically about the Holocaust. As she shared her newly awakened discoveries with me, she frequently followed up by saying, “Phyllis, you know, that’s what we went through.”

Theory, in many instances, is the microscope without which we could not grasp certain clinical states at all and assess their meaning. It is therefore decisive that psychoanalysis, as a science, develop a theory of structural ontogenesis as a binding basic concept and reference system. Without such a basic theory psychoanalysis will suffocate from theoretical entropy. The crucial phenomenon, in any case, is that the brain is giving itself a fundamental representational structure—one which directly results from the system properties of the representation-bound perception, and thus from experience. Each and every study of brain function must reckon with this autonomous structure which is the structural frame within which mental functioning occurs and consciousnessoriginates. This representational world is the field of psychoanalysis. PETER ZAGERMANN, PHD, is an IPA child, adolescent and adult psychoanalyst living andworking in Munich, Germany. 

A Sinister Subtraction paints a realistic and unflinching portrait of “The Memory Wars” of the 1990s, one of the most painfully conflicted and bitterly disputed episodes in the history of the mental health professions. Did accusations of childhood abuse stemming from long-unavailable memories deserve serious consideration? Or should they be dismissed as artefacts unlikely to be true? The clash of these polarized perspectives inflicted painful consequences upon many among the accusers and the accused, and wounded numerous professionals caught up in these angry debates. A mystery and courtroom drama solidly grounded in psychological science, A Sinister Subtraction provides a penetrating study of the lasting impact of childhood sexual, the ongoing vulnerability to revictimization that too often follows mistreated children into their adult lives, and the efforts of abusers to discredit the claims of their accusers.

This book was prompted by my near total engagement in the Dr. Christine Blasey Ford and Brett Kavanaugh testimony before the Senate Judiciary Committee, and Judge Kavanaugh's statement after the accusations against him were investigated (September-early October 2018). The timing of the hearings overlapped the 85th birthday celebrations of Ruth Bader Ginsburg who experienced bias by the legal establishment despite her outstanding scholarship and impeccable credentials, simply because she was a woman and a mother. Her persistence in the face of roadblocks led to her confirmation by an overwhelming majority of the Senate to become only the second woman Associate Justice of the Supreme Court (Sandra Day O'Connor was the first). Their stories, and the stories of women throughout history (at least some of them), provided an outlet for my frustration and became the subject matter for this book. Following Paul Auster, "Stories surge up out of nowhere, and if they feel compelling, you follow them. You let them unfold inside you and see where they are going to lead."

Dodo Feathers: Poems 1989-2019 is about eclipse and extinction, flightlessness, and lost futures both public and private. The title comes from the poem ACounterfactual@: The opposite of hope is not despair, it is the wish for freedom in the past long gone: the unaborted second term of RFK, the Yorkist claim triumphant in the field, Arbenz, Lumumba, Mossadeq, alive and signing legislation with a Dodo-feather pen.

In the early days of the development of the theory and practice of psychoanalysis, Freud took particular notice of the plays of Sophocles and Shakespeare's Hamlet. This was largely in support of his description of the Oedipal phase of human development.Later, he and many psychoanalysts, as well as many non-analysts, utilized the concepts relating to the impact of a dynamic unconscious and the effects of early life experiences as a lens through which to enlarge our understanding of a variety of cultural phenomena. Accordingly, philosophy, psychology, history, anthropology, as well as other disciplines were studied. Similarly, some writers of fiction used psychoanalytic concepts to characterize their characters. It is interesting to note, as did Freud, that some writers did so quite unconsciously, as did Schnitzler, Stendhal and Proust. Unfortunately, although many of these works provided readers with valuable contributions, some were formulaic and scanted the overdetermined world surrounding their subjects.As the author of the following essays, I trust I have generally avoided the pitfalls of such constricting views.

These stories illustrate the paradox that fiction is an opening to truth. Each story brings out the truth of a person, time and place while it also is a devoted search for truth. Through the characters portrayed, the real protagonist that knits life together is a searing hunger for emotional reality, the truth of our being. And as readers, we feel the sharp, undulating realities of emotional life as they reveal truths of a moment, of an individual, of a zeitgeist. The more we can bear, the more we can grow. Merle Molofsky, a psychoanalyst and poet, takes us on adventures with and through the human spirit. Michael Eigen, The Challenge of Being Human These are all extraordinary stories, spanning the range from realistic and socially penetrating commentary to the most philosophically speculative. Emphasis is on strong characterization, bringing out a picture of the essential self, whether in conflict with the imposition of social limitations, conflicting notions of who one is, or the struggle to arrive at personal integrity. Wondrous situations are presented that expand upon the conventionally realistic and seem to draw on aspects of magical realism, science fiction and the psychoanalytic merging of past and present experience in the mind.Lee Jenkins, Right of PassageNecessary Voices are exceptionally necessary for those of us who wish to hear stories of an authentic life. Merle Molofsky has written about people we think we know or knew, with exquisite details of what it means to truly live one's life. Each character is a survivor. They are more than fictional characters. We know them because they are us. They are our necessary, often unspoken and unseen selves. They come to life through Molofsky's poignant and remarkable stories. If you wish to enter the bittersweet existence of another and live the magic and wonder of story, then you must read Necessary Voices.Fanny Brewster, Archetypal Grief: Slavery's Legacy of Intergenerational Child Loss

The words collected here were written because they were a necessity at the time. For each occasion, they fulfilled a specific and sometimes different purpose: reflect on a relationship, engage in a new one, or mourn a lost one. Sometime the necessity was out of duty towards those who were left behind, or to share a happy or sad experience, or trying to master and anticipate those experiences. Relationships are at the core of these writings. The relationships could be at the individual level, familial, communal, at a national level or even broader. They could also involve multiple levels. Over many years, these writings were stored as we collect memories, as souvenirs collect dust. Until, one day, I started dusting off those real or imagined memories. They were gathered and they met in this collection. And then, they started talking to each other, communicating without any control, like a Golem escaping his creator.

"Carefully balanced in terms of the different psychoanalytic schools and with sensitiveappreciation of the subjective dimension of psychoanalytic practice, this unique text exploresfailures in psychoanalytic treatment - both objective and subjective . . . .the reader is treatedto a panorama of insightful responses."-Gerald J. Gargiulo, PhDAuthor, Quantum Psychoanalysis,Essays on Physics, Mind and Analysis TodayThis most welcome reissue of a unique now classic collection of essays by a diverse groupof eminent psychoanalysts from the US and internationally incisively addresses the criticalquestion of the meaning and nature of clinical failures in psychoanalysis, one which has beengenerally sadly ignored. These stimulating, open-minded and thoughtful essays explore whatwe can learn from such failures to bring progress in psychoanalysis.-Douglas Kirsner, PhD, Author Unfree Associations;Emeritus Professor, Deakin University, Melbourne, Australia

In the Floyd Archives is a cartoon novel (with footnotes!) lightly based on Freud's famous case histories - the Wolf Man, the Rat Man, Dora and Little Hans. But in this wildly inventive comic, the analyst is a bird and his patients are animals too: Wolfman is a passive-aggressive wolf with identity issues, Rat Ma'am, an obsessive-compulsive rat, Lambskin a depressed lamb (or lambskin), and Bunnyman is paranoid.

Mother May I? is the sequel to the comic In the Floyd Archives. In this hilarious riff on the work of the child psychoanalysts Melanie Klein and DW Winnicott, the stars are Melanin Klein, a small black sheep who adores talking about ta-tas and widdlers, plus her three kids - Melittle Klein, a bitter kitten, Little Hans, a violent bunny, and Squiggle Piggle, a pig whose tail creates pictures when pulled.

Allan Frosch, who died on October 28, 2016, at the age of 78, was esteemed as a psychoanalyst, teacher, mentor and writer; he also was treasured as a friend and colleague. The qualities that brought him such high regard were evident: a keen intelligence, integrity, thoughtfulness, careful scholarship; he had a serious demeanor but was kind, warm, engaging and without self-importance. He also had a merry disposition and could be fun to be with.It was apparent that psychoanalysis was the perfect field for Allan, and that he was deeply involved in and loved the work. I knew him best as a member of a small group in which we met together for nineteen years. Our mission was to read our way through the twenty-three volumes of the Standard Edition of the Complete Psychological Works ofSigmund Freud. We sought to question, clarify, explicate and appreciate what we read, and Allan excelled at the task. Our own experiences as clinicians contextualized our understanding, and as we went along we often brought up vignettes from treatments we each were conducting to provide illustrations or pose conundrums. Such instances offered a good sense of what Allan was like as a therapist, and how sens itive and astute an analyst he was. He'd had an early career as an actor, and that proclivity to capture the essence of another was carried forth into his analytic work, where it funded the empathic disposition that so well informed his clinical understanding.

To examine sexual behavior, especially monogamy, and adultery through the lens of history is especially pertinent for the twentyfirst century. To know the past, to understand that humankind has always been driven by the sexual drive, and how each culture has attempted both to gratify sexual desires and to curb them, demands our attention. We are living in a period of unbridled sexuality, a paradise for sex, that has destabilized our culture, our personal relationships, and a healthy development for our children. Will hook-ups, one-night-stands, and sex without connection become the new norm? Will loneliness and suicide dominate our culture? The author attempts to present sexual behavior from a biological, psycho-logical, and social perspective-an unmoralistic pursuit-but hopefully provocative, so that we may learn from our past and better understand our present.Charlotte Schwartz, MSS, LCSW, is a member of the American Psychoanalytic Association, the International Psychoanalytical Association, the National Psychological Association for Psychoanalysis, formerly Assistant Professor of Pediatrics at New York Medical College, and Adjunct Professor at Smith College School for Social Work, as well as at NYU School of Social Work. Author of The Mythology Surrounding Freud and Klein: Implications for Psychoanalysis, coeditor of Sexual Faces, and has published numerous articles in the field.

Marco's curiosity has captured me from the very beginning. His surprising openness has impressed and touched me. I have found in his writing the gentle and free thinking of a child, a child curious to explore the analytic perspectives developed in North America, which also attract me for what I perceive as being their creativity - a creativity which I did not find in my own country, which is one of the reasons why I left it. Through his words I understood how important the history of psychoanalysis can be for us analytic candidates. It promotes an openness towards new worlds and new thoughts, allowing us to meet our fathers and to come in touch with their legacy. If this happens, this will allow us also to more easily find our own analytic identity. It is by establishing connections with little known paths and by looking for unexplored itineraries that we find our identity as human beings and even more as analysts. Freud himself gave priority to the yet unknown and unexplored aspects of our mental life.To meet the history of our field means not only getting to know other worlds and other lives, but also unexpectedly meeting pieces of our worlds and our life in unexplored continents. I thank Marco who, through his book, gives us the possibility to travel with him and get so well in touch with our multiple legacies.Chiara Bille, Argentinian Psychoanalytic Association

"Theodore Jacobs broke novel ground in 1991, thinking about analytic engagement in this classic and beloved book that is presented in this new edition, insuring interest for new generations of psychoanalysts. Jacobs's gi was (and is) the transla)on of challenging theory into its subtle depths of clinical application. He integrates ego psychology, self psychology and object relations. Nowadays he belongs in Chodorow's 2004/2019 category of 'The American Independent Tradition,' using an intersubjective ego psychology after Loewald and Erikson that is fresh and contemporary. Masterfully he shows fruitful details of how countertransference actually works verbally and nonverbally, moving along clinical process. Demonstrating how limited was the old view of the analyst's reactive feelings and attitudes as hindrance, Jacobs shows the impact of its use for self-attunement, and ultimately sensitivity to the patient's life and mind. He builds here on his 1986 inventive interactive concept of 'enactment'- a term nowadays so useful in our thinking about unmentalized traumatic aspects of analytic interaction that we have forgotten how controversial it once would have been. . . . enthusiastically recommended for all who practice and care about psychoanalysis and psychoanalytically-oriented therapies."-ROSEMARY H. BALSAM, FRCPsych (Lond), MRCP (Edin),Author of Women's Bodies in Psychoanalysis .

June 2008, I logged on-line the name of my long-missing father who I barely knew. I believed the only thing of his that was mine, was his name. Something came onto the screen I had never seen before, a blurry facsimile of his death certificate. Some of it was legible. He died in San Francisco in 1970. That was a complete surprise. There was clearly more information on the screen image, but I couldn't make it out. Writing to the California Board of Health I requested a paper copy. They needed to know my relationship to the deceased. Writing in the word daughter in relation to my father was a unique experience. The paper certificate soon arrived. Everything on the document other than the date of his birth and his profession was a surprise. Suddenly I owned more than his name.When a parent goes missing how do we shape and fill the empty space?And how do we shape and create ourselves from our missing parents? A Pot from Shards, a memoir, explores absence, imagination, movement, dance, language, psychoanalysis, love, death and the creation of a life.