Bøger udgivet af Knopf Doubleday Publishing Group

Harold G. Henderson was, from 1927 to 1929, the Assistant to the Curator of Far Eastern Art at the Metropolitan Musuem of Art. In 1930 he went to Japan, where he lived the following three years. On his return to this country he joined the faculty at Columbia University, where he taught Japanese and initiated a course in the history of Japanese art. He retired in 1955. His published works include The Bamboo Broom, Surviving Works of Sharaku (with Louis V. Ledoux), and A Handbook of Japanese Grammar. He has also translated H. Minamoto's Illustrated History of Japanese Art, etc. Mr. Henderson lives in New York City.

Are there really laws governing the universe? Or is the order we see a mere artifact of the way evolution wired the brain? And is what we call science only a set of myths in which quarks, DNA, and information fill the role once occupied by gods? These questions lie at the heart of George Johnson's audacious exploration of the border between science and religion, cosmic accident and timeless law. Northern New Mexico is home both to the most provocative new enterprises in quantum physics, information science, and the evolution of complexity and to the cosmologies of the Tewa Indians and the Catholic Penitentes. As it draws the reader into this landscape, juxtaposing the systems of belief that have taken root there, Fire in the Mind into a gripping intellectual adventure story that compels us to ask where science ends and religion begins."A must for all those seriously interested in the key ideas at the frontier of scientific discourse."--Paul Davies

"The acclaimed author of The Unquiet Mind considers the age-old quest for relief from psychic pain and the role of the gifted healer in the journey back to health ... In this expansive cultural history of the treatment and healing of suffering, Kay Jamison writes about what makes an effective healer, and the role of imagination and memory in the regeneration of the mind. From the trauma of the bloodiest battlefields of the twentieth century to her own experience with bipolar disease, Jamison demonstrates how extraordinary psychotherapy can be when administered properly and explores the clinical reality that healing the mind requires, for both doctor and patient. She draws on the cases of W.H.R. Rivers, the renowned doctor who treated shell-shocked WWI soldiers, on the long history of physical treatments for mental distress and the ancient role of religion and myth in healing, and she looks at the heroic figures in our artistic culture who have healed us as a people, such as Paul Robeson. Fires in the Dark is a beautiful meditation on the quest and adventure of true healing"--

These lush, rewarding reflections on a woman's passage into midlife are grounded in our intimacy with nature and mortality. Deborah Digges, now in her fifties, looks back in such poems as "Boat” to see younger mothers and their children, and ponders her own "brilliant, trivial unmooring.” As she wanders from the garden to the barn and into the woods, she finds her moods mirrored in the calendar of the seasons, making lush music of the materials at hand and accepting the seismic changes in her life with an appreciation for the incidental scraps of beauty she chances upon. Throughout these luminous poems-which touch movingly on the illness and loss of her husband-Digges marvels at the brio with which we fling ourselves daringly into the night:See how the first dark takes the city in its armsand carries it into what yesterday we called the future.O, the dying are such acrobats.Here you must take a boat from one day to the next,or clutch the girders of the bridge, hand over hand.But they are sailing like a pendulum between eternity and evening,diving, recovering, balancing the air.

In 1971, a man calling himself D.B. Cooper hijacked a flight, claimed his ransom without harming a soul, and vanished. Elwood Reid uses this true story as a starting point, imagining Cooper as Phil Fitch, a Vietnam vet with a failed marriage who decides the time has come to do something that will save him from a life of punching timecards and wondering what could have been. Fitch ends up in Mexico, where he drifts until a bad turn of luck forces him to return home.Meanwhile, newly retired FBI agent Frank Marshall is struggling with his new life of leisure-fishing, spending time with family, and drinking too much. Unable to let go of a few old cases, Marshall decides to help a young agent determined to solve the mystery of D. B. Cooper. As they close in and events bring Fitch back home, these two stories head for a moving climax in a smart, gripping, and frequently hilarious tale of one of America's modern folk heroes.

"Behold the door / the lock's alive,” warns Stan Rice in one of the commanding poems that make up this new volume of verse. From the streets of New Orleans during Mardi Gras to the private chambers of the imagination, Rice's work is at times sharp and minimalist and at times over the top in its vivid critique of life and in its regard for the sanctity that lurks in all experience. In these concise, memorable verses, he contemplates the stroller-pushing crowd in the American mall; he maps the complex traffic of a marriage; he speaks to the cat bristling in the closet: "—for you, / For your on-tiptoe hissing / Slit-pupiled arched-backed tail- / Stiffened terror, this song.” Throughout, Rice sings of the darkness that conflicts us and of the moments of pure consciousness that allow us to transcend darkness.