Bøger udgivet af Lehigh University Press

Made of Shores places Jewish Argentinean fiction within the context of Latin American literature and Judaic Studies. It offers the reader to participate actively in the scholarly debates on issues of memory and identity, and the different representations of Jewishness in Latin America. By reviewing the new material conditions within Argentina and its diasporas, this book imposes a new reflection on what Judeo-Argentinean fiction is all about

Foreign Exchange: Counterculture behind the Walls of St. Hilda's School for Girls, 1929-1937 is the story of Yeh Yuanshuang and Dorothea Kingsley Wakeman and their experiences at the American missionary school. Founded in 1875, the school that would become St. Hilda's School for Girls was intended to provide a strong, Christian education for its students. Daily student-teacher interactions, however, created an environment that allowed for a foreign exchange which led to the creation of a new culture that subverted both American and Chinese gender constructs. The walls that surrounded the St. Hilda's compound not only served to protect the school from outside danger, but to also create a space where new gender expectations could be nurtured away from the gaze of prying eyes. Thus, the American teachers as well as the Chinese students were acculturated and socialized in ways that liberated them from their respective patriarchal situations. For Dorothea, serving as a teacher allowed her to remain single yet still be engaged in a professional career that would not be as socially stigmatizing as it would be if she remained at home. As a teacher at St. Hilda's, not only was she educating a future generation of Chinese women, but as an independent woman who served in an important position, she was an example for the girls at St. Hilda's what women could do when given an education. For Yuanshuang, her education provide her with the means to aspire to roles outside the culturally prescribed positions as daughter, wife, and mother by giving her the intellectual tools that enabled her to find work as a teacher at the start of the War of Resistance against the Japanese. Her involvement in school activities developed self-reliance, independence, and leadership skills that served her both in China and eventually in the United States. Her education socialized her to American values and customs so that when she arrived in the United States, she was able to adapt readily. Yuanshuang and Dorothea's stories also reveal the impact of the modern world on their parents' generation. Dramatic changes in both the United States and China provided cracks in the patriarchal walls of their respective countries, and book discusses the responses by their respective families to these changes. Judith Liu weaves together interviews of not only Yuanshuang and Dorothea, but also of St. Hilda's teachers and students, never-before published letters Dorothea wrote to her parents, and extensive archival research to tell their stories as well as the history of St. Hilda's. This book will be of interest to not only to scholars in Asian Studies, history, religious studies, gender studies, and those who teach ethnographic research methods but also to any reader who wishes to know more about China and the United States during that period of time.

Theatre in Dublin,17451820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin's many professional theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan's becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820. The daily performance calendar for each of the seventy-five seasons recorded here records and organizes all surviving documentary evidence pertinent to each evening's entertainments, derived from all known sources, but especially from playbills and newspaper advertisements. Each theatre's daily entry includes all preludes, mainpieces, interludes, and afterpieces with casts and assigned roles, followed by singing and singers, dancing and dancers, and specialty entertainments. Financial data, program changes, rehearsal notices, authorship and premiere information are included in each component's entry, as is the text of contemporary correspondence and editorial contextualization and commentary, followed by other additional commentary, such as the many hundreds of printed puffs, notices, and performance reviews. In the cases of the programs of music halls, pleasure gardens, and circuses, the playbills have generally been transcribed verbatim.The calendar for each season is preceded by an analytical headnote that presents several categories of information including, among other things, an alphabetical listing of all members of each company, whether actors, musicians, specialty artists, or house servants, who are known to have been employed at each venue. Limited biographical commentary is included, particularly about performers of Irish origin, who had significant stage careers but who did not perform in London. Each headnote presents the seasons's offerings of entertainments of each theatrical type (prelude, mainpiece, interlude, afterpiece) analyzed according to genre, including a list of the number of plays in each genre and according to period in which they were first performed. The headnote also notes the number of different plays by Shakespeare staged during each season and gives particular attention to entertainments of ';special Irish interest.' The various kinds of benefit performance and command performances are also noted. Finally, this Calendar of Performances contains an appendix that furnishes a season-by-season listing of the plays that were new to the London patent theatres, and, later, of the important ';minors.' This information is provided in order for us to understand the interrelatedness of the London and Dublin repertories.

Queer Retrosexualities: The Politics of ReparativeReturn examines the retrospective logic that informs contemporary queer thinking; specifically the narrative return to the 1950s in post-1990s queer and LGBT culture in the United States. The term ';Queer Retrosexuality' marks the intersection between retrospective thinking and queernessto illustrate not only how to ';queer' retrospection, but also how retrospection, in some senses can be thought of as always already queer. This book examines the historical possibilities that inform the narrative return to the 1950s in queer cultural and literary productions such as Samuel Delany's The Motion of Light in Water, Todd Haynes's Far from Heaven, Sarah Schulman's Shimmer, and Mark Merlis's American Studiesall texts that return to a traumatic past marked by shame, exile, and persecution. Queer Retrosexualities inquires into what motivates the return in these texts to a historical moment informed by the bruises and wounds of history; but more importantly, it poses the question of how such a turn backwards could be theorized as reparative or even hopeful. This book shows how the framework of queer retrospection offers new ways of understanding history and culture, of reformulating disciplines and institutions, and of rethinking traditional modes of political activism and knowledge production. Even while it seems counterproductive to return to a historical moment that is marked by the persecution of sexual and racial minorities, the book examines how a shared feeling of relationality and community produced by the exile of shame shapes the political value of queer retrosexualities. The retrospective return to the 1950s allows queer thinking to move away from the commodification of queer culture in the present that masquerades as progress. Thus, the book theorizes how traumatic history becomes a valuable resource for the political project of assembling collective memory as the base materials for imagining a differentand more queerfuture.

In this legislative autobiography Franklin L. Kury tells the story about his election to the Pennsylvania House of Representatives, and later the Senate, against the senior Republican in the House and an entrenched patronage organization. The only Democrat elected from his district to serve in the House or Senate since the Roosevelt landslide in 1936, Kury was instrumental in enacting the environmental amendment to the state constitution, a comprehensive clean streams law, the gubernatorial disability law, reform of the Senate's procedure for confirmation of gubernatorial appointments, a new public utility law, and flood plain and storm water management laws.The story told here is based on Kury's recollections of his experience, supplemented by his personal files, extensive research in the legislative archives, and conversations with persons knowledgeable on the issues. This book is well documented with notes and appendices of significant documents. Several chapters provide detailed ';inside' descriptions of how campaigns succeeded and the enactment of legislation happened. The passage of the environmental amendment, clean streams law, public utility code, flood plain and storm water management laws, and the gubernatorial disability law are recounted in a manner that reveals what it takes to pass such proposals.The book concludes with the author's reflections on the legislature's historical legacies, its present operation, and its future.

This volume is the first study of the mode of the fragmentary in eighteenth-century poetry. Revisiting traditional literary historiography, it offers a fresh account of the "Pindaric" impulse, a mode informing deliberate fragmentation.

This book examines discourses on temporality in eighteenth- and nineteenth-century popular British fiction.

The present study is an extension of the topic introduced in Dr. Hailperin's Sentential Probability Logic, where the usual true-false semantics for logic is replaced with one based more on probability, and where values ranging from 0 to 1 are subject to probability axioms. Moreover, as the word 'sentential' in the title of that work indicates, the language there under consideration was limited to sentences constructed from atomic (not inner logical components) sentences, by use of sentential connectives ('no,' 'and,' 'or,' etc.) but not including quantifiers ('for all,' 'there is'). An initial introduction presents an overview of the book. In chapter one, Halperin presents a summary of results from his earlier book, some of which extends into this work. It also contains a novel treatment of the problem of combining evidence: how does one combine two items of interest for a conclusion-each of which separately impart a probability for the conclusion-so as to have a probability for the conclusion based on taking both of the two items of interest as evidence? Chapter two enlarges the Probability Logic from the first chapter in two respects: the language now includes quantifiers ('for all,' and 'there is') whose variables range over atomic sentences, not entities as with standard quantifier logic. (Hence its designation: ontological neutral logic.) A set of axioms for this logic is presented. A new sentential notion-the suppositional-in essence due to Thomas Bayes, is adjoined to this logic that later becomes the basis for creating a conditional probability logic. Chapter three opens with a set of four postulates for probability on ontologically neutral quantifier language. Many properties are derived and a fundamental theorem is proved, namely, for any probability model (assignment of probability values to all atomic sentences of the language) there will be a unique extension of the probability values to all closed sentences of the language. The chapter concludes by showing the Borel's early denumerable probability concept (1909) can be justified by its being, in essence, close to Hailperin's probability result applied to denumerable language. The final chapter introduces the notion of conditional-probability to a language having quantifiers of the kind discussed in chapter two. A definition of probability for this type of language is defined and some of its properties characterized. The much discussed and written about Confirmation Paradox is presented and theorems involving conditional probability for this quantifier language with the conditional are derived. Using these results, Hailperin obtains a resolution of this paradox.

Reading and Riding traces the foundation and development of Louis Hachette's Bibliothe`que des Chemins de Fer and its impact on the social, political, and cultural history of nineteenth-century France.

Harriet Martineau and the Irish Question features periodical articles that chart the course of economic and social progress in post-famine Ireland in terms of industry, public works, economy, and agriculture.

Drawing on the methods of textual and reception studies, book history, print culture research, and visual culture, this interdisciplinary study of James Thomson's The Seasons (1730) understands the text as marketable commodity and symbolic capital which throughout its extended affective presence in the marketplace for printed literary editions shaped reading habits. At the same time, through the addition of paratexts such as memoirs of Thomson, notes, and illustrations, it was recast by changing readerships, consumer fashions, and ideologies of culture. The book investigates the poem's cultural afterlife by charting the prominent place it occupied in the visual cultures of eighteenth- and early nineteenth-century Britain. While the emphasis of the chapters is on printed visual culture in the form of book illustrations, the book also features discussions of paintings and other visual media such as furniture prints. Reading illustrations of iconographic moments from The Seasons as paratextual, interpretive commentaries that reflect multifarious reading practices as well as mentalities, the chapters contextualise the editions in light of their production and interpretive inscription. They introduce these editions' publishers and designers who conceived visual translations of the text, as well as the engravers who rendered these designs in the form of the engraving plate from which the illustration could then be printed. Where relevant, the chapters introduce non-British illustrated editions to demonstrate in which ways foreign booksellers were conscious of British editions of The Seasons and negotiated their illustrative models in the sets of engraved plates they commissioned for their volumes.

Freedom of religious belief is guaranteed under the constitution of the People's Republic of China, but the degree to which this freedom is able to be exercised remains a highly controversial issue. Much scholarly attention has been given to persecuted underground groups such as Falungong, but one area that remains largely unexplored is the relationship between officially registered churches and the communist government. This study investigates the history of one such official church, Moore Memorial Church in Shanghai. This church was founded by American Methodist missionaries. By the time of the 1949 revolution, it was the largest Protestant church in East Asia, running seven day a week programs. As a case study of one individual church, operating from an historical (rather than theological) perspective, this study examines the experience of people at this church against the backdrop of the turbulent politics of the Mao and Deng eras. It asks and seeks to answer questions such as: were the people at the church pleased to see the foreign missionaries leave? Were people forced to sign the so-called ';Christian manifesto'? Once the church doors were closed in 1966, did worshippers go underground? Why was this particular church especially chosen to be the first re-opened in Shanghai in 1979? What explanations are there for its phenomenal growth since then? A considerable proportion of the data for this study is drawn from Chinese language sources, including interviews, personal correspondence, statistics, internal church documents and archives, many of which have never previously been published or accessed by foreign researchers. The main focus of this study is on the period from 1949 to 1989, a period in which the church experienced many ups and downs, restrictions and limitations. The Mao era, in particular, remains one of the least understood and seldom written about periods in the history of Christianity in China. This study therefore makes a significant contribution to our evolving understanding of the delicate balancing act between compromise, co-operation and compliance that categorises church-state relations in modern China.

In this book, author Lucas Murrey argues that the thinking of the modern German philosopher Friedrich Nietzsche (19441900) is not only more grounded in antiquity than previously understood, but is also based on the Dionysian spirit of Greece which scholars have still to confront. This book demonstrates that Nietzsche's philosophy is unique within Western thought as it retrieves the politics of a Dionysiac model and language to challenge the alienation of humans from nature and one another.Murrey develops here a new picture of Greece, reminding readers how money emerged and rapidly developed in Greece during the sixth century B.C.E. The event of monetization created the new art form of tragedy: money-tyrants struggling against the forces of earth and communities who consequently suffered isolation, blindness, and death. As Murrey points out, Nietzsche (unconsciously) retrieves the battle among money, nature, and community and adapts its lessons to our time. Additionally, Nietzsche's philosophy not only adapts the wisdom of Dionysus to question the unlimited ';glow and fuel' of a ';ponderous herd' of money-tyrants today, but it also draws attention to Greece's warnings about the lethal danger of the eyes in myth, cult, and theatre.This work introduces a much needed vision of Nietzschean thought, and it emphasizes the relevance of an interdisciplinary approach combining philosophy with literary studies and psychology with religious and visual/media studies. When applied to our present circumstance, the approach of this book reveals how a dangerous visual culture, through its support of the limitlessness of money, is harming our relationship with nature and each other.

In the summer of 1813, as war with Britain intensified, President James Madison secretly dispatched an envoy to the Regency government of Spain with the urgent goal of thwarting a feared British bid to use Spanish Florida as a base from which to attack the United States, and with the further hope of acquiring that territory for America. The man Madison sent to pursue those challenging tasks was Anthony Morris, a friend of Dolley's from their youth in Philadelphia and a devout Quaker lawyer who had never before journeyed abroad. Morris, a widower, had willingly accepted the president's call, despite the separation it would impose from his four teenage children.The Morris mission did not proceed as intended, as developments in Spain conspired to alter its scope and prolong its duration. Long after the war had ended, Morris was compelled to persevere at his post as the only American link to an unfriendly Spanish monarchy. As he dutifully carried on, ill-founded accusations by two other frustrated American diplomats slurred his reputation. Meanwhile, he thirsted to rejoin his maturing children, whose lives were taking paths that would have been unlikely had he never left them. Throughout this ordeal, a steadfastly philosophical Anthony Morris strove to counter his distress by thoughtful exploration of a national culture and a religious faith so very different from his own. The full story of this distinctive but little-remembered diplomatic endeavor has not previously been recounted. The telling of it here reveals much about the vexation and confusion endemic to American diplomacy in the age of sail, when events often moved faster than the mails. Interwoven with that historical account is the poignant revelation of the spiritual and cultural growth that Anthony Morris reaped from his odyssey, as displayed in a stream of intimate, charming letters to the daughters he had left at home. Published in the ADST-DACOR Diplomats and Diplomacy Series

In this book the author reveals a tapestry woven by Christopher Tolkien from different portions of his father's work that is often quite mind-boggling, with inserts that seemed initially to have been editorial inventions shown to have come from some other remote portion of Tolkien's vast body of work.

This book deals with the life and career of Bernhard Karlgren (1889-1978), whose research in a great variety of fields, particularly the historical phonology of the Chinese language, laid the foundations for modern western sinology. The definition of the term 'sinology' has undergone great changes since Bernhard Karlgren entered the stage a century ago. At that time the term covered research related to the language, literature, history, thought, and intellectual aspects of early China. Since the mid-twentieth century the definition has been considerably broadened to include more modern aspects, with special emphasis on sociopolitical and economic topics. In many Chinese language departments in both China and the West, studies of early China have been put at a disadvantage. This book may serve as a reminder that the time may have come to redress the imbalance. The book begins by sketching the intellectual milieu that characterized Karlgren's school years and ends with a mention of his last publication, 'Moot words in some Chuang Tse chapters,' published in 1976. The intervening seventy years were filled with intense scholarly activities-including his disputatio for the PhD in Uppsala in 1915; his subsequent career as professor of East Asian languages at Gothenburg University, 1918-39; and his directorship of the Museum of Far Eastern Antiquities in Stockholm, 1939-59. For many years he served as vice-chancellor of Gothenburg University and as president of the Royal Swedish Academy of Letters, History, and Antiquities. He also played a leading role in various endeavors to strengthen the standing of Swedish humanities.

The Garden of Perfect Brightness (Yuanming Yuan) in the western suburbs of the Quing capital, Beijing, was begun by the great Kangxi (r. 1661-1722) and expanded by his son, Yongzheng (r. 1722-1736) and brought to its greatest glory by his grandson, Qianlong (r. 1736-1796). A lover of literature and art, Qinglong sought an earthly reflection of his greatness in his Yuanming Yuan. For many years he designed and directed an elaborate program of garden arrangements. Representing two generations of painstaking research, this book follows the emperor as he ruled his empire from within his garden. In a landscape of lush plants, artificial mountains and lakes, and colorful buildings, he sought to represent his wealth and power to his diverse subjects and to the world at large. Having been looted and burned in the mid-nineteenth century by western forces, it now lies mostly in ruins, but it was the world's most elaborate garden in the eighteenth century. The garden suggested a whole set of conceptsreligious, philosophical, political, artistic, and popularrepresented in landscape and architecture. Just as bonsai portrays a garden in miniature, the imperial Yuanming Yuan at the height of its splendor represented the Qing Empire in microcosm.Includes 62 color plates and 35 black & white photographs.

While previous works on the history of Christianity in China have largely centered on the scientific and philosophical areas of Catholic missions in the Middle Kingdom, Chinas Saints recounts the history of Christian martyrdom, precipitated as it was by cultural antagonisms and misunderstanding. Anthony Clark shows that Christianity in China began and grew under similar circumstances to those during the Roman Empire, with the notable exception that Catholic missionaries were not successful at producing a Chinese Constantine. One of the principal results of Catholic martyrdom in China was the increased indigenization of Christianity. During the reconstruction of mission churches, hospitals, and orphanages after the hostilities of the Boxer Uprising (18981900), the Roman Catholic tradition of venerating martyrs was attached to the reinvigoration of Christian communities. Not only did Catholic architecture accommodate to Chinese sensibilities, but causes for sainthood were also begun at the Vatican to add Chinese names to the Churchs list of saints. The implications of Clarks work extend beyond the subject of Christianity in China to the broader fields of cultural, social, economic, political, and religious history. This pioneering study follows the trails of Western missionaries and Chinese converts as they negotiate the religious and cultural chasms that existed between the West and China, and it demonstrates that these differences resulted in two very different outcomes. Whereas converts appear to have bridged the cultural divide, often to the point of self-sacrifice, political and cultural tensions on the macro level sometimes ended with forceful conflicts. This book contributes to a deeper understanding of cultural and religious interaction, and provides an account of an heretofore unstudied chapter in the history of Christianity on the global landscape.

Deciphering Poe expands the contextual framework of Poe's work and explores the subversive nature of his art: its use of codes, secret writing, and ratiocination. It offers fresh perspectives Poe's debt to baroque tradition, his response to Catholicism, his tribute to philosophical idea of sublimity, and his controversial afterlife reception.