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Barbara Pierson's short memoir in verse is a powerful personal account of the actualization of her natural right to create and destroy life, and the imprints it left on her soul. Beautifully illustrated with mandalas by Kimberly Febo. Barbara Pierson wrote the poem in this book when she was 26 years old, after her second experience with pregnancy. Her purpose, she explains, is neither to promote, condemn, nor argue what is right or wrong. It is, instead, a channel for others to tune into for support. Her hope is that it will serve to create empathy and understanding for the pain and deeply personal circumstances that might drive a woman to what is perhaps the most difficult decision of her life. ABOUT MANDALAS: Mandalas are considered to be one of the oldest forms of art and have been used throughout the world for self-expression, spiritual transformation, and personal growth. The symbols and visual images inscribed in a mandala vary from culture to culture. Many are intricately designed, using extreme geometrical detail with colors and shapes to create a symmetrical picture within the circle. Some traditions portray pictures of gods, goddesses and other natural objects. The Tibetans view the mandala as symbolic diagram of the greater cosmos, and Native Americans use them in healing rituals. Even in Christian cathedrals, the labyrinth is a mandalic pattern used as a tool for meditation. Regardless of what part of the world they are used, mandalas transcend all religions. They speak the language of spirit.
President Gerald Wellington Thorne, a bumbling and ineffective leader, wakes up one morning to discover that his mouth has disappeared. On the very same day, Larry White, a janitor at Union Station, wakes up from a long night of drinking and realizes that he now has two mouths. His wife decides that this is actually a blessing in disguise, one that offers her a chance to save her husband from drink and eternal damnation. She enlists the help of her pastor, who in turn recognizes this as his once-in-a-lifetime opportunity to transform his run-down storefront mission into a lucrative mega-church. And while Thorne and White are assessing their respective dilemmas, Fuzzaluddin Choudry, a humble and affable immigrant butcher from Pakistan, hears the voice of God in a water spout in Washington, DC's Tidal Basin. The voice tells him that he has been chosen to save the President of the United States. What evil force is behind this madness? Will the world ever be the same? Would it be better if we had a President without a mouth? The Wizard and the White House is a delightful fantasy full of humor and imagination. Mike Maggio's take on the clash of cultures in contemporary American life will leave you smiling... and perhaps wondering whether the foolishness we are witnessing in today's politics could be improved only through a good dose of magic.
Poignant, riveting, full of rage and beauty, Myths of a Merciful God takes us on the unforgettable journey of one woman's quest to overcome unimaginable loss. At the heart of the story is a profoundly difficult question: How does one survive a tragedy as unspeakable as the death of a child? Through the literal and figurative journey upon which this child's mother embarks in the aftermath of this loss, and the people she encounters along the way, Myths of a Merciful God explores the concepts of divine retribution and intervention versus the gaping silence of an indifferent universe, moral turpitude versus the virtue of well-kept secrets, and whether the absence of religion in a person's life helps, hinders, or makes no difference in one's ability to find a way back toward wholeness.
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