Bøger udgivet af Liverpool University Press

The Masque of the Red Death (1964), the seventh collaboration between producer-director Roger Corman and horror icon Vincent Price, became the crowning achievement for both men, their masterpiece.

Moving Verses analyses the relationship between poetry and cinema in Argentina. How do film and poetry transform each another when placed into productive dialogue? Case-studies include Argentina's most exciting and radical contemporary directors as well as established modern masters, with a critical framework drawing on contemporary studies of intermediality and "impure" cinema.

Iberian and Translation Studies: Literary Contact Zones brings together a variety of essays by multilingual scholars whose conceptual and empirical research places itself at the intersection of translation and literary Iberian studies, thus opening up a new interdisciplinary field of enquiry: Iberian translation studies.

This book examines themes of exile, mobility, and identity in contemporary autofictional narratives written in French by women writers from across the francophone world. It reads exile in light of both gender and literary genre, arguing that autofiction gives women the space to reconfigure their exile on their own terms.

Ars Judaica is an annual publication of the Department of Jewish Art at Bar-Ilan University. It showcases the Jewish contribution to the visual arts and architecture from antiquity to the present from a variety of perspectives, including history, iconography, semiotics, psychology, sociology, and folklore.

Martin Sohn-Rethel brings a lifetime of teaching film and media to bear on developing a new approach to analyzing the "realism" of the moving image

This book provides the first detailed study of healthcare during the period of the Troubles in Northern Ireland (1968-1998). While there have been some studies of the effects of conflict in the context of Northern Ireland, to date there have been no in-depth histories of the impact of the Troubles on healthcare and the experiences of healthcare professionals. Ruth Duffy's work combines analysis of archival research and oral history interviews to reveal the widespread impact of the conflict on healthcare facilities, their staff, and patients, as well as the broader societal implications of providing services during the Troubles. The book allows the voices of those who worked on the frontline to be heard for the first time, as well as exploring important issues such as medical ethics and neutrality. It offers new and valuable insights into the cost of the Northern Ireland conflict and its legacy today.

The battle of Maldon in 991 AD was a defeat. The Old English poem about it that survives, The Battle of Maldon, celebrates the extreme valour of Byrhtnoth, the leader of the defeated Anglo-Saxons, and commemorates the heroic deaths of his followers who stand by him and who stay to the end against a horde of piratical Vikings. Though lacking both beginning and end, enough survives of the main narrative of the battle to show the poet's skill and power in conveying his message that loyalty to one's word and to one's lord matters more than life. Maldon is the only substantial late Old English heroic poem to survive and provides unique testimony to the poetics of its period: close re-analysis of it shows it to be a striking mix of old and new, combining features found in much earlier verse with others only otherwise attested in Middle English alliterative poetry. This new critical edition responds to the enormous range of critical views that the poem has excited: the introduction is, accordingly, substantial, and includes sections on language, prosody, style, and narrative, as well as a new and full consideration of the reliability of the sole surviving transcript. There is a detailed literary commentary and a full glossary.

Migrant Emotions explores the interrelationships and tensions between mobility and immobility, emotions, affects and experiences, inclusion and exclusion, as well as narratives and representations in both local and global discourses. The overall objective of the volume is to underscore the significance of emotions in the analysis of mobile lives in the past and the current socio-political climate. The book provides a new framework that brings together the study of emotions and migration by focusing on the feelings or emotions of exclusion and inclusion through a range of theoretical lenses. Specifically, it offers a series of complex, interconnected studies on diverse experiences, responses, and voices of migrants (including, refugees, asylum seekers, undocumented, and others on the move) both in the twentieth and the twenty-first centuries, and across the continents, including Europe (Molesini, Daniel, Stock, Castillo Gonsalves, Cancian, Leese), Africa (Cancian, Kilpeläinen and Zechner), Asia (Mutiara, Paul, Ridgway), and Oceania (Heckenberg). Integral to the volume's original objective is an emphasis on the global diversity of contributors and studies and the global reach of readership for purposes of comparison.

The Stanley Kubrick Archive is a collection held at the University of the Arts London that contains material related to the life and work of Stanley Kubrick. But even though the archive has been branded as being about one man - Kubrick - its contents are much more diverse. There are records and objects about the wider industrial, cultural, and social history of film production in the latter half of the twentieth century; records and objects about the histories of fashion, stationery, photography, communication and media technologies, and urban development; historical resources pertaining to events such as the Holocaust, the life of Napoleon, and the American Civil War; and ephemera that has no immediately obvious research use.Media historian James Fenwick argues that the Stanley Kubrick Archive has been misunderstood as being solely about Kubrick and that it has much greater interdisciplinary potential. Fenwick opens up the discussion of the meaning and purpose of the Stanley Kubrick Archive by considering its material realities via a critical survey and archaeological analysis of its contents. By undertaking such an analysis, Fenwick moves beyond the mythic status of the archive being Kubrick's archive and instead foregrounds the wider cultural value and significance of the collection and uses the archive to excavate histories, stories, and ideas beyond a focus on Stanley Kubrick, proving that the Stanley Kubrick Archive doesn't just have to be about Stanley.

An exciting new contribution to the expanding but still largely uncharted territory of collaboration studies, Late Victorian Literary Collaboration is the first book-length study of the trend for collaborative writing that emerged in the last decades of the nineteenth century.As a result of the rapidly growing literary market, the years between 1870 and the turn of the century witnessed an unprecedented flow of collaboratively written novels. In the 1890s, co-authorship became a craze, with literary partnerships multiplying and fiction co-written by twenty and more authors appearing in the pages of popular magazines. By 1900, however, the trend had already reversed, and it quickly slipped into oblivion. Late Victorian Literary Collaboration investigates the factors that made the period so conducive to collaboration, tracing the reasons for its success and subsequent decline. Drawing on a vast range of original sources, the book discusses and compares different models of collaboration, from life-long, exclusive partnerships to one-time, widely-advertised collaborative ventures between best-selling novelists. It deals with authors such as Walter Besant, Somerville and Ross, Andrew Lang, H.R. Haggard and Rhoda Broughton, all favourites of the Victorian public but subsequently neglected and only recently reevaluated. By unpacking the debate that developed around co-authorship in the periodical press of the time, the book also sheds light on how collaborative authorship was imagined by the general public, and illustrates how the trend effectively - if temporarily - challenged Victorian assumptions about the author as a solitary genius.

Addressing the history, impacts, and legacies of the Indian Residential School system, the Canadian Truth and Reconciliation Commission is one of the few commissions to have been established in a Western, long-standing liberal-democratic reality such as Canada's. It thus becomes paramount to examine the extent to which the TRC's core principles of truth-telling, restorative justice, and reconciliation engage in productive dialogue with the settler-colonial context of Canada and, particularly, with Indigenous philosophies and epistemologies. Good Medicine Stories does exactly that through the lens of fiction. Interweaving Indigenous, settler colonial, trauma and gender studies on the one hand, and intersecting literary, political, historical and cultural approaches on the other, Good Medicine Stories explores the capacities of Indigenous fiction for challenging and amplifying the work carried out by the Canadian TRC. Through analysis of a unique selection of Indigenous contemporary literary texts that were produced during and after the completion of the Canadian Commission, the book shows the role of fiction in keeping the dialogue on truth, justice, and reconciliation between Indigenous and non-Indigenous peoples open and relevant to our present and our future. It also demonstrates the role of Indigenous fiction in foregrounding Indigenous healing, spiritual regeneration and resurgence.

In this book Michele Speitz assembles the first full-length scholarly study of the British Romantic technological sublime, addressing a significant gap in scholarship on Romantic literature, technological aesthetics, and the history of science and technology. Speitz shows that it is through a study of technology, and by putting British Romanticism's representations of sublime nature and technology in dialogue, that the broader history and present-day implications of the British Romantic sublime can best be understood.This innovative study foregrounds representations of Romantic machines and tools both aged and new: from the lever and the teacup to modern marvels including the steam engine and the seismograph. Surveyed as well are built environments and vast mechanical and infrastructural systems: mines, canal works, roadways, modern suspension bridges. By grouping together this set of ancient and novel inventions -- sourced from accounts penned by Erasmus Darwin, John Keats, Anna Seward, Robert Southey, Mary Godwin Shelley, Percy Bysshe Shelley and more -- Speitz demonstrates how a comparative study of these technologies relative to their aesthetic presentation and reception uncovers an overlooked iteration of the Romantic sublime, one that reveals fresh accounts of Romantic nature that have a bearing on twenty-first-century debates about the environment. The Romantic Sublime and Representations of Technology is essential reading for literary and aesthetic theorists, historians of science and technology, literary and art historians, and scholars of ecocriticism and literature and the environment.

The Journal of Beatles Studies is the first journal to establish The Beatles as an object of academic research, and will publish original, rigorously researched essays, notes, as well as book and media reviews.The journal aims are; to provide a voice to new and emerging research locating the Beatles in new contexts, groups and communities from within and beyond academic institutions; to inaugurate, innovate, interrogate and challenge narrative, cultural historical and musicological tropes about the Beatles as both subject and object of study; to publish original and critical research from Beatles scholars around the globe and across disciplines.The Journal of Beatles Studies establishes a scholarly focal point for critique, dialogue and exchange on the nature, scope and value of The Beatles as an object of academic enquiry and seeks to examine and assess the continued economic value and cultural values generated by and around The Beatles, for policy makers, creative industries and consumers. The journal also seeks to approach The Beatles as a prism for accessing insight into wider historical, social and cultural issues.

This book examines coverage of the Spanish Civil War by the leading French and British newspapers, and agencies like Havas and Reuters. Their foundational reporting created a bedrock of 'shared news', which reverberated in places as geographically and ideologically remote as Moscow or Berlin.It focuses on how key events like the mass killings in Badajoz, the siege of the Alcázar of Toledo, the Battle of Madrid, and the bombing of Guernica broke as immensely impactful news stories. By returning to first news, we can view familiar events with fresh eyes. For example, reporting on the siege of the Alcázar was shaped by Republican control of Toledo and had little in common with later Nationalist triumphalism. Guernica is studied as a breaking news story, but also as the culmination of a series of destructive aerial bombardments, including Madrid and Basque towns, which all fed into Picasso's masterpiece. This essay charts the links and transitions between day-to-day reporting, journalistic reportage, and transformative mythmaking.The book utilizes a wide range of material from newspaper libraries, digital resources and extensive archival research. The author draws on his interviews and correspondence with Sir Geoffrey Cox (1910-2008), News Chronicle's Madrid correspondent in November 1936.

This book compares fiction and non-fiction written by two generations of the Vietnamese diaspora, the so-called 1.5 and second generation in France and Canada, namely, Kim Thúy, Doan Bui, Clément Baloup, Hoai Huong Nguyen and Viet Thanh Nguyen (USA) as they grapple with their positionality as refugee(s') children and the attendant problematics of loss. How they recuperate this loss by deploying notions such as home, hauntings and hunger is central to this analysis. Refugee Afterlives identifies the tools deployed by the 1.5 and second generation, tests their limits while understanding that these writers' creations are constantly changing and shifting paradigms and will continue to be so over the next decades. Each writer is finding their own voice and pathway(s) and while these may sometimes overlap and contain commonalities, afterlives by default imply plurality and differences. This book offers ways of examining these texts, juxtaposing them, contrasting them, putting them in dialogue with each other, underlining their differences, but ultimately demonstrating that there is much to be gained in seeing how 1.5ers and the so-called second generation Vietnamese refugee writers contribute to a wider discussion of Vietnamese refugee(s') children and what happens to them after resettlement.

This book argues that literary production in Portuguese-speaking southern Africa has developed distinctive aesthetic idioms that critically respond to crises of global capitalism and related failures of post-colonial governance. Drawing from recent research at the intersection of world-systems analysis and materialist theories of world literature, it identifies and evaluates two generic trends in the post-independence literatures of Mozambique and Angola. From the mid-1980s to the early 1990s, there is a marked tendency in Mozambican literary production towards fictional representations of ghosts, spectral effects and gothic narrative techniques. In Angola, there is an analogous outburst of literary expression from the mid-1990s onwards, in which writers increasingly turn towards dystopian images of apocalypse, ecological crisis, and the disintegration of existing modes of social reproduction. Away from a restricted focus on the decline of the post-independence Marxist-Leninist state, the book contends that the upswing in these two genres of writing functions to critically register a world-systemic horizon that both surpasses and includes locally determined, national realities. The patterned repetition of spectral and dystopian forms in Portuguese-speaking southern Africa occurred at a time of heightened capitalisation, in which the region was subjected to newly expropriative forms of accumulation and ecological enclosure via integration into a reconstellated world-system headed by neoliberal finance capital. Through close readings of texts by authors such as Mia Couto, Suleiman Cassamo, Ungulani Ba Ka Khosa, Pepetela, and Ondjaki, this book asks: What factors drove literary production towards the figure of the spectre in Mozambique and towards dystopia in Angola? What emerging energies and social contradictions found shape in these generic idioms in ways that existing vocabularies were unable to express? What does the geo-temporal passage from spectrality to dystopia tell us about the history of capitalist development in southern Africa, and about the restructuring of political-economic parameters across the globe?

Recent research has revealed that the borrowings in Yambo Ouologuem's epochal novel Le Devoir de violence (Bound to Violence) are far more extensive than was previously thought. Accused of plagiarism, Ouologuem quit the Parisian literary world and returned to a definitive silence in Mali. This book attempts to provide both a complete table of the borrowings in Le Devoir de Violence and a new theory of their meaning. Miller dispels the myth that the borrowings are minor, negligible, or criminal; he argues that they are artful "thresholds," openings to a profound reconsideration of African history. Ouologuem set up this system of borrowings as a way to invite readers down unexpected paths of meaning. The borrowings are not mere stunts; they are inseparable from Ouologuem's radical revision of African history and his rejection of Negritude. The table of borrowings in part three of this book will serve as a resource for readers and scholars.

Thessaly was a region of great importance in the ancient Greek world, possessing both agricultural abundance and a strategic position between north and south. It presents historians with the challenge of seeing beyond traditional stereotypes (wealth and witches, horses and hospitality) that have coloured perceptions of its people from antiquity to the present day. It also presents a complex and illuminating interaction between polis and ethnos identity. In daily life, most Thessalians primarily operated within, and identified with, their specific polis; at the same time, the regional dimension - being Thessalian - was rarely out of sight for long. It manifested itself in stories told, in deities worshipped, in modes of political co-operation, in language, rituals, sites and objects.Chapter by chapter, this book follows the emergence, development and adaptation of Thessalian regional identity from the Archaic period to the early second century BC. In so doing, rather than rejecting ancient stereotypes as a mere inconvenience for the historian, it considers the constant dialogue between Thessalian self-presentation and depictions of the Thessalian character by other Greeks. It also confronts some of the prejudices and assumptions still influencing modern approaches to studying the region. All in all, the reader is invited to see Thessaly not as a region of marginal significance in Greek history, but as occupying a central role in many aspects of ancient cultural and political discourse.

First published in 2001, Science Fiction Film: A Teacher s Guide to the Genre and Classroom Resources is a complete scheme of work for the teaching of science fiction film which provides: Guidelines for practical tasks including storyboarding, designing a film poster and developing a marketing strategy. A detailed history of science fiction film and its place both within the industry and the wider culture of the twentieth century. A thorough grounding in all the theoretical concepts of Media Studies. A focus on familiar and easily accessible texts such as Metropolis, The Terminator, the Alien quartet, Men in Black and Galaxy Quest. This revised edition includes a lengthy new chapter on science fiction film since 2000, covering films such as The Dark Knight, the new Star Wars film and the Hunger Games franchise; and the Classroom Resources include additional new photocopiable materials.

Featuring the input of highly experienced teachers and examiners in Media Studies, this exciting new textbook explores key concepts and develops students' analytical, research and production skills. A series of industry case studies focus particularly on television shows, film, computer games, advertising, magazines and newspapers. A Welsh adaptation of Exploring the Media. Ysgrifennwyd y gwerslyfr newydd, cyffrous, 16+ hwn gan athrawon ac arholwyr hynod brofiadol ym maes Astudio'r Cyfryngau. Mae'n archwilio cysyniadau allweddol, creiddiol, y pwnc a'i nod yw datblygu sgiliau dadansoddi, ymchwilio a chynhyrchu disgyblion. Cyfres o astudiaethau achos yn canolbwyntio ar deledu, ffilm, gemau cyfrifiadur, hysbysebu a chylchgronau.

A comprehensive and important guide to the individual churches, catacombs, embellishments and artifacts of Early Christian Rome, this book covers a period from the first-century visits of the Apostles Peter and Paul to the end of the ninth-century Carolingian Renaissance. It describes precisely where the extant Early Christian features are situated and provides vital details on what can be seen. The accurate ground plan of each site studied enables the reader to locate features with ease and to appreciate the contrasting proportions and architectural development of each church.

Every town and city has its story, but few have a history that is essential to understanding how the modern world was made. Manchester was the first industrial city and arguably the first modern city. During the industrial revolution it became the centre of the world's trade in cotton goods, so associated with that product that it was known as 'Cottonopolis'. In the nineteenth century Manchester was recognised across the globe as a symbol of industrialism and modernity. It was one of those iconic cities that came to stand for something more than itself. Its global reach stretched beyond industrialism as such and encompassed the political and economic ideas that the industrial revolution spawned. Manchester was simultaneously the home of the capitalist ideology of Free Trade (famously naming its chief public building in honour of this idea) and the place where Marx and Engels plotted the communist revolution. The history of modern Manchester opens doors to an understanding of how science helped shape the modern world from the discoveries of Dalton and Joule to Rutherford's splitting of the atom, the first stored-program computer and the invention of graphene. But Manchester has also been home to sporting and cultural achievements from the prowess of its football teams to its media presence in television. The city has been the venue for the expression of numerous voices of protest and affirmation from the Peterloo demonstrators in 1819 to the Suffragettes nearly a century later and the Gay protests of more recent times. It has always been a cosmopolitan city with a lively mix of ethnic groups that has added celebration and tension to its cultural and social life. Over time the population growth in and around Manchester generated an urban sprawl that became a city region. 'Greater Manchester' has been a reality for over a century and along with Greater London is the only metropolitan region to be named after its core city. As the industrial base on which the city and region had depended for two centuries collapsed in the later twentieth century the city had to take a new path. This it has done with remarkable success and twenty-first century Manchester is recognised as the post-industrial city that has been most successful in reinventing itself. Appreciating how this has happened is as much a key to understanding Manchester as is knowledge of its past greatness. Written by leading experts on the history of the city and with numerous insights and unexpected stories, this profusely illustrated book is essential for an understanding of what Manchester has been and what it can become.

Sculpture Journal provides an international forum for writers and scholars in the field of post-classical sculpture and public commemorative monuments in the Western tradition. Sculpture Journal offers a keen critical overview and a sound historical base, and is Britain's foremost scholarly journal devoted to sculpture in all its aspects. Periods covered extend to public and private commissions for present-day sculptors. While being academic and traditional, the journal encourages contributions of fresh research from new names in the field.

Liverpool's population increased 60 times over between 1700 and 1850 and the physical expression of this was relentless urban expansion. The legacy of this remarkable epoch is a vital part of the Liverpool cityscape: in its core and its suburbs still remain fine mansions, squares and terraces. In this book, architectural historian Garry Miller investigates and analyses the houses that survive, examining architectural styles, details and plans as well as builders and residents. Miller utilises present-day photography and revealing archive images to accompany an engaging text which includes a street-by street inventory of buildings.

The T. S. Eliot Studies Annual is the leading venue for the critical reassessment of Eliot's life and work in light of the ongoing publication of his letters, critical volumes of his complete prose, the new edition of his complete poems, and the forthcoming critical edition of his plays. All critical approaches are welcome, as are essays pertaining to any aspect of Eliot's work as a poet, critic, playwright, or editor.General Editors: Frances Dickey and Julia E. DanielEditorial Advisory Board: Jewel Spears Brooker, Ronald Bush, David E. Chinitz, Robert Crawford, Anthony Cuda, John Haffenden, Benjamin Lockerd, Gabrielle McIntire, John D. Morgenstern, Jahan Ramazani, Christopher Ricks, Ronald Schuchard, Vincent Sherry, Jayme Stayer, John Whittier-Ferguson