Bøger udgivet af Longleaf Services Behalf of Unc - Osps

When Edgar A. Love, Oscar J. Cooper, Frank Coleman, and Ernest Everett Just founded the historically Black fraternity Omega Psi Phi on November 17, 1911, at Howard University, they could not have known how great of an impact their organization would have on American life. Over the 110 years that followed, its members led colleges and universities; served in prominent military roles; made innumerable contributions to education, civic society, science, and medicine; and at least one campaigned for the US presidency. This book offers a comprehensive, authoritative history of the fraternity, emphasizing its vital role through multiple eras of the Black freedom struggle. The authors address both the individual work of its membership, which has included such figures as Carter G. Woodson, Bayard Rustin, Roy Wilkins, James L. Farmer Jr., Benjamin Elijah Mays, James Clyburn, Jesse Jackson, and Benjamin Crump, and the collective efforts of the fraternity's leadership to encourage its general membership to contribute to the struggle in concrete ways over the years. The result is a book that uniquely connects the 1910s with the present, showing the ongoing power of a Black fraternal organization to channel its members toward social reform.

Desde diversas perspectivas criticas y anclado igualmente en diversos aparatos teoricos, este libro reune las contribuciones de ocho destacados criticos: Ignacio M. Sanchez Prado, Ramon Alvarado Ruiz, Gaelle Le Calvez House, Julio Enriquez-Ornelas, Tomas Regalado-Lopez, Hector Jaimes, Rebecca Janzen y Cesar Antonio Sotelo en torno a la obra de Pedro Angel Palou. Asimismo, con textos agudos, sugerentes y definidos por la cercania con el escritor, participan tambien cuatro importantes escritores mexicanos: Monica Lavin, Eloy Urroz, Jorge Volpi y Vicente Alfonso. Por otro lado, el mismo Pedro Angel Palou comienza esta edicion donde nos proporciona un repaso sobre su itinerario intelectual. En suma, se trata de un gran aporte critico sobre la obra de uno de los escritores mexicanos contemporaneos imprescindibles.

From the Anti-Federalists to the Know-Nothings, Formisano traces populist political movements in the U.S. chronologically from the Revolution to the Civil War, contextualizing them and demonstrating the progression of ideas and movements. Although American populist movements have typically been categorized as either progressive or reactionary, left-leaning or right-leaning, Formisano argues that most populist movements exhibit liberal and illiberal tendencies simultaneously. By considering these movements together, Formisano identifies commonalities that belie the pattern of historical polarization and bring populist movements from the margins to the core of American history.

This work is the first to analyze Marguerite Yourcenar's fictional manuscripts collected by the Houghton Library at Harvard University. Beatrice Ness organizes her study into five main groups of manuscripts spanning from 1924 to 1987, the year of Yourcenar's death. Ness's genetic approach problematizes questions of truthfulness and falsity: Yourcenar directs the reader's interpretation of her work by selecting and arranging diary notes, correspondence, and manuscripts of novels. As a result, the critic must undertake a careful reading of Yourcenar's 'avant-textes' to answer the questions: what does the manuscript reveal and why are these specific documents accessible to the public? Ness shows that Yourcenar tries to assure a posthumous reading that validates the originality of some aspects of her writing process, such as the aesthetic appeal of the drawings in her manuscripts, her mobility while she writes, and graphic transformations of penmanship revealing metempsychosis. Yourcenar's clever practice calls for an inventive reader to transcribe a filtered reality.

This study delineates a theory of epistolary lyric that refutes historical notions of a siecle sans poesie. Julia De Pree argues that monophonic, epistolary texts written during the Ancien Regime both reflect and resist the Classical legacy and at the same time anticipate the nineteenth-century prose poem. De Pree illustrates her theory of epistolary lyric through readings in the historical canon (Montesquieu, Diderot, Rousseau, Laclos) but emphasizes the contributions of the epistoliere: Francoise de Graffigny, Isabelle de Charriere, and Marie-Jeanne Riccoboni. She argues that through their relatively short length, their incorporation of blank space, and their monophonic voice, female-authored letter-texts articulate epistolary lyric at the intersection of narrative, theatrical, and poetic codes. De Pree concludes that as a plural and protean form, epistolary lyric anticipates the so-called poetic revolution(s) that transformed nineteenth-century French lyric.

Gorfkle challenges the assumption that the comic is inferior to the tragic as a vehicle for expressing serious thought and the belief that the comic has only a secondary function in Cervantes's Don Quixote. She systematically surveys the comic mechanisms of the novel from the perspectives of the contemporary literary theories of Bakhtin, Girard, and Derrida.

Kozma examines the use of metaphor and simile in the works of the twentieth-century Italian fiction writer Alberto Moravia, whose novels include Gli indiferenti (1929) and La Romana (1947). She provides a comprehensive description of types of imagery in Moravia's work, organizing this compendium into a series of categories such as images of thought, nature, food, and the human body.

In the first book of its kind to deal solely with the unique challenges and opportunities for growing perennials and other plants in the coastal South, Sullivan, a certified master gardener, combines expert advice with a comprehensive A-to-Z plant guide.

In this study of Birmingham's iron and steel workers, Henry McKiven unravels the complex dynamics of race relations and class struggle that shaped the city's social and economic order.