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Playing Solo Jazz Piano is an essential new book for creative jazz pianists. The second edition adds two new chapters and audiovisual content to the original. Readers will learn essential solo jazz piano concepts like stride piano, one-handed shell voicings, comping, using basslines, shared-hand voicings, leaving out the bass, and playing ballads. Plus, the book explores modern approaches to solo jazz piano including perpetual motion, counterpoint, and borrowing from classical music. With over 200 musical examples, references to over 100 jazz pianists, and numerous hands-on exercises, Playing Solo Jazz Piano is the perfect how-to for passionate, innovative pianists. " Jeremy has done a remarkable job of organizing the whole history of jazz piano in the book you now hold. It is concise and yet open-ended simultaneously. All of the important concepts and historical styles are here, and presented in a way that is thorough and that will also stimulate you to investigate, listen, experiment and have fun with the world of solo jazz piano.">"Jeremy Siskind's book takes solo pianistson a journey from basic concepts to a real musical conversation: between both hands, across jazz tradition, with textures and rhythms, counterpoint and new harmonies. There's a wealth of musical ideas here: how to efficiently practice, creatively delveinto a song, and musically tell a story.">" I've been waiting for this book! Jeremy Siskind presents a cogent and stimulating series of techniques and approaches to creative solo piano playing, rooted in the tradition while inviting both students and professionals to find their own voice and musical personality. The material is historically informed, well-organized, and specific, yet quite open-ended and fun to read and practice. Early and often, the book provides excellent guidance on how to develop the oft-neglected left hand. Finally, the lists of recommended recorded examples from the music's solo piano masters are an invaluable asset.">" Playing Solo Jazz Piano is an extraordinarily comprehensive text on a complex subject. Jeremy expertly covers a breadth of techniques and styles while introducing fresh concepts drawn from his own unique artistic experience. This book is an invaluable resource for the beginner and advanced student alike.">Author Jeremy Siskind is the student of Fred Hersch and the teacher of widely-hailed prodigy Justin-Lee Schultz. A top finisher in several national and international jazz piano competitions, Siskind is a two-time laureate of the American Pianists Association and the winner of the Nottingham International Jazz Piano Competition. Besides a performance career in which he has been praised as "a genuine visionary" (Indianapolis Star) who "seems to defy all boundaries" (JazzInk), Siskind is an active teacher, including as a faculty member at Western Michigan University and Fullerton College. The author of over fifteen pedagogical books, Siskind chairs the Creative Track for the National Conference for Keyboard Pedagogy and serves as a regular clinician for Yamaha Music Education. He regularly travels too spread peace through music in places like Lebanon, Cyprus, Thailand, China, India, Colombia, and Tunisia with the organization Jazz Education Abroad.

From the best selling anthology, Once Upon A Fairytale, comes a modern re-telling of Beauty and the Beast.Ridge has always loved Isobelle, but between his dark childhood and taking care of his drug-addicted mother, he's constantly reminded why he isn't good enough for her. When millionaire Milton Freewater returns to their small town and sets his sights on Isobelle, Ridge knows he doesn't stand a chance. On the night Isobelle's beloved bookstore burns to the ground, Ridge becomes suspicious of the rich boy and his manipulative control over her. As Ridge digs into the clues surrounding the fire, he uncovers a dangerous secret. Now, it's not just his heart that's at risk, but also his life.

From the bestselling Once Upon A Fairytale anthology.Lady Alys Ysgarlad leads a silent army of women refusing to surrender to the tyrannical reign. They steal from the tax collectors to fill the pockets of the starving. When her childhood love Gareth Blaidd reappears with the king's men, Lady Alys must choose between her country or her heart.

The Shape of Wind on Water is Ann Fox Chandonnet's substantial collection of new and selected poems, some from her rural childhood in Massachusetts, and many from her thirty-four years in Alaska. Place has always been important to her. In 1968, her first book of poems was published in Madison, Wisc. In the following years, she wrote two cookbooks, four food histories, and a tourist guide to the Panhandle. She also founded the Literary Artists Guild of Alaska.      Ann Fox Chandonnet grew up on a 180-acre apple and dairy farm in Dracut, Mass. Then there were four years in California, followed by a rich life indoors and out in Alaska. She has worked as an English teacher in Kodiak, Alaska, and a police reporter in Juneau. Chandonnet has two grown sons and three lovely granddaughters. She and her husband of fifty-six years are "retired" to Lake St. Louis, Missouri, where they share Ann's rescue dog, Gypsy Rose.

Osborndale Ivanhoe was a bull who became an unlikely celebrity. He defied expectations and challenged long-establishednotions of what constituted a championHolstein. But his fame was dependent on one man's stubborn insistence that the animalwas, indeed, special. Carla Panciera spentyears with her father and his famous herdtraveling from county fair to county fair, and answering the same questions: "Is that Aldo Panciera?" and "Are you Aldo's daughter?" This memoir is based on the real man and his very real effort to make a living at what he loved. He was a demanding teacher and an unappeasable boss, but he was also a father who finished night milking and took his daughter for sled rides down a frozen hillside, or for a spin on the local carnival's Ferris wheel, or who paused, plowing fields, to pick her the first wildflowers of the season. Barnflower is about a man and his work and what that life demanded of his family. Read about the bond between a father and daughter and their love for the kind of life they shared, a kind of life that is both a critical and a vanishing part of our history.

Dabney Adams, dubbed Adonis in the society pages and gossip columns, is as enigmatic as he is jaw-droppingly handsome. Not even his closest friends know what caused an estrangement with his family. As the 1821 Season draws to a close, most of those friends have found love and happiness. Unfortunately, Dab knows he is not cut from the same cloth. He's probably not even capable of fully trusting a woman, much less falling in love. Still, there should be no reason he shouldn't marry the heiress who desires it and simply move on with his life. Circumstances change when he learns his father is dying. Dab must either choose to forgive the mistakes of the past or live with the consequences. Miss Theodora Martel has known little but tragedy in the last year, and now her half-brother is selling the family home and forcing an unwanted marriage on her. When she is unexpectedly thrust in Dab's path, he feels an overwhelming and uncharacteristic desire to come to her rescue. Theo is unlike any lady he has ever encountered. She is a brave, spirited and yet innocent. She makes him want to be a better man. It was only months before that he'd made a Christmas wish to feel more ... and then came Theo.