Bøger udgivet af Louisiana

A handsome, affordable introduction to the modernist polymath who charted the rhythms of color across textiles, illustration, painting and moreSonia Delaunay was a true pioneer of modernist abstraction; breaking with the figurative vocabulary that subordinated color to subject matter, she placed dynamic color interaction at the core of her vision, whether expressed through painting, book illustration or costume and textile design. Drawing inspiration from both traditional Russian crafts and the modern frenetic metropolis, Delaunay's work reflects the drastic changes ushered in by industrialization. Through her polyvalent practice, Delaunay helped construct the new modern woman that she herself embodied: equal parts avant-gardist, creative entrepreneur and businesswoman.This richly illustrated catalog showcases the range of Delaunay's work as it unfolded over 60 years, from abstract paintings and works on paper to textile design, garments, fashion photography, books and carpets--even a brightly colored sports car.Born in Odessa, Ukraine, Sonia Delaunay (1885-1979) migrated to Paris in 1906 and became a key figure in the city's avant-garde scene. During these early years, her paintings underwent a formal shift influenced by the vivid colors of Fauvism. She soon met her husband, fellow artist Robert Delaunay, and the couple pioneered a fusion of Cubism and Neo-Impressionism that they termed Simultanism, which denotes abstract painting that uses color in a manner comparable to the use of sound and rhythm in music. In 1964, Delaunay became the first living woman artist to have a retrospective at the Louvre.

Kusamäs delicate drawings both illustrate and interpret Hans Christian Andersen¿s tale in this beautiful volume

The eerily prescient work of a near-forgotten Japanese artist, whose 1960s and '70s sculptures anticipate contemporary ecological anxietiesContemplating Japanese artist Tetsumi Kudo's (1935-90) work in the 21st century provokes a sense of the uncanny on multiple levels: grotesquely beautiful on their own, his abject sculptures seem to foretell today's environmental concerns with their depictions of ecological decay. Born in Osaka, Kudo's life was greatly impacted by the aftermath of the atomic bomb in 1945; this trauma compounded by the Vietnam War's ever-present atmosphere of destruction led to a consistent focus on dystopia and decomposition in his work. Kudo's fluorescent birdcages and blacklight terrariums are furnished with an assortment of sculptures and found objects: melted plastic flowers, colorful phallic chrysalises and dismembered resin body parts come together to convey a distinctly modern anxiety in regard to our ailing world. Kudo's work does not intend to provide comfort in the midst of crisis; rather, his pieces urge viewers to reflect on how we may or may not continue to survive in a world that we ourselves have ruined through pollution and consumerism. As the artist's work reaches a peak of topicality, this volume presents a focused selection of Kudo's pieces from the 1960s and 1970s that demonstrate a postwar awareness of the atomic bomb's effect on reproduction and the environment.

Adventures in bronze from acclaimed Danish artist Per KirkebyDanish multimedia artist Per Kirkeby (1938-2018) combines nature and the human body in his bronze sculptures. The Louisiana Museum of Art presents Bronze, the first book to focus entirely on Kirkeby's bronze sculptures and his inspirations--including works by Rodin, ancient myths and the female body.

Surveying the films, installations and performances of the superstar Icelandic artistWidely recognized as one of the most exciting and significant voices of contemporary art, Icelandic performance and multimedia artist Ragnar Kjartansson takes a loving yet critical look at Western culture. His longform video installations explore the dynamics of repetition, often through music, and develop into feats of endurance, both physical and emotional. The Guardian deemed his 2012 work The Visitors "the best artwork of the 21st century."Combining quintessential videos such as Me and My Mother and Bliss with lesser-known paintings and sculptures, the retrospective at the Louisiana Museum of Modern Art presents three new pieces made for the exhibition (including the title work with the plywood flames burning on the catalog cover) and captures the litany of senses Kjartansson has embraced without hesitation in his 20-year career. New work created for the anthology includes a painted plywood monument to "an epic waste of love and understanding" and a new performance piece titled Scaredman. The richly illustrated catalog includes personal contributions and dialogues in response to each of the artist's works on display by leading contemporary artists and scholars. Curator Tine Colstrup discusses A Lot of Sorrow with Marina Abramovic, and reflects on Terrible, Terrible with Pussy Riot activist Maria Alyokhina. The book proves itself an invaluable guide to Kjartansson's examination of love, identity, melancholy, masculinity and power.Ragnar Kjartansson (born 1976), a native of Reykjavik, Iceland, studied at the Iceland Academy of the Arts and the Royal Academy of Arts, Stockholm. He represented Iceland at the 53rd Biennale di Venezia in 2009 and participated in the 2013 Encyclopedic Palace of the World at the 55th Biennale di Venezia in 2013.

Georgian painter Pirosmani (1862-1918) the forgotten hero of the avant-garde--on display again: a large retrospective at the Albertina in Vienna examines his paintings in the context of art history.tory.

"A great and unlikely success story, Da Corte creates funny and therapeutic works in the hope of easing the 'exquisite pain' of modern life." -New York TimesThis comprehensive monograph celebrates the acclaimed Philadelphia-based installation artist Alex Da Corte (born 1980), famed for his show-stopping 2021 Roof Garden Commission for the Met, As Long as the Sun Lasts. Da Corte's Day-Glo works are distinctly rooted in traditional American arts and culture-tellingly, as a teenager he planned to become an animator for Disney-and the artist himself often appears in his films, impersonating iconic figures such as Popeye, the Statue of Liberty, Fred Rogers or Eminem. Throughout, the pop flavor of Da Corte's aesthetics is mixed with a satirical existentialism: his works often combine sadness and effortless play, connecting our sense of self with consumer culture-from the films we watch to the objects we buy, give and throw away. Published for a major retrospective at the Louisiana Museum of Modern Art in Denmark, and documenting all of his major works to date, Alex Da Corte: Mr. Remember matches the artist's high-production, ultra-chromatic sensibility in its gorgeous production, with a three-color cloth binding, silver foil on the cover, a paperback volume sewn into the book and an abundance of riotous color throughout, with more than 100 pages of installation views from previous exhibitions.

The first visual overview of the acclaimed collective working at the intersection of architecture, science and politicsFounded by Eyal Weizman at Goldsmiths College in London in 2010, the research agency Forensic Architecture has investigated dozens of incidents of state violence--military intervention, environmental destruction, border violence and police murder. Working at the intersection of architecture, law, journalism, human rights and ecology, Forensic Architecture researches conflicts and crimes around the world, using architectural tools and methods to conduct spatial and architectural analyses of particular incidents. They do not design new buildings, but like other architects, they examine and model spaces, with the aim of shedding light on events.This catalog focuses on the witnesses at the core of Forensic Architecture's work. As Weizman explains: "very often, because 'forensic' is part of our name, there is a certain amount of misunderstanding, as if the evidentiary work that we are doing ... constitutes an alternative to, and sometimes even a substitute for, the human voice of the witness. I believe rather that our work keeps the relationship between evidence and testimony in a state of productive tension." Featuring texts by Weizman, Christina Varvia and a roundtable discussion between members of the current team, this richly illustrated book opens a window into Forensic Architecture's working methods and projects.

Chronicling the truncated career of a pioneering 20th-century Danish painter and sculptorJens Adolf Jerichau (1890-1916), best known for his large figurative compositions inspired by the Bible and art history, left a distinct imprint on Danish art with his brief but influential career. This catalog is the biggest presentation of Jerichau's work to date.

Consumer critique meets absurdist humor in the "socal surrealist" works of the installation and video artistBorn in Argentina, raised in Israel and now living in New York, Mika Rottenberg (born 1976) explores connections between people in the global consumer society through film, installation, sculpture and drawing. In Rottenberg's work, people--most often women--and machines are engaged in incessant production. Rhythmic editing and sound design whirl us into labyrinthine processes in which goods are manufactured and conveyed in one big, surreal hamster wheel. Her scenarios are funhouse versions of our own world; like science labs investigating naturally occurring phenomena, the artist's installations can be seen as designs and models testing social concepts and abstract systems. Rottenberg herself calls her art "social surrealism."This catalog, designed by the internationally acclaimed Dutch designer Irma Boom, presents some of Rottenberg's most trenchant work, as well as an interview with the artist by Anders Kold, curator at the Louisiana Museum of Modern Art, and an introduction by William Pym.

The first overview in a decade on Arke's poetical explorations of dual ethnicityCentral to the multimedia oeuvre of Pia Arke (1958-2007) was the artist's dual ethnicity in Greenland and Denmark, excavated in video works, collaged maps and landscape photographs that addressed themes of exploration, the complexities of ethnicity. Famed for her film Arctic Hysteria, Arke died of cancer at 48, and her work has only gained recognition over the past decade. With reproductions and essays, this volume introduces her to a wider audience. Kim Leine discusses themes of mortality; Darren Almond charts Arke's depictions of the landscapes of Greenland; Minik Rosing looks at spirituality in relation to Greenland; Laura Smith examines "Arctic hysteria"; Erik Steffensen recounts the artist's early years; Stefan Jonsson gives a biographical portrait; Erik Gant delves into the relationship between art and reality; Jessie Kleemann is interviewed about Arke's legacy; and the exhibition's curator, Anders Kold, explores Arke's motifs of body and map.

The mother as motif in art and literature, from prehistoric fertility goddesses to the Madonna and Child and beyondUshering us into the world, our mother is our physical and cultural wellspring. Even if she is lost or absent, we are all sons and daughters. Throughout history and across cultures, the role of the mother has shifted, expanding at times and narrowing at others, as traditional family structures are by turns questioned and reinforced. This volume of art and literature on the many representations of the mother figure in art history ranges across religion, music, film and medicine. Excerpts, essays and poems by Marcel Proust, Maggie Nelson, Rachel Cusk, Lydia Davis, Gustave Flaubert, Sylvia Plath and Hans Christian Andersen meditate on motherhood alongside a wealth of visual material. Although the volume's main focus is on 20th-century and 21st-century art, Mother! Origin of Life reaches back through history to trace artistic motifs from the prehistoric era to Ancient Greece to the Renaissance, noting how contemporary artists continue to tap into such universal themes. Between more than 150 artworks, expert texts and a short anthology of motherhood in literature, this publication reveals how depictions of motherhood in the arts have been linked to broader cultural perceptions.Artists include: Sophie Calle, Mary Cassatt, Rineke Dijkstra, Laure Prouvost, Frida Orubapo, Tracey Emin, Alberto Giacometti, Mary Kelly, René Magritte, Alice Neel and Pablo Picasso.

An essential overview of Jafa's sweeping, dynamic and disquieting video portraits of Black American lifeThough he has worked in film and music for decades, American video artist Arthur Jafa only garnered acclaim in the art world in 2016 for his video work Love is the Message, the Message is Death. Composed of found images and videos, his oeuvre revolves around Black American culture, the history of slavery, and ongoing structural and physical violence against Black Americans. As Jafa put it in his 2003 text "My Black Death" "The central conundrum of black being (the double bind of our ontological existence) lies in the fact that common misery both defines and limits who we are. Such that our efforts to eliminate those forces which constrain also function to dissipate much which gives us our specificity, our uniqueness, our flavor by destroying the binds that define we will cease to be, but this is the good death (boa morte) to be embraced." This essential overview presents Jafa's best-known works, such as Love is the Message, the Message is Death and its 2018 follow-up piece The White Album, alongside never-before-seen projects and essays by notable scholars. Filmmaker and artist Arthur Jafa (born 1960) grew up in Mississippi, where his lifelong fascination with found imagery manifested in his childhood hobby of assembling binders of photographs culled from various sources. As a cinematographer and director of photography, Jafa has collaborated with Stanley Kubrick, Solange Knowles and Spike Lee, among many others. His work on Julie Dash's 1991 film Daughters of the Dust won him the Best Cinematography award at Sundance. At the 2019 Venice Biennale, he was awarded the Golden Lion for The White Album. Jafa lives in Los Angeles.

A concise survey of Marsden Hartley's daring innovations in American painting, with reflections on his work by contemporary artistsA defining protagonist in American modernism, the painter and writer Marsden Hartley (1877-1943) was known for the vivid, sharply contrasted colors and abstract geometry in his modernist depictions of mountainous landscapes and abstracted portraits featuring German military imagery. Though he moved several times across the United States and briefly lived abroad in Europe, attending Gertrude Stein's salons and drawing inspiration from the German Expressionists, Hartley always maintained a special appreciation for the natural world and eventually returned to his childhood home of Maine to paint local New England scenes. Along with a selection of Hartley's paintings, this book provides several reflections on the lasting influence of Hartley's work written by world-renowned contemporary painters, including David Hockney, Dana Schutz, Shara Hughes, David Salle and Alex Katz.

The sensuous and colorful universe of multimedia artist Pipilotti RistOver the last three decades, Swiss artist Pipilotti Rist (born 1962) has been an original and impactful voice on the contemporary art scene with her sensuous, colorful and norm-subverting audio and video universes (the artist's first name is itself a nod to Swedish author Astrid Lindgren's rebellious, freethinking heroine Pippi Longstocking). With projections on ceilings, walls and floors, Rist liberates the moving image from the screen through installations and new electronic formats. While body and gender are central themes in her early pieces, the main focus of her recent work has shifted toward nature. Rist's art is sensually playful and compelling, while also diving deeply into existential abysses. Superbly produced with a die-cut cover, this book is published in connection with Rist's midcareer survey exhibition at the Louisiana Museum of Modern Art, and comprises texts by some of the foremost specialists on Rist's work, as well as a selection of videos, which can be experienced as AR (augmented reality).

An exhibition catalogue of Cecily Brown's retrospective at Louisiana Museum of Modern Art, Denmark The British painter Cecily Brown (born 1969), based in New York since the 1990s, is one of the central figures in the international resurgence of painting since the turn of the century. Combining abstraction and figuration, she creates vivid, atmospheric depictions of fragmented bodies, often in erotic positions in the midst of swells of colour and movement. Brown pays tribute to the potential of painting for seduction, and draws on references ranging from classic pornography to elements from the visual worlds of Bosch, Goya and Hogarth, and most recently motifs from the human disasters of our own time. Having also been compared to painters like Bacon and de Kooning, Brown's work offers a female artist's gaze at a world dominated by male artists. This catalogue is published to accompany an exhibition at the Louisiana Museum of Modern Art in Denmark, comprising her latest paintings as well as drawings and monotypes.

A representative view of some 150 ceramics created by Picasso between 1947 and 1964. In 1946, Pablo Picasso visited an exhibition of ceramics in Vallauris, an area in southeastern France known for its many potteries. He would move to the region soon after, establishing a steady relationship with the Madoura ceramics workshop in 1948. It was a watershed moment for Picasso, who throughout his long life was always on the lookout for new artistic challenges in all conceivable materials. Picasso's experiments with various ceramic materials, oxides and glazes would produce a huge body of work: some 4,000 ceramic objects bearing the motifs of animals, fauns and women evoked through Picasso's whimsical, elegant handling of shape and line. This major body of work in ceramics forms a lesser-known but highly original part of the oeuvre of an artist who was constantly reinventing himself and his forms. This book presents more than 150 of Picasso's most important ceramic works reproduced in beautiful four-colour printing, as well as new texts about the artist's pieces in this medium. The book also contains a detailed glossary of ceramic terms and a review of the forms most commonly used by Picasso. The only book in print on this beautiful and highly imaginative part of Picasso's oeuvre, Picasso: Ceramics is an essential volume.

L¿e Rydal J¿rgensen has published widely on art, folklore and folk literature. Marie Laurberg is a curator at the Louisiana Museum of Modern Art, Copenhagen.

In connection with the exhibition Marina Abramovic ¿ The Cleaner, a new edition of Hans Christian Andersen¿s fairy tale The Ugly Duckling, featuring illustrations by Marina Abramovic. I had a strong personal desire to illustrate Hans Christian Andersen¿s The Ugly Duckling¿, reflects pioneering performance artist Marina Abramovic. `As a young child and growing adolescent, I felt a complete identification with the story. I, too, was the ugly duckling.¿Andersen¿s story of the ugly duckling that endures torment and loneliness before becoming a beautiful swan has resonated with readers since it was first published in 1843. Now, in this beautiful new edition of the classic fairy tale, Abramovic reimagines the story by adding new pen and crayon illustrations to the original text. This volume is the second publication in a series of Hans Christian Andersen fairy tales illustrated by contemporary artists, following the huge success of 2016¿s The Little Mermaid by Hans Christian Andersen & Yayoi Kusama.