Bøger udgivet af Lund Humphries Publishers Ltd

This book takes the reader through the history, theory and design of prefabricated and modular housing, leading up to a discussion of contemporary problems and opportunities. It includes a broad international focus with case studies of leading designers and companies, and cutting-edge research.

In the 1960s and 1970s, a team of leading architects established a new type of collective housing in the London Borough of Camden. In place of tower blocks, they created a high-density, low-rise urbanism, based on a return to streets with front doors. This book examinesthis programme and shows how it offers important lessons and insights for the

What does it mean to make art in Africa? In Making Art in Africa, 60 of the continent's leading artists give very different answers to this question through a series of extraordinary first-hand commentaries relating to specific works.

Published to coincide with his 2016 centenary, this book is the first illustrated monograph on Kenneth Armitage to include a complete inventory of all his known sculptures.

This is a complete, illustrated catalogue of the paintings and sculptures of Pop Art pioneer Gerald Laing (1936-2011), who shot to fame in the 1960s with his large-scale, iconic paintings of film-stars such as Brigitte Bardot and Anna Karina, conveyed in styles and colours that aped the crude but powerful printing processes of mass advertising.

Edward Johnston (1872-1944) and Eric Gill (1882-1940) were originators of two of the world's most enduring typefaces. Johnston still stands as London's primary 'wayfinding' lettering, while Gill Sans is the type of choice within many public and private organisations across the UK today. This book celebrates their significant contribution to Britai

C.R.W. Nevinson (1889-1946) is regarded as one of the finest British printmakers of the first half of the twentieth century - admired by contemporaries and modern-day viewers in equal measure. Drawing on original archival research and including a catalogue raisonne of Nevinson's prints.

Hans Hofmann (1880-1966) was a pivotal figure in Abstract Expressionism and stands as one of the most important characters of post-war American art. This ground-breaking catalogue raisonne of paintings, which has been painstakingly researched over sixteen years.

Artist Eduardo Paolozzi (1924-2005) was a unique cultural figure. His varied yet instantly recognisable work chronicles the significant changes in British art from the austere 1950s to the post-post-modern late 1990s. This highly illustrated and visually exciting book provides the first comprehensive overview of the career of a major.

Stanley Spencer (1891-1959) explored fundamental issues of life with an urgency and persistence unique among British artists of his generation. His art comments on religion, love, sexuality, fraternity and community.

More popular than ever, the work of Eric Ravilious (1903-42) is rooted in the landscape of mid-20th-century England. Now available in paperback, this best-selling book by Alan Powers, the established authority on Ravilious, is the first to provide a comprehensive overview of his art in all media - watercolour, illustration, printmaking, graphic design, textiles.

Ivon Hitchens (1893-1979) is widely regarded as the outstanding English landscape painter of the 20th century. Immediately recognisable by its daring yet subtle use of colour and brushmark to evoke the spirit of place, his work is to be found in public and private collections throughout the world.

Exploring the paintings of the key artists of the Secessionist Movement within the context of Vienna at the turn of the twentieth century, this book, which comprises over 200 colour images, pays attention for the first time to the contribution made by Koloman Moser.

Lynn Chadwick (1914-2003) was one of the leading British sculptors of his generation. This essential illustrated catalogue raisonne of his sculpture is published in a new, fourth edition to coincide with Chadwick's centenary in 2014 and incorporates a new illustrated listing of his lithographs and jewellery.

Provides an account of the printmaking career of British artist Wilhelmina Barns-Graham (1912-2004), with reference to the technical innovations that she pioneered. This work incorporates an illustrated catalogue of the artist's known work in etching, linocut, lithography, screenprinting and monotype, from 1946 to 2007.

Mary Fedden (1915-2012) is one of Britain's most popular artists. The focus of this acclaimed book, newly available in paperback in celebration of her life's achievement, is the artist's creative process in various different media - oil, gouache, pencil and collage. In an engaging text.

Edward Burra (1905-76) was an English painter who is best known for his paintings of the seedy underworld of urban life. Yet, as this fascinating new monograph on his work reveals, his interests were much broader, incorporating landscape and still-life paintings, stage designs, book illustration and watercolours.

The breadth of Reeves's work, illustrated extensively here for the first time, may surprise even those who know and like his art. Those who are yet to encounter the oeuvre will find in Philip Reeves a fascinating introduction to a highly inventive artist.

This is the first book to survey the work of painter and printmaker Tom Hammick (b.1963). It sets Hammick's art within the context of contemporary debates about painting while relating it to the two-centuries-old Romantic tradition. Julian Bell explores in depth the artist's techniques, imagery and career to date.

Celebrating the generous gift of Barbara Hepworth's plasters to The Hepworth Wakefield by the Hepworth Estate, this groundbreaking publication combines a fully illustrated catalogue of the sculptor's surviving prototypes in plaster, occasionally aluminium, with a detailed analysis of her working methods.

This book is the valuable Key to A New Arabic Grammar, the bestselling introduction to the Arabic language for over thirty years.

This is a revised second edition of A New Arabic Grammar of the Written Language first published in 1962. It is based on and replaces Thatcher's Arabic Grammar and has a vocabulary of over 4,000 words, almost twice as many as in the old Thatcher, while the number of chapters has been increased from forty-nine to fifty-two. The Supplement contains a number of new features. Apart from selections from the Qur'an, fables, stories, newspaper extracts, advertisements and letters, additional material in the form of extracts from classical and modern Arabic writings and proverbs is included. Appendix A provides a useful introduction to the main colloquial Arabic dialects, Appendix B, a useful reading guide, and Appendix C, further grammatical information not supplied in the first edition. This book will serve as a basis for a further and deeper study of the classical language and literature and at the same time form a good foundation for those who wish to concentrate on the modern written language of literature and the daily press. The authors have been careful to indicate which usages are current in modern Arabic, and which are antique or antiquated. The vocabulary also is both classical and modern. This is above all a practical grammar, not an advanced reference grammar like Wright's. It is meant for the beginner who is not familiar with the peculiarities of Semitic languages. Nevertheless it is comprehensive enough, the authors believe, for most students' needs in the first two or three years of their study.