Bøger udgivet af Maney Publishing

Theophile Gautier a envoye avec un feuilleton plus de trois mille personnes dans latelier de M. Ingres, wrote Champfleury in 1848. For artists, critics and readers alike, Gautier was the essential figure in French art journalism in the mid-nineteenth century.

Shakespeares works do not embody any doctrine or set of beliefs, as his critics have long been tempted to suggest, but they do stage encounters with certain kinds of thinking ethical, political, epistemological, even metaphysical that still concern us nowadays.

The Association's 2004 conference focused mainly on the architecture and archaeology of the medieval diocese of Llandaff, comprising much of the historic counties of Glamorgan and Monmouthshire. Contributors consider Roman and early medieval south-east Wales, including surviving Christian monuments and the early history of Cardiff.

26 essays explore our current knowledge of this subject and look at what sculpture can tell us about early medieval society.

The Second World War was a common experience of cultural and historical rupture for many European countries, but studies of this period and its after-images often remain locked in national frameworks. Jones' comparative study of national memory cultures argues for a more nuanced view of responses to shared issues of remembrance.

Italian music of the 1960s is one of the most unjustly neglected areas in the arena of twentieth-century classical music.

Few recent writers have been as interested in the cross-over between texts and visual art as Italo Calvino (1923-85). Involved for most of his life in the publishing industry, he took as much interest in the visual as in the textual aspects of his own and other writers' books.

Hesitation between a natural or supernatural interpretation of fictional events is the life-blood of the fantastic, but just how is this hesitation provoked? In this detailed and insightful study, Claire Whitehead uses examples from nineteenth-century French and Russian literature to provide a range of narrative and syntactic answers to this ...

Rainer Maria Rilkes' early verse is often seen as having little relevance to the great achievement of the middle years, the Neue Gedichte. Yet the very different styles of the juvenilia and this new maturity are united by a preoccupation with processes of motion and growth which governs both his life and work.

Frequently referred to as the eminence grise of French literature in the interwar years, Jean Paulhan (1884-1968) was not just the editor responsible for giving writers as varied as Francis Ponge and Jean-Paul Sartre their first start in the pages of the renowned Nouvelle Revue Francaise.

This work presents a detailed study of the political role of a criminal organization, the Neapolitan Camorra, in its historical context, that of Naples over the last fifty years.

Papers presented at the Cities in the World conference held at Southampton University and organised through the Society for Post-Medieval Archaeology challenged the commonly held perception that cities are about the present and the future, not about the past.

This work examines the ways in which the culture and society of the Middle Ages impacted on the works of the Sienese poet, Cecco Angiolieri (c.1260-1312). It analyzes how Angiolieri's poetry conformed to medieval notions and practices of comicality.

Discussing different themes, different texts, and working with different methodological presuppositions, the papers in this collection nevertheless share the conviction that the significance of Johann Wolfgang von Goethe can best be shown by setting his works in an intercultural context.

This work takes gender as its point of entry into the comedies of Carlo Goldoni (1707-93). The dramatization of femininity and masculinity is explored in conjunction with that of other social categories (class, the family, and age).

This study is a partial inventory of the new women's narrative and aims to provide a broad literary framework through which both the general reader and the student can appreciate the characteristics and innovations of contemporary Italian women's fiction.

This title is an examination of the medieval archaeology, art and architecture of Chester, including and examination of St Werburgh's Abbey, St John's church and the wall paintings in Chester Castle's Agricola Tower.

This volume taken from the British Archaeological Association's 1997 conference is centred on the theme of Glasgow Cathedral. There are chapters covering St Kentigern, major excavations of 1992-3, aspects of patronage and Romanesque sculpture and manuscripts.

The title of this book deals with an Italian engraver and architect of the 18th century - Piranesi. In this book, it is argued that Piranesi grants a metaphorical meaning to the "Carceri" - a set of etchings - in order to imprison those he saw as obstructing the arts and threatening his freedom.

Flying to Heaven to demand an end to war, building Cloudcuckooland in the sky, descending to Hades to retrieve a dead tragedian - such were the cosmic missions on which Aristophanes, the father of comedy, sent his heroes of the classical Athenian stage.

Members of the Florentine family of the Donati feature prominently in Dante's Divine Comedy . Their presence is explored by Piero Boitani, as a 'comedy' within the Comedy, in close readings of the three major episodes in which they appear, one for each of Inferno , Purgatorio , and Paradiso .

This collection of essays is a sequel to "Anglo-German Studies" published in 1992 by the Leeds Philosophical and Literary Society. The emphasis of this volume is on the English reception of German literature.

Transactions from the BAA conference in 1993 which was held in Utrecht to celebrate the societies 150th anniversary. These papers present the latest research on the cities monuments from the arrival of Willibrord and Boniface and the establishment of the Bishopric.

Includes essays on the pre-Conquest monasteries of Whitby and Ripon; the architecture of Selby, Kirkstall and Rievaulx Abbies and Holy Trinity Yok; and the production and collection of manuscripts in 12th- and 13th-century Augustinian houses.

The latest British Archaeological Association transactions report on the conference volumes at Beverley in 1983. Papers provide the latest thoughts on topics at Beverley Minster and in the surrounding area.

Until recently, the story of African film was marked by a series of truncated histories: many outstanding films from earlier decades were virtually inaccessible and thus often excluded from critical accounts.

The papers in this collection explore the medieval art, architecture, and archaeology of the city of Mainz and of the middle Rhine valley. They were delivered in 2003, at the first annual conference the Association held in Germany. The contributors embrace a wide range of subjects.

"Women in exile disrupt assumptions about exile, belonging, home and identity. For many, home represents less a place of belonging and more a point of departure, and exile becomes a creative site of becoming, rather than an unsettling state of errancy.