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A fascinating look at how pigments were created, used, and revered in the Middle Ages.
Illich suggests radical reforms for the education system to stop its headlong rush towards frustrated expectations and inequalities.
A darkly comic first novel combining satire with absurdly uncool characters.
Contemporary erotic fiction has a new notable book--where Islam meets sexual and cultural taboos.
An essential, highly illustrated guide to cookery, entertaining, and home table design.
Rhidian Brook and family travel through devastated 'AIDS-lands' including India, Africa, and the Far East.
"An imaginary memoir" - with jazz-great Jelly Roll chattily reviewing his life and career one night in 1940, after-hours at Washington's Jungle Inn, shortly before his Los Angeles death. In understated, reasonably authentic language (slang, repetitions, digressions), the Creole pianist recalls his childhood in racially tense 1890s New Orleans, his attraction to all-black honky-tonks (where "you didn't have to act like no damned nigger"), his early keyboard triumphs in Florida, his pride and ambition: "I was always looking for someplace that was big enough for me and I'm still looking today." He tells anecdotes about rival piano-players, about a trip to color-blind Mexico, about his many girls and life on the road. (Contrary to rumor, however, he never pimped: "I never took nothing of what they made.") He touches on career-highlights - recordings, songwriting, brief appearances in N.Y., longer stints in L.A. and Chicago. And he occasionally goes into a little musical detail, distinguishing himself from other, more celebrated jazz giants - while proclaiming himself "the man who knew more about how jazz music was supposed to be played than anybody else in the world." Finally, however, though Charters is a veteran jazz-writer, this chronological monologue offers no clear projection of the musical history involved. Nor, on the other hand, despite the bits of romance and comedy, does the mock-testimony provide any novelistic shape or drama. Despite the conscientious, affectionate crafting here, then: a flat, unfocused slice of bio-fiction - marginally informative, mildly colorful. (Kirkus Reviews)
Jake Horsley seems to arrive from out of nowhere, yet here he is--an almost fully developed and only slightly stoned sensibility. . . He's a marvellous critic.--Pauline Kael
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