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2022 Reprint of the 1926 Edition. Illustrated Edition. Facsimile of the original edition and not reproduced with Optical Recognition Software. Fire!! was an African-American literary magazine published in New York City in 1926 during the Harlem Renaissance. The publication was started by Wallace Thurman, Zora Neale Hurston, Aaron Douglas, John P. Davis, Richard Bruce Nugent, Gwendolyn Bennett, Lewis Grandison Alexander, Countee Cullen, and Langston Hughes. After it published one issue, its quarters burned down, and the magazine ended. This issue is the only one published by the journal. Fire!! was conceived to express the African-American experience during the Harlem Renaissance in a modern and realistic fashion, using literature as a vehicle of enlightenment. The magazine's founders wanted to express the changing attitudes of younger African Americans. In Fire!! they explored controversial issues in the Black community, such as homosexuality, bisexuality, interracial relationships, promiscuity, prostitution, and color prejudice.Langston Hughes wrote that the name was intended to symbolize their goal "to burn up a lot of the old, dead conventional Negro-white ideas of the past ... into a realization of the existence of the younger Negro writers and artists, and provide us with an outlet for publication not available in the limited pages of the small Negro magazines then existing." The magazine's headquarters burned to the ground shortly after it published its first issue, ending its operations.Contents: Cover designs / Aaron Douglas -- Foreword -- Drawing / Richard Bruce -- Cordelia the crude, a Harlem sketch / Wallace Thurman -- Color struck, a play in four scenes / Zora Neale Hurston -- Flame from the dark tower -- a section of poetry. From the dark tower / Countée Cullen ; A Southern road / Helene Johnson ; Jungle taste ; Finality / Edward Silvera ; The death bed / Waring Cuney ; Elevator boy ; Railroad avenue / Langston Hughes ; Length of moon / Arna Bontemps ; Little Cinderella ; Streets / Lewis Alexander -- Drawing / Richard Bruce -- Wedding day, a story / Gwendolyn Bennett -- Three drawings / Aaron Douglas -- Smoke, lilies and jade, a novel, part I / Richard Bruce -- Sweet, a story / Zora Neale Hurston -- Intelligentsia, an essay / Arthur Huff Fauset -- Fire burns, editorial comments / Wallace Thurman -- Incidental art decorations / Aaron Douglas.

2018 Reprint of 1937 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition software. A Reprint of the Peter Pauper Pressedition of Franklin's classic work with dozens of charming woodcuts. Franklin, the American inventor, statesman, and publisher, achieved success with Poor Richard's Almanack. Almanacks were very popular books in colonial America, offering a mixture of seasonal weather forecasts, practical household hints, puzzles, and other amusements. Poor Richard's Almanack was also popular for its extensive use of wordplay, and some of the witty phrases coined in the work survive in the contemporary American vernacular. The Almanacks were published yearly and contained the calendar, weather, poems, sayings and astronomical information that a typical almanac of the period would contain. Franklin also included the occasional mathematical exercise, and the Almanack from 1750 features an early example of demographics. It is chiefly remembered, however, for being a repository of Franklin's aphorisms and proverbs, many of which live on in American English. These maxims typically counsel thrift and courtesy, with a dash of cynicism.

2014 Reprint of Original 1907 Edition [Two Volumes in One]. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. Massey was one of the first Egyptologists in modern times to suggest that with the final eclipse of the old Land of Kam [a.k.a. ancient Egypt], a brilliant light had been extinguished in world civilization. There was a small compensation in the often meteoric rise of other cultures subsequently, but the luminance of these later cultures was, Massey suggests, a paler reflection of the Nile Valley sun that had set. In this, the most philosophical of his works on ancient Egypt, Massey leads a tour through thousands of years of sociological, cultural, and spiritual development, all the while pointing, with dazzling reason and persuasive prose, to a distant, common, Egyptian origin. In the first volume Massey was primarily interested in elaborating how the first humans emerging in Africa created thought. What had been evident to him from the outset was that the myths, rituals and religion of ancient Egypt--or Old Kam--had preserved virtually intact a record of the psycho-mythic evolution of humanity. In the second volume Massey examines the celestial phenomenon known as the Precession of the Equinoxes. He believed that only by understanding this phenomenon was it possible to fathom Nile Valley history. The last half of the second volume is devoted to the Kamite sources of Christianity. Massey sought to demonstrate the manner in which New Testament Christianity evolved directly out of Osirian mysteries. One of the more important aspects of Massey's writings were his assertions that there were parallels between Jesus and the Egyptian god Horus. Massey, for example, argued that: both Horus and Jesus were born of virgins on 25 December, raised men from the dead (Massey speculates that the biblical Lazarus, raised from the dead by Jesus, has a parallel in El-Asar-Us, a title of Osiris), died by crucifixion and were resurrected three days later. These assertions have influenced various later writers such as Alvin Boyd Kuhn, Tom Harpur, Yosef Ben-Jochannan, and D.M. Murdock.

2022 Reprint of the 1926 Edition. Illustrated with Photographs. Exact facsimile of the original edition and not reproduced with Optical Recognition Software. This is a book of black folklore and superstition, voodoo and conjure, magic and religion, songs and wonders. The author's aim has been to present these folk-beliefs, to show their origin whenever possible, and to indicate some of the general principles governing the transmission and content of folklore in general as a means of establishing better relations between the races. Originally produced as a dissertation for a Ph.D. at Yale, this remarkable history of Black folklore and superstition details Negro folk beliefs, indicates their origin whenever possible, and proposes some of the general principles governing the transmission and content of folklore in general.Contents: I. Practical and emotional backgrounds -- II. Burial customs, ghosts and witches -- III. Voodooism and conjuration -- IV. Voodoism and conjuration, continued -- V. Positive control-signs: minor charms and cures -- VI. Negative control-signs: taboos -- VII. Prophetic signs or omens -- VIII. Christianity and superstition: conclusion -- IX. References cited -- X. List of informants. Index.

2022 Reprint of the 1957 Edition. Exact facsimile of the original edition and not reproduced with Optical Recognition Software. This revolutionary book, first published in 1957, described how organisms could be reinforced on different schedules and that different schedules resulted in varied behavioral outcomes. Table of contents: Introduction Continuous Reinforcement Schedule Partial Reinforcement Schedules Fixed Interval Variable Interval Fixed Ratio Variable Ratio Response Rates of Different Reinforcement Schedules Extinction Rates of Different Reinforcement Schedules Implications for Behavioral Psychology

2022 Reprint of the 1926 Edition. Full facsimile of the original edition and not reproduced with Optical Recognition Software. With an introduction by Carl Van Vechten. The Weary Blues is Langston Hughes's first published collection of poems, immediately celebrated as a tour de force upon its release. First published in 1926, the collection of poetry remains a critically acclaimed literary work and still evokes a fresh, contemporary feeling and offers a powerful reflection of the Black experience in Harlem in the 1920s. From the title poem "The Weary Blues," echoing the sounds of the blues, to "Dream Variation," ringing with joyfulness, to the "Epilogue" that mimics Walt Whitman in its opening line, "I, too, sing America," Hughes writes clearly and colorfully, and his words remain prophetic and relevant today. Langston Hughes was only twenty-four when he published this collection of poems. The poems included here blend vernacular speech and musical rhythms to offer a bracing perspective on the African American experience. Traversing a wide range of settings-including the jazz clubs of Harlem, expansive natural landscapes, and seaside taverns-Hughes's voice as a poet ties these various places together. The collection's themes are equally wide-ranging: Hughes explores the depth of the soul in "The Negro Speaks of Rivers," the pain of endurance in "Mother to Son," and death in the title poem's haunting requiem for a weary blues singer. Taken together, these poems offer a singular expression of joy, pride, and anguish from one of the leading voices of the Harlem Renaissance.Contents: Introducing Langston Hughes to the Reader / Carl Van Vechten -- Proem -- pt. I. The Weary Blues -- The Weary Blues -- Jazzonia -- Negro Dancers -- The Cat and the Saxophone -- Young Singer -- Cabaret -- To Midnight Nan at Leroy's -- To A little Lover-Lass, dead -- Harlem Night Club -- Nude Young Dancer -- Young Prostitute -- To a Black Dancer -- Song for a Banjo Dance -- Blues Fantasy -- Lenox Avenue : Midnight -- pt. II. Dream Variations -- Dream Variation -- Winter Moon -- Poeme d'Automne -- Fantasy in Purple -- March Moon -- Joy -- pt. III. The Negro Speaks of Rivers -- The Negro Speaks of Rivers -- Cross -- The Jester -- The South -- As I Grew Older -- Aunt Sue's Stories -- Poem -- pt. IV. Black Pierrot -- A Black Pierrot -- Harlem Night Song -- Songs to the Dark Virgin -- Ardella -- Poem-To the Black Beloved -- When Sue Wears Red -- Pierrot -- pt. V. Water-Front Streets -- Water-Front Streets -- A farewell -- Long Trip -- Port Town -- Sea Calm -- Caribbean Sunset -- Young Sailor -- Seascape -- Natcha -- Sea Charm -- Death of an Old Seaman -- pt. VI. Shadows in the Sun -- Beggar Boy -- Troubled Woman -- Suicide's Note -- Sick Room -- Soledad -- To the Dark Mercedes -- Mexican Market Woman -- After Many Springs -- Young Bride -- The dream Keeper -- Poem (To F.S.) -- pt. VII. Our Land --Our Land -- Lament for Dark Peoples -- Afraid -- Poem-For the Portrait of an African Boy -- Summer Night -- Disillusion -- Danse Africaine -- The White Ones -- Mother to Son -- Poem -- Epilogue.

2019 Reprint of 1941 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition software. Originally titled The Red Decade: Stalinist Penetration of America, this work describes a period in American history in the 1930s characterized by a widespread infatuation with communism in general and Stalinism in particular. Lyons believed this idolization of Joseph Stalin and of Bolshevik achievements to have reached its high point in 1938, running deepest amongst liberals, intellectuals, and journalists and even some government and federal officials. Of relevance today in light of the current interest in Socialism expressed by young voters and progressives in the U.S.Table of contents:Introduction : In defense of Red-baiting -- The five ages of the Communist International -- A party is born -- Boring from within -- The Moscow solar system -- The American party is purged -- The milquetoast takes command -- The Red decade dawns -- Fascism has the right of way -- The cult of Russia-worship -- The liberals invent a utopia -- Apologists do their stuff -- The Red cultural renaissance -- More planets are launched -- Moscow adopts the Trojan horse -- Communism becomes Americanism -- The incredible Revolution spreads -- American league for Soviet war mongering -- Stalin's children's hour in the U.S.A. -- Stalin muscles in on American labor -- Russian purges and American liberals -- Hooray for murder! -- "Friends of the G.P.U." -- Cocktails for Spanish democracy -- Revolution comes to Hollywood and Broadway -- America's own popular front government -- The typewriter front -- Intellectual Red terror -- The last loony scene -- The melancholy retreat of the liberals -- New fronts for old -- And they called it "peace" -- The menace today.

2022 Reprint of those portions of the Department of the Army's manual of survival by consuming edible wild plants. Illustrated with over 100 Photographs of individual plants and a description of their nutritional and survival value. This illustrated guide to identification of edible wild plants in nature is extracted from Army Manual for Survival, the comprehensive Army guide to survival in emergency situations. Only sections on wild edible plants are included in this edition, making it a compact, portable, and handy field guide to learning and mastering this important survival skill. From Abal to Water Hemlock, 127 plants are described, most with color photographs, indicating each plant's potential for providing nutrition and survival.

2019 Reprint of 1930 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition software. This book is the result of the author's five-year study of the West Indian Black in Jamaica followed by eleven years of research on Hebrewism in Africa. Williams attempts to trace the diffusion, from the Nile to the Niger, of the many Hebrewisms that are to be found among the tribes of West Africa, especially the Ashanti. His goal is to establish the continuity of the Old Testament concept of a Supreme Being in its diffusion throughout the world and especially among the tribes of West Africa.

2017 Reprint of 1962 Edition. This edition reprints the original text from 1912 along with notes and a new introduction by Frederic Gunsky first published in 1962. New maps and photos from the 1962 edition are also reprinted. This is a descriptive guide to the Yosemite, written by Muir. He provides directions for walks and hikes, sketches of Yosemite as it was in 1912, including description of birds, flowers and trees. He also describes canyons, falls the number peaks. The book is the fruit of long experience and loving, earnest, relentless study. In this book,"…Mr. Muir brings to his Sierra Club friends much of that feeling of joyful anticipation with which we enter upon an outing into the High Sierra. From its pages we are sure to gain a sense of actual contact with the mountain world. We are sure to find in it passages that with a few simple words will bring some forgotten mountain picture flashing back to memory with all its first glory renewed. This is particularly true of his recent volume, The Yosemite. It is a treasure-house of wonderful pictures of all the changing phases of the Yosemite year -- of flood-time, with "rejoicing flood waterfalls chanting together in jubilee dress;" of Indian summer, and the "brooding, changeful days" that come between it and winter, "when the leaf colors have grown dim and the clouds come and go among the cliffs like living creatures looking for work;" of "the sunbeams streaming through the snowy High Sierra passes;" of "the sublime darkness of storm nights, when all the lights are out." Review Sierra Club Bulletin, Vol. VIII. No. 4, June 1912.

2017 Reprint of 1939 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. Charles H. Baker, Jr., wrote five collections of recipes that are far more than cookbooks, and impossible to classify. Baker states his chief tenet that informs his work: that all truly interesting people-sportsman, explorers, musicians, scientists, vagabonds and writers-were vitally interested in good things to eat and drink; cared for exotic and intriguing ways of composing them. We soon discovered further that this keen interest was not solely through gluttony, the spur of hunger or merely to sustain life, but in a spirit of high adventure. Part travelogue, part memoir, and part instruction manual for budding bon vivants, his books and magazine columns chronicle a life spent searching for good things to eat and drink and the really interesting people with whom he loved to share them. Like his contemporaries Robert Ripley and Frank "Bring 'Em Back Alive" Buck, Baker traveled incessantly in search of unusual specimens; Baker brought his quarry home scribbled on the backs of bar napkins. In between overseas adventures, Baker fished with Hemingway off the Bimini coast; downed flaming apple brandy in the back room of a New Jersey inn with "Bill" Faulkner; joined Errol Flynn and Robert Frost for a beachfront dinner south of Miami, featuring four-inch steaks and potatoes boiled in pine resin-"better than any potato ever baked in mortal oven." "If you ever wondered whose oyster the world is," Esquire wrote in 1954, "meet Charles H. Baker, Jr." This book is an account of his discoveries regarding the world of exotic drink.