Bøger udgivet af McClelland & Stewart Inc.

"[McKay's] exuberantly musical and shrewd poems are ecological in the fullest sense of the word: they seek to elucidate our relationships with our fragile dwelling places both on the earth and in our own skins." --New York Times Book ReviewAn extraordinary collection of poems from Griffin Poetry Prize winner Don McKay. Old joke: "What's the difference between a lurch and a dance step?" "I don't know." "I didn't think so. Let's sit down." These poems are what happens when you stay out on the dance floor instead, dancing the staggers. The full moon rises from the ocean and you lurch with astonishment that we live on a rocky sphere whirling in space. Or the bird in your hand-a pipit or a storm petrel-conveys the exquisite frailty of existence. And there's the complex of lurches as we contemplate our complicity in the sixth mass extinction. Throughout Lurch, language dances its ardent incompetence as a translator of "the profane wonders of the wilderness," whether manifest as Balsam Fir, Catbirds, the extinct Eskimo Curlew, or the ever-present Cosmic Microwave Background. What is the difference between a love song and an elegy? We live between eroding raindrops and accelerating clocks. The piano lifts its lid to show its wire-and-hammer heart.

An astonishing new collection of poems that question perception, meaning, and context.How does private thinking align with public action? And what might it mean to intend something anyhow? To name our particulars? To translate from the personal to the communal, the pedestrian to the universal? In Rob Winger's new collection of poetry, such questions are less a circulatory system--heart and lungs and blood--than a ribcage, a structure that protects the parts that matter most. "I'd like to think," Winger writes, "it doesn't matter / what we meant." But is that right? Could it ever be? Partly an investigation of system versus system error, It Doesn't Matter What We Meant asks us to own up to our own inherited contexts, our own luck or misfortune, our own ways of moving through each weekday. From meditations on sleepy wind turbines to Voyager 1's dormant thrusters, from Korean baseball stadiums to messy factory floors, from allied English-to-English folkloric translations to the crumbling limestone of misremembered basements, this is poetry that complicates what it means to live within and beyond the languages, lexicons, and locations around us.

The story of the pandemic is the story of women. This riveting narrative offers an account of COVID-19, reminding us of women''s leadership and resilience, reflecting back hope and humanity as we all figure out a new normal, together.Throughout history, men have fought, lost, and led us through the world''s defining crises. That all changed with COVID-19. In Canada, women''s presence in the response to the pandemic has been notable. Women are our nurses, doctors, PSWs. Our cashiers, long-haulers, cooks. In Canada, women are leading the fast-paced search for a vaccine. They are leading our provinces and territories. At home, they are leading families through self-isolation, often bearing the responsibility for their physical and emotional health. They are figuring out what working from home looks like, and many of them are doing it while homeschooling their kids. Women crafted the blueprint for kindness during the pandemic, from sewing masks to kicking off international mutual-aid networks. And, perhaps not surprisingly, women have also suffered some of the biggest losses, bearing the brunt of our economic skydive.     Through intimate portraits of Canadian women in diverse situations and fields, Women of the Pandemic is a gripping narrative record of the early months of COVID-19, a clear-eyed look at women''s struggles, which highlights their creativity, perseverance, and resilience as they charted a new path forward during impossible times.

A CBC Best Canadian Nonfiction Book of 2020 In a book equal parts travelogue and pandemic guide, the journalist Ethan Lou examines the societal effects of COVID-19 and takes us on a mesmerizing journey around a world that will never be the same.Visiting Beijing in January 2020 to see his dying grandfather, the Canadian journalist Ethan Lou unknowingly walks into a state under siege. In his journey out of China and—unwittingly—into other hot zones in Asia and Europe, he finds himself witnessing the very earliest stages of a virus that will forever change the world as we know it. Lou argues that the coronavirus outbreak will have a far greater impact than SARS, for example, simply because China is now many more times integrated with the increasingly interconnected world. Over decades, globalization has crafted a world painfully sensitive and susceptible to shocks such as this pandemic. A crisis like it has thus been long overdue—and we have yet to see it unfold fully. In our integrated world, events that may previously be isolated now ripple farther and wider and in ways we do not expect and cannot foresee. We have not seen the worst, and if and when we outlast this pandemic, nothing will ever be the same. Decisions now—or indecisions—will shape and define the world for decades.These ideas are fleshed out through the virus''s spawning and how it spread, the unprecedented measures to contain it and an examination of past pandemics and other crises and how they shaped the world--and an argument for why this one''s different. Lou shows how drastically the virus has transformed the world and charts the greater and more radical shifts to come. His ideas and arguments are framed around his unintentionally tumultuous journey around the world, whose path the virus seemed to follow until he landed safely in quarantine in a small town in Germany, where he was able to take stock and start telling his story.

The moving, inspiring story of a young husband and father who, when diagnosed with terminal cancer at the age of thirty-three, sets out to build a legacy for his infant son. An intimate, unflinching look at mortality and how to live. For readers of Paul Kalanithi''s When Breath Becomes Air and Will Schwalbe.At the age of thirty-three, Layton Reid, a wedding photographer from Halifax, was diagnosed with stage IV melanoma. The cancer was first detected years earlier, and after fighting it and going into remission, he had ditched his life as a wandering bachelor to settle down with his wife, Candace, and they were now expecting their first child. Fearing side effects and poor results from chemotherapy and radiation, he and his family threw themselves into pursuing an extreme alternative therapy, which he was certain would save his life. Two years later, Layton''s cancer spread to his brain, and quitting the therapy, he devoted his energy to preparing his infant son, Finn, for life without him.     With incredible intimacy, power, insight, and empathy, reporter Dakshana Bascaramurty, who first met Layton when she hired him to shoot her wedding, tells the story of her friend Layton''s illness; of his free spirit, effervescence, and captivating personality, eloquence, and lack of sentimentality, which drew her to him; and of the journey his fiercely devoted family--his parents, Willie and Phil, and brother Matt--undertook with him, in order to examine how a person dies, and how we might build a legacy in our information-saturated age.     Powerful and unvarnished, drawing on her conversations with Layton, and his own writing, This Is Not the End of Me contains moments of great beauty and humour, and addresses the consequences of fearing death and what we can gain by accepting its inevitability, as well as reminding us of what it means to live.

Canisia Lubrin returns with a mesmerizing new collection, the follow-up to her breakout book, Voodoo Hypothesis.The Dyzgraphxst presents seven inquiries into selfhood through the perennial figure Jejune. Polyvocal in register, the book moves to mine meanings of kinship through the wide and intimate reach of language across geographies and generations. Against the contemporary backdrop of intensified capitalist fascism, toxic nationalism, and climate disaster, the figure Jejune asks, how have I come to make home out of unrecognizability. Marked by and through diasporic life, Jejune declares, I was not myself. I am not myself. My self resembles something having nothing to do with me.

National BestsellerFrom one of Canada''s most popular and connected political journalists, an unblinkered warts-and-all look at Justin Trudeau and the Liberal government''s record in power. A must-read as we head into the 2019 federal election.Canadians are becoming increasingly skeptical about their chameleon prime minister. When he entered politics, Justin Trudeau came across as a person with no fixed principles. Now, he presents himself as a conviction politician. What motivated his metamorphosis—belief or opportunism? Either way, in 2019’s election he will be judged on results—results that have so far been disappointing for many, even those in his own party. From the ballooning deficit to the Trans Mountain purchase to the fallout of his disastrous trip to India to the unpopular implementation of a carbon tax, Justin Trudeau has presided over his share of controversy. Most damaging, his egregious missteps during the SNC-Lavalin scandal and the subsequent resignation of two top ministers, his principal secretary, and the clerk of the Privy Council have raised serious questions about Trudeau’s integrity. As a political columnist for the National Post since 2003and Ottawa bureau chief for Postmedia for the past three years, John Ivison has watched Trudeau evolve as a politician and leader, a fascinating transition that has not been fully captured by any writer. Trudeau traces the complexities of the man himself, now barely visible beneath the talking points, virtue signalling, and polished trappings of office. Ivison concludes that while Trudeau led a moribund Liberal Party to victory in the 2015 election, the shine of his leadership has been worn off by a series of self-inflicted wounds, broken promises, and rookie mistakes. One of the central contentions of Trudeau is already apparent: the prime minister’s greatest strengths are also his greatest weaknesses; the famous name, high-handedness, and impulsiveness are as liable to hurl him from office as they were to get him there in the first place. With unprecedented access and insight, John Ivison takes us inside one of the most contentious first terms of any prime minister in our history.

A gripping, fast-paced account of the life of the indigenous man who founded and led the Indian Posse, one of the most dangerous gangs in North America, into violence, power, and infamy. In 2008, Daniel Richard Wolfe was awaiting trial on two counts of first-degree murder at the Regina Correctional Centre. This wasn't his first time in jail; from his teenage years his life had been marked by stints in and out of prison - with Danny sometimes finding his own way out. This time around, he was orchestrating his boldest move yet: a carefully plotted escape that would send the RCMP on a nationwide manhunt, launching Danny Wolfe to headline-topping notoriety. The Ballad of Danny Wolfe cinematically traces the storied years of Danny Wolfe's life, from his birth in Regina to his relationship with his mother, Susan Creeley, a First Nations woman who was forever marked by her experience in the residential school system; to his first brush with the law at the age of four and then his subsequent arrests; to the creation of the Indian Posse, the street gang he founded with a handful of equally disenfranchised indigenous friends; to the dissonance Danny felt between the traditional world he was born into and the criminal one that became his life; to the dramatic tensions over power and loyalty unfolding in the gang world and within the Posse itself. Drawing on unprecedented access to the Wolfe family and first-hand accounts from the people closest to the gang leader, Joe Friesen's portrait of Danny Wolfe is at once riveting and timely, nuanced and provocative.

Dionne Brand's hypnotic, urgent long poem is about the bones of fading cultures and ideas, about the living museums of spectacle where these bones are found. At the centre of Ossuaries is the narrative of Yasmine, a woman living an underground life, fleeing from past actions and regrets, in a perpetual state of movement. She leads a solitary clandestine life, crossing borders actual (Algiers, Cuba, Canada), and timeless. Cold-eyed and cynical, she contemplates the periodic crises of the contemporary world. This is a work of deep engagement, sensuality, and ultimate craft from an essential observer of our time and one of the most accomplished poets writing today.

In Dreams of Equality, Joan Sangster chronicles in fascinating detail the first tentative stages of a politically aware women's movement in Canada, from the time of women's suffrage to the 1950's when the CPC went into decline and the CCF began to experience the changes that would evolve into the New Democratic Party a decade later.

In this first full-length study of labour in Canadian prairie agriculture during the period of settlement and expansion, Cecilia Danysk examines the changing work and the growing rural community of the West through the eyes of the workers themselves.