Bøger udgivet af McGill-Queen's University Press

Nostalgic Virility as a Cause of War argues that world leaders react to status decline by going to war, guided by a nostalgic, virile understanding of what it means to be powerful. Consulting newly declassified documents at the highest levels of decision-making, Grandpierron uses the framework of nostalgic virility to provide surprising ways of thinking about current conflicts, from the Russian war in Ukraine to Chinese actions in the South China Sea.

The significance, effects, and legitimacy of Section 33 of the Charter have been vigorously debated. The Notwithstanding Clause and the Canadian Charter examines the NWC from all perspectives, asking who should have the last word on matters of rights and justice - the legislatures or the judiciary - and what balance liberal democracy requires.

Diversity Leadership in Education dives into the complexities and opportunities afforded by new models of diversity leadership. The volume explores how Indigenous, Black, racialized, and collaborative leadership contributes to decolonizing educational settings through advocacy, solidarity, spirituality, relationality, and reconciliation.

Journalists are increasingly incorporating user-generated content into news stories. Tracing recent shifts in journalism practice around the world, Eyewitness Textures examines the creative adaptation and strategies of journalists and news organizations in the face of transformative technological change.

Drawing on the writing of over one hundred diarists, this book takes us into the heart of informal neighbourhood labour exchanges known as "bees" and the context of farm families' daily lives in Southern Ontario. It sheds light on the workways of rural people and on how neighbouring was a dynamic and progressive aspect of agricultural change, as well as a key element in fashioning rural culture.

Migration Governance in North America engages the complex dynamics of mobilities across the continent. Situating North America within the global migration landscape, it unpacks such issues as temporary labour mobility, border security, asylum governance, refugee resettlement, and the role of local actors in coping with changing policies and politics.

Expansive in form and voice, the poems in Julie Paul's second collection offer both love letters and laments. They take us to construction sites, meadows, waiting rooms, beaches, alleys, gardens, and frozen rivers. They ask us to live in the moment, despite the moment. At turns frank, peevish, introspective, and mischievous, Whiny Baby calls on us to examine, and exult in our brief time on earth.

The early elegiac poems in Bridestones emerge from the borderlands between life and death, loss and renewal. Drawing on dreams, opera and visual art, and employing symbolist and playfully surreal imagery, Miranda Pearson questions the ways we tend and grieve - for each other and our environment.

Prehistoric human life is a common reference point in contemporary culture, inspiring attempts to become happier, healthier, better people. Back to the Stone Age explores how ideas about race are tightly woven into the prehistoric imagination, revealing insights into present-day anxieties and showing that the human past is not set in stone.

Judith Adamson's memoir reveals the questions Adamson asked as she researched her biographies of literary luminaries, and the personal challenges she faced along the way. Uncovering new information about her famous subjects, from Graham Greene to Max Reinhardt, Ghost Stories is a fascinating account of a twentieth-century career in literature.

Fate remains central to many cultural outlooks, and in our age of conflict, climate change, and pandemic, it features conspicuously in debates about the future. A careful examination of this important idea is not only informative and intriguing but also timely. Fate and Life confronts the idea of fate head on and demonstrates that how we interpret and apply this concept can make it work for rather than against us.

Mary MacLeod was a rarity: a female bard in seventeenth-century Scotland. A chronicle of travel through the Scottish Hebrides, More Richly in Earth explores MacLeod's life and legacy, preserved within landscape and memory. Marilyn Bowering forms an unlikely connection with MacLeod despite differences of culture and language, time and place.

Drawing on interviews and focus groups with nearly 200 women from a range of backgrounds and occupations - including healthcare workers, educators, and parents - Conscripted to Care reveals how structural inequalities put women on the frontlines of the COVID-19 response, yet with inadequate resources and little voice in decision-making.

Western civilization is over. So begins Jan Zwicky's trenchant exploration of the roots of global cultural and ecological collapse. Once Upon a Time in the West documents how a narrow epistemological style has left us blind to critical features of reality, and how the terrifying consequences of that shuttered vision are now unfolding.

This volume considers the various groups that make up total defence forces: the military, reservists, civil defence servants, and contractors working for private military and security companies. It offers an essential analysis of civilian-military personnel integration and collaboration toward defence goals in the twenty-first century.

State of Disappearance brings together abstract artistic testimony and witnessing with critical voices to ask deeper questions about extreme violence, the normalization of human vanishing, state and ideological complicity, and memorialization, along with wider concerns about what it means to be human in the twenty-first century.

Outspoken interrogates the meaning and practice of being outspoken in a world of right-wing populism, global capitalism, and climate emergency. Some of the world's most radical thinkers - Rosi Braidotti, Henry A. Giroux, Amelia Jones, and Slavoj Zizek, among others - chart progressive courses for political antagonism and social intervention.

Rampant morphine addiction in Third Republic France captured the imagination of artists in Paris. However, while the majority morphine users were male medical professionals, artists almost always pictured a female addict. Art, Medicine, and Femininity explores the societal impact of the feminization of addiction in this corpus of images.

Marlene Epp demonstrates that the meaning of Mennonite food lies within the multiple identities of the eater. Spanning the globe, from the nineteenth century to present day, Eating Like a Mennonite concludes that Mennonite food identities develop from adoptions, adaptations, and attitudes in diverse times and places.

A collection of around 350 letters bound for London from Jamaica reveals much about colonial life in 1756. Ordinary People, Extraordinary Times paints a picture of the daily life of poor and middling whites, free people of colour, and enslaved people against the backdrop of transatlantic slavery in Jamaica and the eighteenth-century British Empire.

Though forensic genetic technologies are upheld as important tools of justice the development of these technologies has been accomplished through the ongoing genetic servitude of Indigenous Peoples. Forensic Colonialism explores how these controversial methods serve only privileged populations, and keep others exploited and criminalized.

After World War II displaced more than sixty million people, Cold War politics opened global eyes and wallets to European displaced persons. The postwar experiences of more than three million forcibly displaced Polish people illuminate the painfully long process of reckoning with war and its fallout. Drawing on rich primary material unearthed in over a dozen archives, Kingdom of Barracks depicts the texture of everyday life in refugee camps in post-World War II Europe within a panorama of the social and cultural history of the twentieth century. Western Allies and Polish social elites construed the camps as spaces for rehabilitating and "re-civilizing" refugees to prepare them for the reconstruction of war-torn countries and a rebirth of the nation. On the ground, refugees lived in close proximity, sharing bug-infested barracks with people from other regions, social classes, and wartime experiences. Taking a bottom-up perspective and exploring the formation of cultural identity in exile through the lenses of class, gender, body, and nationality, Katarzyna Nowak argues that Polish DPs' experiences of displacement stimulated a personal and a collective revival understood in religious and national terms.In an age of intensifying forced displacement, Kingdom of Barracks sheds new light on past experiences of war and migration that are still deeply relevant in the present.

In the nineteenth century France became fixated on infant sleep. Pictures of sleeping babies proliferated in paintings, posters, and advertisements for cradles and toys. Childcare manuals and medical writings insisted on the importance of sleep as a measure of a child's future health and vigour. Infant sleep was transformed from an unremarkable event to a precarious stage of life that demanded monitoring, support, and, above all, the constant presence and attention of mothers. Hush Little Baby uncovers the cultural, medical, and economic forces that came to shape Western ideas about infants' sleeping patterns, rituals, and settings. By the mid-nineteenth century doctors were advising that infant sleep should be carefully controlled by caregivers according to medical guidelines, and that to do otherwise would risk compromising a child's development. A sleeping baby was seen as the sign of a good mother - an idea that was reinforced through countless pictures of mothers watching vigilantly over their sleeping children, even as the reality of postpartum depression was known to doctors. The medical advice literature also helped to create a commercial infant industry, encouraging the production of clothing, bedding, cradles, and accessories designed to foster sleep, and providing new ways for families to demonstrate social status. In Hush Little Baby Gal Ventura shows how these images and ideas about babies' sleep created many of the standards and expectations that keep parents awake today.

Concern over ecological and environmental problems grows daily, and many believe we're at a critical tipping point. Scientists, social thinkers, public officials, and the public recognize that failure to understand the destructive impact of industrial society and advanced technologies on the delicate balance of organic life in the global ecosystem will result in devastating problems for future generations. In The Domination of Nature William Leiss argues that this global predicament must be understood in terms of deeply rooted attitudes towards nature. He traces the origins, development, and social consequences of an idea whose imprint is everywhere in modern thought: the idea of the domination of nature. In part 1 Leiss traces the idea of the domination of nature from the Renaissance to the nineteenth century. Francis Bacon's seminal work provides the pivotal point for this discussion, and through an original interpretation of Bacon's thought, Leiss shows how momentous ambiguities in the idea were incorporated into modern thought. By the beginning of the twentieth century the concept had become firmly identified with scientific and technological progress. This fact defines the task of part 2. Using important contributions by European sociologists and philosophers, Leiss critically analyzes the role of science and technology in the modern world. In the concluding chapter he puts the idea of mastery over nature into historical perspective and explores a new approach, based on the possibilities of the liberation of nature.Originally published in 1972, The Domination of Nature was part of the first wave of widespread interest in environmental issues. In a new preface Leiss explores the concept of eco-dominion and the moral obligations of human citizens of the twenty-first century.

Paul the apostle is usually imagined as a man of prestige and power - comfortably conversing with philosophers, seeking an audience with the emperor, and composing compelling letters for Christians throughout the Mediterranean. Yet this portrait of a safe and conventional figure at the origins of Christianity airbrushes out many strange things about him. This volume repositions Paul as a man at the periphery of power. Recovering an Undomesticated Apostle explores the ways that Paul has been "domesticated" in both popular and scholarly imagination. By isolating selected crises of the apostle's life and legacy and examining the social and material dimensions of his world, these essays collectively chip away at the received image of his strength and status. The result is a series of glimpses of Paul that frame the apostle as surprisingly marginal and weak within Roman society. Published in honour of New Testament scholar Leif E. Vaage, Recovering an Undomesticated Apostle presents Paul as a man operating from a position of desperation, making virtue out of necessity as he attempted to claw his way up in the dog-eat-dog world of the ancient Mediterranean.

For centuries, English-language writers have borrowed words and phrases from other languages in their fictional works. Words in Collision explores this tradition of language-mixing and its consequences. Returning to Shakespeare's Henry V, Michael Ross asks why writers employ "foreign" phrases in their English-language texts, why this practice continues, and what it means. He finds that the insertion of "foreign elements," rather than random or arbitrary, occurs in literary works that display a self-conscious preoccupation with language in general as a dynamic determinant of social relations. Discussing nineteenth-century works by Sir Walter Scott, Charlotte Brontë, and Henry James, the book demonstrates how multilingualism connects with themes of cosmopolitanism, estrangement, and resistance to social convention. In the second half of the book, the multilingual practices of canonical Anglo-American literature are compared with postcolonial texts by Caribbean, Nigerian, and Indian authors, including Chimamanda Ngozi Adichie and Arundhati Roy, whose choice of language is fraught with complex moral and artistic implications. Ross's readings reveal both crucial departures and surprising underlying continuities in linguistic traditions often thought to be deeply divided in time, space, and politics. The first extended treatment of language-mixing in English texts, Words in Collision is critical to understanding past practices and future prospects for multilingualism in fiction.

Between 2010 and 2017, Canada experienced an efflorescence of Greek tragedy, led by independent Montreal theatre company Scapegoat Carnivale's energetic performances of Euripides's Medea and Bacchae and Sophocles's Oedipus Tyrannus. The performances featured crisp new translations by co-artistic director Joseph Shragge, large casts, and full-throated sung choruses. Scapegoat Carnivale's trilogy of these familiar but rarely performed plays is at the core of this volume, which includes all three novel play scripts, the company's stage directions, and helpful annotations that elucidate Greek names and cultural references and place the textual choices in the context of the productions themselves as well as the long manuscript traditions germane to each tragedy. The result sheds light on both the ancient Greek texts and contemporary performance practice, as do accompanying essays introducing the reader to Greek tragedy in fifth-century Athens, reception theories, each play's themes and cultural resonances, and how Scapegoat's approach to each play fits into broader global trends of performance and reception.Scapegoat Carnivale's Tragic Trilogy invites readers from all backgrounds to encounter these plays, whether they are looking at Greek tragedy for the first time or the fiftieth. It gives everyone the tools to understand where these plays came from, offers insights into how they can and should be performed now, and shows why they are more relevant than ever in contemporary theatre and in life.