Bøger udgivet af Michigan State University Press

To highlight the ever-growing production and success of comedies and other popular genres in West Africa, this book explores the distribution and reception of selected productions by emphasizing the public's strong resonance with local stories and a character-based comedy involving popular comedians.

While Albert Camus is an internationally acclaimed figure, Jean Senac has struggled to gain recognition, even in France and Algeria. Their correspondence, translated here, are the intimate dialogue between two men who had much in common and who shared a deep love for each other and for their homeland.

The essays, interviews, and cartoons presented in this innovative book vividly demonstrate the rich diversity of cartooning across Africa and highlight issues facing its cartoonists today, such as sociopolitical trends, censorship, and use of new technologies.

This collection of essays and interviews on cinema in Ethiopia establishes a broad foundation for furthering research on this topic. Taking an interdisciplinary approach to the topic the collection offers new and alternative narratives for the development of screen media in Africa.

One of the most prominent Arabic novels to document the intricate details of the revolt of the Arabs against the Turks and their collaboration with the English, The Tree Stump brings to life a critical period of history that includes key players such as King Faisal, Odeh Abu Tayeh , and T. E. Lawrence.

Following on from Love Is My Savior, this book offers more of the little-known Arabic poems of Mawlana Rumi. These poems take the reader on a journey of spiritual search, ecstatic union, universal salvation, and mystic reconciliation, in which Rumi reveals his soul and welcomes everyone to his spiritual feast.

An award-winning investigation that has been called the most important piece of journalism in post-apartheid South Africa, this book delves into the truth behind the massacre that killed 34 platinum miners and wounded 78 more in August 2012 at the Marikana platinum mine in South Africa's North West province.

This book is the first to question both why and how the colonialist mythologies represented by the work of photographer Eliot Elisofon persist. It documents and discusses a heterogeneous practice of American coloniality of power as it explores Elisofon's career as war photographer-correspondent and staff photographer for LIFE, filmmaker, author, artist, and collector of "e;primitive art"e; and sculpture. It focuses on three areas: Elisofon's narcissism, voyeurism, and sexism; his involvement in the homogenizing of Western social orders and colonial legacies; and his enthused mission of "e;sending home"e; a mass of still-life photographs, annexed African artifacts, and assumed vintage knowledge. The book does not challenge his artistic merit or his fascinating personality; what it does question is his production and imagining of "e;difference."e; As the text travels from World War II to colonialism, postcolonialism, and the Cold War, from Casablanca to Leopoldville (Kinshasa), it proves to be a necessarily strenuous and provocative trip.

African and notably sub-Saharan African film's relative eclipse on the international scene in the early twenty-first century does not transcend the growth within the African genre. This time period has seen African cinema forging a new relationship with the real and implementing new aesthetic strategies, as well as the emergence of a post-colonial popular cinema. Drawing on more than 1,500 articles, reviews, and interviews written over the past fifteen years, Olivier Barlet identifies the critical questions brought about by the evolution of African cinema. In the process, he offers us a personal and passionate vision, making this book an indispensable sum of thought that challenges preconceived ideas and enriches an approach to cinema as a critical art.

The first novel to be translated from Wolof to English, Doomi Golo is a masterful work that conveys the story of Nguirane Faye and his attempts to communicate with his grandson before he dies.

This new volume of Rumi's works, the first-ever English translation of his Arabic poems, will be exciting for the newcomer to Rumi's verses as well as to readers already familiar with his mystical philosophy.

With its combination of fresh new approaches to closing achievement gaps and up-to-date views on trends, this volume is an invaluable resource on vital contemporary social and educational issues that aims to improve learning, equity, and access for African American males.

Liberation and Development: Black Consciousness Community Programs in South Africa is an account of the community development programs of the Black Consciousness movement in South Africa. It covers the emergence of the movement's ideas and practices in the context of the late 1960s and early 1970s, then analyzes how activists refined their practices, mobilized resources, and influenced people through their work. The book examines this history primarily through the Black Community Programs organization and its three major projects: the yearbook Black Review, the Zanempilo Community Health Center, and the Njwaxa leatherwork factory. As opposed to better-known studies of antipolitical, macroeconomic initiatives, this book shows that people from the so-called global South led development in innovative ways that promised to increase social and political participation. It particularly explores the power that youth, women, and churches had in leading change in a hostile political environment. With this new perspective on a major liberation movement, Hadfield not only causes us to rethink aspects of African history but also offers lessons from the past for African societies still dealing with developmental challenges similar to those faced during apartheid.

Now available in English for the first time, translated by the poet Jack Hirschman, this beautiful collection of poems by the Algerian poet Jean Senac (1926-1973) was originally published when he was forty-one. Senac represented the hope of the new generation of Algerians who were celebrating their independence from France after 130 years of colonialism, and in the tradition of Rene Char and the early Albert Camus, he portrayed an Algeria whose land and people would finally sing with their own voice. Senac celebrates revolution, love, and the body, beginning with the resonant verses: "e;And now we'll sing love / for there's no Revolution without love."e; He sang, as well, of beauty: "e;No morning without smiling. / Beauty on our lips is one continuous fruit."e;

Necessarily Black is an ethnographic account of second-generation Cape Verdean youth identity in the United States and a theoretical attempt to broaden and complicate current discussions about race and racial identity in the twenty-first century. P. Khalil Saucier grapples with the performance, embodiment, and nuances of racialized identities (blackened bodies) in empirical contexts. He looks into the durability and (in)flexibility of race and racial discourse through an imbricated and multidimensional understanding of racial identity and racial positioning. In doing so, Saucier examines how Cape Verdean youth negotiate their identity within the popular fabrication of "e;multiracial America."e; He also explores the ways in which racial blackness has come to be lived by Cape Verdean youth in everyday life and how racialization feeds back into the experience of these youth classified as black through a matrix of social and material settings. Saucier examines how ascriptions of blackness and forms of black popular culture inform subjectivities. The author also examines hip-hop culture to see how it is used as a site where new (and old) identities of being, becoming, and belonging are fashioned and reworked. Necessarily Black explores race and how Cape Verdean youth think and feel their identities into existence, while keeping in mind the dynamics and politics of racialization, mixed-race identities, and anti-blackness.

A stirring introduction to the poetry of Euphrase Kezilahabi, one of Africa's major living authors, published here for the first time in English. His poetry confronts the task of postcolonial nation building and its conundrums, and explores personal loss in parallel with nationwide disappointments.

Describes the position of the smith in the culture of the Kapsiki/Higi of northern Cameroon and northeastern Nigeria. Kapsiki smiths perform an impressive array of crafts and specializations, combining magico-religious functions with metalwork, in particular as funeral directors, as well as with music and healing.

Provides those in the regulatory policy community with a basic theoretical and practical grounding in risk as it relates specifically to economic regulation in order to focus and elevate discourse about risk in the utility sector in the contemporary context of economic, technological, and regulatory change.

In a story that could only be told by someone who was an insider, this book reveals the background behind major legislative achievements of U.S. Tribal Nations leaders in the 1970s and beyond. American Indian attorney and proud Chippewa Cree Nation citizen Alan R. Parker gives insight into the design and development of the public policy initiatives that led to major changes in the U.S. government's relationships with Tribal Nations. A valuable educational tool, this text weaves together the ideas and goals of many different American Indian leaders from various tribes and professional backgrounds, and shows how those ideas worked to become the law of the land and transform Indian Country.

In Not For Luck, Derek Sheffield ushers us into the beauty and grace that comes from giving attention to the interconnections that make up our lives. In particular, these poems explore a father's relationship with his daughters, which is rooted in place and time.

A detailed study of Joseph P. Kennedy's diplomatic career in London. It examines Kennedy's role as ambassador to the Court of St. James's from 1938-1940, a crucial time in world history. It describes his attitudes toward American foreign policy before the outbreak of war and after the war began, explains why he held those views, and assesses their impact on Anglo-American relations.

he materials included in this volume serve as effective tools for users to understand model behaviours and uses with specified conditions and in situ applications.

Pewabic Pottery is a significant manifestation of the international Arts and Crafts movement in Michigan. As art historian Martin Eidelberg points out in his introductory essay, it was also a striking example of the coterie of talented American female ceramists who broke with traditional norms, seeking to excel both as artists and as entrepreneurs. This chronological history of Pewabic work--the most extensive study published to date--focuses primarily on the pottery as operated by Perry and Caulkins, and then up through the beginning of the Pewabic Society Inc. in 1979. Authored by the most recognized scholar on Pewabic Pottery, this study relies heavily on archival sources to achieve a comprehensive history of one of Michigan's most interesting art studios.

This volume not only contributes to the study of conflict based on the imitation of the desire of others among international polities, but also proposes in its conceptualization that it is worth looking at studies of agency and structure, normative change, peace, and reconciliation.