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Copper Nickel is a meeting place for multiple aesthetics, bringing work that engages with our social and historical context to the world with original pieces and dynamic translations. Since the journal’s relaunch in 2015, work published in Copper Nickel has been selected for inclusion in Best American Poetry, Best American Short Stories, and the Pushcart Prize Anthology, and has been listed as "notable" in the Best American Essays. Contributors to Copper Nickel have received numerous honors for their work, including the National Book Critics Circle Award; the Kingsley Tufts Poetry Award; the Kate Tufts Discovery Award; the Laughlin Award; the American, California, Colorado, Minnesota, and Washington State Book Awards; the Georg Büchner Prize; the Prix Max Jacob; the Lenore Marshall Prize; the T. S. Eliot and Forward Prizes; the Anisfield-Wolf Book Award; the Alice Fay Di Castagnola Award; the Lambda Literary Award; as well as fellowships from the NEA and the Guggenheim, Ingram Merrill, Witter Bynner, Soros, Rona Jaffee, Bush, and Jerome Foundations. Issue 24 features twenty-two "flash fictions" by established and emerging fiction writers, including Ed Falco, Robert Long Foreman, Stephanie Dickinson, Pedro Ponce, Matthew Salesses, Ruth Joffre, Danielle Lazarin, Joseph Aguilar, Thomas Legendre, Patricia Murphy, Wendy Oleson, Alicita Rodríguez, and Thaddeus Rutkowski. Also featured are translation folios by Italian experimental poet and computer scientist Lorenzo Carlucci, Brazilian poet and PEN Brazil National Prize Winner Denise Emmer, and internationally renowned Russian poet Tatiana Shcherbina. Other contributors include poets Kaveh Akbar, Adam Tavel, David Dodd Lee, Kerri French, Ashley Keyser, Ryan Sharp, Kevin Craft, J. Allyn Rosser, Zeina Hashem Beck, Ed Bok Lee, John A. Nieves, &c.; fiction writers Bradley Bazzle, Erin Kate Ryan, and T. D. Storm; and nonfiction writers Aimée Baker, Dan Beachy-Quick, and S. Farrell Smith.

"Béchard's poetic gifts give voice to the outsiders of society, and make them glow with humanity and love." -ELIZABETH MCKENZIE

"Beautifully written, masterfully structured, and brimming with insight into the natural world . . . It has the makings of an American classic." -ANN PATCHETT

"A full-bodied literary achievement bustling with sweat, regret, and sound." -KIESE LAYMON

Copper Nickel is a meeting place for multiple aesthetics, bringing work that engages with our social and historical context to the world with original pieces and dynamic translations. Copper Nickel issue 23 features poetry by two-time Pushcart Prize winner Jennifer Atkinson, Kate Tufts Discovery Award winner Adrian Blevins, National Poetry Series winner Justin Boening, renowned poet and critic Stephen Burt, Ruth Lilly Fellow Chloe Honum, two-time NEA Fellow Christopher Howell, Lambda Literary Award finalist Randall Mann, Stegner Fellow L.S. McKee, and Guggenheim Fellow Eric Pankey, as well as emerging voices such as Belfast, Northern Ireland, based poet Andrew Deloss Eaton and Hong Kong based poet Nicholas Wong; fiction by George Brookings, Dan Mancilla, Evelyn Sommers, and Liz Wyckoff; nonfiction by Bangladeshi-American writer Anuradha Bhowmik and NEA Fellow Traci Brimhall; and translation folios featuring Polish poet, critic, and scholar of Roma culture Jerzy Ficowski (translated by Jennifer Grotz and Piotr Sommer), Bosnian visual and performance artist Šoba (translated by Paula Gordon) who "publishes" his prose on Facebook, and Polish poet Gzegorz Wróblewski (translated by Piotr Gwiazda).The cover of Issue 23 features collage work by Denver-based visual artist Mario Zoots.

Issue 31/2 is a special double issue, featuring nationally renowned American writers and nine translation folios with generous selections of work by internationally known writers from Argentina, French-Speaking Belgium, Germany, Greece, Mexico, Poland, the , South Korea, and the Galician Region of Spain.The issue includes:Poetry by Pulitzer Prize winner Yusef Komunyakaa; National Book Award finalist and Los Angeles Times Book Prize winner Carl Phillips; Guggenheim Fellows Terese Svoboda, David Kirby, and Mark Halliday; two-time Lambda Literary Award winner Maureen Seaton; Rockefeller Foundation Fellow Pablo Medina; Lenore Marshall Prize winner Craig Morgan Teicher; Kresge Arts Foundation and Kundiman Fellow Matthew Olzmann; Ohioana Book Award winner Ruth Awad; Kundiman Prize winner Janine Joseph; Alice Fay Di Castagnola Award winner G. C. Waldrep; Lambda Literary Award finalist Randall Mann; as well as Michael Bazzett, Jehanne Dubrow, Sarah Gridley, Joy Katz, Hailey Leithauser, Claire Wahmanholm, and many others.Fiction by Maxim Loskutoff, an NPR Best Book author and New York Times Editor's Pick; as well as by Cara Blue Adams, Gerri Brightwell, Aidan Forster, Ryan Habermeyer, Nihal Mubarak, and Carolyn Oliver.Nonfiction by PEN Center USA Literary Award and California Book Award winner Victoria Chang, art and literature critic Robert Archambeau (writing on the "spirituality" of Andy Warhol), and relative newcomer Caroline Plasket.Translation Folios with poetry by Filipino poet Mesándel Virtusio Arguelles (translated by Kristine Ong Muslim), Mexican poet Cesar Cañedo (translated by Whitney DeVos), Franco-Belgian poet Guy Goffette (translated by Marilyn Hacker), Greek poet Dimitra Kotoula (translated by Maria Nazos), Polish poet Ewa Lipska (translated by Robin Davidson and Ewa Elzbieta Nowakowska, South Korean poet Moon Bo Young (translated by Hedgie Choi), Galician/Spanish poet Chus Pato (translated by Erín Moure), and Argentinian fiction writer, journalist, and political martyr Rodolfo Walsh (translated by Cindy Schuster).The cover features work by New York-based artist and Gordon Parks Foundation fellow Derrick Adams, whose work has shown nationally and been featured on the television shows Empire and Insecure.

Fifteen-year-old Calli has just about everything she could want in lifetwo loving moms, a good-looking boyfriend, and a best friend who has always been there for support. An only child, Calli is excited when her parents announce that they want to be foster parents. Unfortunately, being a foster sister to Cherish is not at all what Calli expected. First Cherish steals Callis boyfriend, then begins to pit Callis moms against one another, and she even steals Callis iPod. Tired of being pushed around and determined to get even, Calli steals one of Cherishs necklaces. But this plan for revenge goes horribly awry, and Cherish ends up in juvenile detention.Isolating herself from her moms, her boyfriend, and even her best friend, Calli wrestles with her guilt and tries to figure out a way to undo the damage shes caused. When her moms are asked to take on another foster child, Calli sees an opportunity to make amends for her past mistakes.Funny, moving, and emotionally rich, Calli is a portrait of an endearing young woman caught between adolescence and adulthood, striving to do the right thing even when all of her options seem wrong.

Issue 29 includes fiction by Berlin Prize winner and NEA Fellow V.V. Ganeshananthan, as well as relative newcomers Kimberly Garza, Maria Kuznetsova, Sam Simas, and Jennifer Wortman.Nonfiction by Best American Essays and Pushcart Prize: Best of the Small Presses contributor Paul Crenshaw and experimental lyric prose writer Debra Di Blasi.Poetry by Roethke Memorial Prize winner and Guggenheim Fellow David Baker, Anisfield-Wolf Book Award winner Martha Collins, Rome Prize winner Mark Halliday, Kate Tufts Discovery Award winner Janice N. Harrington, Jake Adam York Prize winner Brooke Matson, NEA Fellows Kaveh Bassiri and Matt Morton, Cité Internationale des Arts Fellow Jacques J. Rancourt, Alice Fay Di Castagnola Award winner Natasha Sajé, as well as Jan Beatty, TR Brady, Jenna Le, Samantha Lê, John A. Nieves, Roy White, and many others.Translation Folios featuring short fiction by Galician writer Xavier Queipo, translated by Jacob Rogers; and poetry by Catalan poet Gemma Gorga, translated by Sharon Dolin; Chinese dissident poet Shen Haobo, translated by Liang Yuing; and Slovenian poet AleS steger, translated by Brian Henry.The cover features work by Denver-based artist Michael Gadlin, who was educated at the Pratt Institute in Brooklyn, NY, and whose work has been shown all over Denver, as well as in New York City and France. Gadlin is represented by K Contemporary Gallery in Denver.

Marena struggles to remember what life was like before the Zero Tolerance Party installed listening devices in every home. Before they murdered her mother and put her father under house arrest. A time when difference was celebrated.When the new Minister of Education cracks down in her school, eliminating personal expression and independent thought, Marena decides she has to fight back. Fueled by her memories and animated by her mother’s spirit, Marena forms a resistance group–the White Rose. With little more than words, Marena defies the state officers lurking around every corner, and embarks on a campaign of life-affirming civil disobedience.The Silenced draws on the true story of Sophie Scholl and the White Rose, a movement that courageously resisted the Nazis. In an era when new technologies are accompanied by increasing surveillance, this is a powerfully relevant story of the enormous change that is possible when one person is courageous enough to speak the truth to power.

Sara Eliza Johnson’s much-anticipated second collection traces human emotion and experience across a Gothic landscape of glacial and cosmic scale.With a mind informed by physics, and a heart yearning for sky burial, Vapor’s epic vision swerves from the microscopic to telescopic, evoking an Anthropocene for a body and planet that are continually dying: “So alone / I open like a grave,” Johnson chronicles her love for “all this emptiness, this warp and transparence, the whorl of atoms I brush from your brow,” and considers how “each skull, / like a geode, holds a crystal colony inside.” Almost omnipresently, Vapor stitches stars to microbes, oceans to space, and love to pain, collapsing time and space to converge everything at once. Blood and honey, fire and shadow, even death and mercy are secondary to a profoundly constant flux. Facing sunlight, Johnson wonders what it would mean to “put my mouth to its / mouth, suck the fluid / from its throat, and give / it my breath, my skin, / which was once my / shadow,” while elsewhere the moon “is molten, an ancient red, and at its bottom is an exit wound that opens into another sea, immaculate and blue, that could move a dead planet to bloom.”In Vapor, Sara Eliza Johnson establishes herself as a profound translator of the physical world and the body that moves within it, delivering poems that show us how to die, and live.

"e;We may not relight the fires that used to burn in our villages, but we can carry the embers from those fires in our hearts and learn to light new fires in a new world."e;Ojibwe tradition calls for fathers to walk their children through the world, sharing the ancient understanding "e;that we are all, animate and inanimate alike, living on the one pure breath with which the Creator gave life to the Universe."e; In this intimate series of letters to the six-year-old son from whom he was estranged, Richard Wagamese fulfills this traditional duty with grace and humility, describing his own path through life-separation from his family as a boy, substance abuse, incarceration, and ultimately the discovery of books and writing-and braiding this extraordinary story with the teachings of his people, in which animals were the teachers of human beings, until greed and a desire to control the more-than-human world led to anger, fear, and, eventually, profound alienation. At once a deeply moving memoir and a fascinating elucidation of a rich indigenous cosmology, For Joshua is an unforgettable journey.

¿A profound debut from a writer of great talent.¿¿Adam Johnson

This 21st issue of Copper Nickel features poetry, fiction, and nonfiction, including work by National Book Award and National Book Critics Circle Award finalist James Richardson; Anisfield-Wolf Award recipient Martha Collins; Alice Fay Di Castagnola Award winner Jehanne Dubrow; Guggenheim Fellow Mark Halliday; NEA Fellows David Hernandez, Henry Israeli, and Kevin Prufer; PEN/O. Henry Prize recipient Polly Rosenwaike; James Laughlin Award winner Tony Hoagland; James Merrill Fellow Anna B. Sutton; Lambda Literary Award winner Julie Marie Wade; Lannan Foundation Fellow Ed Skoog; as well as a number of writers at earlier stages in their careers. The issue will also include three “Translation Folios” introducing and contextualizing for an American audience the Chinese poet Yi Lu, the Danish fiction writer Christina Hesselholdt, and three Uruguayan poets: Laura Cesarco Eglin, Circe Maia, and Karen Wild.The cover of Issue 21 features new work by renowned artist, musician, and composer Mark Mothersbaugh.

Copper Nickel is a meeting place for multiple aesthetics, bringing work that engages with our social and historical context to the world with original pieces and dynamic translations.Copper Nickel Issue 22 features three essays on contemporary publishing by Dalkey Archive Press founder John O’Brien, Bookslut founder Jessa Crispin, and Virginia Quarterly Review digital editor and Publishers Weekly columnist Jane Friedman. It also includes poetry, fiction, and nonfiction by Norma Farber First Book Award winner Cathy Linh Che, Alice Fay Di Castagnola winner G. C. Waldrep, Soros Foundation Fellow David Keplinger, California Book Award winner Alexandra Teague, Thom Gunn Award winner Charlie Bondhus, Hopwood fellow Rachel Richardson, and numerous emerging and established writers including Jaswinder Bolina, Elyse Fenton, and Bernard Farai Matambo.Additionally, the issue includes three “Translation Folios” introducing and contextualizing for an American audience work by renowned Turkish poet Haydar Ergülen, Georg Büchner Prize winner Karl Krolow, and Prix Max-Jacob winner Emmanuel Moses in translations by (respectively) Derick Mattern, Stuart Friebert, and National Book Award and Lenore Marshall Prize winner Marilyn Hacker.The cover of Issue 22 features work by Los Angeles-based artist Christina Stormberg.

Life could toss your sanity about like a glass ball; books were a cushion. How on Earth did non-readers cope when they had nowhere to turn?Nell Stillmans road is not easy. When her boorish husband dies soon after they move to the small town of Harvester, Minnesota, Nell is alone, penniless yet responsible for her beloved baby boy, Hillyard. Not an easy fate in small-town America at the beginning of the twentieth century.In the face of nearly insurmountable odds, Nell finds strength in lasting friendships and in the rich inner life awakened by the novels she loves. She falls in love with John Flynn, a charming congressman who becomes a father figure for Hillyard. She teaches at the local school and volunteers at the public library, where she meets Stella Wheeler and her charismatic daughter Sally. She becomes a friend and confidant to many of the girls in town, including Arlene and Lark Erhardt. And no matter how difficult her day, Nell ends each evening with a beloved book.The triumphant return of a great American storyteller, Good Night, Mr. Wodehouse celebrates the strength and resourcefulness of independent women, the importance of community, and the transformative power of reading.