Bøger udgivet af MINNESOTA HISTORICAL SOC PR

In 1860, Eliza Winston escaped enslavement while traveling in Minnesota, where she secured her freedom through legal appeal. Her story adds powerful testimony to African American experiences and perseverance in antebellum America. On August 22, 1860, an enslaved woman from Mississippi named Eliza Winston petitioned for her freedom before a judge in Minnesota--and she won. After she left the state for Canada, the abolitionists who had helped her told and retold the story, emphasizing their own actions; their detractors claimed they had used Winston as a pawn. For more than 150 years, historians' accounts have emphasized the mobs who battled in the streets after the ruling, focusing on the implications of the events for Minnesota politics rather than Winston's own story. With It Took Courage, Christopher P. Lehman helps set the record straight. Lehman uncovers the story of Winston's first forty-two years and her long struggle to obtain her freedom. She was sold away from her birth family; her husband, a free man, died before he could purchase her freedom. She labored in Tennessee, Louisiana, Kentucky, Mississippi, and Minnesota. For thirty-one years she was enslaved by the family of President Andrew Jackson, who bought her for his great-niece and paid a cousin of James K. Polk to hold her in trust. Winston's victory produced a compelling irony: a woman Jackson himself had enslaved defeated a part of his legacy in Minnesota. The survival of the remarkable story of Eliza Winston's battle for individual freedom is an important contribution to the larger understanding of what slavery meant on this continent and how it affected individual lives--in both North and South. Winston's experience demonstrates the lengths to which a person would go to escape slavery, attempting to work both outside and inside the flawed and inequitable laws of the time, until finally receiving justice. If the traditional accounts relied on stereotypical depictions of Winston as "simple-minded," in Lehman's skillful description, Winston appears as a capable, mature woman who understood her life and her values. Eliza Winston herself made the bold decision to leave behind everything she had known for an uncertain but free future.

The New Peoples is the first major work to explore in a North American context the dimensions and meanings of a process fundamental to the European invasion and colonization of the western hemisphere: the intermingling of European and Native American peoples. This book is not about racial mixture, however, but rather about ethnogenesis -- about how new peoples, new ethnicities, and new nationalities come into being.The contributors to this volume (with the exception of the late Verne Dusenberry) were participants at the first international Conference on the Metis in North America, hosted by the Newberry Library in Chicago. The purpose of that conference, and the collection that has grown out of it, has been to examine from a regionally comparative and multi-disciplinary vantage point several questions that lie at the heart of metis studies: What are the origins of the metis people? What economic, political, and/or cultural forces prompted the metis to coalesce as a self-conscious ethnic or national group? Why have some individuals and populations of mixed Indian and white ancestry identified themselves as white or Indian rather than as metis? What are the cultural expressions of metis identity? What does it mean to be metis today?

New introduction by Russell W. Fridley An extraordinary political leader who forged Minnesota's successful Farmer-Labor coalition during the 1920s and 1930s, Governor Olson was a powerful, charismatic, and complex person. In this fascinating biography, Mayer describes the man and his turbulent times.

This book features true stories about the lives and times of nine children and adults whose contributions to their state's history span nearly two centuries, from the early 1800s to the present day. These stories include accounts of family life, school days, chores, games and amusements, employment, escapes from slavery, and immigration. The twentieth-century stories include examples of experiences with racial discrimination and interest in civil rights activities, as well as events in the lives of a recent immigrant from Somalia and his family.

A comprehensive look at the Norwegian-language press, celebrating the tireless writers, editors, and publishers whose efforts helped guide Norwegian immigrants on their path to becoming Norwegian Americans.

An indispensable resource designed to enhance everyday conversation and contribute to the scholarship of the Dakota language and its dialects.

"A place is not a thing, " writes Paul Gruchow in the foreword to Vioces for the Land, "it is a relationship. A location becomes a place only in the content of time, of histotry." In this extraordinary tribute to the importance of the ordinary places in our lives, fifty-two Minnesotans write about the special, sometimes secret, places that give their lives meaning. For some it is their home or cabin or lake. For others, it's a family farm or neighborhood park, a backyard garden or north woods trail: all places where we find a personal and spiritual connection to the land. Voices for the Land explores this complex relationship by linking these personal essays with striking images captured by award-winning photographer Brian Peterson. This marriage of words, images, and landscape provides a powerful reminder of our deep and abiding connection to the land. The writers share the experience of these favorite places through their senses, from the aching tingle of a cold winter night and the sound of ice "singing" to the buzz of mosquitoes and the acrid smell of burning peat. The Voices for the Land project, organized by the nonprofit group 1000 Friends of Minnesota, encouraged Minnesotans to write about the land they love and to fight for its preservation. The Minneapolis Star Tribune published a selection of these essays, pared with Brian Peterson's photos, in an award-winning series. Voices for the Land brings these essays and photos together in book form for the first time. "Ordinary places, " writes Paul Gruchow, "are as necessary to a good community as are ordinary people." Voices for the Land speaks to the power of these ordinary places and the value of preserving them for the simplereason that they are special to someone. Acelebration of the special bond Minnesotans have with the land expressed through compelling essays and beautiful photographs. The essays and photos from Voices for the Land can also be seen on the Star Tribune's website at http: //www

The Story of Minnesota's Past embraces the broad sweep of change over this land now called Minnesota from glacial ages to the 1980s. A readable and authoritative history for newcomers, oldtimers, and general readers who want to know more about the state's past.

An essential guide to the sacred Big Drum ceremony of the Ojibwe, as told by a respected elder, explained in both the Ojibwe and English languages. Sometime in the last half of the nineteenth century, a group of Dakota presented the Ojibwe with the Big Drum and the ceremonies around it, as an act of peace and goodwill. The US government promptly outlawed the traditional, spiritual ceremony, along with all other Indigenous spiritual practices, in order to destroy Native culture--but it permitted the secular powwow as a tool of economic development. The Ojibwe people, however, maintained the ceremony in secrecy.>In this firsthand, bilingual account, Lee Obizaan Staples shares the stories and the practice of the Big Drum ceremony. He discusses the use and care of the drum, the duties of membership, the spirits associated with the drum, personal conduct while near the drum, and much more.>"These Anishinaabe ceremonial drums were given to all Anishinaabe people," says Obizaan. "I am doing this writing so that the Anishinaabe will be able to get a better understanding of the spiritual depth of what is available when these ceremonial drums are being used." Obizaan--a ceremonial drum keeper at Aazhoomog, a first-language speaker, and a principal authority on the ceremonial life of the southwestern Ojibwe--has worked with Ombishkebines, his surrogate son and right-hand man, to provide these Ojibwe and English versions of these ceremonies.

"Originally published as Memoir 22, Algonquian and Iroquoian linguistics (Winnipeg, Manitoba: 2015)"--Title page verso.

Artist Sam Zimmerman / Zhaawanoogiizhik explores nature, family, and Ojibwe culture through his glorious paintings, accompanied by personal stories and those handed down through generations.> When Sam Zimmerman decided to rededicate his energy and focus to painting in the late 2010s, he found himself drawn to the stories of his family and Ojibwe community. He wanted to capture these stories in images as well as words, and he began working with an Ojibwemowin language speaker to translate and preserve them in their native language as well. The paintings and stories he accumulated and developed between July 2019 and July 2020 are drawn from family lore and shared experiences centered in Ojibwe tradition and the natural beauty of northern Minnesota. Zimmerman's work explores his Ojibwe heritage by preserving oral histories handed down from elders while also reflecting the artist's personal experiences and learnings in nature by incorporating the landscapes of Lake Superior's North Shore, where he and generations of his ancestors have lived. His work features Northland creatures such as moose, loons, wolves, and fish as well as the night sky and native flora. Zimmerman preserves the Ojibwe storytelling tradition, reimagining the symbolism of the clan animals in natural North Shore landscapes. His work is infused with the color theories of the abstract and expressionism movements while also promoting environmental stewardship. Following My Spirit Home features more than 80 vibrant and colorful images accompanied by stories, mostly based on tales Zimmerman's grandfather told him or from his own experiences in nature along the north shore of Lake Superior. The stories are presented in both English and Ojibwemowin with the goal of advancing language revitalization.

"Ojibwe children and their parents experience many ceremonies, from birth customs and dream catchers to fasting and first kill feasts. These essential cultural practices, presented in Ojibwe and English, offer both an accessible record of Indigenous knowledge systems and a valuable language resource for all ages and all levels of learners"--

Record executive, producer, band manager, club DJ, booking advisor, record store manager--few people had as deep an impact on the Twin Cities alternative and indie rock scene as Peter Jesperson. A passionate music fan since his early childhood, Jesperson found his way into Minneapolis's burgeoning music world of the 1970s and followed a path that put him at the center of the scene as it grew and blossomed. Beginning with his time working at the legendary Oar Folkjokeopus record store, Jesperson helped shape the tastes of local music fans and foster the Twin Cities as a destination for touring acts from around the globe. His tastemaker role continued while he worked as a DJ and booking assistant at Jay's Longhorn bar, the landmark venue that elevated the Twin Cities' reputation as a mecca for left-of-center artists. In 1977, Jesperson, along with two partners, founded Twin/Tone Records, which over the next 20 years released more than 300 records, including by such groundbreaking artists as the Replacements, the Suburbs, Soul Asylum, Babes in Toyland, the Jayhawks, and many more. With Twin/Tone, Jesperson further solidified Minnesota's place on the map as a hotbed of musical creativity and a leader in the indie music world. Just three years after starting Twin/Tone, Jesperson made the discovery that changed his life, and the Minneapolis music world, forever: the Replacements. As A&R man and then full manager, he guided the development of this talented and out-of-control foursome, while taking a break to road-manage an upcoming sensation out of Athens, Georgia: R.E.M. But as his career was on the rise in the wild '80s, Jesperson began his own descent into substance abuse, until he overcame his demons and launched a second act in the industry. In Euphoric Recall, Jesperson speaks frankly about his struggle with drugs and alcohol, and how it nearly derailed his career and his life. Motivated by his love of music, Jesperson rallied to pick up where he left off with Twin/Tone and the Replacements before heading west to begin the next phase of his career in Los Angeles. While working alongside such noteworthy artists as Dwight Yoakam, Kris Kristofferson, Vic Chesnutt, and Steve Earle, Jesperson experienced firsthand the dramatic changes in the music industry of the 1990s. Through it all, he has retained his passion for the industry and the art, and now, after a half-century in the music business, Jesperson shares his insights, anecdotes, and lessons from his unique vantage point.

"Most great cities have a great columnist. Jonathan Gold said that Los Angeles was the real topic of his food writing, coming into specific view wherever he shone his flashlight and raised his spoon. New York City had Jimmy Breslin and Dara's early writing hero, Joseph Mitchell, each of whom expressed something essential about their city through the tales of sports heroes, skid-row charmers, and mobsters. Dara's Twin Cities is just as evocative, but of course completely different. It is a must-read for people who want to meet the people in that neighborhood of four million souls who call the land in and around the upper Mississippi home. Revisit Dara's favorite stories from the last 25 years, including columns, profiles, and restaurant reviews from the pages of City Pages, Minnesota Monthly, Mpls.St.Paul Magazine, Gourmet, and Saveur. Each piece includes a brief introduction putting the piece in context and explaining why Dara considers it among her quintessential contributions to Minnesota life and culture. Together these works capture the art of this essential columnist, food writer, and voice of the Twin Cities. They also show a Minnesota rarely seen, one where a writer's enthusiasm, humor, passion, and curiosity are rewarded with secrets and wonders." -- Publisher.

"Step right up! Blue ribbons, daring rides, strutting animals, foods-on-a-stick--all this and more await at the annual reunion--the greatest of get-togethers: the state fair"--

Stories from Minnesota's Iron Range highlight the challenges of competing needs on lands that offer opportunities for both mining and recreation. The Mesabi Iron Range in northeastern Minnesota conjures dramatic visuals of open pit mines and ore piles, enormous earthmoving equipment, and once-booming towns with aging architecture. But now many of these towns are busy with tourists. There are biking and ATV trails, forests and lakes. And yes, continued mining.>Over the decades, people have approached the iron lands with differing perspectives. Early miners opened the Mesabi Range to extract its ore, but key players also upheld conservation principles by setting aside lower-quality rock for use by later generations with better technology. Nature found its way into the cracks and crevices of these rock piles, and within fifty years, groves of aspen and other successional plants had transformed the red rock into vibrant green. As early as the 1950s, residents were repurposing minelands by building ski jumps and cultivating grouse-friendly habitat. These impulses were codified in the 1980 Mine Reclamation Rules, which specified how mining companies should care for the land both during and after extraction. In the early 2000s, the Laurentian Vision Project brought together landscape architects, engineers, and residents to dream up possibilities for the landscape--and then to make those dreams real by building bridges, creating wildlife sanctuaries, and opening former minelands for fishing and mountain biking.>In Minescapes, environmental engineer Pete Kero explores the record that is written on Minnesota's mined lands--and the value systems of each generation that created, touched, and lived among these landscapes. His narratives reveal ways in which the mining industry and Iron Range residents coexist and support each other today, just as they have for more than a century.

When children and nature come together at the right moment, something magical happens. Join Nora and her grandparents as they gaze skyward and wonder: Who else is having a star party, just like us? From a little cabin on the edge of the wilderness, Grandma and Grandpa invite Nora to her first Star Party. This mysterious celebration happens after dark. Nora wonders: Can I wear pajamas? Will there be snacks?>As Grandma leads the way on the forest trail, Nora discovers the wonders of the north woods at night. There are flying squirrels, calling loons, and hooting owls. But when Nora and Grandpa step onto the dock, she finds that the most dazzling sight of all is the night sky. Billions of stars glow above and are reflected in the lake below. Gazing up, up, up, Nora ponders the mysteries of starlight and stardust. And she thinks about how the night sky unites stargazers all over the world.>In Star Party, Polly Carlson-Voiles relates the simple joys of summer star-watching in a tale informed by years of camping and cabin adventures. Detailed illustrations by artist Consie Powell feature many night-loving animals of sky, forest, and lake, inviting readers to appreciate the vibrancy of the woods after dark. An author's note highlights nocturnal creatures, constellations, and tips for observing the night sky, encouraging readers to learn more about nearby stargazing opportunities--in dark sky sanctuaries where the deepest nights are filled with the brightest stars.>Come join the fun!

Hans Christian Heg (1829-1863) was a Norwegian American abolitionist, journalist, antislavery activist, prison reformer, politician, and soldier. Best known for leading the Fifteenth Wisconsin Volunteer Regiment on the Union side during the Civil War, Heg died of wounds received at the Battle of Chickamauga in September 1863. While Heg's achievements earned him a statue on the Wisconsin state capitol grounds, behind his public persona was a life emblematic of his generation. Heg's family hailed from Lier, Norway; economic as well as religious challenges led them, like so many others, to leave their homeland for the promise of a better life. Heg himself trod multiple paths: joining in the California Gold Rush, pursuing a political career in support of the Free Soil Party and then the newly formed Republican Party, and taking up the role of Wisconsin state prison commissioner. Like his fellow immigrants, he made a living and nurtured a family at the same time that he was defining what it meant to be both Norwegian and American. Heg's remarkable leadership of the Fifteenth Wisconsin, the "Norwegian regiment," is the stuff of legends. But this book is more than a biography of one man: it is the story of a generation of immigrant citizens who contributed politically, economically, and socially to the American Midwest and beyond.

A cisgender woman and her trans spouse learn, change, and grow together, navigating the transition, the communities they found, and the hostility they faced. "The person I married, who I am still married to and remain very much in love with, is now legally named Venus de Mars, and she uses she and her pronouns. But to get to that point was a journey of decades. At the time we didn't know where it would lead--we had no real role models and made it up as we went. Most of this story took place at a time when the kind of knowledge and terminology we now have about being trans didn't exist." --from the Author's Note>In the 1970s, Lynette Reini fell in love with a fascinating, talented man named Steve Grandell. They married in 1983; five years later, Steve came out to her as transgender. Through the following decades, as her spouse developed a public persona as Venus de Mars and fronted the band All the Pretty Horses, the couple struggled to stay together. They navigated an often hostile, anti-trans environment; fractures grew between them as Venus pushed the band toward success. Against the backdrop of the art, literary, and indie rock worlds of Minneapolis and New York in the 1990s and early 2000s, through hard work and love, they invented a way of being who they truly are.>In Wild Things, Lynette Reini-Grandell shares a deeply personal story of love and growth.

"Luna lives with her two grown-ups in a small home next to a river. She has "two pets, two pillows on her bed, and two languages in her head." Luna also has two grandmothers: Nana and Abuela. They are her two favorite people, and they are very different from each other. When her grown-ups are away, Nana and Abuela visit for a "date night" with Luna. Together they plan a delicious meal: pizza with olives. But when Luna adds something to the menu, she blends her Spanish and her English. Her request for this special treat confuses her grandmothers. They ask, "ÅLuna, qéu dijiste?" and "Luna, what are you saying?" As the three of them work together to understand each other, Abuela and Nana offer comfort, each in their own way, and Luna figures out how to make herself heard." --Provided by publisher.

Reflections on the murder of George Floyd and the uprisings that followed and on racism in Minnesota, as told by former and current residents of the state.

Stories of animals who playfully deal with challenges and triumphs experienced by children in all cultures: learning to work with others, listening to elders, venturing out alone, playing and working hard, and dodging dangers in the big world that surrounds their smaller lives. Interwoven in the stories are threads of Ojibwe culture and tradition.

Presented in the Ojibwe language, these delightful short stories bring to life the tales and traditions of the Ojibwe people while providing essential tools for language-learning.

Presented in the Ojibwe language, these delightful short stories bring to life the tales and traditions of the Ojibwe people while providing essential tools for language-learning.

"In this book, Anton Treuer tells stories of one Ojibwe family's hunting, gathering, harvesting, and cultural ways and beliefs--without violating protected secrets. Following the four seasons of the year and the four seasons of life, this intimate view of the Ojibwe world reflects a relatable, modern, richly experienced connection to the rest of the planet. It also opens up a new way of understanding these living traditions, which carry thousands of years of cultural knowledge still in the making"--

A look at the broad and long-lasting efforts by white Minnesotans to exclude African Americans from enjoying fundamental rights and opportunities in order to privilege certain citizens over others.