Bøger udgivet af MIT Press Ltd

The little-known stories of the people responsible for what we know today as modern medical ethics.In Making Modern Medical Ethics, Robert Baker tells the counter history of the birth of bioethics, bringing to the fore the stories of the dissenters and whistleblowers who challenged the establishment. Drawing on his earlier work on moral revolutions and the history of medical ethics, Robert Baker traces the history of modern medical ethics and its bioethical turn to the moral insurrections incited by the many unsung dissenters and whistleblowers: African American civil rights leaders, Jewish Americans harboring Holocaust memories, feminists, women, and Anglo-American physicians and healthcare professionals who were veterans of the World Wars, the Cold War, and the Vietnam War.The standard narrative for bioethics typically emphasizes the morally disruptive medical technologies of the latter part of the twentieth century, such as the dialysis machine, the electroencephalograph, and the ventilator, as they created the need to reconsider traditional notions of medical ethics. Baker, however, tells a fresh narrative, one that has historically been neglected (e.g., the story of the medical veterans who founded an international medical organization to rescue medicine and biomedical research from the scandal of Nazi medicine), and also reveals the penalties that moral change agents paid (e.g., the stubborn bureaucrat who was demoted for her insistence on requiring and enforcing research subjects’ informed consent). Analyzing major statements of modern medical ethics from the 1946–1947 Nuremberg Doctors Trials and Nuremberg Code to A Patient’s Bill of Rights, Making Modern Medical Ethics is a winning history of just how respect and autonomy for patients and research subjects came to be codified.

How artists wield demonstration to question the status quo both aesthetically and politically, marshaling art and education as powerful agents of change.Demonstration, in short, says: See here. It is the practice of pointing to something in order to explain or contest it. As such, Sven Spieker argues that demonstration has helped reshape art from the height of the Cold War to the late twentieth century, reformatting our understanding of how art and political engagement relate to each other. Focusing on Western Europe (especially Germany), Eastern Europe, and the United States, Art as Demonstration expands on contemporary discussions of art-as-protest, activism, and resistance. Spieker shows how a closer, more historical look at art’s connection with demonstration reconnects us with earlier efforts, notably by the early twentieth-century avant-garde, to marshal art for the purpose of instruction and engagement.Art as Demonstration reconceives the history of postwar art in Eastern and Western Europe from the perspective of demonstration, understood formally (as a technique for showing and pointing) as well as politically (as protest, resistance, etc.). Close analyses of individual artworks reveal how the deployment of demonstration has changed over time. Spieker shows how “protest” and “resistance” organize art and artists not only politically but also and especially formally and aesthetically—a development of particular importance in the Cold War art and politics of Eastern Europe. The book illustrates how from the 1960s onward demonstration radically changed the way artists thought about art: no longer as an object but as a form of education.

A critical examination of the complex legacies of early Californian anthropology and linguistics for twenty-first-century communities.In January 2021, at a time when many institutions were reevaluating fraught histories, the University of California removed anthropologist and linguist Alfred Kroeber’s name from a building on its Berkeley campus. Critics accused Kroeber of racist and dehumanizing practices that harmed Indigenous people; university leaders repudiated his values. In The Unnaming of Kroeber Hall, Andrew Garrett examines Kroeber’s work in the early twentieth century and his legacy today, asking how a vigorous opponent of racism and advocate for Indigenous rights in his own era became a symbol of his university’s failed relationships with Native communities. Garrett argues that Kroeber’s most important work has been overlooked: his collaborations with Indigenous people throughout California to record their languages and stories.The Unnaming of Kroeber Hall offers new perspectives on the early practice of anthropology and linguistics and on its significance today and in the future. Kroeber’s documentation was broader and more collaborative and multifaceted than is usually recognized. As a result, the records Indigenous people created while working with him are relevant throughout California as communities revive languages, names, songs, and stories. Garrett asks readers to consider these legacies, arguing that the University of California chose to reject critical self-examination when it unnamed Kroeber Hall.

The compelling and little-known history of satellite communications that reveals the Soviet and Eastern European roles in the development of its infrastructure.Taking its title from Hannah Arendt’s description of artificial earth satellites, No Heavenly Bodies explores the history of the first two decades of satellite communications. Christine E. Evans and Lars Lundgren trace how satellite communications infrastructure was imagined, negotiated, and built across the Earth’s surface, including across the Iron Curtain. While the United States’ and European countries’ roles in satellite communications are well documented, Evans and Lundgren delve deep into the role the Soviet Union and other socialist countries played in shaping the infrastructure of satellite communications technology in its first two decades.Departing from the Cold War binary and the competitive framework that has animated much of space historiography and telecommunications history, No Heavenly Bodies focuses instead on interaction, cooperation, and mutual influence across the Cold War divide.Evans and Lundgren describe the expansion of satellite communications networks as a process of negotiation and interaction, rather than a simple contest of technological and geopolitical prowess. In so doing, they make visible the significant overlaps, shared imaginaries, points of contact and exchange, and negotiated settlements that determined the shape of satellite communications in its formative decades.

A rallying manifesto for the innovative problem-solving we need to build a better, more verdant, and sustainable planetary existence.Academics are letting Africa down. With all that we know, what do we have to show for it? Whose lives have been changed for the better by it? What have we done for and with our communities lately? In this provocative book—the first in a trilogy—Clapperton Chakanetsa Mavhunga argues that our critical thinkers must become actual thinker-doers. Taking its title from one of Thomas Sankara’s most inspirational speeches, Dare to Invent the Future looks for moments in Africa’s story where precedents of critical thought and knowledge in service of problem-solving are evident to inspire readers to dare to invent such a knowledge system.Mavhunga revisits insights from Edward Wilmot Blyden, Booker T. Washington, Aimé Césaire, Frantz Fanon, Amílcar Cabral, Julius Nyerere, and Sankara to illustrate how the academic disciplines have been, and could be, deployed in the service of and through problem-solving, building on what people are doing and know. At its core, he writes, knowledge in the service of and through problem-solving derives from reading the past for new questions, doing due diligence on the present, and contriving an anticipatory approach toward the future.Questioning the fundamental premises of Western and white knowledge production, especially regarding science and technology, Mavhunga proposes in this book refreshingly new approaches to thinking-doing that stem from African realities, in the hopes of inspiring a generation that will run toward, not away from, problems to solve them.

A pioneering collection of case studies on the global phenomenon of academic excellence initiatives and how they shape the performance of research universities.Academic excellence initiatives (AEIs)—special government-sponsored programs to improve research universities—have provided billions of dollars to top universities and represent perhaps the most significant effort in the past half-century to jumpstart academic research. The contributors to Academic Star Wars, superbly edited by Maria Yudkevich, Philip G. Altbach, and Jamil Salmi, analyze AEIs in nine European and Asian countries, including China, Japan, Malaysia, South Korea, Taiwan, Denmark, France, Germany, and Russia, and offer penetrating insights into the successes and problems of these initiatives, as well as into the broader system of higher education itself.Academic Star Wars provides a comprehensive analysis of AEIs across the globe as it seeks to understand the impact of these programs on national higher ed systems. The contributors explore a host of topics, including how the idea of excellence varies across national systems; the lessons to be drawn from the most successful AEIs; the consequences of AEIs, both intended and unintended, for participating universities; and whether AEIs ensure a significant impact on the global standing of national higher education systems.  Finally, the contributors offer policy recommendations for national decision-makers and university leaders, taking into account the variety of initial conditions of national higher education systems and the differences in AEI design, scope, and funding.

A practical, comprehensive textbook that uses active learning techniques to teach about the challenges and opportunities associated with urban sustainability.While the problem of urban sustainability has long been a subject of great scholarly interest, there has, until now, been no single source providing a multi-disciplinary, exhaustive view of how it can be effectively taught. Filling this gap, Our Urban Future uses active learning techniques to comprehensively relate the theory of urban sustainability and the what, why, and how of sustainable cities. This practical, pedagogically rich textbook concisely covers all the key subjects of the field, including ecosystem services and transects, the internal design and patterning of urban elements, how cities mitigate and adapt to climate change, and questions of environmental justice. It functions as both an illuminating roadmap and active reference to which any student of sustainability can turn to find essential resources and perspectives in pursuit of creating sustainable cities.Approachable, discrete exercises introduce students to key sustainability subjectsLearn-by-doing approach encourages critically engaging from multiple anglesIdeal for students across environmental sustainability, urban planning, urban design, urban studies, sociology architecture, landscape architecture, and geographyRobust suite of ancillaries includes links and downloadable data to support activities, and additional readings and resources

A provocative investigation of the future of photography and human perception in the age of AI.We are constantly photographing and being photographed while feeding machine learning databases with our data, which in turn is used to generate new images. Analyzing the transformation of photography by computation—and the transformation of human perception by algorithmically driven images, from CGI to AI—The Perception Machine investigates what it means for us to live surrounded by image flows and machine eyes. In an astute and engaging argument, Joanna Zylinska brings together media theory and neuroscience in a Vilém Flusser–Paul Virilio remix. Her “perception machine” names a technical universe of images and their infrastructures. But it also refers to a sociopolitical condition resulting from today’s automation of vision, imaging—and imagination.Written by a theorist-practitioner, the book incorporates Zylinska’s own art projects, some of which have been co-created with AI. The photographs, collages, films, and installations available as part of the book (and its companion website) provide a different mode of thinking about our technological futures, at a local as well as a planetary level. Offering provocative concepts such as eco-eco-punk, AUTO-FOTO-KINO, planetary micro-vision, loser images, and sensography, the book outlines an existential philosophy of messy media for a time when our practices of imaging and self-imaging are being radically redesigned. Importantly, it also offers a new vision of our future.

A guide to everything you need to understand to navigate a world increasingly governed by data.Data has become a defining issue of current times. Our everyday lives are shaped by the data that is produced about us (and by us) through digital technologies. In this book, Critical Data Literacies, Luci Pangrazio and Neil Selwyn introduce readers to the central concepts, ideas, and arguments required to make sense of life in the data age. The authors challenge the idea that datafication is an inevitable and inescapable condition. Drawing on emerging areas of scholarship such as data justice, data feminism, and other critical data studies approaches, they explore how individuals and communities can empower themselves to engage with data critically and creatively.Over the course of eight wide-ranging chapters, the book introduces readers to the main components of critical data literacies—from the fundamentals of identifying and understanding data to the complexities of engaging with more combative data tactics. Critical Data Literacies explores how the tradition of critical literacies can offer a powerful foundation to address the big concerns of the data age, such as issues of data justice and privacy, algorithmic bias, dataveillance, and disinformation. Bringing together cutting-edge thinking and discussion from across education, sociology, psychology, and media and communication studies, Critical Data Literacies develops a powerful argument for collectively rethinking the role that data plays in our everyday lives and re-establishing agency, free will, and the democratic public sphere.

A new approach to addressing the contemporary world’s most difficult challenges, such as climate change and poverty.Conflicts over “the problem” and “the solution” plague the modern world and land problem solvers in what has been called “wicked problem territory”—a social space with high levels of conflict over problems and solutions. In Design Strategy, Nancy C. Roberts proposes design as a strategy of problem solving to close the gap between an existing state and a desired state. Utilizing this approach, designers and change agents are better able to minimize self-defeating conflicts over problems and solutions, break the logjam of opposition, and avoid the traps that lock problem solvers into a never-ending cycle of conflict.Design as a field continues to grow and evolve, but Design Strategy focuses on three levels of design where “wicked problems” tend to lurk—strategic design (of private and public organizations), systemic design (of networked and overlapping economic, technical, political, and social subsystems), and regenerative design (of life-giving realignment between humanity and nature). Within this framework, Roberts presents refreshingly interdisciplinary case studies that integrate theory and practice across diverse fields to guide professionals in any domain—from business and nonprofit organizations to educational and healthcare systems—and finally offers hope that humanity can tackle the existential challenges we face in the twenty-first century.

A captivating history of NASA’s Space Transportation System—the space shuttle—chronicling the inevitable failures of a doomed design.In Dark Star, Matthew Hersch challenges the existing narrative of the most significant human space program of the last fifty years, NASA’s space shuttle. He begins with the origins of the space shuttle: a century-long effort to develop a low-cost, reusable, rocket-powered airplane to militarize and commercialize space travel, which Hersch explains was built the wrong way, at the wrong time, and for all the wrong reasons. Describing the unique circumstances that led to the space shuttle’s creation by the administration of President Richard Nixon in 1972 and its subsequent flights from 1981 through 2011, Hersch illustrates how the space shuttle was doomed from the start.While most historians have accepted the view that the space shuttle’s fatal accidents—including the 1986 Challenger explosion—resulted from deficiencies in NASA’s management culture that lulled engineers into a false confidence in the craft, Dark Star reveals the widespread understanding that the shuttle was predestined for failure as a technology demonstrator. The vehicle was intended only to give the United States the appearance of a viable human spaceflight program until funds became available to eliminate its obvious flaws. Hersch’s work seeks to answer the perilous questions of technological choice that confront every generation, and it is a critical read for anyone interested in how we can create a better world through the things we build.

The essential reader on the philosophical foundations and implications of artificial intelligence, now comprehensively updated for the twenty-first century.In the quarter century since the publication of John Haugeland’s Mind Design II, computer scientists have hit many of their objectives for successful artificial intelligence. Computers beat chess grandmasters, driverless cars navigate streets, autonomous robots vacuum our homes, and ChatGPT answers existential queries in iambic pentameter on command. Engineering has made incredible strides. But have we made progress in understanding and building minds? Comprehensively updated by Carl Craver and Colin Klein to reflect the astonishing ubiquity of machine learning in modern life, Mind Design III offers an essential collection of classic and contemporary essays on the philosophical foundations and implications of artificial intelligence. Contributions from a diverse range of philosophers and computer scientists address the nature of computation, the nature of thought, and the question of whether computers can be made to think. With extensive new material reflecting the explosive growth and diversification of AI approaches, this classic reader equips students to assess the possibility of, and progress toward, building minds out of computers.New edition highlights: New chapters on advances in deep neural networks, reinforcement learning, and causal learningNew material on the complementary intersection of neuroscience and AIOrganized thematically rather than chronologically Brand new introductions to each section that include suggestions for coursework and further reading

An illuminating overview of the development, benefits, and importance of ritual in everyday life, written by a leading cognitive anthropologist.The Hidden Powers of Ritual is an engaging introduction to ritual studies that presents ritual as an evolved form of human behavior of almost unimaginable significance to our species. Every day across the globe, people gather to share meals, brew caffeinated beverages, or honor their ancestors. In this book, Bradd Shore, a respected anthropologist, reaches beyond familiar “big-R” rituals to present life’s humbler, overshadowed moments, exploring everything from the Balinese Pelebon to baseball to family Zoom sessions in the age of Covid to the sobering reenactment rituals surrounding the Moore’s Ford lynchings. In each ritual, Shore shows how our capacity to ritualize behavior is a remarkable part of the human story.Encompassing both the commonly unlabeled “interaction rituals” studied by sociologists and the symbolically elaborated sacred rituals of religious studies, Shore organizes his conception around detailed case studies drawn from international research and personal experience, weaving scholarship with a memoir of a life encompassed by ritual. A probing exploration that matches breadth with accessibility, The Hidden Powers of Ritual is a provocative contribution to ritual theory that will appeal to a wide range of readers curious about why these unique repetitive acts matter in our lives.

An exploration of food, ingestion, and digestion in the emerging field of the metabolic arts.Food appears everywhere in the arts. But what happens after viewers carry food away in the intestinal networks activated by social practice art, the same way digestion turns food into a body? Exploring the emerging field of metabolic arts, After Eating claims digestion and metabolism as key cultural, creative, and political processes that demand attention. Taking an artist-centered approach to nutrition, Lindsay Kelley cultivates a neglected middle ground between the everyday and the scientific, using metabolism as a lens through which to read and write about art.Divided into two parts and full of playful chapter titles such as “Food Babies” and “Poop Circus,” After Eating investigates multiple facets of the sociocultural implications of body image and body process in body art from the 1970s to the present. By engaging the notion of “after” as an artistic homage or tribute, metabolism moves beyond the cell to transform into a method for responding to the most difficult cultural, philosophical, and political challenges of the contemporary moment. Metabolic reading rethinks feminist, queer, bioart, installation, and performance projects, providing artists, students, and teachers new pathways into art theory.

The history of pregnancy testing, and how it transformed from an esoteric laboratory tool to a commonplace of everyday life.Pregnancy testing has never been easier. Waiting on one side or the other of the bathroom door for a “positive” or “negative” result has become a modern ritual and rite of passage. Today, the ubiquitous home pregnancy test is implicated in personal decisions and public debates about all aspects of reproduction, from miscarriage and abortion to the “biological clock” and IVF. Yet, only three generations ago, women typically waited not minutes but months to find out whether they were pregnant. A Woman’s Right to Know tells, for the first time, the story of pregnancy testing—one of the most significant and least studied technologies of reproduction.Focusing on Britain from around 1900 to the present day, Jesse Olszynko-Gryn shows how demand shifted from doctors to women, and then goes further to explain the remarkable transformation of pregnancy testing from an obscure laboratory service to an easily accessible (though fraught) tool for every woman. Lastly, the book reflects on resources the past might contain for the present and future of sexual and reproductive health.Solidly researched and compellingly argued, Olszynko-Gryn demonstrates that the rise of pregnancy testing has had significant—and not always expected—impact and has led to changes in the ways in which we conceive of pregnancy itself.

A ground-breaking anthology that places dispositifs (“apparatuses”) at the center of contemporary thought.Dispositif is one of the most prevalent yet elusive terms in contemporary thought. This comprehensive anthology brings together formative, seminal, and contemporary texts and visual applications to illuminate how central dispositifs are to contemporary theory. Greg Bird and Giovanbattista Tusa’s selection and placement of critical texts invite readers to explore common themes and genealogies, different interpretations and readings, and their diverse deployments across multiple disciplines and genres by such figures as Karl Marx, Franz Kafka, Judith Butler, Martin Heidegger, Gilbert Simondon, Michel Foucault, Edward Said, Jasbir Puar, Donna Haraway, Giorgio Agamben, Jacques Derrida, Tiqqun, Claire Fontaine, and many others.Dispositif: A Cartography is a true toolbox for the development of technological ecology thinking that accounts for situated knowledge. This collection provides coordinates for reorienting oneself in a permanently changing world, offering possible roadmaps for navigating these profoundly uncertain times. More than just a compilation of interventions on the dispositif, this volume acts as a guide for understanding the complex interaction between technology, philosophy, and the languages of the arts and media.

How to level up to the next transformative phase of publishing—with a critical methodology that transcends the dichotomy of paper and digital media production.Publishing is experiencing one of the most transformative phases in its history. In Tactical Publishing, a sequel to Post-Digital Print, Alessandro Ludovico explores the forces driving this historical phase, highlighting the tremendous opportunities it presents. Our task, he believes, is to develop an alternative publishing system that transcends the dichotomy between paper and digital media. He focuses first on the two activities on which publishing is premised—reading and writing (with an emphasis on writing machines and post-truth in the latter)—and then deconstructs the concept, proposing alternative strategies inspired by recent practices and unconventional uses of technology. Ludovico shows how the radical and strategic use of print in the past can serve as the basis for our transition to the next phase of publishing. He argues that the new ecology of publishing should be based on three main elements: the stimulation of our senses, the role of software in forming the publishing infrastructure, and the importance of archives. During this transition from the current post-digital phase to the next phase, independent publishers and artists, as well as readers and machines, will enable new structures and actions that realize the potential of publishing and the preservation of content, thereby enriching social practices. The author also considers the crucial social role played by new forms of libraries, as artists and publishers shape the coming publishing world in its various manifestations. Combining analytical accounts of tactical strategies with examples from artworks and experimental practices, the book concludes with a manifesto for publishing in the twenty-first century and an appendix with a selection of one hundred publications representing the “periodic table” of future publishing.

An authoritative, accessible, and up-to-date treatment of deep learning that strikes a pragmatic middle ground between theory and practice.Deep learning is a fast-moving field with sweeping relevance in today’s increasingly digital world. Understanding Deep Learning provides an authoritative, accessible, and up-to-date treatment of the subject, covering all the key topics along with recent advances and cutting-edge concepts. Many deep learning texts are crowded with technical details that obscure fundamentals, but Simon Prince ruthlessly curates only the most important ideas to provide a high density of critical information in an intuitive and digestible form. From machine learning basics to advanced models, each concept is presented in lay terms and then detailed precisely in mathematical form and illustrated visually. The result is a lucid, self-contained textbook suitable for anyone with a basic background in applied mathematics.Up-to-date treatment of deep learning covers cutting-edge topics not found in existing texts, such as transformers and diffusion modelsShort, focused chapters progress in complexity, easing students into difficult concepts Pragmatic approach straddling theory and practice gives readers the level of detail required to implement naive versions of modelsStreamlined presentation separates critical ideas from background context and extraneous detailMinimal mathematical prerequisites, extensive illustrations, and practice problems make challenging material widely accessible Programming exercises offered in accompanying Python Notebooks

An introduction to the intellectual foundations and practical utility of the recent work on fairness and machine learning.Fairness and Machine Learning introduces advanced undergraduate and graduate students to the intellectual foundations of this recently emergent field, drawing on a diverse range of disciplinary perspectives to identify the opportunities and hazards of automated decision-making. It surveys the risks in many applications of machine learning and provides a review of an emerging set of proposed solutions, showing how even well-intentioned applications may give rise to objectionable results. It covers the statistical and causal measures used to evaluate the fairness of machine learning models as well as the procedural and substantive aspects of decision-making that are core to debates about fairness, including a review of legal and philosophical perspectives on discrimination. This incisive textbook prepares students of machine learning to do quantitative work on fairness while reflecting critically on its foundations and its practical utility.• Introduces the technical and normative foundations of fairness in automated decision-making• Covers the formal and computational methods for characterizing and addressing problems• Provides a critical assessment of their intellectual foundations and practical utility• Features rich pedagogy and extensive instructor resources

An exploration of the dramatic transformation of London’s financial district after 1945, viewed at four spatial scales: city, street, facade, interior.In The City in the City, Amy Thomas offers the first in-depth architectural and urban history of London’s financial district, the City of London, from the period of rebuilding after World War II to the explosive climax of financial deregulation in the 1980s and its long aftermath. Thomas examines abstract financial ideas, political ideology, and invisible markets as concrete realities; working on four spatial scales—city, street, facade, and interior—the book explores the grand plans, hidden alleys, neo-Georgian elevations, and sweaty dealing floors that have made the financial center work.Moving from politics to sociology, institutions to bodies, development plans to office desks, Thomas unravels the rich entanglements between the structure of the UK’s financial system and the structure of the environment in which it operates. Despite its physical and political centrality, this period of the City’s architectural history occupies an academic lacuna. Longstanding prejudices about developer-led architecture and the real estate industry have obscured the postwar City’s relevance. The book shows how, as currents of local government reform, nation-building, and globalization swept across Britain, the City became an ideological battleground for debates between politicians and financial institutions, real estate developers and architects, preservationists and so-called “proactive” planners throughout the latter half of the century.The City of London is a place steeped in rich cultural and architectural heritage of immense national significance, yet it is also a highly privileged citadel at the core of global financial networks. The City in the City is both a critique and a celebration of this unique and complex place.

What next-generation scholars need to know in order to thrive, and how they can actively participate in shaping the academic research enterprise.The academic research enterprise is highly complex, involving multiple sectors of society and a vast array of approaches. In Demystifying the Academic Research Enterprise, Kelvin K. Droegemeier shows next-generation scholars across all disciplines how to become more productive earlier in their career, as well as how to help shape the academic research enterprise. The topics covered include public perceptions of scholarly work and its use in policy; understanding the big picture of funding and national priorities as well as identifying funding sources; research methods; collecting data and materials; writing grant proposals; publishing results; ethical conduct; bias and peer review; intellectual property and compliance regulations; partnerships and collaboration; diversity, equity, and inclusion; and the future of research.  Droegemeier’s two principal goals are to enhance and accelerate scholars’ understanding of the academic research process and to democratize that understanding, particularly at institutions that traditionally are underrepresented or lack robust resources. While intended for undergraduate and graduate students, postdoctoral scholars, and early career faculty, Demystifying the Academic Research Enterprise is also relevant to mid-career and senior faculty, research administrators, funding organizations, congressional staff, policymakers, and the general public. Droegemeier places scholars in a broader national and international context—not as passive recipients of the existing system but as key actors who actively participate in helping to set priorities, determine policies, drive systemic change, and advance knowledge.

A call for an end to aggressive monetary policy and a return to smart growth from an eminent researcher and former central banker.Central banks took extraordinary measures to stabilize markets and enhance growth after the financial crisis of 2008, but without giving much thought to the long-term consequences. It was a response, Raghuram Rajan argues, that set a dangerous precedent: the more centrals bank did, the more they were expected to do, and the more they ended up doing. Monetary Policy and Its Unintended Consequences looks back at what this meant for where we are now.A former central banker who foresaw the 2008 crisis and wrote a bestselling book about the risks of excessively accommodative monetary policy, Rajan takes a hard look at central bank behavior and its embrace of increasingly aggressive strategies to keep economies afloat. Despite efforts to strengthen markets, the 2020 pandemic showed economies remain as vulnerable as ever to adverse shocks, prompting large-scale interventions that, in the case of Covid, led to persistent inflation and market volatility. By examining these undertheorized outcomes, Rajan hopes central banks will recognize the unintended consequences of using all of the instruments available to them, which will encourage them to return to their core mandates of low inflation and financial stability.Monetary Policy and Its Unintended Consequences is the most thorough account yet of the choices central banks have made to meet the economic challenges of our century and why they must rethink these choices.

An in-depth analysis of how humanity’s compulsion to categorize affects every aspect of our lived experience.The minute we are born—sometimes even before—we are categorized. From there, classifications dog our every step: to school, work, the doctor’s office, and even the grave. Despite the vast diversity and individuality in every life, we seek patterns, organization, and control. In Categories We Live By, Gregory L. Murphy considers the categories we create to manage life’s sprawling diversity. Analyzing everything from bureaucracy’s innumerable categorizations to the minutiae of language, this book reveals how these categories are imposed on us and how that imposition affects our everyday lives.Categories We Live By explores categorization in two parts. In part one, Murphy introduces the groundwork of categories—how they are created by experts, imperfectly captured by language, and employed by rules. Part two provides a number of case studies. Ranging from trivial categories such as parking regulations and peanut butter to critical issues such as race and mortality, Murphy demonstrates how this need to classify pervades everything. Finally, this comprehensive analysis demonstrates ways that we can cope with categorical disagreements and make categories more useful to our society.

An ambitious vision for design based on the premise that data is material, not abstract.Data analysis and visualization are crucial tools in today's society, and digital representations have steadily become the default. Yet, more and more often, we find that citizen scientists, environmental activists, and forensic amateurs are using analog methods to present evidence of pollution, climate change, and the spread of disinformation. In this illuminating book, Dietmar Offenhuber presents a model for these practices, a model to make data generation accountable: autographic design.Autographic refers to the notion that every event inscribes itself in countless ways. Think of a sundial, for example, a perfectly autographic device that displays information on itself. Inspired by such post-digital practices of visualization and evidence construction, Offenhuber describes an approach to visualization based on the premise that data is a material entity rather than an abstract representation. Emerson wrote, “Every act of the man inscribes itself in the memories of his fellows, and in his own manners and face.” In Autographic Design, Offenhuber introduces a model for design that emphasizes traces, imprints, and self-inscriptions, turning them into sensory displays.In an age where misinformation is harder and harder to identify, Autographic Design makes an urgent and persuasive case for a different approach that calls attention to the production of data and its connection to the material world.

How the image collection, organized and made available for public consumption, came to define a key feature of contemporary visual culture.The origins of today’s kaleidoscopic digital visual culture are many. In this book, Diana Kamin traces the sharing of photographs to an image economy developed throughout the twentieth century by major institutions. Picture-Work examines how three of these institutions—the New York Public Library, the Museum of Modern Art, and the stock agency H. Armstrong Roberts Inc.—defined the public’s understanding of what the photographic image is, while building vast collections with universalizing ambitions. Highlighting underexplored figures, such as the first rights and reproduction manager at MoMA Pearl Moeller and visionary NYPL librarian Romana Javitz, and underexplored professional practices, Diana Kamin demonstrates how bureaucratic work communicates ideas about images to the public.Kamin artfully shows how the public interfaces with these image collections through systems of classification and protocols of search and retrieval. These interactions, in turn, shape contemporary image culture, including concepts of authorship, art, property, and value, as well as logics of indexing, tagging, and hyperlinking. Together, these interactions have forged a concept of the image as alienable content, which has intensified with the advent of digital techniques for managing image collections. To survey the complicated process of digitization in the nineties and early aughts, Kamin also includes interviews with photographers, digital asset management system designers, librarians, and artists on their working practices.

An in-depth look at genetic alteration in the natural world and the oppositions to it, seen through the case study of a gene drive for malaria.May We Make the World? is an engaging reflection on the history, nature, goal, and meaning of using a new technological idea—CRISPR-based genetic engineering—to alter the genome of the mosquito that carries malaria. This technology, called a “gene drive,” can alter the sex ratio in Anopheles gambiae mosquitoes, the key vector for the deadliest form of malaria, falciparum. Falciparum kills 400,000 people a year, and among those, largely the poorest children in the world. In her sobering examination of the issue, Laurie Zoloth considers the leading ethical arguments for and against gene drives, explores the regulatory efforts that have emerged long in advance of the science, and considers the philosophical questions raised by the struggle to eliminate malaria.The development of a gene drive for malaria will have far-reaching implications, for it represents the first use of genetic engineering of the natural world and the first creation of a genetic variant intended to spread in the African wild, beyond human control. Drawing on two decades of work, Zoloth brilliantly argues that we can understand the complex moral issues at stake only by carefully reflecting on the science, the nature of the local and global discourse about genetic engineering, and the long history of malaria, which—as it transformed from a worldwide disease to a tropical one—reshaped the world as we know it.

An ethnographic and community-engaged study of the class, caste, and gender politics of environmental mobilizations around Bengaluru, India’s discards.In Recycling Class, Manisha Anantharaman examines the ideas, flows, and relationships around unmanaged discards in Bengaluru, India, itself a massive environmental problem of planetary proportions, to help us understand what types of coalitions deliver social justice within sustainability initiatives. Recycling Class links middle-class, sustainable consumption with the environmental labor of the working poor to offer a relational analysis of urban sustainability politics and practice. Through ethnographic, community-based research, Anantharaman shows how diverse social groups adopt, contest, and modify neoliberal sustainability’s emphasis on market-based solutions, behavior change, and the aesthetic conflation of “clean” with “green.”  Tracing garbage politics in Bengaluru for over a decade, Anantharaman argues that middle class “communal sustainability” efforts create new avenues for waste picker organizations to make claims for infrastructural inclusion. Coproduced “DIY infrastructures” serve as sites of citizenship and political negotiation, challenging the technocratic and growth-based logics of dominant sustainability policies. Yet, these configurations reproduce class, caste, and gender-based divisions of labor, demonstrating that inclusion without social reform can reproduce unjust distributions of risk and responsibility. Revealing the “win-win” fallacy of sustainability and foregrounding the agency of communities excluded from environmental policy, Recycling Class will appeal to scholars and activists alike who want to create a future with more transformative sustainability.

The first collection of its kind to explore the diverse and global history of psychedelics as they appealed to several generations of researchers and thinkers.Expanding Mindscapes offers a fascinatingly fluid and diverse history of psychedelics that stretches around the globe. While much of the literature to date has focused on the history of these drugs in the United States and Canada, editors Erika Dyck and Chris Elcock deliberately move away from these places in this collection to reveal a longer and more global history of psychedelics, which chronicles their discovery, use, and cultural impact in the twentieth century.The authors in this collection explore everything from LSD psychotherapy in communist Czechoslovakia to the first applications of LSD-25 in South America to the intersection of modernism and ayahuasca in China. Along the way, they also consider how psychedelic experiments generated their own cultural expressions, where the specter of the United States may have loomed large and where colonial empires exerted influence on the local reception of psychedelics in botanical and pharmaceutical pursuits.Breaking new ground by adopting perspectives that are currently lacking in the historiography of psychedelics, this collection adds to the burgeoning field by offering important discussions on underexplored topics such as gender, agriculture, parapsychology, anarchism, and technological innovations.

An expert introduction to the world of “playful wearables” and their design, with a wide range of engaging examples, case studies, and exercises.This pioneering introduction to the world of wearable technology takes readers beyond the practical realm (think Fitbits, Apple watches, and smart glasses) to consider another important side of the technology—the playful. Playful Wearables offers an engaging account of what “playful wearables” are, why they matter, how they work, how they’re made, and what their future might hold. The book’s authors—Oğuz Buruk, Ella Dagan, Katherine Isbister, Elena Márquez Segura, and Theresa Jean Tanenbaum—draw on decades of experience in design, development, and research to offer real-world examples, exercises, and implications, showing how this kind of wearable tech can introduce an invaluable element of play into our everyday lives.As wearable technology emerges in the ecology of costume and fashion, the authors consider its intimate connection to identity and culture. And they look at the ways in which playful wearables, when smoothly integrated into everyday social experiences, support social interaction. The book then moves on to the mechanics of playful wearables—from design strategies and frameworks to specific methods and game design patterns—the building blocks for great playful, wearable designs. All of these elements point to possibilities beyond the realm of games and dedicated play, as the value and uses of playful wearables in the larger world of self, society, and culture become ever more apparent.