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This edition is a fully illustrated reprint of the 1904 publication by Aleister Crowley and Samuel Liddell MacGregor Mathers. This edition of The Lesser Key of Solomon the King contains all of the over 150 seals, sigils, and charts of the original lesser book of Solomon. Beware of other editions that do not contain the Lesser Key of Solomon seals; they were painstakingly researched by Mathers and Crowley, and Solomon’s lesser key is enhanced by their inclusion. This edition also contains Crowley’s original comments located in over 35 annotations to help the reader understand the lesser keys of Solomon the king.In this work, Crowley and Mathers assemble descriptions and directions for the invocation of over 72 demons or spirits. Included are: illustrations of Solomon’s Magic Circle & Triangle, Enochian translations of the Goetia book, step by step guides for invocation, as well as definitions and explanations for the ancient terms seen throughout the Lesser Key of Solomon book.The Lesser Key of Solomon, or the Clavicula Salomonis Regis, or Lemegeton, is a compilation of materials and writings from ancient sources making up a text book of magic or “grimoire.” Portions of this book can be traced back to the mid-16th to 17th centuries, when occult researchers such as Cornelius Agrippa and Johannes Trithemisus assembled what they discovered during their investigations into their own great works.As a modern grimoire, the Lesser Key of Solomon has seen several editions with various authors and editors taking liberty to edit and translate the ancient writings and source material. In 1898, Arthur Edward Waite published his The Book of Black Magic and of Pacts, which contained large portions of the Lemegeton. He was followed by Mathers and Crowley in 1904 who published The Goetia: The Lesser Key of Solomon. Many others have assembled their own version of this ancient material since, and it is important to realize that it is the contents rather than the book itself that make up the Lesser Key. Traditionally, the source material is divided into five books: Ars Goetia, Ars Theurgia Goetia, Ars Paulina, Ars Almadel, and Ars Notoria. Mathers and Crowley indicate their edition is a translation only of the first book: Goetia.In the preface to this edition, it is explained that a “Secret Chief” of the Rosicrucian Order directed the completion of the book. The original editor was a G. H. Fra. D.D.C.F. who translated ancient texts from French, Hebrew, and Latin, but was unable to complete his labors because of the martial assaults of the Four Great Princes. Crowley was then asked to step in and finish what the previous author had begun. Traditionally, S. L. MacGregor Mathers is credited as the translator of this edition, and Crowley is given the title of editor. Although impossible to verify, it is often claimed that Mathers did not want to publish this work, but Crowley did so anyway without his permission.

The Lesser Key of Solomon, a masterpiece penned by the renowned author Aleister Crowley, is an intriguing exploration that will leave readers spellbound. Published in 2016 by MOCKINGBIRD PR, this book has carved a unique niche in its genre. The Lesser Key of Solomon transcends the mundane, delving into the mystical and the arcane. Crowley’s mesmerizing narrative and profound understanding of the subject make it a must-read. The book, a remarkable blend of knowledge and storytelling, is a testament to Crowley's literary prowess. Published by MOCKINGBIRD PR, it stands as a beacon of excellence in literature. Dive into the captivating world of The Lesser Key of Solomon and experience a journey like no other.

Complete and unabridged with all original illustrations.The Collected Works of Ingersoll Lockwood: The Baron Trump Novels & 1900; Or, The Last President, have seen a resurgence in interest since Donald Trump's election to President of the United States in 2016. All of these titles were written before the turn of the 20th Century, but both contain eerie similarities with modern day political events. For the first time, all the works are presented in a single volume so readers can decipher for themselves whether Lockwood's words were a telling of things to come, or just a curious coincidence of American literature.In the 1890s, Ingersoll Lockwood authored a series of children's books about the escapades of his character, the young Baron Trump: Travels and Adventures of Little Baron Trump and his Wonderful Dog Bulger, and Baron Trump's Marvellous Underground Journey. The series followed a literary trend of the time, which had child protagonists adventuring to enchanted lands and encountering fantastic beings. Lewis Carroll's Alice in Wonderland, and L. Frank Baum's The Wonderful Wizard of Oz are two famous examples of this genre.Lockwood's Baron is an aristocratic youth bored with his life of luxury in Castle Trump. Searching for adventure, Baron travels to Russia to discover an underground world beneath his feet. He journeys downward and finds himself lost in peculiar settings surrounded by the strange inhabitants of this new world. The stories follow his adventures and eventual struggle to find his way back to the surface he left behind.The Baron Trump novels were obscured by the more successful children's books of the time. Lockwood's tall tales seemed destined for the literary dust bin, but the election of Donald Trump in 2016 renewed interest in these works due to the President's youngest son's name: Barron Trump. Now, back in print, the Baron Trump series is enjoying considerable interest and success.In 1900; Or, The Last President, Ingersoll Lockwood paints a picture of a politically charged New York City, where a political outsider has overcome stiff opposition to be elected President of the United States. Mob rule threatens, and marching protests rove up and down Fifth Avenue. The scene is an uncanny reflection of what happened as Donald Trump spent his days as President Elect holed up in Trump Tower on Fifth Avenue as he awaited his inauguration.

Love Gratitude (1952) is a collection of two essays by Joel S. Goldsmith, a mystical teacher, spiritual healer, and writer. Goldsmith was the creator of a set of principles called "The Infinite Way," which taught that man's nature was to be one with God and to express His infinite power and love.Joel S. Goldsmith (b. 1982, d. 1964) was born in New York City to non-practicing Jewish parents. He began his career as an apprentice in his father's import business, which gave him the opportunity to travel extensively. The great poverty and suffering that he encountered throughout the world, along with the horrors of war that he experienced as a Marine during World War I, set him on a search for universal truth. He began to study spiritual texts, including those of ancient Greece, Southeast Asia, and Aramaic-speaking cultures.While returning home from an international trip in the 1920s, Goldsmith contracted pneumonia on the ocean crossing. A Christian Science practitioner among the other passengers is said to have healed him. Soon after, Goldsmith found strangers approaching him on the street, asking for healing and prayer, which he was able to provide. Goldsmith turned to the Christian Science Church for explanations about this new healing ability. He remained with the church for 16 years but eventually grew disillusioned with organized religion. After leaving Christian Science, Goldsmith began writing his own thoughts and developing his spiritual philosophy. But even as his books grew in popularity, he resisted any attempts to organize his views into a formal religion, which he felt would obscure the original meaning of his spiritual message. This work is a compilation of two of Goldsmith's essays, titled Love and Gratitude. Through seven short sections, Love explores how love flows around us and through us. We can "Open the avenues of Love through each other by not looking to each other for it but by looking to God for it." When we expect something in return for an expression of love, we demonstrate only human love, a poor facsimile of the real thing. But when we expect no return for the outpouring of our love, when we accept that "whatever of Love you express is God expressing Itself and so you need not expect a return from it, from that time you enter an entirely new consciousness of life..."The second essay, Gratitude, teaches that gratitude, like love, is "God expressing Itself through man as man." Goldsmith argues that it is impossible to express gratitude "without expressing some degree of God while you are BEING grateful, for Gratitude is of God...not of man."We often think of gratitude as feeling appreciation for benefits or blessings. But as gratitude is not of man, "Gratitude is really a form of God activity or God expression. It is, therefore, true that ONLY God can express Love...ONLY God can express Gratitude. We can only be the vehicles through which God pours Itself as Love or as Gratitude." Gratitude is said to have been a divine message that was delivered directly to Goldsmith. The principles taught in Love, Gratitude are part of Goldsmith's "Infinite Way," his spiritual and religious philosophy. While he wrote several books on the subject, there is still no organization or formal structure surrounding his teachings, in keeping with his wishes.

In this warm and humorous story of mothers, daughters and absent fathers, young Honey Barkin leaves her unconventional family determined to live an independent life, but a few careless choices later finds herself all too alone on the gritty streets of Los Angeles. Armed with misguided confidence she goes from a lusty schoolmate crush to a seemingly exciting and adult affair with a middle-aged man, then drifts into a precarious foothold in a Silver Lake hipster household. Each is fun while it lasts but when things go awry, she doggedly tries to muddle along, counting on others to help her, without realizing just how dark life can become. With each setback she becomes ever more vulnerable to the consequences of her misguided choices. Finally unable to turn to anyone for help - her friends and family kept at arm's length, and she and her mother estranged by their secrets - she finds within herself what she needs to survive, discovering her own ingenuity and strength just when she has nearly lost everything.

The Collected Writings of Edward Leedskalnin is a compilation of two of Leedskalnin's works, Magnetic Current and A Book in Every Home. This eccentric sculptor and amateur scientist devoted most of his life to creating a large complex of megalithic stones that he quarried and carved himself. Edward Leedskalnin was born in Latvia in 1887. Although he only received formal education up to the fourth grade, he was very inquisitive and spent a large part of his youth reading. He was said to be a sickly boy and grew into a small man-reportedly measuring just 5 feet tall and weighing 100 lbs. At age 26, he was engaged to marry a 16-year-old girl named Agnes Skuvst, but the wedding was called off. Accounts differ, some claiming the wedding was canceled the day before it was scheduled and others saying that Leedskalnin was jilted at the altar. Regardless, he was heartbroken and shortly after emigrated to America. After reaching New York in 1912, he continued on to Oregon where he worked for an ax-handle manufacturer. By 1923, he had contracted tuberculosis. The illness prompted him to move to a warmer climate for his health. He chose Florida, where he purchased an undeveloped acre of land in Florida City. It was on this modest plot that he began Rock Gate (later renamed Coral Castle). This ambitious project involved extracting enormous pieces of oolite stone from his land, moving them into position, and carving them-entirely alone. The pieces include sculptures and carved stone furniture, as well as a two-story tower that served as his living quarters. The project was devoted to his "Sweet Sixteen," the woman who had rejected him many years earlier.Due to the scale of the project, some have dubbed it "Florida's Stonehenge." While it's unclear how Leedskalnin was able to complete it, it is all the more impressive considering his small stature and questionable health. When he wasn't hewing or carving stone, Leedskalnin was also conducting experiments and writing. His first published work was a pamphlet titled A Book in Every Home, published in 1936. The book is divided into three parts, with the first section focusing on Leedskalnin's views on relationships and education. In the second section, Leedskalnin offers his opinions on domestic arrangements and the raising of children. And in the third, he shares his views on voting and the role of government, advocating that "the weaklings" should not be allowed to vote. Leedskalnin also spent two years testing magnets and recording his findings from Rock Gate. These experiments would form the basis of Magnetic Current, published in 1945. In the book, Leedskalnin argues that electricity and magnetism are not separate phenomena but are instead two aspects of the same fundamental force, which he calls "magnetic current." He also proposes a new model of atomic structure and suggests that the fundamental particles of matter are tiny magnets that are constantly in motion.Leedskalnin presents a variety of experiments throughout the book, many of which involve the manipulation of magnetic fields using simple items like various magnets, car batteries, light bulbs, and coils of wire. He believed that his discoveries could provide insights into the mysteries of the universe, including the relative positions of the celestial bodies.Both works demonstrate Leedskalnin's unique view of the world and his eccentric personality. While some of his ideas may be seen as outdated or controversial, the books offer an intriguing glimpse into the mind of a self-taught philosopher and inventor who had a unique perspective on the world around him.

The Collected Writings of Edward Leedskalnin is a compilation of two of Leedskalnin's works, Magnetic Current and A Book in Every Home. This eccentric sculptor and amateur scientist devoted most of his life to creating a large complex of megalithic stones that he quarried and carved himself. Edward Leedskalnin was born in Latvia in 1887. Although he only received formal education up to the fourth grade, he was very inquisitive and spent a large part of his youth reading. He was said to be a sickly boy and grew into a small man-reportedly measuring just 5 feet tall and weighing 100 lbs. At age 26, he was engaged to marry a 16-year-old girl named Agnes Skuvst, but the wedding was called off. Accounts differ, some claiming the wedding was canceled the day before it was scheduled and others saying that Leedskalnin was jilted at the altar. Regardless, he was heartbroken and shortly after emigrated to America. After reaching New York in 1912, he continued on to Oregon where he worked for an ax-handle manufacturer. By 1923, he had contracted tuberculosis. The illness prompted him to move to a warmer climate for his health. He chose Florida, where he purchased an undeveloped acre of land in Florida City. It was on this modest plot that he began Rock Gate (later renamed Coral Castle). This ambitious project involved extracting enormous pieces of oolite stone from his land, moving them into position, and carving them-entirely alone. The pieces include sculptures and carved stone furniture, as well as a two-story tower that served as his living quarters. The project was devoted to his "Sweet Sixteen," the woman who had rejected him many years earlier.Due to the scale of the project, some have dubbed it "Florida's Stonehenge." While it's unclear how Leedskalnin was able to complete it, it is all the more impressive considering his small stature and questionable health. When he wasn't hewing or carving stone, Leedskalnin was also conducting experiments and writing. His first published work was a pamphlet titled A Book in Every Home, published in 1936. The book is divided into three parts, with the first section focusing on Leedskalnin's views on relationships and education. In the second section, Leedskalnin offers his opinions on domestic arrangements and the raising of children. And in the third, he shares his views on voting and the role of government, advocating that "the weaklings" should not be allowed to vote. Leedskalnin also spent two years testing magnets and recording his findings from Rock Gate. These experiments would form the basis of Magnetic Current, published in 1945. In the book, Leedskalnin argues that electricity and magnetism are not separate phenomena but are instead two aspects of the same fundamental force, which he calls "magnetic current." He also proposes a new model of atomic structure and suggests that the fundamental particles of matter are tiny magnets that are constantly in motion.Leedskalnin presents a variety of experiments throughout the book, many of which involve the manipulation of magnetic fields using simple items like various magnets, car batteries, light bulbs, and coils of wire. He believed that his discoveries could provide insights into the mysteries of the universe, including the relative positions of the celestial bodies.Both works demonstrate Leedskalnin's unique view of the world and his eccentric personality. While some of his ideas may be seen as outdated or controversial, the books offer an intriguing glimpse into the mind of a self-taught philosopher and inventor who had a unique perspective on the world around him.

Mary Howitt's classic 19th Century poem, "The Spider and the Fly," warns its young readers against the danger of flattery and evil counsel. In her famous tale, the flitting Fly is overwhelmed by the cunning Spider, due in part to the Spider's deception, but also because of the Fly's own sins of vanity and naivety. The poem is told in an engaging rhyme and rhythm and is colorfully illustrated by Ukrainian artist Yelyzaveta Anysymova. This edition of Howitt's tale of moral hazard is a great addition to any child's bookshelf.Mary Howitt (1799-1888) was an English author of over 180 books, many written for children. Among her literary accomplishments were her translations of many tales by Hans Christian Andersen and her work as an editor on the Fisher's Drawing Room Scrap Book. She was recognized and rewarded for her life's work with a silver medal from the Literary Academy of Stockholm and a Civil List Pension from the United Kingdom.Yelyzaveta Anysymova is a self-taught children's book artist from Ukraine. She draws inspiration from the people and beauty of her hometown of Zaporizhzhia.

Paperback volume containing G.K. Chesterton's great companion apologies Heretics & Orthodoxy. Gilbert Keith Chesterton has become synonymous with modern Christian apologetics. But his impact goes beyond just those interested in a defense of Christian thought. His writings have influenced such diverse authors as C.S. Lewis, Marshall McLuhan, and Jorge Luis Borges, and remains a subtle and unseen presence in contemporary Catholic thought. At his funeral, Ronald Knox said "All of this generation has grown up under Chesterton's influence so completely that we do not even know when we are thinking Chesterton." Before his conversion from atheism to knowing God, C.S. Lewis, the author of Mere Christianity & The Great Divorce, said "in reading Chesterton, as in reading MacDonald, I did not know what I was letting myself in for. A young man who wishes to remain a sound atheist cannot be too careful of his reading. There are traps everywhere -" Chesterton wrote in a time when materialism and new forms of political theory were soon to cause havoc in the western world. His was a voice calling for restraint - pointing back to the fundamentals of Christian doctrine, the purpose and value of which was being lost in the noise and commotion of the post industrial age. Describing the rush towards less familiar and attractive ideologies, Chesterton wrote: "In the matter of reforming things, as distinct from deforming them, there is one plain and simple principle; a principle which will probably be called a paradox. There exists in such a case a certain institution or law; let us say, for the sake of simplicity, a fence or gate erected across a road. The more modern type of reformer goes gaily up to it and says, 'I don't see the use of this; let us clear it away.' To which the more intelligent type of reformer will do well to answer: 'If you don't see the use of it, I certainly won't let you clear it away. Go away and think. Then, when you can come back and tell me that you do see the use of it, I may allow you to destroy it.'" Chesterton was a man who continually showed us the use of orthodoxy in Christianity - most of all in his three great apologies: Heretics, Orthodoxy & The Everlasting Man. In Heretics, he first points to the flaws in the beliefs of the moderns. In Orthodoxy, he defends the values handed down through millennium of Christian dogma. In The Everlasting Man, he tells the grand story of Christianity itself and the often ignored miracle of its appearance in the life of man. Chesterton was a great debater, often trading blows with modern thinkers such as George Bernard Shaw, H.G. Wells, Bertrand Russell and Clarence Darrow. He became known as the "prince of paradox," He was also a prolific writer, producing biographies on St. Augustine and St. Francis, and touched on many of the varieties of religion in his writings. He wrote fiction as well, authoring the famous Father Brown books and the Man Who Was Thursday. Chesterton was certainly not the imitation of Christ in his personal life. A large man fond of food and drink, he was almost childlike in wonder of the magic of the world, while expressing the wit of an ancient. He gave no secret doctrine or systematic theology, but his "goodness" and basic "common sense" led many to the Church. One commenter stated: first you read C.S. Lewis, then Chesterton, then you become Catholic. Despite his less than temperate life, he is now under investigation by the Church for Beatification: such was his impact.