Bøger udgivet af Monacelli Press

This volume - investigating the work of a particular photographer, in this case, Mathew Brady - comprises a 4000-word essay by an expert in the field, 55 photographs presented chronologically, each with a commentary, and a biography of the featured photographer.

Introduces an original take on floral design that teaches us to see the world anew

A collection of nine contemporary homes by architect Celeste Robbins, who imbues her modern designs with warmth and emotion

Over 30 landmark legal cases, from 1973 to 2023, that mark the most impactful and significant milestones in LGBTQ history

MVVA¿s 23-year story of transforming 85 acres of Brooklyn waterfront into parkland that reconnects New Yorkers to the East River

Celebrates the Du Pont family heritage of land stewardship and horticultural creativity

The first monograph of interior designer Nina Magon, featuring the glamorous spaces that have made her sought-after by a jet-set clientele

The legendary Schumacher design house presents an inspiring interiors survey exploring the versatile and transformative use of blue and white

A definitive and timely monograph celebrating the work of ground-breaking conceptual artist Cerith Wyn Evans Cerith Wyn Evans is one of today's most respected and acclaimed sculptors. Born in Wales and educated through his first language of Welsgh, his work reflects his fascination with literature, film, music, and philosophy. Evans is an artist interested in language and how this can be perceived in spatial terms. Originally an experimental filmmaker, in the 1990s Evans started creating sculptures and installations defined by poetic conceptualism and elegant aesthetic forms. Often made of neon light, his pieces subtly disrupt existing systems of communication, either through the subversion and alteration of given spatial forms or by adopting a communal rather than a singular, authoritarian voice. In 2003 Evans represented Wales at the country's inaugural pavilion at the 50th Venice Biennale. This book, the first comprehensive study dedicated to his work, includes contributions by luminaries such as the former Guggenheim Chief, Nancy Spector and the 2011 Venice Biennale director, Daniel Birnbaum, together with a previously unpublished text by Evans himself.

The Nutshell Studies of Unexplained Death offers readers an extraordinary glimpse into the mind of a master criminal investigator. Frances Glessner Lee, a wealthy grandmother, founded the Department of Legal Medicine at Harvard in 1936 and was later appointed captain in the New Hampshire police. In the 1940s and 1950s she built dollhouse crime scenes based on real cases in order to train detectives to assess visual evidence. Still used in forensic training today, the eighteen Nutshell dioramas, on a scale of 1:12, display an astounding level of detail: pencils write, window shades move, whistles blow, and clues to the crimes are revealed to those who study the scenes carefully. Corinne May Botz's lush color photographs lure viewers into every crevice of Frances Lee's models and breathe life into these deadly miniatures, which present the dark side of domestic life, unveiling tales of prostitution, alcoholism, and adultery. The accompanying line drawings, specially prepared for this volume, highlight the noteworthy forensic evidence in each case. Botz's introductory essay, which draws on archival research and interviews with Lee's family and police colleagues, presents a captivating portrait of Lee.

" A fascinating look at an extraordinary collection of ceramic masterpieces by celebrated French ceramicist Ernest Chaplet. Over the last forty years, architect and collector Peter Marino has acquired a remarkable collection of pieces by French ceramicist, Ernest Chaplet. This collection is a precious testimony of a rare production - a new line of ceramics created by Chaplet in 1883 for the Limoges-based factory Haviland & Co. Ernest Chaplet sheds deserved light on this great artist, whose career exemplifies the evolution of artistic ceramics at the turn of the 20th century, and whose work entered the collections of many museums during his lifetime."

Reimagining: New Perspectives features more than 120 of the latest acquisitions by the UBS Art Collection, one of the largest and most important corporate collections in the world.Inspired by a recent UBS Art Gallery exhibition of the same name, this book features works by acclaimed artists who offer new and diverse perspectives based on their distinct backgrounds and experiences, inviting us to reimagine our world. With an accompanying essay by Global Head of the UBS Art Collection, Mary Rozell, this unique survey of works acquired in the past years provides a rare insight into the acquisition direction of the preeminent global collection.Reimagining: New Perspectives will be exclusively launched to the art world at the Art Basel Miami Beach exhibition in December 2022 and will be featured at forthcoming prestigious art events in 2023.

Surrealist artist, muse of Man Ray, photographer, fashion model and Vogue war correspondent - Lee Miller defies categorization. Beginning her career as a Condé Nast model in 1920s New York, she made the unprecedented transition from one side of the lens to the other, creating stunning photos that imbued fashion with surrealist wit and whimsy.

Elegantly luxurious presentation of the residential work of Thomas Kligerman, an architect renowned for skillful integration of contemporary flair into traditional designs.As a full career monograph, the book will feature iconic Kligerman houses built over the past twenty years and current projects that demonstrate the evolution of his architectural thinking. This will be a 'deep dive' into the design process, illustrated by sketches and renderings as well as finished photography.An introduction by Architectural Digest design editor Mitchell Owens will provide an overview of the trajectory while Kligerman's own essay will focus on his interest in developing a truly American style that reflects both the Puebloan style of the Southwest and the shingle style that has prevailed in along the East Coast since the late nineteenth century.Kligerman designs only single-family houses, and his clients have beautiful sites in the Hamptons and throughout New England with a few on the West Coast and in Texas. He is deeply steeped in the history of European and American domestic architecture and wonders whether there is (or can be) an American house paradigm. He grew up in Connecticut and New Mexico so the two strands that he draws on most art the solid adobe forms of Puebloan style and the lighter, more open shingle style. He also considers West Coast architects like Bernard Maybeck and English arts and crafts designers like Vosey and Lutyens. Rather than looking at single, specific precedents and adapting them for contemporary life, Kligerman tries to incorporate multiple strands to come up with something new 'to move the needle forward' as he says.

Long known as an enclave for the wealthy and glamorous, today the Hamptons and nearby coastal communities have become a haven of seaside modernism. New Hamptons Houses showcases houses that reflect the area's design history and strong affinity for its landscape.There are few places in the United States that have experienced as many waves of American modernism as Long Island's East End. In New Hamptons Houses, author David Sokol explores the latest architectural experiments taking place in New York's legendary summer retreat. With contemporary design increasingly mainstream in the region, the seventeen residences featured here reflect modernism's spread across not just the Hamptons but up-and-coming destinations like Bellport and Montauk, Greenport and Mattituck. Yet perhaps more important, the houses featured here represent a shift away from the image of conspicuously sprawling properties for the elite; these projects return to modernism's founding principles, shun Instagrammable spectacle, and steward the East End's increasingly fragile landscape.These houses interface with the seaside landscape in ways that that reference the Hamptons' rich design history and sensitively highlight Long Island's famed natural beauty. Some are renovations and additions to houses by famed twentieth century modernists like Andrew Geller, Charles Gwathmey, and Norman Jaffe, and leading offices such as Bates + Masi, Young Projects, and Ryall Sheridan Architects represent the contemporary approach to twenty-first century regionalism. New Hamptons Houses presents these and numerous other examples of design-forward residences that are responsive to terrain, building vernacular, and cultural legacy.

Fifth Avenue encapsulates the architectural and social history of New York's most elegant and glamorous street in six walks that guide readers from the Washington Square Arch in Greenwich Village to Marcus Garvey Park in Harlem.Fifth Avenue offers readers an architectural tour of Fifth Avenue, stopping at the city's major monuments - the Empire State Building, Rockefeller Center, Saint Patrick's Cathedral - as well as the luxurious glamour of Tiffany's, Cartier, and the Plaza Hotel and the art treasures of Museum Mile. Through six structured walks, the book not only presents the history of New York's most famous avenue, but also explores its architecture in depth, block by block, building by building. This is a book about what can be seen and experienced on Fifth Avenue today. Buildings are chosen for discussion first and foremost because they are interesting to look at. In a relaxed and engaging style, the author presents the building's story, explores the reasons why it is there, and explains why it looks the way it does. Along the way, the reader not only has the chance to discover fascinating and unusual buildings, but also gains a comprehensive understanding of the historic, social, economic, and political forces which shaped Fifth Avenue's growth and character.

Irish-born designer Eileen Gray (1878-1976) was an extremely private figure and has remained an elusive subject despite her long-lasting influence. Known primarily for her highly original furniture and interior design, Gray realized nine buildings in her lifetime and recorded more than 45 architectural projects in her archive, although several of her built projects were attributed, until very recently, solely to her collaborator, Romanian architect Jean Badovici.After briefly studying art in London and Paris, Gray settled in Paris in 1907 and began designing sumptuous lacquer furniture, wool carpets, and draperies that reflected the sensual luxury of traditional French decorative arts. Beginning in the mid-1920s, and influenced by the modern movement, she turned to architecture. Her most renowned project, the villa E.1027 on the coast of southern France, interprets Corbusian spatial principles and forms to become a fundamental example of Modernist architecture.This monograph embodies the first ever in-depth study of Gray's entire career, providing a generously illustrated analysis of her early designs as well as her work as an architect beginning in 1926. It draws on a diverse wealth of archival material, plans, drawings and photographs - including many of Gray's own - to place this fascinating individual in the context of contemporary movements in design and architecture as well as twentieth-century social and cultural history in general.

Rocky Mountain Modern is a collection of the most inspiring modern residences in the Rockies, a region with a surprising but deep history of modernist designRocky Mountain Modern presents the most inspiring modern residences set within the stunning landscapes of the Rockies. Perched on cliffsides or nestled into verdant valleys, with expansive picture windows framing breathtaking vistas and natural materials such as wood and stone interpreted in new ways, these striking homes reveal modern living at its best in the mountains. Indeed, modern design has a deep connection to the region: in the 1940s, Aspen, a former mining town in the Colorado Rockies, became an unlikely bastion of modernism, hosting some of the world’s leading designers, including Herbert Bayer, Eero Saarinen, Buckminster Fuller, and Victor Lundy. Over the ensuing decades, a regional modernism developed that blended clean lines, open volumes, and glass walls with the natural features of the rocky landscape and a vernacular that had adapted to the extreme environmental conditions.  Rocky Mountain Modern celebrates this enduring tradition of modernism through the most remarkable residences in the region, designed by such architecture studios as Selldorf Architects, Olson Kundig, and Allied Works in Aspen, Telluride, Vail, Sun Valley, Jackson Hole, and other picturesque locales across the Rocky Mountains, from New Mexico to British Columbia. 

In exquisite gardens inspired by the lush native plants of his adopted home of Miami, landscape artist/architect Raymond Jungles uses nature as a means of self-expression. He is known for modernist groupings of geometric shapes, which highlight the natural aspects of plantings, water features, and native stone. His use of plants, drawn largely from those indigenous to subtropical regions, emphasizes their dramatic sculptural forms. Jungles''s original and inviting green spaces, like those of his mentor, the master landscape architect Roberto Burle Marx, bring the comfort and beauty of nature into built settings.This monograph on the work of Raymond Jungles features more than 20 residential projects. From a rooftop garden 34 stories in the air to a natural setting of ponds and islands surrounding a 1920s residence to an informal green space in the Pearl Islands of Panama, Jungles constructs vibrant spaces that complement the natural environment. His modern vocabulary is on display in beautiful color photographs that document each landscape in both panoramic views and intimate details. Jungles''s own descriptions of each garden address the process of making the landscape as well as the design elements that tie each composition to common experiences of nature.

With increased attention to sustainability and environmental concerns, landscape architects now lead teams of urban planners and architects in developing new outdoor space and reconfiguring existing designs. As the preeminent landscape architecture firm in the United States, Olin is at the forefront of this movement with completed projects across the country and in Europe. The firm was awarded the gold medal of the American Society of Landscape Architects, the profession''s highest honor, in 2006.Well-known for the restorations of Bryant Park behind the New York Public Library and the landscape of the Washington Monument, Olin is also recognized for the dramatic transformation of a derelict, brownfield site into the vibrant Canary Wharf, now the financial center for all Europe, and for the landscape design of the J. Paul Getty Center in Los Angeles and Columbus Circle in New York. The firm has also designed sculpture gardens for the National Gallery of Art in Washington, D.C., and the Toledo Museum of Art in Toledo, Ohio. In dialogues with noted colleagues and collaborators, each of the partners articulates a personal vision and philosophy of landscape and design. Laurie Olin, founding partner, speaks with the poet Michael Palmer, while Susan Weiler reflects on her collaboration with artist Jenny Holzer. Other dialogue participants are Kim Tripp, former director of the New York Botanical Garden; Niall Kirkwood, chair of the landscape architecture department at Harvard; Sean Timmons, founder of Simmons Design Engineering; and Charles Waldheim, a leading proponent of landscape urbanism. Taken together, these conversations provide a unique window into the creative process.

The first book to tell the stories of the most revered living Japanese ceramists of the century in their own words, tracing the evolution of modern and contemporary craft and art in Japan, and the artists' considerable influence, which far transcends national borders. This groundbreaking volume is the first to present conversations with the most important living Japanese ceramic artists of the last century, figures whose unparalleled skill and creative brilliance have lent them an influence that far transcends national borders. Despite forging illustrious careers and earning international recognition, these sixteen artists have customarily been subsumed by their work. Ranging in age from sixty-two to ninety-two, they embody the diverse experiences of several generations who have been active and successful from the late 1940s to the present day, a period of massive change. Now, sharing their stories for the first time, they not only describe their unique processes, inspirations, and relationships with clay, but together trace a seismic cultural shift through a field in which centuries-old but highly exclusionary potting traditions opened to new practitioners and kinds of practices; significantly, the book includes both conversations with artists born into pottery-making families, and the first women admitted to the Tokyo University of the Arts. In the process, Listening to Clay tells a larger story about ingenuity and trailblazing that has shaped contemporary art in Japan and around the world.

Journey high above the world's most unforgettable waterscapes via this stunning collection of aerial photographs by David Ondaatje. Water Views is a breathtaking overview (literally) of the most striking bodies of water from around the world. Photographed with state-of-the-art drone technology by author and filmmaker David Ondaatje, these stunning aerial images range from the picturesque beaches of Carmel-by-the-Sea and Gaviota Beach to the wild coasts of Oregon, placid lakes from Tahoe to Como, the emerald waters of the Bahamas and Belize, the meandering fishing rivers of British Columbia and Montana. Ever-present in this selection, some of which debuted in his recent exhibition at the acclaimed ROSEGALLERY in Los Angeles, is Ondaatje's deep personal affection for solitude, the unspoiled beauty of the nature, coastal water patterns, and fly-fishing in isolated areas. Annotated with behind-the-scenes anecdotes, these photographs take you on a spectacular journey from above as you share Ondaatje's unique first look at some of the most beautiful places in his world, all tied to the compelling and blissful power of water.

This first monograph from New York-based Young Projects explores a new approach to spatial design that combines digital and analog methods at the intersection of exploration and architecture. This monograph introduces the cutting-edge research and work of Young Projects, founded by Bryan Young, where materiality, structure, and form intersect to generate new architectural typologies. The book presents a selection of the practice's most relevant projects: five innovative houses completed between 2015 and 2020 as well as less in-depth looks at other projects that define the practice. Each house serves as a chapter through which Young Projects' broader body of work is explored across scales, illustrated through a rich landscape of drawings, diagrams, renderings, mock-ups, prototypes, and photography. The through-line connecting all chapters is the studio's interest in using ambiguity and anomaly to create novel and accessible spaces, whether for high profile clients like Heidi Klum or a new resort in St Kitts. Young Projects seeks to draw users into immersive spatial experiences that unfold over time, in a manner that is familiar but subtly foreign. This quality of "allure" is a result of a unique and experimental approach to materiality and spatial legibility. These are the threads that tie the work together and have set Young Projects apart as an emerging practice, as well as inform the larger-scale projects the studio undertakes as it enters its second decade. Young Projects' process often begins with simple exercises in making: form-finding experiments they undertake within their Brooklyn studio. Material research has included hand-pulling plaster with an irregular knife, using furniture foam as a casting bed, and forming concrete with palm stems. These experiments, among many others, mine characteristics that are not typically associated with conventional architectural materials and break traditional methodology, allowing for qualities of randomness and spontaneity to enter the process of making. The studio finds that letting go of control (at the right moments) produces results that are often surprising, entirely bespoke, and resist replication.

The only monograph to chronicle the life and work of one of the most important figures in American landscape architecture.Beatrix Farrand, the only female founder of the American Society of Landscape Architects, is one of the most important landscape architects of the early twentieth century. Today the scope of her work and her influence on the profession are widely acknowledged, and her gardens are being studied, restored, and opened to the public. A long-awaited updated edition of the 2009 definitive monograph, Beatrix Farrand: Garden Artist, Landscape Architect chronicles the life and work of one of the most important figures in American landscape architecture. Born into a prominent New York family (she was Edith Wharton's niece), Farrand designed lavish gardens for the leaders of society, including the Harknesses, the Rockefellers, and the Blisses. Ultimately, her portfolio extended to college and university campuses, including Princeton, Yale, and the University of Chicago, and public gardens, the Santa Barbara Botanic Garden and the Rose Garden at the New York Botanical Garden among them. Her best-known design is the landscape at Dumbarton Oaks in Washington, D.C., originally a private residence with extensive grounds and now a research center for Harvard University surrounded by a naturalistic park restored and maintained by the National Park Service. Deeply influenced by the English garden designer Gertrude Jekyll, Farrand was known for broad expanses of lawn with deep swaths of borders planted in a subtle palette of foliage and flowers. In her public work, she adapted this design strategy to create paths and plantings that define the character of the space and the hecirculation through it. Heavily illustrated with archival images and photographs of her gardens at their peak-many taken especially for this book, Beatrix Farrand: Garden Artist, Landscape Architect also displays beautiful watercolor wash renderings of her designs, now preserved at College of Environmental Design of the University of California at Berkeley. The new edition includes updated images that reflect the current state of gardens including the Peggy Rockefeller Rose Garden at the New York Botanical Garden, the International House Courtyard at the University of Chicago, Garland Farm (Farrand's last home and garden, which has recently been restored), Dumbarton Oaks, Dumbarton Oaks Park (which was not included in the first edition), among others. The book concludes with a comprehensive list of Farrand's commissions and the gardens open to the public, providing direction for further study and exploration. It also features a new preface outlining the milestones in research since the first edition's publication, updated details about ownership and renovations of many properties, and a revised bibliography including articles and books published over the past ten years. Published to coincide with the 150th anniversary of Farrand's birth and written by landscape historian and preservation consultant Judith B. Tankard, Beatrix Farrand: Garden Artist, Landscape Architect takes readers on a tour of Farrand's finest works, celebrating her influence on succeeding generations of women landscape architects.

The latest spectacular celebration from Architizer of the most inspiring contemporary architecture from around the globe.The Architizer A+Awards represent 2021's best architecture and products, celebrated by a diverse group of influencers within and outside the architectural community. Entries are judged by more than 400 luminaries from fields as diverse as fashion, publishing, product design, real-estate development, and technology, and voted on by the public, culminating in a collection of the world's finest buildings. Each year, winners are honored in this fully illustrated compendium, and on Architizer.com, the largest online architecture community on the planet. Featuring select A+Award winners, this is the definitive guide to the year's best buildings and spaces.

"A capsule history of American architecture since 1960.”—Wall Street JournalArchitect, historian, and educator Robert A. M. Stern presents a personal and candid assessment of contemporary architecture and his fifty years of practice.For more than fifty years, Robert A. M. Stern has designed extraordinary buildings around the world. Founding partner of Robert A. M. Stern Architects (RAMSA), Stern was once described as “the brightest young man I have ever met in my entire teaching career” by Philip Johnson and recently called “New York City’s most valuable architect” by Bloomberg. Encompassing autobiography, institutional history, and lively, behind-the-scenes anecdotes, Between Memory and Invention: My Journey in Architecture surveys the world of architecture from the 1960s to the present and Robert A. M. Stern’s critical role in it. The book chronicles Stern’s formative years, architectural education, and half-century of architectural practice, touching on all the influences that shaped him. He details his Brooklyn upbringing, family excursions to look at key twentieth-century buildings, and relationships with prominent teachers—Paul Rudolph and the legendary Vincent Scully among them. Stern also recounts the origins of RAMSA and major projects in its history, including the new town of Celebration, Florida, the restoration of Times Square and 42nd Street, 15 Central Park West, Benjamin Franklin and Pauli Murray Colleges at Yale, and the George W. Bush Presidential Center, as well as references the many clients, fellow architects, and professional partners who have peopled his extraordinary career. By turns thoughtful, critical, and irreverent, this accessible, informative account of a life in architecture is replete with personal insights and humor. Stern’s voice comes through clearly in the text—he details his youthful efforts to redraw house plans in real estate ads, his relationship to Philip Johnson, which began at Yale and was sustained through countless lunches at the Four Seasons, his love of Cole Porter and movies from the 1930s and 1940s, his struggle to launch an architecture practice in the 1970s in the midst of a recession, and his complex association with Disney and Michael Eisner. Unsurprisingly, New York City plays a big role in Between Memory and Invention. Stern has a deep commitment to the city and recording its past—he is the lead author of the monumental New York book series, the definitive history of architecture and urbanism from the late nineteenth century to the present—and shaping its future. Though now a global practice, RAMSA residential towers rise throughout Manhattan to enrich the skyline in the tradition of the luxurious apartment buildings of the 1920s and 1930s. Supported by a lively mix of images drawn from Stern''s personal archive and other resources, this much-anticipated memoir is interspersed with personal travel slides, images of architectural precedents and the colleagues that have shaped his thinking, and photographs of the many projects he discusses. With a thoughtful afterword by architectural historian Leopoldo Villardi that delves into Stern’s process of putting together this extraordinary autobiographical work, Between Memory and Invention is a personal candid assessment of a foremost practitioner, historian, instructor, and advocate of architecture today.

The first monograph of highly sought-after interior designer Shawn Henderson, who is renowned for his serene and sophisticated interiors.Collecting fourteen stunning projects by acclaimed interior designer Shawn Henderson, this monograph illustrates how the designer crafts spaces that reflect the lifestyles of his clients, while embodying the serenity and sophistication that have become Henderson''s signature. Presenting his designs for city townhouses and lofts, historic farmhouses and country estates, and modern mountain and beach retreats—including his own West Village apartment and upstate New York country home—Henderson shares the warm, intimate, and harmonious interiors he creates through layered compositions of sculptural lighting and furniture--both custom and vintage--elegant finishes and textures, and exceptional art, all against a refined palette of clean neutrals and moody grays, with clever pops of color.

A priviledged tour of a lavish estate in Greenwich featuring an abundance of garden experiences--formal boxwood and undulating hornbeam hedges, dense woodland, reflecting pools, arbors and follies--and a "ferme ornée" offering organic produce to the community.Sleepy Cat Farm is the vision of one man, Fred Landman, who acquired the handsome Georgian Revival house and grounds in 1994. Deeply committed to the concept of harmony between house and garden, he has dedicated himself to the landscape to create "a garden of which the house could be proud."Collaborating with Greenwich architect Charles Hilton and noted landscape architect Charles J. Stick and drawing inspiration from travels in Europe and Asia, Landman has done just that. The landscape unfolds in a series of garden rooms and pavilions, pathways and pools, statuary and staircases, trees, shrubs and flowerbeds, hillsides and vistas that change daily, monthly, almost minute by minute, as the visitor explores this undulating landscape of surprises, intrigue and unexpected beauty. Names were given to the various aspects: The Golden Path, the Grotto, The Iris Garden, the Spirit Walk, the Perennial Long Border Garden, the Pebble Terrace, the Woodland Walk. Buildings and follies were added, also with storybook names--the Celestial Pavilion, the Barn, the Limonaia, the Chinese Pavilion, the Cat Maze and Arbor. Down the hill from the main house is an working organic farm that supplies produce to the community, a project of Landman''s wife, Seen Lippert, a professional chef who worked with Alice Waters in California before moving East.Landman and Lippert are committed to sharing the beauty that they have created. They are generous in opening the property for charitable events and tours of gardeners and horticultural enthusiasts, particularly through the Open Days program of the Garden Conservancy. As Landman says, "One of my greatest joys is when other people come here and get to experience what I experience every day. The most important thing is that they leave happy."