Bøger udgivet af MOUSSE PUB

The first retrospective on Lars Fredrikson, avant-garde painter, sculptor and sound-art pioneerThis volume presents Swedish artist Lars Fredrikson's (1926-97) drawings, paintings, stainless steel sculptures and sound experiments, including explosives and recorded signals and sounds on electro-sensitive paper.

ISCP resident Sonia Leimer's immersive multimedia installation about the working-class Italian American communityDocumenting Vienna-based Italian artist Sonia Leimer's (born 1977) 2019 exhibition as resident at New York's International Studio & Curatorial Program, Via San Gennaro features her installations of sculptures and video made in collaboration with filmmaker and puppeteer Tony de Nonno.

The curators and creators of some of the most influential exhibitions in recent decades talk about their history-making showsIn this anthology, seven exhibition makers, including Mary Jane Jacob, Alan W. Moore, Seth Siegelaub, Jennifer Winkworth and others lay out the motivations, conditions, logistics and consequences of shows they organized that now stand as icons of structural innovation in terms of site. These exhibitions treat the museum as a studio (with works realized on-site); appear outside the museum (in the landscape, in domestic spaces, in the street, in the sky); and take the form of publishing or broadcasting (in books, online, on television), dispersing or networking (as mail art, or simultaneous happenings in different cities), or interspersing (interventions in the public sphere). This book gets at the core of their innovations--how the shows came to be, and what they became--and brings out the story and character of exhibitions that have, in many cases, already been written about extensively, while mitigating hagiography and historicization.

This book is a three-part report on the long-term collaboration between artist Pope.L and curator Dieter Roelstraete which revolves around issues of connectedness, home, and migration, while addressing art's relationship to knowledge.

Carrier documents the work of Oakland-based artist Mooney, who creates sculptures and site-specific installations that are sometimes attached to existing fixtures, and whose (found) components suggest mechanical utility. Published for Mooney's solo exhibition at Kunstverein Braunschweig's Remise, this edition includes texts, a poem, and an artist interview.

Lavender Glass explores how the subjects of growth and formation develop in Zin Taylor's work into a series of conceptual forms surfacing through investigative elements of inquiry, exchange, and abstraction. Copublished with the Southern Alberta Art Gallery in Lethbridge, the monograph gathers nearly a decade of the Canadian artist's multifaceted narrative work across sculpture, installation, artist's books, and writing. A text by Belgian curator and writer Dieter Roelstraete serves as a contextual introduction to a five-day conversation between Roelstraete and Taylor that took place while both were in Chicago. The meandering discussion explores the trail of influence between a work's concept, the language it develops, and the form it produces, as well as the individual pieces or concepts involved; associative links to cooking, music, botany, stones, and the city of Brussels arise along the way. The Belgian graphic designer Boy Vereecken, together with Antoine Begon, developed a sensitive design for the publication, integrating images of Taylor's work into the elongated conversation. The layout functions not only to illustrate the subjects as they are discussed, sometimes literally and other times editorially, but to reflect Taylor's interest in how ideas have a way of developing into visual form as they unfold over a duration¿or a discussion.

1211210 is the first publication devoted entirely to the sculptural installations of Piotr Lakomy (born 1983), with reproductions of his works from 2012 to 2017. The photographs are reproduced on two scales: general views on a scale of 1:10, and details of works at 1:1.

With 365 calendar pages, Revolution Every Day juxtaposes Soviet graphic art--primarily posters from the 1920s and '30s, by artists such as Valentina Kulagina--with works on video and film, including excerpts from Dziga Vertov's films, post-Soviet videos by artists such as Olga Chernysheva and more.

In Reverse is a comprehensive book on the sculptures and sculptural paintings of Glasgow-based artist Michael Wilkinson (born 1965), which are loaded with allusions to political radicalism, Marxist theory, popular music and punk subculture.

New York-based artist Nick Darmstaedter (born 1988) was born and bred in a postmodern age. The Los Angeles transplant, part of the infamous Still House Group, states that gathering and sorting are a crucial part of his practice; he uses a variety of methods to create paintings, installations and sculptures. This is his first monograph.

The first monograph on the intricately worked abstract sculptures of Christiane BlattmannThis monograph presents a selection of works by German artist Christiane Blattmann (born 1983), with illustrations of her sculptures, exhibitions and her studio alongside essays and previously unpublished fiction.

Time after Time, Space after Space, realized in co-production with the Museo del Novecento in Milan, is the first edition of Furla Series, the project that from 2017 sees Fondazione Furla engaged in the realization of exhibitions and events dedicated to some of the most important national and international artists, in collaboration with major Italian art institutions. The partnership with the Museo del Novecento is a unique opportunity to meet past, present, and future that activates a dialogue between the masters of the twentieth century and the protagonists of the contemporary art scene. From this premise comes the idea of reflecting on performativity starting from a relationship with the work of Lucio Fontana, which marked a fundamental point in the recognition of the artistic value of the gesture, paving the way for subsequent spatial and performative research. The book contains an introductory text by the curator of the project and five essays dedicated to each artist that explore their approach to the practice of performance. For each artist is provided an extensive photographic documentation of the performance held in Sala Fontana.

Pena's drawings explore diverse cultural expressions of the bodyWorking since 1993, Portuguese artist Gonçalo Pena (born 1967) has now amassed a vast oeuvre of drawings themed around the human figure in religion, history and ancient mythology. Here, in his third monograph, Pena arranges his works into a narrative continuity across the decades.

The paintings of Georgia Gardner Gray celebrate the gender values of bohemiaNew York-born, Berlin-based artist Georgia Gardner Gray (born 1988) populates her paintings with punks, groupies or street musicians, overturning hierarchies between the sexes. This publication collects her paintings and performance scripts.

Tragedy Machine follows an exhibition of new sculptures, architectural installations and a four-act theatrical production by London-based collective Villa Design Group at the List Visual Arts Center. The group combines design, theater and artistic production with issues of contemporary queer identity.

Resonance explores Sam Fall's (born 1984) recent project in which he hung wind chimes on trees in 12 California National Parks. Falls then made pictures of these chimes marked by the elements.

Tracing the multifaceted career of a famed Italian abstractionistItalian artist Pietro Consagra (1920-2005) favored structured abstraction, and though he is known primarily as a sculptor, he also worked in painting, drawing, writing, jewelry, furniture-making and urban architecture. Accompanying an exhibition in Switzerland, this publication reviews the artist's vast oeuvre from the 1950s to '70s.

A sculptor explores the capacity of "collage" to operate in two and three dimensionsThis volume presents recent and older work by British sculptor Laura Aldridge (born 1978), whose practice incorporates photography, screenprinting, ceramics, fabric and found objects, moving between wall-based reliefs and sculptural installations. Her homely, almost folksy, pastel-colored constructions evoke both playfulness and dislocation.

Swirling abstractions inspired by the Norwegian landscapeNorwegian painter Tyra Tingleff (born 1984) experiments with dripping, spraying, staining and scrubbing to create colorful, swirling abstractions on canvas that reflect the dynamism of light, color and movement, and the immensity of nature in her native Norway.

Feminist multimedia treatments of migration and domestic spaceThis volume accompanies a major survey exhibition for New York-based, Sicilian-born Maria D. Rapicavoli (born 1976), whose oeuvre straddles photography, film and installation, exploring topics such as the layers of colonial relations undergirding crossings between Europe and Africa, and the politics of domestic space during the pandemic.

A multidisciplinary project that considers new ways to inhabit the EarthDeveloped by Portuguese filmmaker Salomé Lamas (born 1987), Gaia is a project that explores the potential for ecologically minded production through a multidisciplinary approach straddling science, technology and the arts. This publication accompanies an eponymous installation and features dialogues with contemporary thinkers in the field.

Charlotte Herzig's first monograph explores human perception through the world of flowersThis publication presents a selection of paintings by Swiss artist Charlotte Herzig (born 1983), whose work is populated with flowers, trees and blossoms. Playing with surface, space and abstract organic forms, Herzig uses the world of flowers to understand how nonhuman systems connect and how we perceive them.

Walking meets art in the life of a Norwegian explorer and collectorThis volume positions the art collection of Erling Kagge (born 1963), the world-renowned Norwegian explorer, against his life as an ambulatory explorer, using the conceit of an imaginary walk from Norway to Italy. It includes examples from his collection by artists including Raymond Pettibon, Isa Genzken, Urs Fischer and others.

A photographic study of Raphael's lesser-known architectural oeuvreHere, luscious color photographs of Raphael's architectural works by Italian photographer Stefano Graziani capture the rich pinks, blacks and ochres of the Chigi Chapel, the Villa Farnesina and more.

A new grimoire of the natural and metanatural sciences, from an award-winning artist duoAccompanying the first major exhibition for the Portuguese artist duo João Maria Gusmão (born 1979) and Pedro Paiva (born 1977), this catalog covers nearly 20 years and 250 works across installation, sculpture, photography, film and editorial/written works.

A comprehensive survey of an Italian sculptor's spatial and acoustic interventionsItalian sculptor Bernhard Rüdiger (born 1964) makes architectural objects and installations that dialogue with history through meticulous spatial and acoustic arrangements. This exhaustive volume chronicles his body of work over the past 35 years, accompanied by texts and interviews with the artist.

On the complex relationship of control and care in Chile's medical systemIn this publication, Italian filmmaker and artist Francesco Bertocco (born 1983) investigates the history of Chilean medicine through video works and a photographic series. This work emphasizes the passage from ancestral knowledge to science, from collective care to individual salvation.

An ingenious interrogation of authorship and mechanical productionItalian artists Marco Mazzi (born 1980) and Elisabetta Porcinai (born 1987) use a machine translator to transform an original text into a work authored by the machine. Here, essays contextualize the work alongside precedents such as Alvin Lucier's I Am Sitting in a Room and Walter Benjamin's "The Task of the Translator."