Bøger udgivet af Museum of New Mexico Press

This book takes a serious and ironic look at popular icons in western American culture -- cowboy boots and masterpieces in western art -- to explore American cultural values and pervasive themes in twentieth century art. Cowboy boots are examined as markers of western life, as works of art, and subjects of works of art. The author has selected stellar examples of boots made by skilled and famous boot makers, including Lucchese, Tony Lama, and C C McGuffin, to offer a counterpoint to the "fine art" more typically considered. He has also selected drawings, paintings, prints, and photographs that reflect the changing attitudes and perceptions of western culture over the past 50 years and raise conceptual issues about western mores and modern life. Featured are works by Barbara Van Cleve, Frederick Hammersley, Bruce Nauman, Hal West, Luis A Jimenez, Jr., and many others whose art define and redefine aspects of Western mythology and culture. The text examines the contemporary art forms that shape the current representation of the cow-boy and the West in modern life and explores the origins of cowboy imagery; the isolation of ranch life; the non-traditional roles of female cobblers; and the depictions of boot wearers (both male and female) as powerful, sexual, and independent.

The Galisteo Basin is an ancient seabed, site of volcanic upheaval. The fertile basin provided temporary hunting and farming grounds for wanderers, and then became the home of Pueblo peoples who survived drought, warfare, disease, and invasion for almost a thousand years before the arrival of the Spanish. Down Country is the history of five centuries of the Southern Tewa Pueblo Indian culture that rose, faltered, reasserted itself, and ultimately, perished in the Galisteo. The basin, twenty-two miles south of Santa Fe, is widely regarded as one of the richest archaeological regions of the country. It is unknown where the Galisteo Basin's very first permanent settlers came from, nor the exact origins of the Tano, or Southern Tewa. The Indians of the northern Rio Grande referred to the basin as the "Down Country Place" or "Place Near the Sun". Into this place the Tano Indians entered about 1250 AD and for three centuries made the place a centre for culture and trade before they were finally expelled by the Spanish in 1782. Their story is a powerful human history that is a microcosm of New Mexico's dramatic, complex history of pre-European settlement and post-Spanish occupation. Renowned writer and Galisteo resident Lucy R Lippard synthesises archaeological and historical research to create this landmark study ten years in the making, weaving together the many viewpoints of a century of study and research. Acclaimed New Mexico photographer Edward Ranney contributes a portfolio of eighty documentary images of the Galisteo Basin's ancient sites, shrines, rock art, and striking landscape.

A comprehensive presentation is given of all the regional styles of cooking from the island nation of the Philippines. All of the cultural influences that make up this country are presented in the cooking, including Asian, Spanish, Muslim, Portuguese, Mexican, and, of course, Filipino.

For the past three decades, artist David Bradley (Minnesota Chippewa) has been a recognized voice from Indian Country, exploring and confronting through his art questions of identity, self-determination, and self-portrait, and bringing to the surface issu

"Third Views, Second Sights" presents 43 pairings of photographs, documenting two periods of geologic and environmental changes to the Western landscape while exploring changing human perceptions of landscape.

A wealth of information about herbal remedies native to the Southwest, infused with wisdom, wit, and personal reminiscences.

In the aftermath of the Mexian Revolution of 1910, artists and intellectuals articulated a new vision for the country's future. Featuring the work of artists such as Rivera, Orozco, Siqueiros, Kahlo, and Izquierdo, Mexican Modern re-examines the multiple identities of Mexican modernism and Mexico's unsurpassed position in the arts during the early twentieth century.

Family photographs, personal possessions, oral histories, and reminiscences poignantly illistrate the storeis of early Jewish immigrants in New Mexico.