Bøger udgivet af New Academia Publishing/ The Spring

This unique collection of writings and interviews highlights the important role that cinema can play for understanding Russian history, politics, culture and society in all phases-Tsarist, Soviet and post-Soviet. This is the book for the Russian movie aficionado - personal, pointed, funny, frank and full of all kinds of inside stories and political folk tales. It is a fascinating window on Soviet/Russian pop culture that only a cultural Marco Polo and fanatical movie-goer like Louis Menashe would even dare attempt. -Hedrick Smith, Pulitzer Prize-winning author of The Russians and The New Russians "Menashe combines an encyclopedic knowledge of Russian history and society of the past 50 years with a broad-ranging and sensitive eye for cinematic meaning and detail." -Anthony Anemone, The New School University "This sparkling collection of film reviews, essays and interviews with filmmakers is a cultural history of Russia over the past 25 years. Highly recommended to everyone interested in Russia and the movies." -Denise J. Youngblood, University of Vermont, and author of Cinematic Cold War: The American and Soviet Struggle for Hearts and Minds. "A great national cinema is explored in its myriad colors and textures. Not a traditional history, the book is an archive of insights captured across years of passionate viewing." -Jerry W. Carlson, The City College and Graduate Center CUNY, host of the popular program, "City Cinematheque." "Menashe allows us to see both Russia's present and her past through his crisp, clear and fresh lens of a true expert who loves the country and its films, but always remains critical enough to see their flaws and merits." -Birgit Beumers, University of Bristol

This book traces the significant history of the U.S. Consular Service, America's principal representation abroad through most its history.This new edition adds the period 1914 to 1924, after which the Consular Service was integrated with the Diplomatic Service to form the present-day Foreign Service of the United States. This volume thus adds the work of the Consular Service through the end of World War I, the Greek disaster in Turkey, and Germany in the early years of the Weimar Republic.Consuls have played an important role in relations between countries from ancient times to the present. Consuls look after the citizens of their respective countries temporarily living elsewhere, and they act as quasi-diplomatic representatives wherever they are located. In this book the author briefly traces the history of consuls from their creation in the Egypt of the Pharaohs to their spread across the sailing routes of the Mediterranean to the rest of the world. The book focuses mainly on the development of the Consular Service of the United States. As a British colony Americans relied on the far-flung British consular system to take care of their sailors and merchants, but after the Revolution they had to scramble to create an American service. While the American diplomatic establishment was confined by protocol to the major capitals of the world, U.S. consular posts proliferated to most of the major ports where the expanding American merchant marine called. Mostly untrained political appointees, each consul was a lonely individual relying on his native wits to provide adequate help to distressed Americans, mainly seamen. As consular appointments were often used as a reward for authors and other talented people, the American Consular Service could boast of such noteworthy members as Nathanial Hawthorne, James Fennimore Cooper, William Dean Howells, Bret Harte, and the cartoonist Thomas Nast. Winston Churchill's grandfather was an American consul, as was Fiorello LaGuardia, later mayor of New York. American consuls played significant roles in the War of 1812, the Mexican War, the Civil War, the Spanish-American War, and World War I and its aftermath."This book is both a historical record and an introduction to the world of American consuls. The description of the early years of the Republic with its raffish, sometimes corrupt consular personalities, its first glimmerings of the political spoils system grow in significance when one considers the modern scandal of political appointee."- Diego Asencio, Assistant Secretary of State for Consular Affairs (1980-1983)"The scholar, the practitioner or even the young American bent on public service will find The American Consul to be a riveting read... Kennedy has documented eloquently the tireless, often selfless and patriotic efforts of the American consuls of yesteryear. He has inspired this reader by making the consul's historic role come alive."- Maura Ann Harty, Assistant Secretary of State for Consular Affairs (2002-2008)

This volume investigates the many important artistic and art historical issues associated with the paintings and writings of the Florentine Agnolo Bronzino (1503-1572). These include his artistic and poetical achievements, with an emphasis on his emblematic drawings and mythological painting. Specifically, his role in the development of new formal portraiture in Mannerism paintings as well as his influence in the foundation of the Florentine Academy. Bronzino was one of the most important cultural figures in Italy during the middle of the sixteenth-century, having achieved prominence as an art critic, poet, decorator and painter. Bronzino's accomplishment in all these capacities have long been the subject of study. It is only recently, however, that scholars have began to recognize the merits and influences of his paintings. Indeed, the focus of the scholarship of the last twenty-five years makes it clear that Bronzino was one of the most prominent court painters and decorators working in Florence and the Marches in the mid-sixteenth-century. In view of the celebrated position of Bronzino as a leading artist of his day, it is time to focus with some care on the most significant artistic, intellectual, cultural, and political forces which affected the origins and development of his mature iconography programs, decorative style, and history of art. This book initially concentrates on how Bronzino's humanist milieu influenced the formal qualities and iconography of his early works, as well as his written commentaries on the arts. Then on Bronzino's the artist and his intellectual strategies in portraiture and decorative paintings, particularly attractive to his demanding patrons and proved to be critical for his sustained influence as an artist and promoter of the arts academy. Finally, it elaborates on the dynamic interdependence of image and text in Bronzino's works as they were directly related to the fruitful maturity of his mythological paintings.