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Now filmed as The Mercy starring Colin Firth & Rachel Weisz Windcheck Magazine (Nov/Dec 2016): Absorbing and insightful ... utterly unforgettable. Practical Sailor (Jan 2017): Adds a new depth of storytelling to a tale of madness that many sailors are familiar with. Points East Magazine (July 2017): Crowhurst made his own bed, and unfortunately he lay in it, too. He flew too close to the sun, and his story done right, as it is in Desperate Voyage, never grows old. Praise from Steven Callahan, New York Times bestselling author of Adrift Desperate Voyage provides readers precious insights through concentration on the backstory and how Crowhurst's basic personality drove him inexorably towards disaster, and like a dangerous vortex, dragged his family, friends, and supporters into his sphere. ... Simply fascinating. More Praise: Ed Renehan's Desperate Voyage, the retelling of Donald Crowhurst's tragic voyage during the 1968/69 Golden Globe Race, is a finely honed account of what has become offshore sailing's most enduring story. Drawing on an array of sources, Renehan's Crowhurst is Shakespearean: narcissistic and reviled but also sympathetic, a flawed human consumed by ambition. Although I've known this story forever, Renehan's fresh, haunting narrative had me hoping for a new ending, a better outcome this time around. Alas, it's not to be. You just keep reading until it breaks your heart. - John Kretschmer, author of Sailing a Serious Ocean, At the Mercy of the Sea, Flirting With Mermaids, and Cape Horn to Starboard Edward Renehan's Desperate Voyage is incisive, haunting, and absorbing. For those, like me, initially unfamiliar with this great sea drama, it is a perfect introduction to the story of Donald Crowhurst and the Golden Globe Race of 1968. Crowhurst is flawed and complicated, a tragic and captivating figure, and Renehan's retelling, Shakespearean in scope, is wonderfully crafted and endlessly fascinating.- William Boyle, author of the critically-acclaimed Gravesend and Death Don't Have No Mercy On a dismal day at the end of October, 1968, a weekend sailor by the name of Donald Crowhurst set out from England in a flimsy trimaran, hoping to win the London Sunday Times "Golden Globe" race and become the first solo sailor to circumnavigate the world nonstop. His was an exercise in over-arching ambition, delusion, and tragedy such as the world has seldom known. Before it was over, the world media would be subject to a fraud of enormous proportions, and Crowhurst would die a madman in the middle of the Atlantic. What he left behind was a shattered boat, a shattered family, and this incredible story. Includes exclusive photos by Eric Loss.Further illustrations by Tricia Highsmith.

The need for precise, actionable, real-time Business Intelligence (BI) lies at the heart of the role of Big Data in modern commerce. In turn, the art of "Data Science" lies at the nexus of Big Data and BI, providing the essential methods by which BI can be extracted from Big Data's great black mass of constantly flowing, unstructured information. This combination has a created a new profession: an elite and specialized class of highly-compensated professionals specially skilled at data cleaning, analysis, and visualization. We call them Data Scientists, and their evolving role in the organization is one about which managers must have a clear understanding. As shown in WHAT EVERY MANAGER SHOULD KNOW ABOUT BIG DATA AND DATA SCIENCE, integrating data scientists (and the general practice of Data Science) with the organization is often a delicate process involving the redefinition of traditional roles within the enterprise as well as dealing with issues of territoriality amongst peers. To accomplish this task, managers need a firm knowledge of the what and whys of Data Science, the specific BI needs it is uniquely positioned to service, and the processes by which it functions. Such is the knowledge this important book provides. CONTENTS: Preface The Vital Triangle What Is Big Data?Creativity and Intuition Making Something Out of Nothing Introducing Data Science to the Enterprise Avoiding Friction Between Old & New: Dealing with the TCQ Triangle The Evolving Role of the Data Scientist Data Science Ethics and Privacy Concerns The Art of Seeing ThingsData ManagementArtificial Intelligence, Machine-Learning, and Deep-Learning in Data Science Data Curation and the Tribal Knowledge Problem Data Cleaning Data Modeling for Unstructured Data Predictive Analysis A Bit More On Data Visualization CassandraHadoop Orchestrating Change in the Workplace

Recruited to help find his notorious war criminal uncle, Jurgen Enkert confronts his family's dark past ... and an even more sinister present. Excellent, fast-paced, and engaging.- Charles Scribner III A page-turning work of fiction that ... looks into the face of evil without blinking - and finds that it is anything but banal.- Arthur Goldwag, author of The New Hate and Cults, Conspiracies, and Secret Societies. He was raised under another name, and purposely isolated from any connection with his Nazi uncle. He's husband to a Jewish woman whose parents died in the Holocaust, and the father of a Jewish son. But now this unobtrusive antiques dealer finds himself swept up in a complex plot to bring his uncle to justice ... an endeavor which in the end will put both he and his family at grave risk.

Jack Kerouac's ON THE ROAD endures as a benchmark in postwar American Letters and an eternal rite of passage for youth. But how many of these young readers actually "get" Kerouac's theme of individual redemption? How many, instead of encountering themselves in the novel as Kerouac intended, encounter only the ghosts of others: the "Beats" of Kerouac's era and imagination? In this penetrating consideration, Edward Renehan reveals Kerouac's main inspirations (and process) in creating ON THE ROAD, and considers the impact the book had on both the author and his times. Most importantly, he examines why the novel Kerouac meant as a banshee cry against orthodoxy has too often been misconstrued as a promotional brochure for mock-rebellion: mere imitation of what others have done before, mere mimicking of the novel's "Beat" characters.

When first published in December of 1843, Charles Dickens's A CHRISTMAS CAROL was hailed instantly as a masterpiece. Since that time, the work has never been out of print. As well, the book has been translated into dozens of languages, adapted into countless stage and film versions, and even made into operas and ballets. In this penetrating 10,000-word study, Michael Norris tells the complete story behind Dickens's writing of the book. Norris dives deep into his topic to discover the altruistic angels and monetary demons which drove Dickens, the public debates and rancor which informed him, and the terrible childhood memories which both haunted and inspired him. Here, at last, we have the ideal reader's companion for Dickens's Christmas classic.