Bøger udgivet af Nick Hern Books

Five ambitious and exciting plays by the multi-award-winning playwright, hailed as 'one of the prime movers in a new golden generation of British playwrights' (Independent), and introduced by the author.Earthquakes in London (National Theatre Headlong, 2010) is an epic drama about climate change, population explosion, social breakdown and worldwide paranoia, travelling from 1968 to 2525 and back again. 'The theatrical equivalent of a thrilling roller-coaster ride' (Daily Telegraph)Love, Love, Love (Paines Plough Drum Theatre Plymouth, UK tour, 2010; Royal Court Paines Plough, 2012) examines the baby boomer generation, from coming-of-age in the 1960s to retirement-age more than forty years later, in a play that 'does the clash of generational world views with a devastating precision' (Guardian).The Enemy is a short play in which a journalist seizes an opportunity to interview the man who shot Osama bin Laden. It was staged by Headlong as part of Decade (St Katherine's Dock, London, 2011), exploring 9/11 and its legacy.13 (National Theatre, 2011) is a panoramic drama in which a young man returns to London, a city riven by social protest and upheaval, with a radical vision for the future. Premiered on the National's largest stage, it confirmed Bartlett's ability to tackle epic themes with supreme assurance: 'His ambition is distinctive and immense' (Evening Standard).Medea (Headlong, UK tour, 2012) is a startlingly modern version of Euripides' tragedy, exploring a woman's private fury at her husband's infidelity, while imprisoned in her marital home. 'A savage play for today, superbly well done' (Mail on Sunday)

Tessa is a young, brilliant barrister. She has worked her way up from working-class origins to the top of her game: defending, cross-examining and winning.But an unexpected event forces her to confront the patriarchal power of the law, where the burden of proof and morality diverge.Prima Facie by Suzie Miller is an award-winning play for a solo actor, taking us deep into a world where emotion and integrity are in conflict with the rules of the game.After several acclaimed productions in Australia and winning the Australian Writers' Guild Award for Drama, the play received its European premiere at the Harold Pinter Theatre in London's West End in April 2022. It was produced by Empire Street Productions, directed by Justin Martin, and starred Jodie Comer, the Emmy and Bafta Award-winning star of TV's Killing Eve, making her West End debut.

When noble heroine Miss Phoebe Virtue receives worrisome news on Instagram that her twin brother Jack may be endangering his reputation in London Town, she decides she must visit herself, and investigate...Set in contemporary, post-pandemic London, full of illicit sex, political hypocrisy and the machinations of a fame-hungry elite, Scandaltown is a comedy for the new Restoration of the theatres.Mike Bartlett's play was first produced by the Lyric Hammersmith Theatre, in association with Fictional Company, at the Lyric in April 2022, directed by Artistic Director Rachel O'Riordan.'[Mike Bartlett] is one of the prime movers in a new golden generation of British playwrights' Independent'A rambunctious, modern-day Restoration comedy... a springtime pantomime with knowing humour, smut, silliness and arch references to the hypocrisies of the state... joyfully silly stuff' - Guardian'Laugh-out-loud funny... the mashup of Restoration cadences and modern argot is spot on' - Evening Standard'Extremely funny... Bartlett's writing is always clever and lively, and he hits his targets' - WhatsOnStage

Liam and Fletch grew up together. Born on the same street. Best mates since primary. Inseparable. The only difference was while Fletch was getting suspended from school, Liam was studying. And now he's going to Oxford. But with Liam gone, who's going to keep Fletch out of trouble?Sorry, You're Not a Winner explores aspiration, social mobility and getting caught between classes. It asks: if 'making it' means leaving everything you know and everyone you love behind - what's the point?This powerful and striking play by Samuel Bailey was first produced in 2022 by Paines Plough and Theatre Royal Plymouth, in association with the University of Plymouth's School of Society and Culture, before touring nationally.'An intricate and moving study of social mobility... gripping and nuanced... Bailey continues his development as one of the most socially engaged writers working in theatre today' - Guardian

This step-by-step guide to learning and practising an American accent is for anyone who wants to use a General American accent with confidence in auditions and performance.Inside, you'll find an easy-to-follow breakdown of the fundamentals required for the accent - including the shape and position of the mouth; vowels and consonants; rhythm; stressing; pitch; pace and more - as well as structured drills and exercises to build on and consolidate what you've learned, using extracts from contemporary American plays.The book is supplemented by dozens of online audio clips of General American voices, recorded by native speakers, so you can listen to the target sounds and repeat for practice. Also included are tips on fully integrating the accent into your performance, as well as a series of vocal warm-ups.Rebecca Gausnell is a voice and dialect coach, who has worked internationally in theatre, film and television. Born and raised in the United States, she studied acting in Chicago, before completing an MFA in Voice Studies in London.The Compact Guides are pocket-sized introductions for actors and theatremakers, each tackling a key topic in a clear and comprehensive way. Written by industry professionals with extensive hands-on experience of their subject, they provide you with maximum information in minimum time.

When Okumu's village in Northern Uganda is attacked by a guerrilla rebel group, the Lord's Resistance Army (LRA) led by Joseph Kony, he and his brother find that their lives are changed forever.Far Gone is a profoundly moving play for one actor which tells the story of a young boy's journey from childhood innocence to child soldier, seen through the eyes of those that love him - and those that betray him.Inspired by John Rwothomack's own real-life experience of nearly being kidnapped by the LRA, the play was co-produced by Roots Mbili Theatre and Sheffield Theatres, with support from Theatre Deli, Sheffield. It premiered at the Crucible Studio, Sheffield, in 2022, directed by Mojisola Elufowoju.'This play is not about me, the kid who was lucky enough to escape. This play is for the hundreds of thousands who did not. For the parents whose children were either lost forever or forever changed. For the young girls who were forced to marry men old enough to be their fathers. For the brothers, sisters, cousins, nieces, nephews, sons and daughters who lost the innocence of childhood, simply for being born at an unfortunate time in an unfortunate place. For the future generations who will continue to suffer the trauma the LRA has imprinted on them, for many years to come.' John Rwothomack

Forever on the right side of history, but on the wrong side of life, Labour MP Ellen Wilkinson is caught between revolutionary and parliamentary politics as she fights for a better world.Battling to save Jewish refugees in Nazi Germany; campaigning for Britain to aid the fight against Franco's Fascists in Spain; leading two hundred workers in the Jarrow Crusade against unemployment and poverty... she pursues each cause with a passionate, reckless conviction.And yet - despite a life spent running into the likes of Albert Einstein and Ernest Hemingway, serving in Churchill's cabinet, having affairs with communist spies and government ministers - she still finds herself, somehow, on the outside looking in.Caroline Bird's play Red Ellen is the remarkable true story of an inspiring and brilliant woman. It was first produced by Northern Stage, Nottingham Playhouse and the Royal Lyceum Theatre Edinburgh in 2022.

It's Year 10's first day back at school. Mark is new and too scared to make friends. Darren is out of control and too scary to make friends. The two of them need each other - but neither would ever admit it.Worlds apart, but more similar than they realise, the pair form a complex and manipulative relationship. And before they know it, they're embarking on a dangerous experiment that will alter the course of their lives.Sophie Swithinbank's play Bacon is an unflinching and unexpectedly humorous look at masculinity, sexuality and power, through the dizzying lens of youth.First developed on the Soho Theatre Writers' Lab, it won the Tony Craze Award in 2018, and was first produced at the Finborough Theatre, London, in 2022, directed by Matthew Iliffe.'A bleak but utterly compelling drama about the end of youth... a car-crash of a story, unfolding in a playground, that's both beautiful and devastating to watch... Swithinbank's writing is potent, with a sucker punch of an ending' - The Stage'Riveting... Swithinbank's writing is razor-sharp' - Reviews Hub'A sensitive and dramatic portrayal of insecure masculinity and power play... heart-stoppingly moving... a fascinating piece of theatre' - British Theatre Guide

Seventeen-year-old Asha is a rebel, inspired by historical revolutionaries and unafraid of pointing out the hypocrisy around her - but less sure how to actually dismantle it. Her younger sister, Bettina, wide-eyed and naive, is just trying to get through the school day without having her pocket money nicked.With essays to write, homework to do, and bus journeys home, the two sisters meet every afternoon, outside the school gates, to tackle the injustice of the world.Sonali Bhattacharyya's play Two Billion Beats is an insightful, heartfelt coming-of-age story and a blazing account of inner-city, British-Asian teenage life. It was originally presented in the Inside/Outside season, livestreamed from the Orange Tree Theatre, Richmond, before receiving a production there in this full-length version in 2022, directed by Nimmo Ismail.'In Bhattacharyya's entertaining play, two teenage sisters negotiate the battlefield of school while learning about the political battlefields of the past' - The Stage on Two Billion Beats as part of Inside/Outside

One of the four plays that Chekhov wrote in the last years of his life. First performed in 1897.

A searing thriller about the naivety of youth and how easily it can be exploited.

Peepolykus bring their exhilarating combination of verbal slapstick, visual surprise and anarchic comedy to Gustave Flaubert's seminal nineteenth-century masterpiece Madame Bovary.

Mike and Julia made sure their children Rob and Stacey had the best of everything when they were growing up. Now they're adults all they want is to be proud of them. But when they meet up in a Lake District holiday cottage to celebrate Stacey's birthday, it seems that nobody has been honest with each other.

Steve Waters explores the state of Britain's education system today, and the notion of 'free schools' run by parents as put forward by the new Coalition government. The play debuted at the Bush Theatre in London, January 2011.

Critically acclaimed playwright Hywel John's eagerly awaited second play. A powerful new drama about one Middle-Eastern immigrant's struggle raising his English-born daughter.

In "Sense and Sensibility" and "Persuasion", financial troubles and straitened circumstances herald the onslaught of relationship heartache and broken engagements for the heroines. Will true love and marital bliss prevail for Anne Elliot and Captain Wenworth in Bath, and the Dashwood sisters (one all sense and the other all sensibility) in Devon?

Based on Jane Austen's treasured novel, this faithful but inventive adaptation of Persuasion was premiered at the Northcott Theatre, Exeter.

In 2014, Uganda passed an Anti-Homosexuality Act. This short, startling play looks at what lies behind it. Caryl Churchill's Pigs and Dogs premiered at the Royal Court Theatre, London, in 2016.

Two sweet and saucy comedies from an award-winning Irish playwright.

A wildly imaginative, hilariously provocative and deeply moving play from one of Scotland's most important playwrights.

Four generations of black men are trying to understand themselves in a world which tells them they have to be strong.Inspired by real-life testimony and told through an explosive fusion of text, physical theatre and hip-hop dance, Samskara explores vulnerability, emotional trauma and how cycles of fathering affect masculinity. Moving through joy and suffering, laughter and longing, this soul-baring odyssey untangles what it means to be a black man in twenty-first-century Britain.Samskara premiered at The Yard Theatre, London, in November 2021, written, directed and choreographed by award-winning artist Lanre Malaolu.'Lanre Malaolu has a light touch on heavyweight subjects. His sharp, naturalistic script switches between laugh-out-loud comedy, personal psychology and social comment to address black masculinity in the 21st century... powerful, moving, rich and straight-talking... Malaolu is a real talent, and Samskara deserves a wide audience' - Guardian'An outburst of a show... an achingly moving 90 minutes that questions whether Black men must be strong to be valued... Samskara feels current and raw... A triumph in its frank unpicking of the male psyche, it masters the experience of being an equally joyful and painful watch' - The Stage'Undulating between naturalistic dialogue, mesmerising physical storytelling, and genuinely laugh-out-loud moments... Samskara is at once a deliciously joyful and hard-hitting watch' - Exeunt

A guide to one hundred brilliant plays addressing the most urgent and important issue of our time: the climate emergency.

Harry Potter and the Cursed Child writer Jack Thorne adapts the cult Japanese fim for the National Theatre

Helen, along with sixty-seven million other people, is in lockdown. Unfortunately, Helen's neighbour, Mrs Delgado, is not.Mike Bartlett's funny and poignant play for one actor tells a story of desire, control, raised blinds and lowered boundaries.Mrs Delgado was first performed by Rakhee Sharma and directed by Clare Lizzimore in December 2021 at the Old Fire Station, Oxford, where Bartlett's play Snowflake premiered to critical acclaim.This edition also includes the monologue Phoenix, a powerful story of fire and destruction, self-deceit and the corrosion of trust.Phoenix was first performed in 2020 by Bertie Carvel as an audio drama, part of English Touring Theatre and Headlong's Signal Fires storytelling project.

Mark Gatiss' spine-tingling adaptation is faithful to the heart and spirit of Charles Dickens' much- loved festive ghost story - with an emphasis on the ghostly.

It's Presidential Election Night 2016. As Donald Trump and Hillary Clinton go head to head, the entire world holds its breath. Except for Vera, who has to focus on her breathing. She's in hospital, giving birth to a baby boy - and she has no idea that America has just lost its mind.Over the course of one unfathomable year, personal and political spheres collide, pushing Vera beyond the point of exhaustion. While everyone else is out marching, she's at home stuck to a breast pump.Mathilde Dratwa's Milk and Gall is a funny, surreal play reflecting the experience of being a new mother under Trump. It was a finalist for the Theatre503 International Playwriting Award and premiered at Theatre503, London, in 2021, directed by Artistic Director Lisa Spirling.