Bøger udgivet af Omnidawn

A collection of dreamlike poetry, accompanied by ink drawings, reflecting on the experiences of living in an aging body. With her latest collection, Maw Shein Win deftly braids together the pleasures, pains, and anxieties of living in an aging body, revealing how a mind can log thoughts and observations. Win employs new poetic forms to invite her readers into realms that are both deeply personal and universal, rendered with dreamlike imagery and surprising humor. Reflecting on our strange times and the atmospheric undercurrents of chaos and disintegration, Percussing the Thinking Jar is a hypnotic book and invites the reader into conversation with their own vulnerability and resilience. Throughout the book, sumi ink drawings by artist Mark Dutcher echo the rhythms of Win's poetry.

Poetry that explores wildness and composes a landscape of complex human emotions. Drawing on a range of stylistic influences, the poetry of Sur takes on the essence of connection and the ways in which we continually develop meaning about others and to the natural world. With this collection, David Koehn paints a landscape where wilderness intertwines with human emotions and grows between ill-fitting interpersonal connections. Sur invites readers to step back and look critically at their world while remaining intimately intertwined with it. Throughout, imagery of nature--like a snake drinking from a stream, or a mountain god--blends with the emotional landscape of tumultuous relationships, exploring themes of wildness and an inevitable unraveling of secrets.

Experimental poetry that embraces shifts, adaptation, and the unknown as a means to move beyond old and dying worlds. Considering how we might detox from old languages, systems, and modes of life, Ian Lockaby's poems seek out new forms of interconnectivity and possibility, finding the energy of emerging worlds along the edges of ruins. This collection poses questions of how to thrive in aftermaths, suggesting that attempts at absolute knowledge are less powerful than an embrace of the unknown. Throughout these poems, Lockaby uses crows as a model for dynamic adaption and creative entanglement with the world and with language, finding "defensible space" for new lyrical syntax amid shifts and desolation: "Everywhere a burning root system. Everywhere, a root fire crowing off the splayed tail feathers of a crow." Defensible Space/if a crow--looks towards a reintroduction of fire into wilds and wilds into our lives, taking the unknown of an "if" as the base from where we can build life.

A surreal poetry collection considering memory and self-discovery through the character of the archon, the keeper of the mental archive. In Ruth Ellen Kocher's Archon / After, the archive is revealed as both a form of violence and of memory, of site and of event. As keeper of the archive, Kocher's archon determines what pieces of the past may be preserved, housed, documented, ordered, and reviewed. Through these poems, the archon dives deep into memories and into the mysteries of daily life, and, in governance over the future, determines what will be and should be forgotten. The act of forgetting becomes archival violence, with the archon not only serving as the guardian of what remains in the archive but also as an eradicator who decides what is purged. The imagistic and surreal language of this collection invites us to explore a non-logical terrain as we follow the protagonist into her darkest memories and find a path for our own journey of self-discovery.

Poems that consider the complexities of human life and the ways that we perceive reality. In Omitting All That is Usually Said, Robin Caton explores the nature of light, form, language, meaning, and thought, alongside the complexity of their interwoven relationships. Caton interrogates the workings of the human mind and explores the way we integrate disparate perceptions. Caton questions whether we can be certain that things really exist and that all we experience isn't simply a play of light and shadow. She considers how we live with all the limitations and emotional turmoil imbedded in humanity, while also maintaining a sense of something we call perfection. The poems of Omitting All That is Usually Said investigate how we might capture the depths of conflicting experiences and lived knowledge in ways that we can comprehend, and they marvel at how we find delight in all of it.

A poetry collection that questions the current construction of psychiatric treatment while speaking through lived experience and advocating for disability justice. The poems of Brody Parrish Craig's new collection upends narratives around current psychiatric treatment models to focus on the lived experience of survivors and to speak toward liberation, abolition, and disability justice. Titled after the author's own medical records, The Patient Is an Unreliable Historian questions the prevailing narrative that the medical industry knows stories of disability and madness better than those who have lived them. Craig uses lyricism to expose the intersection of madness and criminality in contemporary American culture, moving through institutions, community spaces, and loss of kin. Through the course of the collection, the speaker turns toward irreverence and interrogation, carves out their own freedom, and challenges the script of the patient, the mad, and the "criminal." These poems deconstruct the "patient" to set the person free.

Poetic ballads that speak to a father's quest to chronicle daily life amid times of collapse. Taking its name from part of a lost triptych by Dutch painter Hieronymus Bosch, The Wayfarer documents its speaker's attempt to forge a path through the world--both as a father and as an artist--and to adequately capture the experience of living through poetry. In language that melds the vernacular and the archival, these ballads recall moments of love as they arise in an everyday existence dominated by an awareness of political and ecological collapse. Caught between the terror of wandering and the awe of witnessing new minds as they acquire early words and memories, the poems hold out hope for the tenuous transmission of meaning between generations.