Bøger udgivet af Onomatopee

Cross-disciplinary speculations on expanding the creative possibilities of fieldworkGathering contributions from artists, writers and theorists, Fieldwork for Future Ecologies addresses the role that art and art-based research plays in expanding notions of fieldwork. At once a research handbook and a philosophical speculation, it explores ways of working within diverse climates using image, sound, movement and other sensing technologies, and also offers more creative interventions into the idea of "the field" itself. Focusing on projects from various geographic locations and situations, the book highlights the crucial contribution that art can make to environmental and climate studies.Contributors include: A.S.T. (Diann Bauer, Felice Grodin, Patricia M. Hernandez, Elite Kedan), Saskia Beudel, Imani Jacqueline Brown, David Burns, Angus Carlyle, Julie Gough, Henriette Gunkel, Eline McGeorge, Bianca Hester, Melody Jue, Therese Keogh, Kreider + O'Leary, Ruth Maclennan, Nicholas Mangan, Simon O'Sullivan, Kate Pickering, Philip Samartzis, Susan Schuppli and Kristen Sharp.

Durable Discussions brings together seventeen essays written by designers and artists from the Disarming Design Department of Sandberg Instituut in Amsterdam. Engaged in social, material, and political struggles, they generously retell their personal histories, writing across objects, events, places, and habits. In research through writing, they sense and transform the poetics and politics of the everyday. This publication presents life-making practices through language, typography, weaving, aesthetics, cooking, land, speculation, and pedagogies. Offering perspectives in thinking about art and design as emancipatory politics, and as a practice of hope, the essays speak of making what is deemed impossible possible. The authors of this book are:Lama Aloul, Saja Amro, Julina Vanille Bezold, Rasha Dakkak, Farah Fayyad, Mohamed Gaber, Anna Garcia Gómez, Ayman Hassan, Siwar Kraitem, Ott Metusala, Naira Nigrelli, Karmel Sabri, Qusai Al Saify, Sarah Saleh, Mohammed Tatour, Jara van Teeffelen, Samira VogelEssay tutors: Rana Ghavami, Sherida Kuffour

Czech sculptor Nina Fránková (born 1987) maintains a fascination with basic forms, found shapes and residual materials collected throughout the making process. Her practice reflects upon the beauty of primary procedures in working with clay. This is her first major monograph.

Over the past few years, design has been learned and unlearned, done and undone, patriarchised and depatriarchised, colonized and decolonized, centralized and decentralized, and so forth. Meanwhile, (departments of) schools appear to be wandering, un-stable, not-yet, unsettling, or impermanent, making way for anything other than sturdiness. The question must then be asked, if all within design is being undone, unmade, and unlearned, what is it exactly that is being done, being made, and being learned?'Unununimimimdededesign - the hesitant state of design' wishes to delve into this question by offering divergent views from within and upon design discourse and education. It does not aim to 'fix' this hesitant state or offer solutionist approaches, but instead reflectively pause and build upon the knowledge, thoughts, hesitations and discomforts that accompany it. special thanks toThe participants and alumni of The Critical Inquiry Lab: Viktoria Kaslik, Cecilia Casabona, Lara Chapman, Maxime Benvenuto, Josh Plough, Fernand Bretillot, Ram. n Jimenez Cardenas, Janfer Chung, Tiiu Meiner and Sofia Irene Marmolejo Bijnsdorp for their contribution to Saskia & Nadine's contribution;Rana Ghavami and her students for sharing thoughts, ideas and feedback; Anja Kaiser and Rebecca Stephany for an insightful conversation; and all the other engaged individuals involved in the process of developing this publication.

Belgrade collective Škart has been operating within and around existing hierarchies of the art world and everyday life, working in collaboration with marginalized groups, NGOs, and anti-war movements. Škart 's understanding of the artwork is fluid and relationship based. No matter the medium -poetry, embroidery, graphic design, choir, or radio broadcast- its artistic explorations are characterised by self-organisation, rooted in creating an open, accessible infrastructure for being together. This approach has been incorporated into a different scale of activities ranging from the street level to participation in the Venice Biennale of Architecture. Different social experiences create different forms of relativity. Through conversations with Škart`s members, a collection of images, poems, drawings as well as newly commissioned texts by Zdenka Badovinac, Branislav Dimitrijevi? and Milica Peki?, this book captures traces of Škart`s practice from the 1990s to present.

Move Along serves as an instruction manual for open-ended games, actions, and interventions to untrain the body and recondition space. The means to these ends are organized along various works created by Ilke Gers, serving as social props and cultural inspiration. new Zealand author Ilke Gers (b. 1981), is a former professional tennis player who found greater purpose in rethinking the art of playing through the disciplines of art and design. The book is perfectly proportioned and designed for easy reference and use besides being an excellent gift for teachers, coaches or anyone interested in body movement and pure fun.

In these circumstances: On collaboration, performativity, self-organisation and transdisciplinarity in research-based practices assembles curatorial, artistic and pedagogical practices inspired by a. pass: an inter- national artistic and educational research environment focusing on performativity and scenography. This book discloses a history of the methods of artistic research in the context of the academisation of art education, and an abrasion of the once unbridled scene of artist-run organisations in Northern Europe. There are 35 contributions, many of them collaborative, ranging from concrete projects to inter- rogative speculations about artistic research. It aims to demonstrate how artistic research operates institutionally through a complex intertwinement of practices and how a. pass, over the past 14 years, has carved out a space for artistic research to imbricate in fields of both art and education, and stir the sedimentsof disciplinary enclosures.

A delightful romp through the surprising subcultures of an obsolete formatThis volume explores the curious afterlives of the floppy disk in the 21st century through the work of those involved with the medium today. The book reflects on notions of obsolescence, media preservation and nostalgia, and challenges these by showing the endurance and versatility of this familiar piece of technology. From floppy filmmakers to floppy painters and beyond: what drives people to continue working with the medium that is typically deemed obsolete? What challenges and affordances does it provide? And what does the future hold in store for the familiar black square?By looking at the current presence of past technology we can assess our present-day situation and speculate on the future developments of our media landscape. After all, the technology of the past is also part of our future. This volume features interviews with key players in the contemporary floppy-disk world, including not only artists and filmmakers using floppy disks in their practice but also businessmen, archivists and museum proprietors working to preserve the medium.Interviewees include: Jason Scott, the founder of archive.org; Tom Persky, founder of floppydisk.com, often dubbed the "last man standing in the floppy disk business"; Florian Cramer; Jason Curtis, founder of the Museum of Obsolete Media; Adam Frankiewicz, founder of Pionierska Records; Foone Turing; Clint Basinger, creator of a YouTube channel called Lazy Game Reviews; Nick Gentry; Joerg Droege and AJ Heller, cofounders of the popular diskmag Scene World; and Bart van den Akker, founder of the Helmond Computer Museum.

A hybrid inquiry into Australia's experimental, radical, artist-run initiatives Excavating a shared history of independent practice stretching back to the 1980s, Permanent Recession situates new research into artist-run initiatives within a rich continuum of debate about the Australian artmaking context. Hybrid in form, the book is part research, part advocacy document and part literary review.

We live in times of great social ambiguity. A recent exhibition, curated

Essays on print-media culture from Paul Rand to Barney Bubbles by a leading American design thinkerIn Process Music, Virginia-based author Kenneth FitzGerald provides deep readings of print-media artifacts and activities, often through the lens of music. Employing a range of narrative voices, the works combine academic rigor with the accessibility of popular forms such as music journalism. FitzGerald's new book compiles over 40 of his pieces from the last decade--many of which are now inaccessible or behind a paywall--with reprinted works first appearing in outlets such as Emigre, Eye, Print, Idea, Modes of Criticism, Design Observer, Speak Up and Voice: AIGA Journal of Graphic Design. Divided into four thematic sections and a coda, Process Music considers a variety of influential figures working in design and music, including Barney Bubbles, Paul Rand, William Addison Dwiggins and Jacqueline Casey. A prelude composed by AIGA Design medalist and Design Matters host Debbie Millman also features.

Celebrating 15 years of a unique artist-run gallery in GalwayUsing 126, an artist-run gallery in Galway, Ireland, as an exemplar of an artist-run democracy, this book celebrates 15 years of 126 and explores the grounds for its unique mode of organization.

An alternative artistic guidebook to the Georgian capitalComposed of artistic accounts that critically reflect on recent urban and social changes in Georgia's capital Tbilisi, this book unveils multifaceted perspectives on a city trying to negotiate its complex heritage, its contentious present and potential for the future. It also serves as an alternative guidebook.

On physical access and the pursuit of political freedomsExploring the politics of access in public space, Right of Way features key voices in the fields of activism and politics, architecture, urban planning, poetry, art and design, and underscores the dynamic relationship between the body and space.

A case study interrogating the consequences and implications of a "smart city" designThis publication is the culmination of a year-long participatory research project into the presence of technology in public space. Focusing on the city of Eindhoven, it combines citizen journalism, design research and critical essays to excavate the relationship between technology and power.