Bøger udgivet af OR Books

"Set in the author's homeland, Colombia, this is the heartbreaking story of Leonor, former child soldier of the FARC, a rural guerrilla group. Paula Delgado-Kling followed Leonor for nineteen years, from shortly after she was an active member of the FARC forced into sexual slavery by a commander thirty-four years her senior, through her rehabilitation and struggle with alcohol and drug addiction, to more recent days as the mother of two girls. Leonor's physical beauty, together with resourcefulness and imagination in the face of horrendous circumstances, helped her carve a space for herself in a male-dominated world. She never stopped believing that she was a woman of worth and importance. It took her many years of therapy to accept that she was also a victim. Throughout the story of Leonor, Delgado-Kling interweaves the experiences of her own family, involved with Colombian politics since the 19th century and deeply afflicted, too, by the decades of violence there."--Provided by publisher.

At the start of Mark Jacob's remarkable new novel-his first book in thirteen years-thirty-seven-year-old Smith wins a "stash" of diamonds in a poker game. The only catch: he has to find them. A Louisiana native, Smith is currently employed on an oil platform off the west coast of Africa, while the diamonds are somewhere in the immense, war-torn Democratic Republic of the Congo. But Smith's grown tired of the platform and he hates the idea of wasting a full house. One last adventure, he tells himself, and then, diamonds or no diamonds, he's heading home to Louisiana. In Kinshasa, Smith meets a young woman named Béatrice, who hails from a village on the other side of the country. But this village, she tells Smith, is where his diamonds are-a thousand miles away as the crow flies, but significantly longer on the patchwork of guerilla-patrolled roads that traverse the country. If he helps her get home, she'll show him where the stones are. What ensues is a guided tour of hell in which a not-so-innocent American abroad comes face to face with the legacy of European imperialism in the heart of the African continent. Like Joseph Conrad, Graham Greene, and V.S. Naipaul before him, Jacobs reveals the limits of the western gaze, inverting the tropes of the white-savior novel to give us a story about a man who realizes you don't have to travel to another country to get lost, and you don't have to go home to be found.

Concrete Utopia  conceptualizes the human rights project of the last two and a half centuries as a “backward-looking” endeavor, which, in order to move forward, must return to the utopian roots of its foundational documents. Human rights advance by judging the ills of the present world from a standpoint in the future where they might no longer exist—a fundamentally utopian gesture. This peculiar character of human rights makes them continually ripe for reinvention and for responding to changing world circumstances. Looking at topics such as the Auschwitz trials in Frankfurt in the mid-1960s, public outrage to the Vietnam War, the US civil rights movement and the founding of Amnesty International in 1961, this book surveys the history of human rights and how they have been reconceived at different points in time. It closes by sketching the way they may be re-envisioned for new struggles in the 21st century.At a time when the human rights project has endured criticism for being toothless or even for providing a pretext for military invasions, Kaleck argues that the current global crises, from inequality, to ecological collapse and the “age of pandemics,” can be countered by reinventing human rights work through feminist, decolonial and ecological interventions.

Based on dramatic first-hand evidence, Deadly Betrayal uncovers why and how a cabal of Pentagon Advisors in the George W. Bush Administration created a fabricated justification to attack Iraq. The book provides a detailed insider account of how a Pentagon cabal strategized to manipulate intelligence, pressure the United Nations, force a Congressional authorization for the use of force through political threats, and scare the American people after 9/11 into supporting an attack on Iraq. Authored by a Pentagon insider and senior enlisted leader of nearly three decades standing, Command Chief Master Sergeant, Retired, Dennis Fritz worked directly for and advised some of the most senior General Officers in the Department of Defense. They included General Richard B. Myers, who served as Chairman of the Joint Chiefs of Staff during the height of the Iraq War. After military retirement, Fritz found himself inside Donald RumsfeldâEUR(TM)s Pentagon working for Douglas Feith, the Under Secretary of Defense for Policy and key architect of the case for war. He was detailed to the Pentagon as a contracted Research Fellow and Analyst on a special project to gather and review all Iraqi Pre-War Planning Documents for declassification. His access to thousands of personal handwritten notes, documents, and PentagonâEUR(TM)s internal conversations, has allowed him to tell the real story of why America invaded Iraq.

The debate over whether the Net is good or bad for us fills the airwaves and the blogosphere. But for all the heat of claim and counter-claim, the argument is essentially beside the point: it's here; it's everywhere. The real question is, do we direct technology, or do we let ourselves be directed by it and those who have mastered it? "Choose the former," writes Rushkoff, "and you gain access to the control panel of civilization. Choose the latter, and it could be the last real choice you get to make." In ten chapters, composed of ten "commands" accompanied by original illustrations from comic artist Leland Purvis, Rushkoff provides cyberenthusiasts and technophobes alike with the guidelines to navigate this new universe.In this spirited, accessible poetics of new media, Rushkoff picks up where Marshall McLuhan left off, helping readers come to recognize programming as the new literacy of the digital age--and as a template through which to see beyond social conventions and power structures that have vexed us for centuries. This is a friendly little book with a big and actionable message.World-renowned media theorist and counterculture figure Douglas Rushkoff is the originator of ideas such as "viral media," "social currency" and "screenagers." He has been at the forefront of digital society from its beginning, correctly predicting the rise of the net, the dotcom boom and bust. He is a familiar voice on NPR, face on PBS, and writer in publications from Discover Magazine to the New York Times.

Jeremy Corbyn and Len McCluskey collaborated to help achieve the biggest electoral success for socialism in recent British history. The two men share a passionate belief in a fairer, more equal Britain, encapsulated in Labour’s election slogan “For the many, not the few.”That slogan, inspired by Shelley’s famous poem The Masque of Anarchy, points to something else the two have in common: a lifelong enthusiasm for poetry. In this sparkling anthology they discuss the poems that have moved and enlightened them. Their choices travel over centuries and continents, with poets ranging from Shakespeare and Juana de la Cruz, through William Blake and Emily Dickinson, to Bertolt Brecht, Stevie Smith and Linton Kwesi Johnson.Rounding out the collection are appreciations of poems selected by guest contributors Melissa Benn, Rob Delaney, Julie Hesmondhalgh, Ken Loach, Morag Livingstone, Francesca Martinez, Karie Murphy, Maxine Peake, Michael Rosen, Alexei Sayle and Gary Younge.With the burgeoning popularity of poetry, especially among Gen Z, this joyful celebration of the power of verse is bound to delight and inspire across a wide audience.All royalties from sales of this book will be donated to the Peace and Justice Project.

Told through the lives of the American Century’s most talented and stubborn dissidents, Flights is the archetypal hero’s journey of a group of progressives whose struggle for truth, and for freedom from persecution, sent them into exile, both literal and metaphorical.Wanted for a crime she did not commit, Professor Angela Davis went on the run in 1970, describing the struggle against panic in her nightly safehouse transfers: “Living as a fugitive means resisting hysteria, distinguishing between the creations of a frightened imagination and the real signs that the enemy is near.” In her quest “to elude him, outsmart him,” she recalled, “Thousands of my ancestors had waited, as I had…for nightfall to cover their steps…”Davis is just one of a rich array of refugees portrayed here by Joel Whitney, all forced to flee homes and/or friends because of their progressive stance. In these pages are compelling profiles of Seymour Hersh, Lorraine Hansberry, Graham Greene, Paul Robeson, Gabriel García Márquez, George & Mary Oppen, Frances Stonor Saunders, Malcolm X, Octavio Paz, Diego Rivera, Angela Davis, Leonard Peltier, N. Scott Momaday, Miguel Ángel Asturias, Guatemalan guerrilla fighter Everado and his American wife Jennifer Harbury, Nobel Peace laureate Rigoberta Menchú, deposed Honduran President Manuel "Mel" Zelaya and murdered Lenca environmentalist Berta Cáceres.At once a group portrait of these geniuses of creative escape, Flights is also a prehistory (and indictment) of American mass surveillance, culminating in Edward Snowden’s revelations, of torture, culminating in Abu Ghraib, of censorship, culminating in the incarceration of journalist Julian Assange, of fascism, culminating in January 6, and of political murder, culminating in the Bush-Obama-Trump air assassination program.

This story is a modern bildungsroman—the story of a young man searching for himself in turbulent times. Either by remarkable coincidence or Divine navigation, Lee Jaffe's curiosities and passions place him next to a parade of legendary artists who went on to change the world. Among those who he came to know and work with were Hélio Oiticica, Bob Marley, Peter Tosh and Jean-Michel Basquiat. Jaffe even ended up playing with Marley and Wailers at venues including Madison Square Gardens.Jaffe’s determination to establish himself as an artist is a constant throughout these pages but little else was planned. Written with the rich detail and acute ear of a Studs Terkel profile, Jaffe’s story provides the reader with a front row seat on some of the most magical moments of artistic production in NYC, Jamaica, London, and Rio de Janeiro.

Tale of Ahmed is a gripping fictional account of the dangerous journey of a teenage boy, Ahmed, who travels from Afghanistan, across the Middle East and Europe, to seek refuge in England.Author Henry Cockburn lives at one end of a long trail stretching from Afghanistan to the southeast coast of England. His home in Kent is close to where small, frail boats arrive bringing refugees on the last lap of their 6,000-mile journey from Kabul and the Hindu Kush. Meeting and talking with refugees, Henry became aware that even they themselves rarely understand the heroic nature of their odyssey. The journey's never-ending risks have become second nature to them. For most other people, they are simply unknown. Correcting such misperceptions is one of the objectives of this powerful story.Written in the form of an epic poem and richly illustrated by the author, Tale of Ahmed describes how its eponymous hero gets help from fellow travelers and finds unexpected friends along the way. But Ahmed is also exploited for money by crooks and cheats, as well as targeted as a pariah. This unusual and unputdownable fable recounts with great sensitivity the Afghans' sufferings and their courage and resilience in making a grueling passage.

I Dare Say: A Gerald Horne Reader is a timely and essential collection of the many works of Professor Gerald Horne-a historian who has made an indelible impact on the study of US and international history. Horne approaches his study of history as a deeply politically engaged scholar, with an insightful and necessarily partisan stance, critiquing the lasting reverberations of white supremacy and all its bedfellows-imperialism, colonialism, fascism and racism-which continue to wreak havoc in the United States and abroad to this day. Drawing on a career that spans more than four decades, The Gerald Horne Reader will showcase the many highlights of Horne's writings, delving into discussions of the United States and its place on the global stage, the curation of mythology surrounding titans of 20th Century African American history like Malcolm X, and Horne's thoughts on pressing international crises of the 21st Century including the war in Afghanistan during the early 2000s, and the war in Ukraine which erupted in February 2022. As we continue to observe the chaos of our current times, I Dare Say: A Gerald Horne Reader foregrounds a firmly rooted, consistent analysis of what has come to pass-and provides illuminating insight that better informs where we may be headed, and outlines what needs to be done to stem the tide of growing fascism across the Western world.

This reader brings together scholars from different eras, cultures and geographic locations. With this diversity of voices, the book opens a dialogue about the social power of art and how change is envisioned by deliberately juxtaposing radically different conceptions of art and activism.  Among the writers included are: James Baldwin, Lucy Lippard, Herbert Marcuse, Audre Lorde, Trinh T. Minh-ha, Rabindranath Tagore, John Dewey, John Berger, Augusto Boal, Franz Fanon, Raymond Williams, Jacque Ranciere, Rosalyn Deutche, Stuart Hall, bell hooks, Mikhail Baktin, Octavia Butler, and W. E. B. DuBois. The reader focuses on concepts that scholars have grappled with as to how art and politics can combine to achieve social change. It deliberately does not include case studies or manifestos.  Rather, the texts are organized thematically: Art Unsettles: Social Systems and Critique; Art Reveals: Making the Invisible Visible; Art Resists: Everyday Interventions; Art Acts: Activism as Art; Art (Re)Orders: Making Sense of the World; and Art Imagines: Envisioning New Worlds. This thematic structure allows the reader to engage with different perspectives with the theme for engaged dialogue. Each thematic section opens with a brief essay by the editors framing the central conceptual concerns that follow.

Much has been written In English about the experiences and treatment of immigrants from south of the Rio Grande once they have entered the United States. But this account, by the itinerant, effervescent and highly original journalist Beln Fernndez, offers a different and wholly original take.Beln Fernndezshows us what life is like for would-be migrants, not just from the Mexican side of the border but inside Siglo XXI, the notorious migrant detention center in the south of the country.Journalists are prohibited from entering Siglo XXI; Fernndezonly gained access because she herself was detained as a result of faulty paperwork when she attempted to return to the US to renew her passport. Once inside the facility, Fernndezwas able to speak with detained women from Honduras, Cuba, Haiti, Bangladesh, and beyond. Their stories, detailing the hardships that prompted them to leave their homes, and the dangers they have experienced on an often-tortuous journey north, form the core of this unique book. The companionship and support they offer to Fernndez, whose antipathy to returning to the United States, the country they are desperate to enter, is a source of bemusement and perplexity, demonstrates a spirited generosity that is deeply moving.In the end, the Siglo XXI center emerges as a strikingly precise metaphor for a 21st century in which poor people, effectively imprisoned by American political and economic policies, nevertheless display astonishing resilience.

Racism is like a Cadillac, they bring out a new model every year. Malcolm X (a former auto worker)Written in a lively, accessible fashion and drawing extensively on interviews with people who were formerly incarcerated,Cars and Jailsexamines how the costs of car ownership and use are deeply enmeshed with the U.S. prison system.American consumer lore has long held the automobile to be a freedom machine, consecrating the mobility of a free people. Yet, paradoxically, the car also functions at the cross-roads of two great systems of entrapment and immobility the American debt economy and the carceral state.Cars and Jailsinvestigates this paradox, showing how auto debt, traffic fines, over-policing, and automated surveillance systems work in tandem to entrap and criminalize poor people. The authors describe how racialization and poverty take their toll on populations with no alternative, in a country poorly served by public transport, to taking out loans for cars and exposing themselves to predatory and often racist policing.Looking skeptically at the frothy promises of the mobility revolution, Livingston and Ross close with thought-provoking ideas for a radical overhaul of transportation.

Russia's brutal February 2022 invasion of Ukraine has attracted widespread condemnation across the West. Government and media circles present the conflict as a simple dichotomy between an evil empire and an innocent victim. In this concise, accessible and highly informative primer, Medea Benjamin and Nicolas Davies insist the picture is more complicated. Yes, Russia's aggression was reckless and, ultimately, indefensible.But the West's reneging on promises to halt eastward expansion of NATO in the wake of the collapse of the Soviet Union played a major part in prompting Putin to act. So didtheU.S. involvement in the 2014 Ukraine coup and Ukraine's failure to implement the Minsk peace agreements.The result is a conflict that is increasingly difficult to resolve, one that could conceivably escalate into all-out war between the United States and Russia-the world's two leading nuclear powers.Skillfully bringing together the historical record and current analysis,War In Ukrainelooks at the events leading up to the conflict, surveys the different parties involved, and weighs the risks of escalation and opportunities for peace. For anyone who wants to get beneath the heavily propagandized media coverage to an understanding of a war with consequences that could prove cataclysmic, reading this timely book will be an urgent necessity.

Ongoing relevance/likely persistence of QAnon in the US, particularly in the 2022 and 2024 election years: new reporting continues to indicate that QAnon supporters are remaining politically active and adapting the core ideology to new aims (see, for example, The Atlantic's latest piece).While the first major book on the topic, The Storm is Upon Us (Melville House, June 2021) functioned as an authoritative explainer of QAnon's communications, activities, and scope, Operation Mindfuck is an irreverent but urgent call to intellectual action, offering mastery in the analysis of the movement's largely-borrowed source material and cult-mentality triggers. Guffey says: "Perhaps the most intriguing aspect of the QAnon psyop is not the identity of its architects, but the mere fact that it worked . . . and worked so damn well."Operation Mindfuck contextualizes QAnon not only within existing conspiracy theory formulas and satanic panics, but also traces its bizarre lineage in the American collective unconscious, from Cold War paranoia to the midcentury counterculture?Guffey's particularly effective in highlighting QAnon's exploiting of political performance tactics pioneered by 1960s radical leftists. Untangling this web of influence and pointing to its far-from-supernatural sources, Guffey argues, is key to breaking QAnon's mesmeric spell.The book's uniquely freewheeling style is marked by Guffey's gonzo-journalistic plunges into the subculture himself, including pursuing an email correspondence with a recent QAnon convert, clicking on YouTube links at his own risk, and joining the mailing list of a QAnon talk show, using the pseudonym Edgar Allan Poe.

“You walk into Thoughts and Prayers like it’s a familiar pop cultural fun house—then you get drawn into one of the mirrors and find you’re actually deep in someplace very real: fleshy, frightening, full of anguished intelligence and bitter fun.” —Mary GaitskillThoughts and Prayers is a beautiful and startling volume of poetry about our political existence. With both humor and luminosity, it gets at the personal and collective emotional experience of American public life, from the 1970s to the 1990s Democrats, through the collapse of the news industry, to the burlesque Trump era.

In this iconoclastic and sure to be contentious re-casting by a renowned critic, the great American novel Moby Dick is presented as a work that has been widely misread, an error that continues to this day. According to Barry Sanders, Herman Melville's best- known work is not a novel, does not pretend to be a novel, and was not intended by its author to be read as a novel. Moby Dick is this country's first manifesto, a tocsin sounded to warn us about the encroaching end of nature.  The Manifesto of Herman Melville traces the evolution of Moby Dick-from its awful, initial reception, very rapidly passing out of print, to its remarkable revival to become lauded as one of America's great literary classics.  That turnaround happened in the early decades of the 20th century and was, in great part, the result of the new and radical aesthetic movements such as surrealism, dadaism, and cubism that allowed for a radical reading of the book. The novel's new standing as one of the keystones of the American cannon disguises its deeper meaning as an alarm bell, an obscuring which Barry Sanders, in a critical assessment that is as persuasive as it is provocative, seeks to clear away. Sanders argues that Moby Dick needs to be recognized as Melville's manifesto: a bold statement warning of the destruction of the natural world made most evident in the book's central metaphor the relentless pursuit to kill the whale, the first sentient being in Genesis and one of the most startling mammals-possessed of hair and scales, a tail and breasts-and the largest of the creatures on earth, weighing up to 400,000 pounds. Whalers in Melville's day hunted down and killed these extraordinary behemoths of nature, for their oil, sold to people for cooking and to light their homes. Today the pursuit for energy has shifted dramatically, from sea to land,  but the prize remains the same:  energy producing fuel for which entrepreneurs and adventurers are prepared to kill off all of nature.

A critical biography of Belgium‿s highest-ranking Nazi collaborator, Léon Degrelle, who fought with the Waffen-SS on the Eastern Front during the Second World War and served as inspiration for the protagonist of Jonathan Littell‿s bestselling, Prix Goncourt‿winning novel The Kindly Ones ([Gallimard 2006] HarperCollins 2009). Originally published in French as Le sec et l‿humide: Une brÿve incursion en territoire fasciste (Gallimard 2008) and translated into Spanish, German, Italian, Dutch, Czech, Catalan, and now English, The Damp and the Dry is a critical case study of a fascist true believer who was supported by both Hitler and Mussolini during the Second World War and later sheltered by Franco in Spain. Littell pays close attention to Degrelle‿s autobiographical writings, especially his account of fighting on the Eastern Front, The Russian Campaign, and uncovers an “anatomy of fascist discourse,â€? developing on the theories of German sociologist Klaus Theweleit, whose Afterword follows the text.

Museum of Degenerates is a lush showcase of Eli Valley‿s critically-acclaimed art capturing America in a state of ongoing cataclysm and making the provocative case that the entire political class has been complicit in the reactionary waves currently overwhelming the country. Unlike most political cartoons, Valley‿s art is a howl of rage against the political, cultural and media elites driving America into an authoritarian abyss. Inspired in equal measure by early 20th century Yiddish cartoon art, Weimar-era expressionist woodcuts, and the free-for-all lunacy of early MAD comics, Valley‿s distinctive style has energized the left and enraged the most worthy targets of our time. No single artist has captured our new era in all its horror and grotesquerie quite like Valley, whose comics have served as both mirror and lightning rod for a country in crisis. Museum of Degenerates highlights Valley‿s art, both black and white and full-color masterworks, from the past seven years of American strife. Including rare works and art appearing in print for the first time, the collection will be framed by notes on individual drawings as well as a lengthy introduction in which Valley explores his personal artistic vision in a time of unprecedented national crisis and links his work to earlier periods of antifascist art. Museum of Degenerates will feature some of the most indelible images from any artist working today, available in one place for the first time.

"Bev Stohl ran the MIT office of the renowned linguist and social critic Noam Chomsky for nearly two and a half decades. This is her account of those years"--Page [4] of cover

52 vignettes contain stories and teachings about Cuong Lu's six years as a prison chaplain in the Netherlands.