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A clear and readable how-to manual for results-oriented psychoanalysis.By now, the term "practical psychoanalysis" has become an oxymoron. The way psychoanalytic treatment is generally conducted is extremely impractical and doesn't serve the needs of the vast majority of potential patients, who want to achieve maximum relief from emotional distress as quickly as possible. This unfortunate state of affairs is ironic, considering that psychoanalysis became popular on the basis of its therapeutic efficacy.In this essential new book, Owen Renik describes how clinical psychoanalysis can focus on symptom relief and deliver results efficiently. With a humane, direct, and engaging voice, he takes up how to begin treatment, how to end it, and how to deal with the in-between. He offers chapters on the therapy of panic attacks and depersonalization, on how to get out of an impasse, on the relation between sexual desire and power in the analytic relationship, on patients who seem to want to sabotage their treatments, on flying blind as an analyst, and on a number of other intriguing, important practical topics. Renik's down-to-earth presentation and discussion of clinical anecdotes, combined with useful recommendations for both analyst and patient, amounts to a clear and readable how-to manual. The book is intended for all mental health caregivers, patients and potential patients, and for anyone who is curious about what makes for effective, helpful psychotherapy.

In the 1990s Svetlana Broz, granddaughter of former Yugoslav head of state Marshal Tito, volunteered her services as a physician in war-torn Bosnia. She discovered that her patients were not only in need of medical care, but that they urgently had a story to tell, a story suppressed by nationalist politicians and the mainstream media. What Broz heard compelled her to devote herself over the next several years to the collection of firsthand testimonies from the war. These testimonies show that ordinary people can and do resist the murderous ideology of genocide even under the most terrible historical circumstances. We are introduced to Mile Plakalovic, a magnificent humanist, who drove his taxi through the streets of Sarajevo, picking the wounded up off the sidewalk and delivering food and clothing to young and old, even when the bombing was at its worst. We meet Velimir Milosevic, poet, who traveled with an actor and entertained children as they hid in basements to avoid the bombing and gunfire, and we hear the stories of countless others who put themselves in grave danger to help others, regardless of ethnic background. Faced with a world in which unspeakable crimes not only went unpunished but were rewarded with glory, profit, and power, the Bosnians of all faiths who testify in this book were starkly confronted with the limits and possibilities of their own ethical choices. Here, in their own words they describe how people helped one another across ethnic lines and refused the myths promoted by the engineers of genocide. This book refutes the stereotype of inevitable natural enmities in the Balkans and reveals the responsibility of individual actions and political manipulations for the genocide; it is a searing portrait of the experience of war as well as a provocative study of the possibilities of resistance and solidarity. The testimonies reverberate far beyond the frontiers of the former Yugoslavia. This compelling book is essential reading for anyone who wants to understand the reality on the ground of the ethnic conflicts of the late twentieth and the twenty-first centuries.

An Italian psychoanalyst and raconteur reflects insightfully on life and the common experiences that make us human. “The brief pieces collected in this volume are as much short stories as they are essays as they are psychoanalytic studies. In every chapter, the stage is set for consideration of large matters—the nature of passion, the crucial role of illusion and disillusion in life, what constitutes heroism—but always in relation to a very particular story from the author’s life, and always a story told with the kind of charming humor that points us toward tolerance for and appreciation of the richness of humanity. There is a lovely and beguiling intimacy about Stefano Bolognini’s prose, so that psychoanalytic concepts are never intrusions of jargon, but rather ideas to conjure with, creatively.” —From the Foreword by Owen Renik IN THESE TEN ESSAYS, Stefano Bolognini tells colorful stories from his life, from encounters with a giant Caucasian sheepdog and a martial arts master to a wandering journey through a remote Italian village, and draws out the meaning of these experiences for himself and his readers. Showcasing Bolognini’s gift for storytelling and his remarkable insight, Like Wind, Like Wave marks a welcome return to psychoanalytic writing as a subjective art. as a subjective art.

Winner of the 2007 National Jewish Book Award in the category of Biography, Autobiography & MemoirA powerful memoir of war, politics, literature, and family life by one of Europe''s leading intellectuals.When George Konrad was a child of eleven, he, his sister, and two cousins managed to flee to Budapest from the Hungarian countryside the day before deportations swept through his home town. Ultimately, they were the only Jewish children of the town to survive the Holocaust.A Guest in My Own Country recalls the life of one of Eastern Europe''s most accomplished modern writers, beginning with his survival during the final months of the war. Konrad captures the dangers, the hopes, the betrayals and courageous acts of the period through a series of carefully chosen episodes that occasionally border on the surreal (as when a dead German soldier begins to speak, attempting to justify his actions).The end of the war launches the young man on a remarkable career in letters and politics. Offering lively descriptions of both his private and public life in Budapest, New York, and Berlin, Konrad reflects insightfully on his role in the Hungarian Uprising, the notion of "internal emigration" – the fate of many writers who, like Konrad, refused to leave the Eastern Bloc under socialism – and other complexities of European identity. To read A Guest in My Own Country is to experience the recent history of East-Central Europe from the inside.

In the course of nearly thirty years of work with patients in psychiatric hospitals and private practice, Francoise Davoine and Jean-Max Gaudilliere have uncovered the ways in which transference and countertransference are affected by the experience of social catastrophe. Handed down from one generation to the next, the unspoken horrors of war, betrayal, dissociation, and disaster in the families of patient and analyst alike are not only revived in the therapeutic relationship but, when understood, actually provide the keys to the healing process. The authors present vivid examples of clinical work with severely traumatized patients, reaching inward to their own intimate family histories as shaped by the Second World War and outward toward an exceptionally broad range of cultural references to literature, philosophy, political theory, and anthropology. Using examples from medieval carnivals and Japanese No theater, to Wittgenstein and Hannah Arendt, to Sioux rituals in North Dakota, they reveal the ways in which psychological damage is done--and undone. With a special focus on the relationship between psychoanalysis and the neurosciences, Davoine and Gaudilliere show how the patient-analyst relationship opens pathways of investigation into the nature of madness, whether on the scale of History--world wars, Vietnam--or on the scale of Story--the silencing of horror within an individual family.In order to show how the therapeutic approach to trauma was developed on the basis of war psychiatry, the authors ground their clinical theory in the work of Thomas Salmon, an American doctor from the time of the First World War. In their case studies, they illustrate how three of the four Salmon principles--proximity, immediacy, and expectancy--affect the handling of the transference-countertransference relationship. The fourth principle, simplicity, shapes the style in which the authors address their readers--that is, with the same clarity and directness with which they speak to their patients.

The Intervention of the Other deftly brings the thought of Emmanuel Levinas and Jacques Lacan into fruitful dialogue through a comparative analysis of these two seemingly disparate thinkers.Emmanuel Levinas, Lithuanian-born French phenomenologist of the nonphenomenon, and Jacques Lacan, controversial French psychoanalyst and (post)structuralist theorist of the Freudian Unconscious, lived and wrote in the same city, at the same time, among the same colleagues, often using the same language and the same sources, sometimes writing to the same audiencesóand yet they never wrote to or about one another. Following Sartre, Levinas thought that Freud had fundamentally misunderstood the nature of consciousness when he posited the Unconscious as a second, but hidden, consciousness. Despite this suspicion of psychoanalysis, however, Levinasí own work celebrated a certain something that could not be contained by thought. For his part, Lacan was suspicious of philosophical ethics. He subscribed to a Freudian critique of ethics as pathogenic. Nevertheless, he saw his own work as fundamentally about a kind of ethics, specifically an ethics concerned with how people live their lives in an already normative society.While the two never engaged with each otherís thought directly, Levinas and Lacan were interested in many of the same questions: What is the nature of the self? What is it to be a subject? Can the ethical be grounded in a post-foundationalist world?Through close textual analysis, David Ross Fryer shows how Levinas and Lacan offer two ways of positing the ethical subject in the post-humanist landscape of contemporary thought.

In this delightfully readable and clearly written volume, the world-renowned psychoanalyst Moustafa Safouan considers the works of Freud and Lacan. When Safouan met Lacan in 1949, he was all but ready to abandon the field due to the many contradictions and obscurities he found in Freud. Yet thanks to Lacan's early presentation of the father as real, imaginary, and symbolic, Safouan stayed on, working with Lacan until Lacan's death in 1981. One can track the evolution of Safouan's teaching through his participation in Lacan's published seminars and his early contributions. Safouan wrote this book in English, starting with a transcript from a series of lectures he delivered to the Lacanian School of Psychoanalysis in San Francisco, in March of 2001. Safouan clears up many of Lacan's own obscurities, although he is quick to point out that there are no contradictions in Lacan. Readers will find the cause of desire, both through the signifier and through the "normative" (rather than normal) development of the child. Safouan explains the three forms of lack, the root of subjectivity, the desire of the analyst, the Other as different from the other, the object cause of desire, transference, countertransference and lateral transference, and the analytic act in a narrative that brings these and other concepts together, in a "dictionary" that could never be divided by terms.

An African-American writer''s concise, heartfelt take on the state of his nation, exploring the war between the values he has always held and the reality with which he is confronted in twenty-first-century America.In the tradition of James Baldwin''s The Fire Next Time and Ta-Nehisi Coates''s Between the World and Me comes Clifford Thompson''s What It Is. Thompson was raised to believe in treating every person of every color as an individual, and he decided as a young man that America, despite its history of racial oppression, was his home as much as anyone else''s. As a middle-aged, happily married father of biracial children, Thompson finds himself questioning his most deeply held convictions when the race-baiting Donald Trump ascends to the presidency—elected by whites, whom Thompson had refused to judge as a group, and who make up the majority in this country Thompson had called his own. In the grip of contradictory emotions, Thompson turns for guidance to the wisdom of writers he admires while knowing that the answers to his questions about America ultimately lie in America itself. Through interviews with a small but varied group of Americans he hears sharply divergent opinions about what is happening in the country while trying to find his own answers—conclusions based not on conventional wisdom or on what he would like to believe, but on what he sees.

"Zeruya Shalev is one of my favorite contemporary writers, her work always spiky and original, and Pain is a searing book, a wild and ravenous story of family entanglement and impossible yearning." -Lauren Groff, author of Florida and Fates and FuriesA powerful, astute novel that exposes how old passions can return, testing our capacity to make choices about what is most essential in life.Ten years after she was seriously injured in a terrorist attack, the pain comes back to torment Iris. But that is not all: Eitan, the love of her youth, also comes back into her life. Though their relationship ended many years ago, she was more deeply wounded when he left her than by the suicide bomber who blew himself up next to her.Iris's marriage is stagnant. Her two children have grown up and are almost independent; she herself has become a dedicated, successful school principal. Now, after years without passion and joy, Eitan brings them back into her life. But she must concoct all sorts of lies to conceal her affair from her family, and the lies become more and more complicated.Is this an impossible predicament, or on the contrary a scintillating revelation of the many ways life's twists and turns can bring us to a place we would never have expected to be?

In this timely, self-reflective essay, a groundbreaking sociologist and philosopher examines the underlying causes of gender inequality and how we can fight against it.Following the shocking, infuriating accounts shared as part of the #MeToo movement, Raphaël Liogier felt compelled to apply his academic expertise to shed light on the roots of gender inequality and its many manifestations, including catcalling, workplace harassment, and rape, as well as the glass ceiling and the gender pay gap. In the brazenness of Donald Trump, who brags about groping women, in the hypocrisy of outspoken progressives whose private behavior belies their so-called feminist ideals, and even occasionally in the good intentions of men such as Liogier who strive to be allies, we can see the influence of a deep-seated fantasy of male dominance.With candor and clarity, Liogier demonstrates that the archetypal Prince Charming and a monstrous predator such as Harvey Weinstein are two sides of the same coin-products of a worldview that not only places a man's desires above a woman's, but also doubts whether women are fundamentally capable of knowing what they want. Recent years have witnessed significant progress toward gender equality, from the ousting of prominent men accused of sexual misconduct to the unprecedented popularity of the 2019 Women's World Cup. Heart of Maleness maps out the crucial work still to be done, first and foremost addressing the core male fantasy about women's bodies and minds.

Winner of the August Prize, the story of the complicated long-distance relationship between a Jewish child and his forlorn Viennese parents after he was sent to Sweden in 1939, and the unexpected friendship the boy developed with the future founder of IKEA, a Nazi activist. Otto Ullmann, a Jewish boy, was sent from Austria to Sweden right before the outbreak of World War II. Despite the huge Swedish resistance to Jewish refugees, thirteen-year-old Otto was granted permission to enter the country-all in accordance with the Swedish archbishop's secret plan to save Jews on condition that they convert to Christianity. Otto found work at the Kamprad family's farm in the province of Småland and there became close friends with Ingvar Kamprad, who would grow up to be the founder of IKEA. At the same time, however, Ingvar was actively engaged in Nazi organizations and a great supporter of the fascist Per Engdahl. Meanwhile, Otto's parents remained trapped in Vienna, and the last letters he received were sent from Theresienstadt. With thorough research, including personal files initiated by the predecessor to today's Swedish Security Service (SÄPO) and more than 500 letters, Elisabeth Åsbrink illustrates how Swedish society was infused with anti-Semitism, and how families are shattered by war and asylum politics.

Part American and part French, part memoir and part guide, this book offers a fresh, unique, and powerful perspective on the challenges of parenting and how to find a rewarding path forward for parents and children alike.How should we raise our children? It should be a simple enough question to answer but in fact it is an intimidating and complex one. We often address it by deciding to do either exactly what our parents did or just the opposite. After that we rely on a cocktail of love and instinct, hoping it will be enough to overcome the difficulties ahead. Far from having perfect free will, however, we are all under the influence. The child still within us confuses, influences, or undermines all our aspirations as parents and prevents us from sticking to the philosophy we initially hoped to follow. These unresolved emotions drive us to reproduce the upbringing we received, including the behaviors that have hurt us the most. In Parents Under the Influence, Cécile David-Weill draws on her own parenting blunders and successes as well as concrete examples, case studies, and works of fiction to guide readers, helping them heal from the past and become effective, nurturing parents.

Notable International Crime Novel of the Year - Crime Reads / Lit HubFrom a prize-winning Turkish novelist, a heady, political tale of one man's search for identity and meaning in Istanbul after the loss of his memory.A blues singer, Boratin, attempts suicide by jumping off the Bosphorus Bridge, but opens his eyes in the hospital. He has lost his memory, and can't recall why he wished to end his life. He remembers only things that are unrelated to himself, but confuses their timing. He knows that the Ottoman Empire fell, and that the last sultan died, but has no idea when. His mind falters when remembering civilizations, while life, like a labyrinth, leads him down different paths.From the confusion of his social and individual memory, he is faced with two questions. Does physical recognition provide a sense of identity? Which is more liberating for a man, or a society: knowing the past, or forgetting it?Embroidered with Borgesian micro-stories, Labyrinth flows smoothly on the surface while traversing sharp bends beneath the current.

Now in paperback, a collection of the legendary filmmaker''s short fiction and nonfiction from 1950 to 1966, in which we see the machinations of the creative mind in post-World War II Rome.In a portrait of the city at once poignant and intimate, we find artistic witness to the customs, dialect, squalor, and beauty of the ancient imperial capital that has succumbed to modern warfare, marginalization, and mass culture. The sketches portray the impoverished masses that Pasolini calls "the sub-proletariat," those who live under Third World conditions and for whom simple pleasures, such as a blue sweater in a storefront window, are completely out of reach. Pasolini''s art develops throughout the works collected here, from his early lyricism to tragicomic outlines for screenplays, and finally to the maturation of his Neo-realism in eight chronicles on the shantytowns of Rome. The pieces in this collection were all published in Italian journals and newspapers, and then later edited by Walter Siti in the original Italian edition.

From the director of Mondovino, a lively discussion of the expanding world of natural wine that considers the movement as a potential remedy for our current cultural crisis. What if, ten years from now, an artist--a filmmaker, for example--will have become as marginal and anachronistic as a blacksmith? What if the actors in the cultural world are on the brink of extinction, not about to disappear like prehistoric animals, but worse--submitting to the status quo? Absorbed by a marketplace that increasingly devalues true artistic work?In Cultural Insurrection, award-winning filmmaker and sommelier Jonathan Nossiter considers these questions and offers a solution inspired by the rebellious, innovative figures transforming the way we produce and consume wine. This new generation of artisans, working closely with the earth to create exceptional natural wines, has assumed the role of dissenters that artists have abandoned, and we should look to them in order to revitalize contemporary art.

Best International Crime Novel of the Year - Crime Reads / Lit HubThis atmospheric noir novel retraces the steps that led to a murder off the coast of Brittany, probing the relationship between law and justice.In a depressed town on France's northern coast, a man named Martial Kermeur has been arrested for the murder of real estate developer Antoine Lazenec after throwing him overboard. Called before a judge, Kermeur goes back to the beginning to explain what brought him to this desperate point: his divorce, his son's acting out, layoffs at his job, and, above all, Lazenec's dazzling project for a seaside resort. The temptation to invest all of your severance pay in a beautiful apartment with a view of the sea is great. But still, it has to be built. In this subtle, enthralling novel, Tanguy Viel examines not only the psychology of a crime, but also the larger social ills that may offer its justification.

This dynamic collection presents a new way of writing national and global histories while developing our understanding of France in the world through short, provocative essays that range from prehistoric frescoes to Coco Chanel to the terrorist attacks of 2015.Bringing together an impressive group of established and up-and-coming historians, this bestselling history conceives of France not as a fixed, rooted entity, but instead as a place and an idea in flux, moving beyond all borders and frontiers, shaped by exchanges and mixtures. Presented in chronological order from 34,000 BC to 2015, each chapter covers a significant year from its own particular angle--the marriage of a Viking leader to a Carolingian princess proposed by Charles the Fat in 882, the Persian embassy's reception at the court of Louis XIV in 1715, the Chilean coup d'état against President Salvador Allende in 1973 that mobilized a generation of French left-wing activists.France in the World combines the intellectual rigor of an academic work with the liveliness and readability of popular history. With a brand-new preface aimed at an international audience, this English-language edition will be an essential resource for Francophiles and scholars alike.

An eloquent, heartfelt account of a young boy's fight with cancer and of a mother's determination and resilience, which see their family through to his recovery.As her ten-year-old son sits at the kitchen table one evening, Lise Marzouk inspects his mouth and discovers an unusual growth, which doctors later confirm is cancerous. When he is hospitalized at the Curie Institute in Paris for lymphoma treatment, Lise finds herself torn between two worlds, one at his bedside, and the other at home with her two younger children, struggling to maintain a sense of stability in their lives. And so she writes-of their fears and doubts, but also of their moments of tenderness and joy-and through these memories, stories, and reveries, she arrives at a deeper understanding of herself as a woman, a mother, and a writer.Brimming with a rebellious sense of hope, If offers an intimate look at how a mother's love and support enabled her family to come out of a devastating experience stronger and more connected.

In this luminous novel about romance and illusion—and what''s left of love when they''re stripped away—an American Anglophile is drawn into the lives of a disintegrating aristocratic family. After the sudden death of her husband, Annie Devereaux flees to England, site of the nostalgic fantasies her father spun for her before he deserted the family. A chance encounter in London leads Annie to cancel her return to New York and move in with Julian, the disaffected, moody son of Helena Denby, a famous British geneticist. As their relationship progresses, Annie meets Julian''s sisters Isabel and Sasha, each of them fragile in her own way, and becomes infatuated with visions of their idyllic childhood in England''s West Country. But the more she uncovers about Julian''s past, the more he explodes into rage and violence. Finally tearing herself away, Annie winds up adrift in London, rescued from her loneliness only when she and Isabel form an unexpected bond. Slowly, with Isabel as her reluctant guide, Annie learns of the emotional devastation that Helena''s warped arrogance, her monstrous will to dominate, inflicted on her children. The family who once embodied Annie''s idealized conception of England is actually caught in a nightmare of betrayal and guilt that spirals inexorably into tragedy.

"A story of madness, art, alcohol and creativity…elegantly translated…vivid." —New York Times An exasperated writer obsessed with American cinema embarks on an increasingly bizarre journey in this heady, engrossing novel.A man writes an enormous screenplay on the life of Herman Melville. Not a single producer is interested in it. One day, someone gives him the phone number of the great American filmmaker Michael Cimino, legendary director of The Deer Hunter and Heaven''s Gate. A meeting is arranged in New York, and Cimino reads the manuscript. What follows is a series of crazy adventures through Ellis Island, the Musée de la Chasse in Paris, a lake in Italy.We run into Isabelle Huppert, Diana the hunting goddess, a Dalmatian named Sabbat, a diabolical neighbor, and two shady characters with conspicuous mustaches. There''s also a pretty PhD student, an unpleasant concierge, and an aggressive maître d'' who looks like Emmanuel Macron...This improbable, insightful tale bridges the divide between cinema and literature in unexpected ways that are at once gratifying and profound.

In early 2005, Richard Polsky decided to put his much-loved, hard-won Warhol Fright Wig, up for auction at Christie''s. The market for contemporary art was robust and he was hoping to turn a profit. His instinct seemed to be on target: his picture sold for $375,000. But if only Polsky had waited . . . Over the next two years, prices soared to unimaginable heights with multimillion-dollar deals that became the norm and not the exception. Buyers and sellers were baffled, art dealers were bypassed for auction houses, and benchmark prices proved that trees really do grow to the sky. Had the market lost all reason?In I Sold Andy Warhol (Too Soon), Polsky leads the way through this explosive, short-lived period when the "art world" became the "art market." He delves into the behind-the-scenes politics of auctions, the shift in power away from galleries, and the search for affordable art in a rich man''s playing field. Unlike most in the art world, Polsky is not afraid to tell it like it is as he negotiates deals for clients in New York, London, and San Francisco and seeks out a replacement for his lost Fright Wig in a market that has galloped beyond his means. A compelling backdoor tell-all about the strange and fickle world of art collecting, I Sold Andy Warhol (Too Soon) takes an unvarnished look at how the industry shifted from art appreciation to monetary appreciation.

Any man—or woman—who wants to hear nothing—or no more—about love should put this book down.Anna and Louise could be sisters, but they don’t know each other. They are both married with children, and for the most part, they are happy. On almost the same day, Anna, a psychiatrist, crosses paths with Yves, a writer, while Louise, a lawyer, meets Anna’s analyst, Thomas. Love at first sight is still possible for those into their forties and long-married. But when you have already mapped out a life path, a passionate affair can come at a high price. For our four characters, their lives are unexpectedly turned upside down by the deliciously inconvenient arrival of love. For Anna, meeting Yves has brought a flurry of excitement to her life and made her question her values, her reliable husband, and her responsibilities to her children. For Louise, a successful career woman in a stable and comfortable marriage, her routine is uprooted by the youthful passion she feels for Thomas. Thought-provoking, sophisticated, and, above all, amusing, Enough About Love captures the euphoria of desire through tender and unflinching portraits of husbands, wives, and lovers.

"Jenny Rogneby is the new queen of Nordic noir. Her heroine is like no one else. And the way she writes! She grabs you and you just can't stop reading." -David Lagercrantz, author of the #1 best-selling The Girl in the Spider's WebIn the highly anticipated sequel to Leona: The Die Is Cast, a corrupt detective deals with the emotional fallout of her actions while investigating a terrorist attack in the heart of Stockholm.A man blows himself up outside the Parliament House in Stockholm, but miraculously survives. Was he a lone wolf, or are there more heinous acts to follow? Leona Lindberg is put on the case. But Leona, who has barely escaped her trials from the last case, is focused on other things. Her family is shattered, she is living under threat, and desperately needs liquid assets. It's lucky then, that she can think outside the box like no other detective. With one foot on each side of the law, she mounts a special operation of grand proportions. And the higher the risk, the higher the rewards.