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As the Seventies drew to a close and the media declared punk dead and buried, a whole new breed of band was emerging from the gutter. Harder and faster than their ’76–’77 predecessors, not to mention more aggressive and political, the likes of Discharge, the Exploited, and G.B.H. were to prove not only more relevant but arguably just as influential.Several years in the making and featuring hundreds of new interviews and photographs, Burning Britain is the true story of the UK punk scene from 1980 to 1984 told for the first time by the bands and record labels that created it. Covering the country region by region, author Ian Glasper profiles legendary bands like Vice Squad, Angelic Upstarts, Blitz, Anti-Nowhere League, Cockney Rejects, and the UK Subs as well as the more obscure groups like Xtract, The Skroteez, and Soldier Dolls.The grim reality of being a teenage punk rocker in Thatcher’s Britain resulted in some of the most primal and potent music ever committed to plastic. Burning Britain is the definitive overview of that previously overlooked era.

"A history of anarcho punk 1980-1984"--Cover.

"We are not worth more, they are not worth less." This is the mantra of S. Brian Willson and the theme that runs throughout his compelling psycho-historical memoir. Willson’s story begins in small-town, rural America, where he grew up as a "Commie-hating, baseball-loving Baptist," moves through life-changing experiences in Viet Nam, Nicaragua and elsewhere, and culminates with his commitment to a localized, sustainable lifestyle. In telling his story, Willson provides numerous examples of the types of personal, risk-taking, nonviolent actions he and others have taken in attempts to educate and effect political change: tax refusal—which requires simplification of one’s lifestyle; fasting—done publicly in strategic political and/or therapeutic spiritual contexts; and obstruction tactics—strategically placing one’s body in the way of "business as usual." It was such actions that thrust Brian Willson into the public eye in the mid-’80s, first as a participant in a high-profile, water-only "Veterans Fast for Life" against the Contra war being waged by his government in Nicaragua. Then, on a fateful day in September 1987, the world watched in horror as Willson was run over by a U.S. government munitions train during a nonviolent blocking action in which he expected to be removed from the tracks and arrested. Losing his legs only strengthened Willson’s identity with millions of unnamed victims of U.S. policy around the world. He provides details of his travels to countries in Latin America and the Middle East and bears witness to the harm done to poor people as well as to the environment by the steamroller of U.S. imperialism. These heart-rending accounts are offered side by side with inspirational stories of nonviolent struggle and the survival of resilient communities Willson’s expanding consciousness also uncovers injustices within his own country, including insights gained through his study and service within the U.S. criminal justice system and personal experiences addressing racial injustices. He discusses coming to terms with his identity as a Viet Nam veteran and the subsequent service he provides to others as director of a veterans outreach center in New England. He draws much inspiration from friends he encounters along the way as he finds himself continually drawn to the path leading to a simpler life that seeks to "do no harm.&rdquo Throughout his personal journey Willson struggles with the question, "Why was it so easy for me, a ’good’ man, to follow orders to travel 9,000 miles from home to participate in killing people who clearly were not a threat to me or any of my fellow citizens?" He eventually comes to the realization that the "American Way of Life" is AWOL from humanity, and that the only way to recover our humanity is by changing our consciousness, one individual at a time, while striving for collective cultural changes toward "less and local." Thus, Willson offers up his personal story as a metaphorical map for anyone who feels the need to be liberated from the American Way of Life—a guidebook for anyone called by conscience to question continued obedience to vertical power structures while longing to reconnect with the human archetypes of cooperation, equity, mutual respect and empathy.

Addicted to War takes on the most active, powerful, and destructive military in the world.Hard-hitting, carefully documented and heavily illustrated, it reveals why the United States has been involved in more wars in recent years than any other country. Read Addicted to War to find out who benefits from these military adventures, who pays and who dies. Over 450,000 copies of the previous editions are in print. This edition is substantially reworked and fully updated including Barack Obama's drone wars, Chelsea Manning and WikiLeaks, statistics on military spending, and the ongoing costs and consequences of the wars in Iraq and Afghanistan.

An argument between two stubborn men is the fuse that puts the sixties—and much of modern culture—into motion.Watch with wonder as underground comics, paperback bookstores, food politics, new age publishing, domestic bombers, used records, and poster art all grow out of the same Big Bang. Aaron Cometbus presents the social history of one of the world’s most storied streets—Telegraph Avenue—and a search for his hometown’s broken heart.

The Society of the Spectacle is a carefully considered effort to clarify the most fundamental tendencies and contradictions of the society in which we find ourselves—in order to facilitate its overthrow.Guy Debord was the founder of the Situationist International, the notorious avant-garde group that helped trigger the May 1968 revolt in France, which brought the entire country to a standstill for several weeks. His book The Society of the Spectacle, originally published in Paris in 1967, has been translated into more than twenty other languages and is arguably the most important radical work of the twentieth century. Ken Knabb’s meticulous new translation is the first edition in any language to include extensive annotations, clarifying the historical allusions and revealing the sources of Debord’s quotations and “détournements.”Contrary to popular misconceptions, Debord’s book is neither an ivory tower “philosophical” discourse nor a mere expression of “protest.” This makes the book more of a challenge, but it is also why it remains so pertinent more than half a century after its original publication, while countless other social theories and intellectual fads have come and gone.It has, in fact, become even more pertinent than ever, because the spectacle has become more all-pervading and glaringly obvious than ever. As Debord noted in his follow-up work, Comments on the Society of the Spectacle (1988), “spectacular domination has succeeded in raising an entire generation molded to its laws.”Debord’s book remains the best guidebook to understanding that mold and breaking it.

Revolution in 35mm: Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960–1990 examines how political violence and resistance was represented in arthouse and cult films from 1960 to 1990.This historical period spans the Algerian war of independence and the early wave of post-colonial struggles that reshaped the Global South, through the collapse of Soviet Communism in the late ‘80s. It focuses on films related to the rise of protest movements by students, workers, and leftist groups, as well as broader countercultural movements, Black Power, the rise of feminism, and so on. The book also includes films that explore the splinter groups that engaged in violent, urban guerrilla struggles throughout the 1970s and 1980s, as the promise of widespread radical social transformation failed to materialize: the Weathermen, the Black Liberation Army and the Symbionese Liberation Army in the United States, the Red Army Faction in West Germany and Japan, and Italy’s Red Brigades.Many of these movements were deeply connected with and expressed their values through art, literature, popular culture, and, of course, cinema. Twelve authors, including academics and well know film critics, deliver a diverse examination of how filmmakers around the world reacted to the political violence and resistance movements of the period and how this was expressed on screen. This includes looking at the financing, distribution, and screening of these films, audience and critical reaction, the attempted censorship or suppression of much of this work, and how directors and producers eluded these restrictions.Including over two hundred illustrations, the book examines filmmaking movements like the French, Japanese, German, and Yugoslavian New Waves; subgenres like spaghetti westerns, Italian poliziotteschi, Blaxploitation, and mondo movies; and films that reflect the values of specific movements like feminists, Vietnam War protesters, and Black militants. The work of influential and well-known political filmmakers such as Costa-Gavras, Gillo Pontecorvo, and Glauber Rocha is examined side by side with grindhouse cinema and lessor known titles by a host of all-but forgotten filmmakers, including many from the Global South, that are deserving of rediscovery.

A new world is possible and not just in our hearts. Anarchic Agreements is a quintessential field guide for the revolution, answering the practical questions often left out of works of political theory and philosophy. How do leaderless groups organize? How might they create constitutions, balance power and write protocols? How do group cultures and institutions maintain coalitions? This urgent and inspiring how-to is the product of more than twenty years of research. Designed explicitly for everyday use, it contains lived examples, illustrations throughout, and text from current horizontally organized constitutions. These documents illustrate the never-ending process of developing community and keeping collaborations alive in the fairest ways possible. Written by dedicated anarchist scholars and organizers, and based on the widely popular Anarchic Agreements pamphlet series, this book facilitates grassroots activism and provides methods to improve and streamline decision making. It is an inspiring celebration of the novel, complex and flexible constitutions Anarchists have created over time. This book shows how to realize another world, collectively without domination, while leaving the future open to infinite other possibilities.

This soundtrack compilation to Hugh Hodges' brilliant book The Fascist Groove Thing: A History of Thatcher's Britain in 21 Mixtapes features 20 tracks of classic punk, anarcho-punk and folk from Margaret Thatcher's reign and eventual demise (some quite rare). While intended as a companion to the book this mixtape works equally well on its own. It will help prove that while Thatcher's policies may have been utter crap, the music of this era that came out in response to her was anything but. Limited to 250 copies on Electric Blue shells

Mass incarceration is a lived, sensory experience. The most eye-popping statistics alone cannot relate the enormity of its psychological and societal impacts. This concise, illustrated primer is a collaboration between one of mass incarceration’s sharpest opponents, James Kilgore, and information artist Vic Liu. It brings to life the histories and means of daily survival of the marginalized people ensnared in this racist, ableist system of class-based oppression. The book elegantly weaves together the most insightful activist scholarship with vivid testimonials by incarcerated people as they fight back against oppression and imagine freedom.Those targeted for incarceration do not simply submit to a monochromatic existence behind bars. The Warehouse showcases the abolition futures being crafted from the inside as people resist through direct action and artistic expression. This book is designed to inform, enrage, and ultimately inspire the same radical hope propelling incarcerated underminers of the carceral state.

With appeal to more than just punk history obsessives, Orstralia offers an unprecedented snapshot of an underacknowledged segment of Australian life and history.Far from punk’s more modish North Atlantic core in the late 1970s, discontented youth in Australia were enacting similar musical and cultural reckonings. Yet in spite of the Australia's purported “laid-back” national demeanour, punks there were routinely met with insult, fist, or the police baton.More subterranean than the national scandal that was punk back in “homeland” Britain, Australia’s own bands nonetheless came to be heralded internationally. Orstralia represents the first definitive account of the country’s initial years, from progenitors the Saints and Radio Birdman in the mid-70s, through the emergence of hardcore in the 1980s, to the stylistic diffusion that accompanied transition to the 1990s.Based on over 130 interviews, Orstralia documents the most renowned to the most fleeting and obscure acts the nation produced. Included are equally engrossing and shocking personal narratives befitting such a passionate and intemperate cultural form, as well as punk’s placement within broader Australian society at the time.

What’s the relationship between combating the far right and working for systemic change? What does it mean when fascists intensify racial oppression and patriarchy but also call for the downfall of economic elites or even take up arms against the state? Three way fight politics confront these urgent questions squarely, arguing that the far right grows out of an oppressive capitalist order but is also in conflict with it in real ways, and that radicals need to combat both. The three way fight approach says we need sharper analysis of far-right movements so we can fight them more effectively, and we also need to track ongoing developments within the ruling class, including liberal or centrist efforts to co-opt antifascism as a tool of state repression and system legitimation.This book offers an introduction to three way fight politics, with more than thirty essays, position statements, and interviews from the Three Way Fight website and elsewhere, spanning from the antifascist struggles of the 1980s and 1990s to the political upheavals of the twenty-first century. Over fifteen authors explore a range of topics, such as fascist politics’ relationship with patriarchy and settler colonialism, Tom Metzger’s “Third Position” (anticapitalist) fascism, conflict within the business community over the 2016 presidential election, and the Trump administration’s shifting relationship with the organized far right. Many of the writings address issues of political strategy, such as tensions between radicals and liberals within the reproductive rights movement and the George Floyd rebellion, video gaming as an arena of political struggle, and the importance (and challenges) of approaching antifascist organizing in ways that are militant, community based, and nonsectarian.

Food is at the heart of well-being, peace, and health. But millions live without access to basic nutrition, and billions live without control or understanding of where their food will come from and how it is produced. Nowhere is this problem clearer than in the favelas of Rio de Janeiro. Through meticulous research, community engagement and direct action within the Maré region—a cluster of seventeen favela communities in the northern zone of Rio—Antonis Vradis, Timo Bartholl, and Christos Filippidis have created a shocking, inspiring, and revolutionary collection of essays that go beyond the question of food in the Brazilian urban periphery, and highlights critical issues concerning state control, pacification, solidarity, and grassroots organizing.Favela Resistance is a lens through which we can understand how the state creates marginalized lives in cities throughout the world under the auspices of welfare, security, and emergency support. The link between food and public security is intertwined with decades-long pacification operations in the favelas of Rio. This fight for food sovereignty shows how local production structures and solidarity networks have radically rethought and reconfigured the relationship between cities and farms; providing a map of how impoverished populations can organize resistance, create health and community, and fight—literally from the ground up—for a better world.

Missing Music: Voices from Where the Dirt Roads End details Grammy-winning music producer and author Ian Brennan’s ongoing quest to provide musical platforms for underrepresented nations and populations around the world.In a compact and quick-read format, Missing Music collects the latest narratives from Brennan’s field-recording treks. This edition features a greater emphasis on storytelling and an even greater abundance of photos from his wife, Italian-Rwandan photographer/filmmaker Marilena Umuhoza Delli.Together, they meet the elderly shamans of the world’s most musical language, Taa, a tongue that sadly is dying, with fewer than 2,500 speakers left. The duo traveled the most remote roads of Botswana to find the formally nomadic people now relegated to small desert towns.In Azerbaijan, Brennan and Delli ascended to the mountainous Iranian border to record centenarians in scattered villages of the Talysh minority, where the world’s oldest man reportedly reached the age of 168. The result is the only record ever released to feature the voices of singers over one-hundred years of age.Among other tales, Brennan also updates the saga of the Sheltered Workshop Singers following COVID, including the tragic deterioration of his sister, Jane.Arising from the more than forty records that Brennan has produced over the past decade from underrepresented nations such as Comoros, Djibouti, Romania, South Sudan, Suriname, and Cambodia, Missing Music serves as the newest suite in the multiverse symphony of the world’s most ignored corners—the places where countries expire and the “forgotten” live.

From Sun to Sun presents two parallel stories separated by twenty-five centuries: The first, set in modern New York City, features a hardworking, smart-mouthed Latina investigator, Felicity Ortega Pérez, as she hunts for a missing person who holds the clue to an ancient mystery. Little does she realize how deep the criminality goes and what she will learn about her own hidden past.The ancient story is a radical revision of the biblical Book of Ruth: When her husband dies under strange circumstances, Ruth must join the exiles returning to Jerusalem to rebuild the Temple in order to secure a future for herself and her grieving mother-in-law, Naomi. Unfortunately, the returning exiles include religious leaders who plan to "purify" the land by expelling all the foreign women.From Sun to Sun is a tale of love, devotion, and sacrifice depicting the challenges facing two determined women as they confront ignorance, hatred, and indifference in their pursuit of justice—a seemingly endless struggle in a time of social upheaval, fluid identities, and diverse cross-cultural complexities. This novel is about who gets to decide who’s one of us and who’s a foreigner, and what it takes to prove you belong.

Climate destruction is a problem of political power.We have the resources for a green transition, but how can we neutralize the influence of Exxon and Shell? Abolishing Fossil Fuels argues that the climate movement has started to turn the tide against fossil fuels, just too gradually. The movement’s partial victories show us how the industry can be further undermined and eventually abolished. Activists have been most successful when they’ve targeted the industry’s enablers: the banks, insurers, and big investors that finance its operations, the companies and universities that purchase fossil fuels, and the regulators and judges who make life-and-death rulings about pipelines, power plants, and drilling sites. This approach has jeopardized investor confidence in fossil fuels, leading the industry to lash out in increasingly desperate ways. The fossil fuel industry’s financial and legal enablers are also its Achilles heel.The most powerful movements in US history succeeded in similar ways. The book also includes an in-depth analysis of four classic victories: the abolition of slavery, battles for workers’ rights in the 1930s, Black freedom struggles of the 1950s and 1960s, and the fight for clean air. Those movements inflicted costs on economic elites through strikes, boycotts, and other mass disruption. They forced some sectors of the ruling class to confront others, which paved the way for victory. Electing and pressuring politicians was rarely the movements’ primary focus. Rather, gains in the electoral and legislative realms were usually the byproducts of great upsurges in the fields, factories, and streets.Those historic movements show that it’s very possible to defeat capitalist sectors that may seem invulnerable. They also show us how it can be done. They offer lessons for building a multiracial, working-class climate movement that can win a global green transition that’s both rapid and equitable.

"Both timely and timeless, this biography reveals Makhno s rapidly changing world and his place in it. He moved swiftly from peasant youth to prisoner to revolutionary anarchist leader, narrowly escaping Bolshevik Ukraine for Paris. This book also chronicles the friends and enemies he made along the way: Lenin, Trotsky, Kropotkin, Alexander Berkman, Emma Goldman, Ida Mett, and others."--

A fascinating fictive polemic from the award-winning Nalo Hopkinson. Hopkinson address the crowd during a Guest of Honour address to the 2012 conference of Interational Association of the Fantastic in the Arts, in the voice of an alien. The alien evaluates Earth's strange customs, including the marginalisation of works by non white and women authors. A dramatic mix of humour, anger and shrewd analysis pervades this discussion of the unconcious and unacknowledged racism of white colleagues and points the way to a more diverse and inclusive future.

Josh Fernandez is a community college professor who finds himself under investigation for “soliciting students for potentially dangerous activities” after starting an antifascist club on campus.As Fernandez spends the year defending his job, he reflects on a life lived in protest of the status quo, swept up in chaos and rage, from his childhood in Boston dealing with a mentally ill father and a new family to growing up in Davis, California, in the basement shows of the early '90s when Nazi boneheads proliferated the music scene, looking for heads to crack. His crew’s first attempts at an antifascist group fall short when a member dies in a knife fight. A born antiauthoritarian, filled with an untamable rage, Fernandez rails against the system and aggressively chooses the path of most resistance. This leads to long spates of living in his car, strung out on drugs, and robbing the whiteboys coming home from the clubs at night.Fernandez eventually realizes that his rage needs an outlet and finds relief for his existential dread in the form of running. And fighting Nazis. Fernandez cobbles together a life for himself as a writing professor, a facilitator of a self-defense collective, a boots-on-the-ground participant in Antifa work, and a proud father of two children he unapologetically raises to question authority.But his parents and academia seem to think Fernandez is failing miserably, putting his children and his students at risk, and they treat Fernandez like he’s a time bomb, ready to explode at any moment. They may have a point.

Signal weaves a story of how culture is central to social transformation, both yesterday and today.This ongoing series is dedicated to documenting and sharing political graphics, creative projects, and cultural production of international resistance and liberation struggles.Highlights of the ninth volume of Signal include:Hell No, We Won’t Glow: Selections from the Anti-Nuclear Power Discography by Dirk Bannink and Sean P. KilcoyneThey Have Calluses on Their Tongues. We Have Calluses on Our Hands. Davide Tidoni interviews Italian artist and self-appointed worker communicator Pietro PerottiClick to Edit: Print on demand and the aesthetics and means for production of the far right by Alex LucasCreative Freedom behind the Iron Curtain Aaron Terry explores the film posters of the

An exemplary story of solidarity in action, Cultivating a Revolutionary Spirit conveys the exhilarating experience of being part of paradigm-changing revolutions.Bill Lankford visited Nicaragua in 1984 to see the Sandinista revolution for himself. What he found led this physics professor to volunteer his skills teaching at the Central American University in Managua. There, he and his students developed a solar cooking project which took on a life of its own, spreading throughout the five countries of Central America.In Cultivating a Revolutionary Spirit, Bill describes how local women used the tools of carpentry to build solar ovens and how they used the tools of feminism to take more control over their own lives and their communities. Bill leveraged his personal resources as a white North American man—professionally educated, fluent in English, with access to money and connections—to facilitate the work of Central American women who started by building ovens and went on to create an array of projects to meet basic needs, improve health, and increase access to educational and leadership opportunities for women.

Riding More with Less is the bike repair manual for everyone else. Pulling away from the obsolescence and disposability so often implied within consumer economies, the book surveys experienced community bike shop mechanics worldwide to identify the best and safest repair solutions when new parts are not an option. For those already familiar with the finer arts of bicycle preservation, Riding More with Less aligns the most useful technical references within a well-organized compilation of the most effective low-cost and for-free repair techniques. And for the uninitiated, the book includes an overview of the community bike shops many readers may find in their own neighborhoods, where many begin to discover real alternatives.Presented in a compact and info-rich writing style, the technical discussion within Riding More with Less goes beyond identifying innovative techniques for fixing bikes with little or no money to demonstrate just how common these approaches really are. Most cyclists globally do not ride expensive or even modern ones, after all, and from this perspective the option of new repair parts might even be exceptional, rather than normative. Moreover, the Covid pandemic underlines how supply chain disruptions beyond our control can lead larger numbers of people towards reusing salvageable bike parts and other creative solutions.

Class, Race, and Gender: Challenging the Injuries and Divisions of Capitalism is for those who want to understand the underlying connections among today’s social justice movements.Bringing forth the basic operations of capitalist economies, it reveals what is driving many of today’s most urgent and vexing problems: the common origins of the inequalities of income, wealth, and power; environmental devastation; militarism; racism and white supremacy; patriarchy and male chauvinism; periodic economic crises; and the cultural conflicts that are tearing at US life.Michael Zweig illuminates all propositions with specific examples from US history, from the first settlement of the New World to current life, including his own lived experiences as an activist, educator, and organizer over the past six decades. As such, the book is an urgently needed resource for activists and organizers seeking structural and moral transformation of life in the US. Building on his analysis, Zweig also presents strategies for political action in electoral and movement-building work.

Anton Pannekoek (1873-1960), the Dutch astronomer and Marxist revolutionary, was a key theoretician of council communism¿a Marxist alternative to both Leninism and Social Democracy that instead emphasized working-class self-emancipation through workers¿ councils. The first half of this book walks the reader through the fundamentals of council communism and the conditions that led to the development of these ideas. The second half of the book demonstrates the rich depth of Pannekoek¿s thinking, with penetrating essays and insightful letters on revolutionary organization, state capitalism, Marxism, the limitations of trade unions and political parties, the potential of wildcat strikes, public vs. common ownership, the necessity of combining organization and freedom, the deceptiveness of parliamentarism, workers¿ councils, the vital importance of working-class self-emancipation, and more.With the recent resurgence in the naïve hope that Democratic Socialism and trade unionism can act as radical methods to meaningfully confront or even overthrow capitalism, Pannekoek¿s council communist ideas encourage workers to think for themselves rather than submit to the dead-end traditions of the old movement and embrace the collective self-activity that can build a new movement capable of overcoming the struggles we face ahead.

Beneath the Pavement the Garden is a coloring book featuring the artwork of N.O. Bonzo. Kids and adults of all ages are invited to let their imagination soar with this beautiful celebration of the many forms of anarchism, from direct action and mutual aid to abolition and community gardens, and more.

From the cooks who have quietly fed rebels and revolutionaries to the collective kitchens set up after hurricanes and floods, food has long played a crucial role in resistance, protest, and mutual aid. Until very recently, food-based worksteadfast and not particularly flashyslipped under the radar or was centered on celebrity chefs and well-funded nonprofits. Adding to a growing constellation of conversations that push against this narrative, Nourishing Resistance centers the role of everyday people in acts of culinary solidarity.Twenty-three contributorscooks, farmers, writers, organizers, academics, and dreamerswrite on queer potlucks, BIPOC-centered farms and gardens, rebel ancestors, disability justice, indigenous food sovereignty, and the fight against toxic diet culture, among many other topics. They recount bowls of biryani at a Delhi protest, fricas de conejo on a Puerto Rican farm, pay-as-you-want dishes in a collectively-run Hong Kong restaurant, and lemon cake cooked in a New Jersey disaster relief kitchen. They chronicle the communal kitchens and food distribution programs that emerged in Buenos Aires and New York City in the wake of COVID-19, which caused surging food insecurity worldwide. They look to the past, revealing how Bella Ciao was composed by striking women rice workers, and the future, speculating on postcapitalist worlds that include both high-tech collective farms and herbs gathered beside highways.Through essays, articles, poems, and stories, Nourishing Resistance argues that food is a central, intrinsic part of global struggles for autonomy and collective liberation.

In this gorgeous collection of allegorical stories, Subcomandante Marcos, idiosyncratic spokesperson of the Zapatistas, has provided 'an accidental archive' of a revolutionary group's struggle against neo-liberalism. For 30 years, the Zapatistas have influenced and inspired movements worldwide, showing that another world is possible. They have infused Left politics with a distinct imaginary - and an imaginative, literary or poetic dimension - organizing horizontally, outside and against the state, and with a profound respect for difference as a source of political insight, not division. Marcos's inspiring and sometimes Kafkaesque stories bear witness to how a defense of indigenous traditions can become a lever for the construction of a new anti-capitalist and anti-patriarchal world. With commentaries that illuminate their historical, political, and literary contexts and an introduction by the translators, this timeless elegiac volume is perfect for lovers of literature and lovers of r

Climate change is already affecting millions of people. Governments talk about taking action to limit global heating to 2 degrees Celsius above pre-industrial levels, but the greenhouse gas emissions allowed by their policies have the Earth on track to heating far more than that by the end of the century - a level of heating that will have truly disastrous consequences. Visionary plans for how to slash emissions and make society better at the same time abound, including various Green New Deals. But how can we make the changes that are so urgently needed? Future on Fire argues that a just transition from fossil fuels and other drivers of climate change will not be delivered by businesspeople or politicians that support the status quo. Nor will electing green left leaders be enough to overcome the opposition of capitalists and state bureaucrats. Only the power of disruptive mass social movements has the potential to force governments to make the changes we need, so supporters of climate