Bøger udgivet af Pomegranate Communications Inc,US

The Addams Family: An Evilution is the first book to trace The Addams Family history, presenting more than 200 cartoons created by Charles Addams (American, 1912-1988) throughout his prolific career; many have never been published before. Text by H. Kevin Miserocchi, director of the Tee and Charles Addams Foundation, offers a revealing chronology of each character's evolution, while Addams's own incisive character descriptions, originally penned for the benefit of the television show producers, introduce each chapter. As the presence of the Family continues to permeate generation after generation, and in celebration of the Broadway musical debuting in 2010, this book reminds us where these oddly lovable characters came from and, in doing so, offers a lasting tribute to one of America's greatest humorists. Includes more than 200 cartoons (approximately 50 are published here for the first time), many in color.

This sketchbook gives you the opportunity to learn how Harper captured his subjects with the fewest possible visual elements. For each of the twenty-eight birds featured herein, weve included a four-page presentation. On the first page, you will find line drawings that show a three-stage process for recreating Harpers image. The line drawings build on each other the first one presents the most basic shapes, the second further develops the form of the bird, and the third com-pletes the image with all the details.

This sorry tale of petite Charlotte Sophia's catastrophic, short life is classic Gorey. The poor child is orphaned and treated mercilessly by schoolmates and ruffians alike, and only barely survives--for a time, anyway--by the skin of her baby teeth. Even her doll suffers a grusome end. The little girl's journeiy is perfect fodder for Edward Gorey's brilliant penwork, so detailed and perfectly wrought that it's hard to believe he could master these images at such a small size (the illustrations reproduced in the book ar the same size as his original drawings). The Hapless Child is widely regarded as one of Gorey's best books; happily it is now back in print after an absence of many years, so that we can all enjoy weeping for CHarlotte Sophia again...and again, and again.

The master creator of finely crosshatched illustrations and sinisterly amusing tales, Edward Gorey (American, 1925-2000) got his start in publishing by designing book covers for such New York houses as Doubleday, Grosset & Dunlap, Vintage Books, and later Random House. Today, his prodigious output of hundreds of dust jackets and paperback covers evidences his distinctive flair for design and his extraordinary ability to portray the essence of the books that came his way. Edward Gorey: His Book Cover Art & Design features a broad selection of his work, created from 1953 to 2000. In his essay, Steven Heller offers an insightful overview of Gorey's book cover art and design. He writes, "Successful cover design requires the expertise of an artist, typographer, poster designer, and logo maker. Many book design specialists were incapable of designing a cover or jacket with the same Gorey aplomb, even if they tried."

Inspired by Molly Hashimoto's colorful block prints, this activity book offers a wealth of creative fun for kids of all ages, for solo or group enjoyment. Puzzles and games, language builders, and art projects utilize Hashimoto's illustrations and subjects to promote creative thinking and play. Included are: Coloring pages Connect the Dots Cut-out Finger Puppets Hidden Word Pictures Word Scrambles Rhyming Fun Fill-in-the-Blanks Story Mazes Spot the Difference Word Searches Grid Drawing Logic Problems . . . and more! Kids will also learn about Molly Hashimoto in the introductory text. This book is perfect for both family fun and individual quiet time.

Inspired by Charley Harper's bright, engaging imagery, this activity book offers a wealth of creative fun for kids of all ages, for solo or group enjoyment. Puzzles and games, language builders, and art projects utilize Harper's illustrations and subjects to promote creative thinking and play. Included are: Coloring pages Connect the Dots Cut-out Finger Puppets Step-by-Step Drawing Word Scrambles Rhyming Fun Fill-in-the-Blanks Stories Mazes Spot the Difference Word Searches Grid Drawings Logic Problems . . . and more! Kids will also learn about Charley Harper in the introductory text. This book is perfect for both family fun and individual quiet time.

In celebration of the hundredth anniversary of women's suffrage in the United States, this reissue of Women of the World: A Global Collection of Art presents 174 artworks by 174 women from 174 countries, combining to present an aggregate, powerful statement about the continuity of women's struggles and accomplishments worldwide. Women of the World is an affirmation of survival of the will, of commonality that subsumes difference, of courage under fire, and of grace in adversity. In the 1990s, artist and world traveler Claudia DeMonte posed a question-What image represents "woman"? She invited women to create a work of art that expressed in their view the essential quality of woman. After three years spent locating the artists through embassies and various professional connections, she assembled the works in a historically unique exhibition that traveled internationally and was documented by this book. DeMonte saw the project as a means to show the differences in how art is made and perceived, and it achieves that goal. But there was another, unforeseen, and joyous effect of the accumulation of images. Here, the visionary and the everyday come together to render a global image of female experience. Traditional art in ancient media gleefully joins with multimedia constructions that sing or glow. Individually superb, these works of art together are a moving expression of self from people whose voices have rarely been heard. First published in 2000, Women of the World is just as meaningful today.

Amusingly strange and curiously compelling, Charles Addams' cartoons give a sly wink and a nod to scenes of everyday life in New York, Addams-style. His dark wit and deft hand lend themselves to subterranean themes of love and relationships, secrets and obsessions, subway stations and Lady Liberty. In Addams' Apple: The New York Cartoons of Charles Addams, we witness an artist inspired by the quirks of his fellow New Yorkers and the singular nature of their city-itself one of Addams' characters. In her foreword, Sarah M. Henry (Museum of the City of New York) highlights Addams' offbeat insights into the institutions and mindsets that define the city's culture. Luc Sante's preface explores Addams' unique place in American culture. Addams' Apple presents more than 150 cartoons created by "Chas" Addams (American, 1912-1988) throughout his prolific career; some have never been published before. More of the artist's work can be seen in The Addams Family: An Evilution (Pomegranate, 2010).

Ningiukulu Teevee thinks in pictures, and drawing is her language. She is a soft-spoken storyteller, but her message is clear and strong, and with it she is expanding the narrative of the North, breaking new ground for Inuit art. Teevee hails from Cape Dorset, home to a multigenerational community of artists and the Kinngait Studios, the longest continually operating print studios in Canada. Her inventive images first appeared in the studios' annual collection of limited-edition prints in 2004 and have been represented every year since. Her work is rooted in respect for traditional Inuit culture and an abiding love of family, but along with artists such as Tim Pitsiulak and Annie Pootoogook, Teevee has proven unafraid of pushing artistic boundaries. In drawings alive with mischievous charm or weighted by a grittier reality, she often merges traditional Inuit art with contemporary aesthetics, revealing positive and negative changes to life in Arctic communities. In 2009, Teevee's illustrated children's book, Alego, was shortlisted for a Governor General's award. In 2017 Ningiukulu Teevee: Kinngait Stories, curated by the Winnipeg Art Gallery, opened at the Canadian Embassy in Washington, Dithe first major retrospective of Teevee's career to date. Ningiukulu Teevee: Drawings and Prints from Cape Dorset is the first monograph on the artist's work. Presented here are more than eighty reproductions and photographs, with critical context provided by Leslie Boyd, former director of Dorset Fine Arts, Toronto. Teevee's art has been exhibited widely and is in collections around the world, among them the Art Gallery of Ontario, the McMichael Canadian Art Collection, and the National Gallery of Canada.

An accomplished member of the early twentieth-century Arts and Crafts movement, William S. Rice was also a dedicated teacher. By the time he published Block Prints: How To Make Them in 1941, he was an instructor at the University of California, having just retired from a forty-year career teaching art in California's public secondary schools. Already an illustrator and watercolorist when he moved to the Bay Area in 1900, Rice began making block prints as early as 1915-the same year as the Panama-Pacific International Exposition, a turning point for the artist. Little was needed in order to make block prints at home, and Rice set to work in the attic studio of his East Oakland bungalow. As Rice would go on to describe in his extremely practical guide to block printing, an artist could get started with basic tools, wood or linoleum blocks, inks, and paper, even repurposing household items to their advantage. Now back in print after a long absence, Block Prints: How To Make Them is an eminently readable guide that remains as functional as the day it was made. Written for the novice, Rice's every instruction is provided with a dose of steadying encouragement. The modern crafter or art student will find useful guidance in the contributions of Martin Krause, author of this new edition's introduction. His footnotes added throughout provide context to the original edition, translate terminology that might be unfamiliar, and provide updates where needed. As Rice wrote in his preface, this book "is offered with the sincere hope that it may prove both instructive and encouraging to those who are seriously interested in this most absorbing handicraft."

Spirit, as Robert Bissell says, is nearly impossible to describe. It's full of magic and mystery, and you can find it only when you allow yourself to experience it firsthand. This is something best done in the natural world. Zoomorphism, using animals to show us human qualities, is Bissell's way of pointing out, with a smile or a nod, that we are all part of a multidimensional world. Humans are animals too, sharing spirit with the rest of the universe, but our curiosity often takes us into an exploration of our consciousness, where we can discover courage, loving-kindness, and compassion. Spirit: The Art of Robert Bissell includes more than 130 of Bissell's artworks that help illuminate the universal quest into the world of spirit. His familiar bears and rabbits are joined by elephants and humans as they find love and connection. Spirit guides offer help along the way, but in the end, each of us takes a unique, truly individual journey through life, and the end is simply the beginning of a new adventure. Bissell (American, b. England 1952) often finds inspiration through the insights of others, and quotations from other travelers accompany his artworks.

Edward Gorey is famous for masterful pen-and-ink crosshatched drawings and ironic, offbeat humor. He won critical acclaim and an avid worldwide following during his prolific career. He produced more than one hundred illustrated works, created prize-winning set and costume designs for Broadway shows, published numerous illustrations for a variety of publications, and illustrated the works of many well-known authors, including Raymond Chandler, T. S. Eliot, Gilbert & Sullivan, Edward Lear, Bram Stoker, John Updike, and Virginia Woolf. With his enigmatic and often darkly humorous tales full of eccentrics, Gorey left his unique stamp on American art and culture. Bats, cats, and men in fur coats make frequent appearances in his artwork, as do exotic and quirky creatures known only in the trademark crosshatched drawings emanating from his pen. All of Gorey's characters inhabit an enigmatic, often vaguely Edwardian world, where human foibles and frailties are deftly assuaged by witty flights of fantasy.