Bøger udgivet af Pomegranate Communications Inc,US

Astonishingly brief, captivating, decidedly engaging, for Goreyphiles: here. Its jolly, keen language meanders neatly. One ponders, quietly, rather strange tableaux. Uses verbs winsomely. Excited, you? Zowee! What's this all about? In the mid-1990s Edward Gorey launched a numbered series of "Thoughtful Alphabets" featuring cryptic twenty-six-word stories wherein the first word begins with A, the last with Z. The first six Thoughtful Alphabets published (numbers 2, 3, 4, 10, 14, and 15) were hand-lettered posters with clip-art illustrations. Numbers XI and XVII, however, emerged as signed limited-edition books featuring happily for us Gorey's own drawings. First published by The Fantod Press but long out of print, these two gems are revived in Thoughtful Alphabets: The Just Dessert and The Deadly Blotter. In each, Gorey's inimitable drawings weave a tale of suspense and intrigue; the story proceeds as the alphabet progresses.

Emblus Fingby's life was changed forever with the unexpected arrival of the osbick bird. The two became inseparable companions, enjoying card games, musical interludes, and sunset strolls. They took tea together, passed the time making arts and crafts, and perhaps only occasionally had disagreements. Their curious relationship came to an end only with the utmost display of loyalty. In The Osbick Bird, Edward Gorey neatly examines the uncertainties of life with his signature unsettling humor and deftly drawn illustrations. Find meaning where you will among the twinkling rhymes and crosshatched lines: Is this tender tale a primer on friendship, or possibly an examination of an artist and his muse? Though short in length, the story is sure to linger long in your imagination.

Originally published: Reading, MA: Addison-Wesley, 1969 (Donald and the ...); and New York: Fantod, 1970 (Donald has a difficulty).

Youll find twenty-two of Vang Olsens cat portraits in this coloring book. They are shown as small reproductions on the inside front and back covers. When you color in the pictures, you might want to copy the colors the artist used, or you might be inspired to use different ones.

Edward Gorey and Peter Neumeyer met in the summer of 1968. Gorey had been contracted by Addison-Wesley to illustrate "Donald and the...," a childrens story written by Neumeyer. On their first encounter, Neumeyer managed to dislocate Goreys shoulder when he grabbed his arm to keep him from falling into the ocean. In a hospital waiting room, they pored over Goreys drawings for the first time together, and Gorey infused the situation with much hilarity. This was the beginning of an invigorating friendship, fueled by a wealth of letters and postcards that sped between the two men through the fall of 1969.Those letters, published here for the first time, are remarkable in their quantity and their content. While the creative collaborations of Gorey and Neumeyer centered on illustrated books, they held wide-ranging interests; both were erudite, voracious readers, and they sent each other many volumes. Reading their discussions of these books, one marvels at the beauty of thoughtful (and merry) discourse driven by intellectual curiosity.The letters also paint an intimate portrait of Edward Gorey, a man often mischaracterized as macabre or even ghoulish. His gentleness, humility, and brilliance--interwoven with his distinctive humor--shine in these letters; his deft artistic hand is evident on the decorated envelopes addressed to Neumeyer, 38 of which are reproduced here.During the time of their correspondence, Peter Neumeyer was teaching at Harvard University and at SUNY Stony Brook, on Long Island. His acumen and compassion, expressed in his discerning, often provocative missives, reveal him to be an ideal creative and intellectual ally for Gorey.More than anything else, "Floating Worlds" is the moving memoir of an extraordinary friendship. Gorey wrote that he felt they were part of the same family, and I dont mean just metaphorically. I guess that even more than I think of you as a friend,

More than 45 animals, delightfully depicted by Charley Harper, shine from the pages of this board book. Rhyming text by Zoe Burke names them all in read-aloud-fun fashion.

A happy, naive family enters the Evil Garden (free admission!) to spend a sunny afternoon in its inviting landscape, lush with exotic trees and flowers. They soon realize their mistake, as harrowing sounds and evidence of foul play emerge. When humongous hairy bugs, famished carnivorous plants, ferocious fruit-guarding bears, and a sinister strangling snake take charge, the family's ominous feelings turn to full-on panic but where's the exit?Edward Gorey leads us through this nefarious garden with a light step. His unmistakable drawings paired with engaging couplets produce giggles, not gasps. Perhaps "The Evil Garden" is a morality tale; perhaps it's simply an enigmatic entertainment. Whatever the interpretation, it's a prime example of the iconic storytelling genius that is Edward Gorey.

The artist Edward Gorey (American, 19252000) created a diverse menagerie ranging from Menacing Monsters to Sleepy Cats. One of his creepiest Creatures was an Ump renowned for its Wuggliness. Mr. Gorey drew the Ump, from its little wilful eyes to the tip of its snakey tail, and he wrote down its scarey story. The whole thing is here for you to color, along with some other pictures of Cats, a Lion, several Little Girls, and two Ladies in Very Big Hats. You will find twenty-two of Goreys pictures in this coloring book. They are shown as small pictures on the inside front and back covers. Sometimes Gorey used color, but quite often he simply drew with black ink. Still, hed have been curious to see what colors you might add to his drawings

Twenty-six curious creaturesfrom the fastidious Ampoo to the world's one and only Zotefill the pages of The Utter Zoo, an alphabet from the untamed imagination of Edward Gorey. The Boggerslosh, the Crunk, and the Dawbis; the Ippagoggy, the Jelbislup, and the Kwongdzu; the Scrug, the Twibbit, and the Ulpeach strange and wonderful zoomate displays its own primary characteristic, described in Gorey's inimitable, droll, rhyming couplets. A writer and artist with an instantly recognizable style, Gorey (American, 19252000) created over one hundred works and was also a playwright, an award-winning set and costume designer, and the creator of the animated introduction to the PBS series Mystery! First published in 1967, The Utter Zoo is a favorite of Gorey fans, young and old alikeno matter how well they know their ABCs.

The strictest and purest of poetic forms, the Japanese haiku contains in its seventeen sound characters (on) a reference to a season as well as a distinct pause or interruption. Cherry blossoms and swallows might refer to spring; red maple leaves and deer usually imply autumn. These seasonal allusions emphasize the essence of haiku: nature and its ephemeral beauty. The graceful, evocative haiku featured here were composed by the renowned Japanese haiku masters of the past four hundred years, including Matsuo Bash, Taniguchi Buson, and Kobayashi Issa. The deceptively simple poemsrendered in English with Japanese calligraphies and transliterationsare paired with exquisite eighteenth- or nineteenth-century paintings and ukiyo-e prints and twentieth-century shin hanga woodcuts from the Art Gallery of Greater Victoria, Canada. With their depth and delicacy, wide range of subtle hues, and time-honored focus on landscapes, birds, and flowers, these artworkslike their haiku counterpartsquietly capture a moment in time. Haiku: Japanese Art and Poetry presents thirty-five pairs of poems and images, organized seasonally. The Introduction details the origin and development of haiku, the lives of the most famous poets, and the obstacles faced when translating the concise yet complex lines.

William Morris was an English artist and designer who lived from 1834 to 1896. One of his many talents was drawing wallpaper designs. Youll find 22 of his designs in this coloring book. They are shown as small reproductions on the inside front and back covers. When you color in these designs, you might want to try to copy his colors, or you might decide to use your own. Youll notice that for three of the designs, he used just one color, or shades of one color, plus white. Will those designs look better to you with lots of color? See what you think!

Soft cover book with staple binding. 48 pages with 22 images to color. Coloring pages are blank on the back so they can be cut out and displayed.

An intimate photographic tour of Edward Gorey's strange and wonderful house.