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The year is 1984. In the heart of Hong Kong, Kowloon Walled City seethes with human passions, both good and evil. Not a single ray of light penetrates this fortress of hope and despair. This is a lost, illicit city filled to bursting with shady businessmen, drug dealers, junk shops, and desperate gamblers seeking an avenue for one last thrill. It is said that the police do not dare to enter. Whether this is true or not remains a mystery. Fang, a heroin slinger and a brother of the 14K, becomes a marked man beneath the roars of the crowd, fists bloodied. The love of his life stands between him and his glory, a choice that may never be reconciled. The Siu Nin a Fu, an annual martial arts tournament calling the very best warriors from across the globe to the depths of Kowloon Walled City, is about to take place. Buried in liquor, needles, and smoke, Fang's future is about to take flight. Take a step into the black tapestry of the past, where ghosts walk the dim, decrepit alleys as if neon still fell upon their defeated shoulders. Kowloon Walled City, 1984. A shredded memory of a living, breathing entity that once was... and is no longer.
Laurence Sterne's Life and Opinions of Tristram Shandy, Gentleman (1760) is one of the first English novels to stray from such classical literary guidelines as those outlined in Aristotle's profoundly influential Poetics which, until this time, have traditionally governed the style of poetic and dramatic, but also prose compositions. With reference to John Locke's Essay Concerning Human Understanding, this paper will explore how this deviation leads Tristram, in the series of events stemming from his birth, to a more precise imitation of nature than, perhaps, adherence to these guidelines could have procured.
Vester Vade Mecum: A Collection of Short Fiction compiles a variety of important imaginative texts. This book collects many enduring works of English literature, featuring authors such as Washington Irving, Mary Shelley, Herman Melville, Oscar Wilde, Pauline Hopkins, Stephen Leacock, Howard Phillips Lovecraft, and others. Plus, the collection includes select fables by Aesop and fairy tales by the Brothers Grimm, because such works are so foundational to the body of English literature that developed since. This is a collection to delight educators and pupils alike.
While playing a silly game, four bored yachtsmen find a mysterious copper cylinder bobbing along the sea. They soon discover the briny cylinder contains a massive script, a journal of sorts, detailing the adventures of Adam More, a sailor lost at sea. Examining the script reveals More's incredible story of drifting across the ocean, sailing to lost lands, encountering giant beasts, and meeting truly peculiar people. This is a satirical tale that is sure to entertain!
The True Story of the Three Billy Goats Gruff: The Troll's Side of the Story was written by David Reynolds when he was just a young boy. Subtle and charming, this reinterpretation of the Norwegian folktale considers the perspective of the kind troll who falls prey to the prejudice of the eldest goat Gruff. Illustrations by Myles Reichel give this tale life. Plus, this edition also includes Sir George Webbe Dasent's translation of the classic folktale.
Quodlibets, by Robert Hayman, is quite likely the first work of English poetry penned in North America. Hayman composed this collection of witty verses during his service as governor of the English colony in Harbour Grace, Newfoundland. Containing original poetry in addition to his translations of pieces by John Owen and Francois Rabelais, Hayman's poetic insight reflects on faith and the church, thieves and knaves, good wives and whores, as well as the beauty of Newfoundland's rugged landscape. This is a saucy appeal from an adventurer's soul, beckoning others to settle in Newfoundland. This edition has been adapted and introduced by David Reynolds.
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